Paul Picerni Movies

In this convoluted thriller a manipulative woman gets entangled in her own web of deceit. The story is set in Mexico, where an unlucky wanderer has come to fish. There he falls for a woman that he spied on the beach. She begs the drifter to murder her domineering husband. The man refuses, but does not leave her. Upon learning that he has been cuckolded, the enraged husband fakes his own death in the hopes of framing his wife for the murder. A sleazy detective clears her name officially, but then he begins blackmailing her. If she doesn't pay, he will reveal the affair she has been having. She stops that game by murdering the gumshoe. She is shocked to discover that her husband is still alive. Finally, the three characters meet upon the beach. There she shoots her husband. As he dies he shoots her back. She dies in her lover's arms. ~ Sandra Brennan, All Movie Guide

This suspense film revolves around the crime of child abduction. The parents of the missing child undertake a feverish search for their son. The police are contacted, and a ransom letter is received. ~ Sandra Brennan, All Movie Guide

Phil Karlson, well-regarded by film buffs for his tough, no-nonsense crime dramas, directed this adventure story shot partially on location in the Caribbean. Mike Cormack (John Payne) was once a District Attorney, until his fiancée, Janet Martin (Mary Murphy), left him to marry another man. Depressed, Mike began drinking heavily, and eventually his alcoholism cost him his job. Trying to pull himself back up after hitting bottom, Mike gets a job as a bouncer at a casino in Las Vegas. Barzland (Francis L. Sullivan), a handicapped criminal, approaches Mike with an unusual offer. Barzland will pay Mike $5,000 if he can locate a ruby that went missing following the disappearance of a plane in the West Indies. Mike discovers that the reason he was picked for this job is that the pilot of the plane, Eduardo (Paul Picerni), is the man Janet chose to marry, and Barzland and his men believe that she might have clues as to the ruby's whereabouts that Mike could uncover. However, when Mike arrives to meet with Janet, he discovers that Eduardo is now in jail, and Janet begins to snare Mike in a web of lies and deceit. Hell's Island was rereleased in 1962 under the title South Sea Fury. ~ Mark Deming, All Movie Guide

Produced and directed by the prestigious Frank Lloyd, The Shanghai Story was promoted as a "class" production by the bread-and-butter firm of Republic Pictures. The film takes place in the eponymous far-eastern metropolis (courtesy of the Republic backlot), where Communist police chief Colonel Zorek (Marvin Miller) hopes to trap an American spy. Zorek rounds up the usual suspects and sequesters them in a seedy hotel. Could the spy be Dan Maynard (Edmond O'Brien), a cynical doctor? Is it munitions profiteer Ricki Dolmine (Barry Kelley)? Perhaps it's two-fisted mercenary seaman Knuckles Greer (Richard Jaeckel). Orrrrrrr, maybe it's the mysterious Rita King (Ruth Roman), who is inexplicably given permission to come and go as she pleases by the otherwise intractable Zorek. True to form, this Republic A-picture resolves its problems with a final reel of good old B-flick action and violence. ~ Hal Erickson, All Movie Guide

Auto mechanic and wannabe race-car driver Eddie Shannon (Mickey Rooney) allows himself to be led perilously astray in Drive a Crooked Road. Responding to the come-hither looks of sexy Barbara Mathews (Dianne Foster), Eddie is inveigled into participating in a bank heist. Things then go from bad to worse to awful for both Eddie and Barbara, victims of circumstance in a larger-scale scheme masterminded by hoodlums Steve Norris (Kevin McCarthy) and Harold Baker (Jack Kelly). Without ever justifying their actions, Drive a Crooked Road manages to engender plenty of audience sympathy for the hapless hero and heroine. The film was written by Blake Edwards and directed by Richard Quine, the same team responsible for such Mickey Rooney comic vehicles as All Ashore and Sound Off! ~ Hal Erickson, All Movie Guide

Two bank robbers get away with 250,000 dollars in unmarked, unrecorded bills, murdering a guard in the process. The police know the leader was Harry Wheeler (Paul E. Richards) and turn their attention to his girlfriend, Leona McLane (Kim Novak), detective Paul Sheridan (Fred MacMurray) arranging to pick her up in a "chance" meeting at a movie and spend some time with her. After one day, he knows what he needs to -- that she's not in touch with Wheeler, but expects to be -- but he keeps things going between them for three more days. By the time the department has a full surveillance team in place, he can't get her off his mind, and when she discovers that he's a cop and raises the notion of letting events take their course with Wheeler (i.e., him ending up dead) and the two of them keeping the money, he's hooked. Sheridan is fast on his feet and a quick thinker and sees how he might pull this off and get the two of them away clean. But he doesn't bargain for the alcoholism of one of the detectives (Allen Nourse) on the surveillance team, the inquisitive nature of his squad commander (E.G. Marshall), or the attachment that his younger associate (Philip Carey) develops for a nurse (Dorothy Malone) living in the building they're observing. Kim Novak had previously appeared in small roles in some films at RKO, but The Pushover marked her formal introduction to audiences as a star, and she more than lives up to the billing and the buildup she received, her acting ability and her physique easily carrying her end of the picture (she's onscreen alone for long minutes under observation, and is convincingly seductive), while MacMurray gives one of the best performances of his career, rivaling his work in Double Indemnity, The Caine Mutiny, and The Apartment. ~ Bruce Eder, All Movie Guide

The Desert Song is the third film version of the famous Sigmund Romberg/Oscar Hammerstein Jr. stage operetta. Gordon MacRae plays the wimpish American tutor of lovely Kathryn Grayson, the daughter of a military officer stationed in Arabia. Under cover of night, MacRae assumes the identity of the Red Shadow, head of the Riffs, who fights against the oppression of a cruel local potentate (Raymond Massey). Circumstances force MacRae to kidnap Grayson and spirit her away to his desert headquarters, where she eventually sees the wisdom of his mission and falls in love with him. With Grayson's help, the Red Shadow thwarts Massey's plans to massacre all "foreigners" living in his domain. The story was old-fashioned even when Desert Song was first produced in the 1920s, but the songs, including One Alone, The Riff Song and the title tune, still retain their audience appeal. The only serious detriment to the 1953 Desert Song is the comedy relief of Dick Wesson as a wisecracking American reporter, a wearisome carryover from the stage original. ~ Hal Erickson, All Movie Guide

There's no obvious motive when a police officer is killed in a drive-by shooting on the steps of his own house. But after Friday (Jack Webb) and Smith (Ben Alexander) trace the "murder car" to a man named Hymie Flores (Paul Picerni), it becomes obvious that the killer was ex-con Jake Carver (Tony Barrett), who had a personal vendetta against the victm. Ultimately, Carver is arrested for another killing and sentenced to life imprisonment. Still hoping to gather enough evidence to send Carver to the gas chamber, Friday goes undercover as a fellow prisoner. This episode is based on the Dragnet radio broadcast of March 2, 1950. ~ Hal Erickson, All Movie Guide

This simplified (but lavish) remake of the 1933 melodrama The Mystery of the Wax Museum was the most financially successful 3-D production of the 1950s. In his first full-fledged "horror" role, Vincent Price plays Prof. Henry Jarrod, the owner of a wax museum, whose partner, Matthew Burke (Roy Roberts), intends to burn the place down for the insurance money. When Jarrod tries to prevent Burke from torching the museum, he himself is trapped in the conflagration. Years pass: though now confined to a wheelchair, Jarrod manages to open up a new museum in New York, boasting the most incredibly lifelike wax statues ever seen. At the same time, a masked prowler has been stalking the city, murdering people and then stealing their bodies from the mortuary. One of the victims is Jarrod's old nemesis Burke; another is Cathy Gray (Carolyn Jones), the roommate of art student Sue Allen (Phyllis Kirk). On a visit to the wax museum, Sue can't help but notice that the wax likeness of Joan of Arc is a dead ringer for her deceased friend Cathy -- while the courtly Jarrod declares joyously that Sue is the living image of Marie Antoinette. Guess where this is going to wind up? Frank Lovejoy and Paul Picerni co-star as the nominal heroes, while Charles Bronson -- still billed as Charles Buchinsky -- is a menacing presence as Jarrod's deaf-mute chief sculptor (appropriately named "Igor"). No opportunity to show off the 3-D process is wasted during House of Wax; the most memorable stereoscopic moments are provided by garrulous "paddle-ball man" Reggie Rymal. Ironically, Andre De Toth, the film's director, had only one good eye, and had to constantly ask his cast and crew if the various 3-D effects had come off properly. ~ Hal Erickson, All Movie Guide

Cattle Town is a rare low-budget western from the Warner Bros. mills. Dennis Morgan plays Mike McGann, a troubleshooter sent out by the governor of Texas to keep a group of dispossessed ranchers from causing trouble. Disgusted by the activities of land baron Judd Hastings (Ray Teal), who has the law on his side, McGann casts his lot with the ranchers, though he still intends to keep violence to a minimum. He also finds time to sing four public-domain songs, a la Gene Autry. The supporting cast of Cattle Town is, in retrospect, a fascinating one, including future soap opera star Philip Carey, Amanda "Miss Kitty" Blake, and multi-award-winner Rita Moreno. ~ Hal Erickson, All Movie Guide

Loosely based on the true story of Lieutenant Colonel Peter Ortiz, this mystery centers on an American WW II veteran who heroically served as both an officer and a member of the French Foreign Legionnaire. During the war he had been instrumental in assisting in the French Resistance. With such a sterling war record--his exploits are revealed via flashback-- it is therefore a great shock when he is charged with the murder of a Resistance leader. It does not help that the accused lieutenant is thought dead following a key mission and is not around to clear his sullied name. During the trial, several dubious witnesses tell their version of the tale. A former communist spy presents the most conclusive "proof" that the lieutenant killed the Resistance leader. Fortunately, the lieutenant is not dead and bursts in at the crucial moment to clear his name and point out which of the witnesses is the real killer. ~ Sandra Brennan, All Movie Guide

If one is a subscriber to cable TV's American Movie Classics, it is virtually impossible to avoid seeing the John Wayne starrer Operation Pacific; judging by the frequency of its showings, the film must be someone's very special favorite down at AMC. Set during WW II, the film casts Wayne as Duke Gifford, two-fisted submarine commander. Patricia Neal co-stars as Mary Stuart, Duke's former wife. Duke's hopes of staging a reconciliation are constantly interrupted by a series of life-threatening circumstances, capped by the rescue of a group of orphans from a Japanese-held island. Featured in the cast are old John Wayne cronies Ward Bond and Jack Pennick, as well as TV's future Jim Bowie, Scott Forbes. Operation Pacific might prove a fascinating companion feature to 1964's In Harm's Way, which reteamed John Wayne and Patricia Neal in another WW II Navy yarn. ~ Hal Erickson, All Movie Guide