Sian Phillips Movies

Per its title, director Richard Bracewell's low-key, über-British dramedy The Gigolos concerns itself with two male employees of a London-based escort service for women. The picture, however, places far greater emphasis on investigating the relationship between the men per se than it does on exploring the dynamics between the hired companions and their female clients. Sacha Tarter stars as Sacha, a male escort for a firm that caters to affluent society women. Most are middle aged, a few elderly. He is paid to provide them with classy evenings out, and occasional sex upon request. Sacha's "gent" (or pimp/manager), Trevor (Trevor Sather) arranges Sacha's dates and uses his own excellent taste (in food, wine, flowers, and various accoutremenets) to select gifts for Sacha's clients, but is a klutz when it comes to his own personal interaction with women. When Sacha) twists his ankle during an evening out with a fashion designer, Tessa Harrington (screen legend Susannah York), Trevor must temporarily tend to his clients. As Trevor's social skills improve, however, and evenings go supremely well, he begins to fancy himself an escort and steals several of Sacha's clients for himself. Angered, Sacha decides to fight back. Anna Massey (Frenzy) and Sián Phillips (I, Claudius) co-star; Bracewell, Sather and Tarter co-authored the script. ~ Nathan Southern, Rovi

Attila the Hun, fabled leader of a band of nomadic warriors who fearlessly took on the might of the Roman Empire, has his life story brought to the screen in this two-part miniseries. Attila (Gerard Butler) raised an army from the people of Caspia, and in time created a fighting force so strong that they received an annual tribute from the leaders of Rome as an inducement not to attack. Not all Romans were happy with this situation, and in time it was decided that General Aetius (Powers Boothe), a brave yet unscrupulous leader who attempted to usurp the rule of Empress Placidia (Alice Krige), was the only man who could confront Attila on his own terms. Aetius recognized Attila's skills as a leader, and decided the best way to prevent him from invading Rome was to lead him into an alliance, as Rome and the Huns joined forces against a third nation. But despite their mutual respect, it soon became apparent that only one man could be the undisputed leader in a meeting between Rome and the Huns. Attila also features Tim Curry as Theodosius, Simmone Jade MacKinnon as N'Kara, and Reg Rogers as Valentinian. Attila was first aired on the USA Cable Network on January 30 and 31, 2001.
~ Mark Deming, Rovi

Based on a true story, Aristocrats draws back the curtain on an 18th century English family near the summit of society, revealing a tapestry of romance, prejudice, infidelity, and revolution. The three-part TV miniseries follows the four Lennox sisters, daughters of Lord Richmond, from youth to middle age and beyond. They go through marriages, children, scandal, and intrigue as they decide what matters more: position or principle. Part one centers on three of the daughters -- Caroline, Emily, and Louisa -- as they entertain ideas of marrying solely for love, an idea abhorrent to their snooty parents. But in spite of the folks' protests ("What will people think?"), Caroline marries an untitled politician, Henry Fox, about twice her age. Emily chooses, God forbid, an Irishman. But because of his wealth and nobility, he becomes acceptable. Louisa also marries a wealthy Irish noble. Part two centers on the fourth daughter, Sarah. After her debut in London, the diffident Prince of Wales (the future King George III) falls in love with her, but unexpectedly marries another for political advantage. Sarah then rushes into a marriage. But because her cold, neglectful husband cannot provide what she wants most -- love and attention -- she beds with others and the family ostracizes her. In part three, miserable, guilt-ridden Sarah finds true love with a decent military man and reconciles herself with the family. Meanwhile, Caroline dies, and social upheaval in America, France, and Ireland opens the eyes of the surviving sisters to new ideas, and they and their families become embroiled in struggles between the masses and the privileged few. ~ Mike Cummings, Rovi

This downbeat Welsh drama is set in a mining town that's been crushed by an economic collapse. Sid (Steven MacKintosh), Gwenny (Lisa Palfrey), and Boyo (Matthew Rhys) are three grown siblings who must care for their emotionally unstable mother (Sian Phillips) as they try to scrape together a living. Fascinated with American culture, the siblings emulate the hard-living lifestyle of the Beat Generation authors of the 1950s; their mother has told them that their father moved to the United States 15 years ago, and they often write him, hoping to someday join him there. However, he never returns their messages, and no one can explain why. Desperate for money, Sid and Boyo learn that a coal mine in a nearby town is looking for workers, but their mother is terrified that her children will abandon her and begs them not to go. Eventually, Gwenny and Sid, both desperate for comfort, fall into an incestuous relationship. House of America was the first theatrical feature for director Marc Evans after a number of television films; he was the recipient of the "Best Directorial Debut" award at the 1997 Stockholm Film Festival. ~ Mark Deming, Rovi

First telecast by the BBC on November 14, 1993, the two-part British TV movie The Return of the Borrowers is a sequel to the classic children's book by Mary Norton. Real-life husband and wife Ian Holm and Penelope Wilton head the cast as Pod and Homily Clock, a pair of teeny-tiny people who, with their equally microscopic daughter, Arietty (Rebecca Callard), live beneath the floorboards of a Victorian house. In order to survive, the Clock family must "borrow" various necessities from normal-sized people -- or as they're known to the trio, "Human Beans." Forced to move from their familiar digs, the Clocks stumble across a miniature model house that proves to be just right for their needs, and in the bargain they befriend a youthful Human Bean named George (Paul Cross). Alas, the well-being of the diminutive brood is threatened by the evil designs of one Mrs. Drivers (Sian Phillips). In America, The Return of the Borrowers was first seen over the TNT cable network on June 4 and 5, 1996. ~ Hal Erickson, Rovi

In Martin Scorsese's adaptation of Edith Wharton's 1920 novel, romance between an upper-class gentleman and an ostracized lady is doomed by 19th century New York society. Shortly after his engagement to blandly genteel May Welland (Winona Ryder), Newland Archer (Daniel Day-Lewis) is reacquainted with May's scandalous cousin Ellen Olenska (Michelle Pfeiffer). As the head of an esteemed family, Archer initially uses his standing to try to rehabilitate Ellen's reputation, but he finds himself increasingly drawn to her disregard for the codes of New York manners. Bound by ingrained society mores and his peers' insinuations, Newland tries to dodge his growing passion by rushing his marriage to May, but he cannot keep himself from confessing his love to Ellen. Recognizing that Newland could never abandon his sense of honor and be happy, Ellen pushes Newland to May and leaves town. The marriage proceeds as dictated, but when Newland unexpectedly sees Ellen again, he yearns for the affair to come to fruition. However, he underestimates not only what May knows but also her ability to uphold the rules of propriety. Sumptuously shot by Michael Ballhaus, the film offers meticulously designed costumes and settings that evoke a culture as seductively beautiful in its surfaces as it is stifling in its rituals. Unspoken emotions are expressed through such details as yellow roses or a clipped cigar, a fade to red or a single camera move. Using Wharton's original prose to comment on the setting's hypocrisies, Joanne Woodward's voiceover narration suggests how much decisive power is buried beneath dainty femininity. The Age of Innocence received five Oscar nominations, including Best Supporting Actress for Ryder and Best Screenplay for Scorsese and Jay Cocks, and a win for Best Costumes. Although The Age of Innocence seemed like a departure from Scorsese's prior work, Newland is as much at the mercy of his circle's Byzantine structure (and his own conscience) as are Scorsese's more familiar mobsters; Newland's persecutors just wear white tie and tails. ~ Lucia Bozzola, Rovi

In this British drama, the sorts of Britons who live in colonial encampments outside of Britain tend to be the most conventional people imaginable, recreating a little bit of home (and not the most interesting bits) in whatever uncouth foreign place they have landed in. In this story, they are living in Africa, and Johnny Deacon (Tom Bell) is so very tired of them. He's tired of his ex-girlfriend who married another; he's tired of his ex-girlfriend's mother, and he's tired of the men. Instead of coping with them any longer, he goes on a solo journey down the Dark River, and there is a good possibility (which he knows at the outset) that he will not survive the experience. ~ Clarke Fountain, Rovi

The made-for-cable Incident at Dark River stars Mike Farrell as a working-stiff family man. When his daughter falls ill, Farrell discovers to his horror that the girl is suffering from toxic poisoning. A local battery factory has been polluting the area with its deadly waste, but when Farrell tries to take legal action, he finds that the law favors the factory. Albert Rubin's slowly paced script leans towards "bad guy vs. good guy" rather than shades of gray, but it successfully hits all the right emotional buttons. The presence of well-known environmentalist Mike Farrell in this sincere, medium-budget effort is a prime example of putting one's money where one's mouth is. ~ Hal Erickson, Rovi

Claudette Colbert made her first screen appearance in 25 years in the 2-part TV movie The Two Mrs. Grenvilles. The story involves social-climbing actress (read: "chorus girl") Ann-Margret, who marries American-aristocrat naval ensign Stephen Collins, the son of Ms. Colbert (the two female stars, you see, are the "two Mrs. Grenvilles"). Try as she might, Ann-Margret can neither assimilate herself to her husband's lifestyle, nor overcome the animosity of her mother-in-law. Collins starts cheating on his new wife....and before long, Ann-Margret is standing trial for the fatal shooting of her husband. Marvin Hamlisch wrote the music for the sumptuously stylish The Two Mrs. Grenvilles, which was based on novelist Dominick Dunne's a clef rehashing of the 1955 murder of Long Island millionaire William Woodward Jr. ~ Hal Erickson, Rovi

A movie version of the stage play The Doctor and the Devils, written in the 1950s by Welsh poet/playwright Dylan Thomas, had been planned and shelved by several filmmakers before producer Mel Brooks and director Freddie Francis finally brought the project to fruition in 1985. Essentially, the story is the old one about grave robbers Burke and Hare and Scottish surgeon Dr. Robert Knox (which also yielded the 1945 Val Lewton classic The Body Snatcher). Timothy Dalton plays 18th century doctor Thomas Rock, who must rely upon the disreputable Robert Fallon (Jonathan Pryce) and Timothy Broom (Stephen Rea) to provide fresh cadavers for Dr. Rock's teaching hospital. When they can't dig up corpses fast enough to suit Dr. Rock, Fallon and Broom decide to streamline their methods via murder. ~ Hal Erickson, Rovi

The eschewing of modern optical effects techniques in favor of the classic stop-motion animation work of special effects legend Ray Harryhausen was a delightful highlight of this action adventure that attempted to give Greek mythology the Star Wars (1977) treatment. Harry Hamlin stars as Perseus, a mortal who, due to the interference of the mighty god Zeus (Laurence Olivier), finds himself in the city of Joppa, far away from his island home. There, he falls in love with Andromeda (Judi Bowker), an imprisoned princess. To free her, win her hand, and thus half of the kingdom, Perseus solves a riddle, but Joppa's enraged ruler orders Andromeda fed to the Kraken, a towering sea monster that's the last of the powerful Titans. In his quest to save Andromeda, Perseus must endure a series of trials with the help of the winged horse Pegasus and a friendly playwright, Ammon (Burgess Meredith). His ultimate goal is to secure the head of the grotesque Gorgon named Medusa and use it to turn the Kraken into stone, but dangers await, including the hideously deformed Calibos (Neil McCarthy). ~ Karl Williams, Rovi

As indicated by its title, this British miniseries concentrated on the years between the two world wars, when the eminent Winston Churchill (Robert Hardy) was politically out of favor in his own country. Acutely aware of the danger looming in a newly re-armed Germany, Churchill vainly tried to warn his fellow Britishers that Hitler was not a man to be trusted. It was only after the benighted PM Neville Chamberlain (Eric Porter) saw the promise of "Peace in Our Time" blow up in his face that Churchill was ensconced in his proper position as leader of his nation. First telecast in the U.K. in 1981, Winston Churchill: The Wilderness Years aired in the U.S. two years later. ~ Hal Erickson, Rovi

Living a premature and somewhat humbling retirement, elderly British spy George Smiley (Alec Guinness) is abruptly resurrected by his former boss Lacon (Anthony Bate) with an ultra-secret mission: find the double agent in the ranks of the British Secret Service. Is it the pompous head of service, Percy Alleline (Michael Aldridge)? The blowsy Bland (Terence Rigby)? The shifty Toby Esterhase (Bernard Hepdon)? Or perhaps the urbane Bill Haydon (Ian Richardson)? Pushed into retirement by a scandal caused by the now-deceased head of service, Control (Alexander Knox), and because he suspected that there was a spy, Smiley journeys through the labyrinthine world of the British spy service layer by layer as he hunts the mole controlled by the mysterious Russian spymaster Karla (Patrick Stewart). Taken from a best-selling novel by internationally famed novelist John Le Carré, this nearly five-hour miniseries was first broadcast by the BBC. The story is loosely based on the infamous Kim Philby spy scandal of the early '60s. ~ Nick Sambides, Jr., Rovi