James Philbrook Movies

During the twilight of World War II, American forces battle their German counterparts to find a noted Austrian atomic scientist who is marked for death. ~ Jason Ankeny, All Movie Guide

Rory Calhoun is the one box-office name in the forgotten actioner Emerald of Artama. The titular emerald carries a curse. No, Shecky, the curse isn't Mrs. Artama. Whosoever comes into possession of the emerald dies a horrible death. Rugged adventurer Calhoun doesn't believe this at first, but he will, he will. ~ Hal Erickson, All Movie Guide

In this western set during 1877 along the Mexican-American border, outlaws attack a stagecoach and find themselves defeated by an ace gunman with a hatred for evil-doers. The gunman decides to take off after the group leader, but the good guy shootist is hit while defending a beleaguered rancher from Mexican banditos. Later the rancher's daughter and the gunman fall in love. The gunslinger and a bounty hunter take off after the outlaw. Unfortunately, when push comes to shove, the outlaw refuses to fight without the gunman because he cannot bear to kill his own son. This does not stop the gunman's partner from taking a shot; the outlaw is wounded, causing his son to rally to his aid, and the gunslinger rides back to keep the banditos from stealing the ranch. They are finally stopped but not before the bandito leader and the outlaw fatally shoot each other. Afterwards, the gunman gives up shooting and begins leading a pacifistic life with his new bride. ~ Sandra Brennan, All Movie Guide

The Yankees and the Rebels must stop fighting over a stolen gold shipment and join forces to save a New Mexico fort from a major Indian attack in this western. ~ Sandra Brennan, All Movie Guide

Set during the Allied invasion of the island of Guadalcanal in the Pacific theater during WWII, this film is based on the novel by James Jones. Keir Dullea is Private Doll, who dreads the invasion and steals a pistol to help him protect himself. Sergeant Welsh (Jack Warden), a caustic, battle-scarred veteran, hates Doll, whom he considers a coward. In battle, Doll kills a Japanese soldier and is filled with remorse, which further angers the sergeant. The next day, an emboldened Doll wipes out an entire enemy machine gun post and begins to feel as sadistic as Welsh. The two must work together to clear away some mines, but as they do, their platoon is surprised by a Japanese raid. ~ Michael Betzold, All Movie Guide

In the 1961 Bonanza episode "Elizabeth, My Love," Ben Cartwright's thoughts drifted back to his first wife Elizabeth, the mother of his oldest son Adam. In the April 15, 1962 installment "Inger, My Love", Ben recalls his life with wife number two, Scandanavian émigré Inger Borgstrom (Inga Swenson), who would ultimately bear him his second son Hoss. It all began in Galesburg, where young Ben was given a job by tavern owner McWhorter (James Philbrook). During his brief stay in town, Ben fell in love with McWhorter's fiancee Inger, and also ran afoul of Inger's hotheaded brother Gunnar (Jeremy Slate). Organizing a wagon train to California, Ben headed out for the "promised land" with his 5-year-old son Adam and new bride Inger at his side-but his happiness over his latest marriage would inevitably prove short-lived. All of this occurs in flashback, as Ben prepares a birthday party for the grown-up Hoss. This pivotal Bonanza episode was cowritten by David Dortort, Frank Cleaver and Anthony Lawrence. ~ Hal Erickson, All Movie Guide

Warlock offers us a mean-spirited, mercenary Henry Fonda and an honest, peaceloving Richard Widmark. A Wyatt Earp-like frontier marshal, Fonda agrees to protect the small town of Warlock from an outlaw gang, but only if he's permitted to plunder the town's cash reserve. Widmark, the town deputy, is a reformed outlaw whose willingness to fend off the invading criminals is motivated by his fondness for his new neighbors. Looming large in the proceedings is Anthony Quinn as the glory-grabbing Fonda's sidekick. Adapted by Robert Alan Aurthur from a novel by Oakley Hall, Warlock is a good example of the "thinking man's westerns" prevalent in the late 1950s-early 1960s. ~ Hal Erickson, All Movie Guide

The hardships faced by a widow and her eight-year-old son on a rugged Canadian ranch provide the basis of this gripping outdoor adventure. She lost her husband to a forest fire. To help her run the ranch, she hires a handy man. A handsome, but taciturn fellow who has known much tragedy, he works hard for her. The woman's son though resents him, and when he learns that his mother is planning to marry him to quell ugly rumors in town, the youth is most unhappy. After the wedding, the step-father treats the boy harshly, not out of cruelty, but because he wants to prepare the boy to survive the tough life ahead. This creates friction and frustration. Sometimes the handyman beats both the wife and the child. On the day the wife learns she is pregnant, the boy and his step-father get into a violent fight. Afterward the husband goes to the local saloon and ends up jailed for brawling. A month later he is released. When he gets home he finds his wife has moved his things to the barn. A natural disaster changes the family's lives and relationships and after much turmoil, honesty and pain gives them a chance to heal and start afresh. ~ Sandra Brennan, All Movie Guide

Grim, almost unbearably intense, I Want To Live is the story of the life and execution of Barbara Graham (Susan Hayward) a perjurer, prostitute, liar and drug addict. The product of a broken home, Graham works as a shill, luring gullible men into crooked card games. She attempts to go straight, marries the wrong man, and has a baby. When her life falls apart, she returns to her former profession and is involved in a murder. Despite her claims of innocence, she is convicted and executed. Robert Wise directs the uniformly fine cast with grim efficiency, telling Graham's story in a series of adroitly crafted scenes that won him a well-deserved Academy Award nomination. However, the film belongs to Susan Hayward who gives a intense, shattering performance without one false note. Her performance is so grimly focused that she is, at times, almost unbearable to watch. The final scenes, which lead up to Graham's execution, are exhausting in their emotional intensity as the audience is spared nothing of Graham's agony, despair and desperation when she finally loses the long battle to save her life. Whether one sees Graham as a murderer or a hapless victim of society, the power and relentless, sordid reality of her story leaves an indelible memory in the mind of the viewer. ~ Linda Rasmussen, All Movie Guide