Lee Phelps Movies

Two rich and wealthy millionaires who have a lot of money bet that reporter Robert Pryor can't spend $720,000 in twelve hours. If you're asking "Why $720,000?", the answer is: because this Republic programmer is titled $1000 a Minute . Anyway, a couple of cops spot Pryor flashing a roll of bills, and deduce that he's the bank robber they're looking for. For the rest of the film, Pryor must race around to spend his money, while remaining two steps ahead of the Law. The supporting actors in $1000 a Minute are delightfully cast to type, from Edgar Kennedy as a detective to Sterling Holloway as a helpful cabbie. ~ Hal Erickson, All Movie Guide

Soon to be married in real life, Barbara Hale and Bill Williams also played sweethearts on screen in the frantic farce A Likely Story. After a routine medical examination, ex-GI Bill Baker (Bill Williams) overhears a conversation between two doctors, leading him to the mistaken conclusion that he's doomed to die from a rare heart condition. Chancing to meet aspiring artist Vickie North (Barbara Hale), Baker resolves to help Vickie realize her dream by bankrolling her career. He takes out a huge life insurance policy, then talks a couple of gangsters (Sam Levene and Nestor Paiva) into bumping him off so that Vickie and her kid brother Jamie (Lanny Rees) can collect immediately. Things get complicated when Baker discovers that he's as hale and hearty as the next fellow, prompting him to try to weasel out of his bargain with the gangsters-who, having financed the insurance policy in the first place, aren't inclined to let our hero off the hook so easily. Curiously, what should have been a frothy comedy plays more like a film noir, complete with a brief, hallucinatory nightmare sequence! ~ Hal Erickson, All Movie Guide

A Star is Born came into being when producer David O. Selznick decided to tell a "true behind-the-scenes" story of Hollywood. The truth, of course, was filtered a bit for box-office purposes, although Selznick and an army of screenwriters based much of their script on actual people and events. Janet Gaynor stars as Esther Blodgett, the small-town girl who dreams of Hollywood stardom, a role later played by both Judy Garland and Barbra Streisand in the 1954 and 1976 remakes. Jeered at by most of her family, Esther finds an ally in her crusty old grandma (May Robson), who admires the girl's "pioneer spirit" and bankrolls Esther's trip to Tinseltown. On arrival, Esther heads straight to Central Casting, where a world-weary receptionist (Peggy Wood), trying to let the girl down gently, tells her that her chances for stardom are about one in a thousand. "Maybe I'll be that one!" replies Esther defiantly. Months pass: through the intervention of her best friend, assistant director Danny McGuire (Andy Devine), Esther gets a waitressing job at an upscale Hollywood party. Her efforts to "audition" for the guests are met with quizzical stares, but she manages to impress Norman Maine (Fredric March), the alcoholic matinee idol later played by James Mason and Kris Kristofferson. Esther gets her first big break in Norman's next picture and a marriage proposal from the smitten Mr. Maine. It's a hit, but as Esther (now named Vicki)'s star ascends, Norman's popularity plummets due to a string of lousy pictures and an ongoing alcohol problem. The film won Academy Awards for director William Wellman and Robert Carson in the "original story" category and for W. Howard Greene's glistening Technicolor cinematography. ~ Hal Erickson, All Movie Guide

A middle-aged Clark Gable returned from active duty in World War II to star in this MGM release that was heavily advertised as his big comeback. Gable is Harry Patterson, the bosun mate on a merchant marine vessel, a tough sailor and fighter with the proverbial girl in every port. But while in a San Francisco library, looking up a book on the human soul for his sidekick Mudgin (Thomas Mitchell), who thinks his soul has departed his body, Harry meets librarian Emily Sears (Greer Garson), whom he woos, marries, and leaves to sail off on another freighter. When he returns, Emily has retreated to an old farm to await the birth of their child. Harry continues to resent staying in one place, but he ultimately changes his tune when his baby's life hangs in the balance. Garson and Joan Blondell, playing her outspoken best friend, are both terrific, and Gable gives a less heroic performance that's a thoughtful change for him, although critics at the time were less than charitable. ~ Don Kaye, All Movie Guide

Gary Cooper added "producer" alongside "star" on his resume with this light-hearted Western about a mild-mannered cowboy (Cooper) who drifts into a small town with his sidekick (William Demarest). Naturally, he's mistaken for a notorious highway robber (Dan Duryea), although he can barely handle a gun. His impersonation of the menacing gunman falls apart when his skills are put to the test, and he faces certain doom when challenged by the returning gunman himself. In the end, however, our hero defeats the villain and even ends up with his girl (Loretta Young). A send-up of both Western clichés and Cooper's own heroic persona, Along Came Jones is brisk, amusing entertainment. ~ Don Kaye, All Movie Guide

In the Ben Hecht-scripted Angels over Broadway. Douglas Fairbanks Jr. plays a poker hustler working in cahoots with good-time girl Rita Hayworth. Alcoholic playwright Thomas Mitchell, having saved embezzler John Qualen from suicide, decides to enter Fairbanks' high-stakes game, using Qualen as an easy-mark "bait." Mitchell's clever schemes to beat Fairbanks come acropper, but Fairbanks has a sudden change of heart and decides it's more fun to perform good deeds. ~ Hal Erickson, All Movie Guide

Zany actress Annabel goes on a promotional tour in this lively comedy, the second in the Annabel series. During her tour, she allows her promoter to "leak" a story that she is having a romantic fling with a famous romance novelist. The ploy is successful, until she really does fall in love with the writer and decides to abandon her acting career to be with him. Unfortunately, he is already married. ~ Sandra Brennan, All Movie Guide

Mr. and Mrs. Weedle (William Gillespie and Charlotte Mineau) are in a jam: For years, they've been receiving substantial amounts of money from their rich uncle (William A. Orlamond), who has been led to believe that the Weedles have two children to support. Now Uncle is coming to town, and the duplicitous couple must come up with a pair of babies in a hurry. Naturally, the Our Gang kids hope to get the job, but they're given a run for their money by a mischievous 27-year-old midget (Harry Earles). Meanwhile, Gang member Joe Cobb tries to curb his fighting blood, with less than successful results. Making good use of Hal Roach Studios' standing hotel sets, the silent, two-reel Our Gang comedy Baby Clothes was originally released on April 25, 1926 (an abbreviated TV version, retitled The Rich Uncle, is best avoided; without the original subtitles, the story makes virtually no sense). ~ Hal Erickson, All Movie Guide

Ball of Fire is a delightful retelling (by Billy Wilder and Charles Brackett) of the "Snow White and the Seven Dwarfs" legend -- though strictly for grownups. Gary Cooper is the youngest of eight bookish professors authoring an encyclopedia. They find a perfect "research associate" in the curvaceous form of stripteaser Barbara Stanwyck, who (chastely) hides on the professors' domicile to escape her gangster boyfriend (Dana Andrews). As Stanwyck interprets various slang expression, she and the professors grow quite fond of one another; she brings out their sentimental sides, while they revive her essential decency. Naturally, Cooper is the one most smitten, though he hides his true feelings until the inevitable clinch. When gangster Andrews and his torpedo Dan Duryea show up to claim Stanwyck (Andrews wants to marry her so she can't testify against him), the professors save the day and it is Cooper who ends up with the beautiful Stanwyck. For the record, two of the "ancient" professors are Richard Haydn and O.Z. Whitehead, still in their mid-thirties (the others are S.Z. Sakall, Tully Marshall, Oscar Homolka, Leonid Kinskey and Aubrey Mather). Producer Sam Goldwyn later remade Ball of Fire as a Danny Kaye musical, A Song is Born (1948). ~ Hal Erickson, All Movie Guide

Through a miscarriage of justice, John Ingram (Edward G. Robinson) is convicted of a crime he did not commit and sentenced to a long stretch on a chain gang in the deep South. In time, Ingram flees to Oklahoma, where he makes a living fighting oil fires under an assumed name. Several years later, he has a successful business, a loving wife (Ruth Hussey), and a child. But he still lives in fear that his secret will be revealed, and one day he's visited by William Ramey (Gene Lockhart). Ramey admits that he committed the crime for which Ingram was convicted; he proposes that they meet with the authorities together, and Ramey will sign a confession that will clear Ingram's name. But Ramey instead double-crosses Ingram, putting him back on the chain gang while Ramey lays claim to his business. Before long, Ingram learns that his wife and child are nearly broke thanks to Ramey's gutting of his once-thriving business, and he decides that he must once again escape if he is to protect the safety of his family. Blackmail marked one of Edward G. Robinson's first "good guy" roles after making his name in a series of gangster epics; a year later, he would be starring in prestigious biopics, such as Dr. Ehrlich's Magic Bullet and A Dispatch From Reuters. ~ Mark Deming, All Movie Guide

This happy musical chronicles the exploits of a suicidal composer who is desolate after someone swiped his newest musical comedy. He is saved by three young people who join up with the writer's daughter and put on the production. With the help of a pugnacious cab driver, they manage to draw their audience from the composer's rival. Featured in the show is the extravaganza number "Ballad for Americans", which was directed by Busby Berkely. Other songs include "I Hate the Conga", "Alone", "You Are My Lucky Star", and "I Love Ya". ~ Sandra Brennan, All Movie Guide

In this musical, which manages to look back with nostalgia upon prohibition and the depression (no small accomplishment), George Raft plays George, a hoofer looking back on his glory days. His memories are triggered when The Paradise Club, a nightspot where he used to work, is about to be turned into a bowling alley. In the Roaring '20s, George and his partner Billie (Janet Blair) were a star attraction at The Paradise, run by Nick (S.Z. Sakall). George wants his relationship with Billie to be as graceful off-stage as on, but he has several rivals vying for her affections, including gangster Steve (Broderick Crawford) and policeman Dan (Pat O'Brien). Marjorie Rambeau plays Lil, modeled after brassy nightclub owner Texas Guinan. Raft actually worked for Guinan in his early days as a dancer, and he gets a chance to show off his fancy footwork accompanied by a number of classic tunes, including "Alabamy Bound", "Yes Sir, That's My Baby", "Sweet Georgia Brown", and "I'm Just Wild About Harry". Broadway was a loose remake of the 1929 Merna Kennedy vehicle of the same name. ~ Mark Deming, All Movie Guide

In this remake of the classic prison story 20,000 Years in Sing-Sing, John Garfield plays Tommy Gordon, a jewel thief who has been sent up the river for a minimum of 25 years. Tommy isn't especially worried about prison, as he's convinced his well-connected friends will help him get out before long. But Tommy learns the hard way his friends aren't as helpful as he imagined, and he regrets causing so much trouble for reform-minded warden Walter Long (Pat O'Brien), who he comes to regard as a friend and ally. Tommy's girlfriend, Kay Manners (Ann Sheridan), is desperate to get him out of prison and enlists the help of shifty lawyer Ed Crowley (Jerome Cowan); however, when Crowley tries to extract a payment from Kay that has nothing to do with money, she puts up a fight and ends up seriously hurt. Long shows his sympathetic side by granting Tommy a pass to visit Kay, but when he arrives at her home, he discovers Crowley has also arrived to see her. A scuffle ensues, and Kay shoots Crowley. Rather than see her go to jail, Tommy takes the blame, but soon goes on the lam, betraying Long's trust. ~ Mark Deming, All Movie Guide