DeDee Pfeiffer Movies

When Dallas attorney Addison Terrill (C. Thomas Howell) arrives home late one night to discover his wife savagely murdered and the words "we're even now" crudely scrawled across the bedroom wall, his nightmare is only beginning in this taut tale of suspense from first-time filmmaker Brad Heller. Hunted as a suspect by police, Addison enlists the aid of his old friend Sam in seeking out the true killer in the seamy underbelly of the city. As the bitter ex-cop who's no stranger to street justice begins to discover that there's more to the story than meets the eye, Sam becomes a crucial ally to Addision and may be able to help him find the killer before time runs out and the law closes in. ~ Jason Buchanan, All Movie Guide

Dallas-born Marvin Lee Aday, considerably overweight even as a young boy and nicknamed Meat Loaf (played by look-alike W. Earl Brown), overcomes the negative admonishments of his alcoholic father and his obesity to become one of the best-selling rock singers of the late '70s and early '90s. His first roles as an actor lead to meeting songwriter Jim Steinman (Zachary Throne), who has the wild idea that the Top 40 radio market needs an oversized operatic tenor to sing gothic love songs. It turns out Steinman is right, and the album Bat out of Hell yields three Top Ten hits, catapulting them both into arena rock stardom. Physical and emotional difficulties take their toll on Meat, and he loses everything except his loyal wife, Leslie (Dedee Pfeiffer). Meat and Steinman gradually dig themselves out of their hole and return to glory with Bat out of Hell II: Back Into Hell, which sells five million copies, but only after Meat reconciles with his aging father. ~ Buzz McClain, All Movie Guide

In this suspenseful thriller the murder of a college co-ed's roommate puts her in danger too because the killer may be someone closer to her than she knows. ~ Sandra Brennan, All Movie Guide

The travails of the long morning commute provide the basis of this comedy drama. Every day Driver and Passenger spend an hour each day together driving to and from their respective jobs at IBM and Apple. For Passenger, the drive is pure hell as he must listen to the incessant, ceaseless prattling of Driver, who when not rambling on and on with theories and half-baked opinions atop his figurative soap box, is denigrating he and Passenger's lots in life. When Passenger speaks, it is about his own break-up with the seen-on-screen-but-never-heard Girl. As time passes, Passenger suggests they chronicle their commuting musings on film, and thus the prior action is actually seen to be part of the result. ~ Sandra Brennan, All Movie Guide

Some of the world's richest men secretly gather at an exclusive casino in order to bid on the recently purloined, priceless Japanese Emperor's Pearl. Unfortunately, few have any idea that by coming to the illegal auction that they have put themselves and their fortunes in grave danger. ~ Sandra Brennan, All Movie Guide

This made-for-TV drama was inspired by the real-life Toughlove program, set up to help parents of kids with severe alcohol, drug and behavior problems. Lee Remick and Bruce Dern star as a middle-aged couple who have completely lost control of their teen-aged son Jason Patric. When all else fails, the couple joins Toughlove, adhering to the organization's policy of being cruel (but not abusive) in order to be kind. Their story alternates with the travails of Toughlove member Piper Laurie and her suicidal daughter DeDee Pfeiffer (sister of Michelle). Toughlove was originally telecast October 13, 1985. ~ Hal Erickson, All Movie Guide

Nashville hunk Billy Ray Cyrus turns action hero in this high-impact adventure. Jack Reynolds (Cyrus) is a drifter with a motorcycle, lots of tattoos, and a good right hook who gets a job tending bar in a small Southern town. A powerful and ruthless illegal arms dealer has much of the town in a stranglehold, and when Jack draws the attentions of Kate (DeDee Pfeiffer), the woman the dealer loves, Jack finds himself doing battle with the dealer's henchmen. But what no one in town knows is that Jack is a former CIA operative whose wife and children were killed years ago while he was trying to put the dealer behind bars -- and Jack is not the sort of man who is willing to forgive and forget. Radical Jack also stars George "Buck" Flower, Cassie Branham, and Noah Blake. ~ Mark Deming, All Movie Guide

It's just not William Foster's (Michael Douglas) day. Laid off from his defense job, Foster gets stuck in the middle of the mother of all traffic jams. Desirous of attending his daughter's birthday party at the home of his ex-wife (Barbara Hershey), Foster abandons his car and begins walking, encountering one urban humiliation after another (the Korean shopkeeper who obstinately refuses to give change is the worst of the batch). He also slowly unravels mentally, finally snapping at a fast-food restaurant that refuses to serve him breakfast because it's "too late." Running amok with an arsenal of weapons at the ready, Foster -- also known as "D-FENS" because of his vanity license plate -- rapidly becomes a source of terror to some, a folk hero to others. It's up to reluctant cop Prendergast (Robert Duvall), on the eve of his retirement, to bring D-FENS down. ~ Hal Erickson, All Movie Guide

When the boss of an illegal gambling ring hires photographer Katie Tracy (DeDee Pfeiffer) to work for him on a high-stakes game, she quickly finds herself in all kinds of trouble. ~ Iotis Erlewine, All Movie Guide

Terrence McNally's stage play Frankie and Johnny in the Clair de Lune was a two-character piece, which starred Kathy Bates and F. Murray Abraham on Broadway. Garry Marshall's film version of the McNally play streamlines the title to Frankie and Johnny, expands the dramatis personae to include at least a dozen fascinating characters, and "glamorizes" the decidedly unglamorous Frankie and Johnny in the forms of Michelle Pfeiffer and Al Pacino (their first co-starring stint since Scarface). Purists carped at the changes, but overall the film is likeable enough to transcend these carps. While serving an 18-month sentence on a forgery charge, Johnny (Al Pacino) discovers the joys of cooking and classical literature. Upon his release, he is hired by gruff but good-hearted New York diner owner Nick (played by Garry Marshall "regular" Hector Elizondo). Also working for Nick is a waitress named Frankie (Michelle Pfeiffer). When Johnny expresses interest in Frankie, she keeps him at arm's length, her mistrust of men stemming from an unmentioned but obviously traumatic experience in her past. Eventually, however, Frankie and Johnny do get together, their curious relationship setting the stage for a dramatic denouement wherein both lovers bare their souls. The bulk of the original McNally play is concentrated in the film's final 20 minutes; the rest of the picture is a kaleidoscope of comic and poignant vignettes and quick-sketch character studies. Of the newly minted characters, the standout is Nathan Lane in the traditional "gay best friend/severest critic" role: he plays the character so effectively that one forgets he's essentially a cliché. As for the stars, Al Pacino is ideally cast as Johnny, but Michelle Pfeiffer, superb though she is, seems a bit ill at ease as the emotionally tattered Frankie; she totally wins the audience's hearts, however, in the film's memorable bowling-alley sequence. Smoothing over the rough spots in Frankie and Johnny is the evocative musical score by Marvin Hamlisch. ~ Hal Erickson, All Movie Guide