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John Petlock Movies

1995  
 
Kirk Cameron stars in this made-for-television remake of the 1970 movie. Cameron stars as Dexter Riley, an under-average college student whose brain gets filled with the information from a super computer. He uses his newly found wisdom to sweep some college quiz tournaments, much to the chagrin of his suspicious competitors. ~ Bernadette McCallion, Rovi

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Starring:
Kirk CameronLarry Miller, (more)
 
1993  
 
George Segal plays the well-nicknamed Daffy Dave Navarro, who has recently been acquitted on charges of murdering his first wife. Now Daffy Dave is determined to sue for a generous share of royalties from a book written by Jessica (Angela Lansbury) and purportedly based on his case. But this time, Dave may have overplayed his hand--and another murder is the result. ~ Hal Erickson, Rovi

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1993  
 
Following advice dispensed by Antonio (Tony Shalhoub), mechanic Lowell (Thomas Haden Church) demands a raise from Joe (Tim Daly) and Roy (David Schramm) by claiming he's been offered a higher-paying job in Boston. The plan backfires when both Joe and Roy advise Lowell to accept that better job -- which, of course, does not exist. As it turns out, the person who suffers the most from this situation is the "helpful" Antonio. This episode was originally slated to air on January 14, 1993. ~ Hal Erickson, Rovi

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1993  
 
Having solved many another murder case in the past, Jessica Fletcher (Angela Lansbury) is finally given a crack at the JFK assassination! It seems that a Dallas private eye disappeared at the same time that Kennedy was shot, and now, thirty years later, there is positive proof that the P.I. was also murdered. Jessica suspects that the two killings may have been connected--and as a bonus, both may be linked to a current case that she is working on. ~ Hal Erickson, Rovi

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1992  
 
The final episode of Murder, She Wrote's eighth season finds Jessica (Angela Lansbury) at the headquarters of a profitable toy company, there to supervise the design of a new board game based on her own mystery novels. Within what seems like minutes, the company's ruthless vice-president Meredith Delaney (Barbara Babcock) is murdered. Now Jessica finds herself in a real-life variation of her board game as she sifts through the suspects, which include the dead woman's husband, her much-younger lover, and an embittered designer. This episode is something of a family affair for star Angela Lansbury: it was written by her brother Bruce Lansbury, and features her nephew David Lansbury in a supporting role. ~ Hal Erickson, Rovi

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1991  
 
With the help of odds-maker Carlton (Alfonso Ribeiro), Will (Will Smith) wins $100 at the country club's Monte Carlo fundraiser. Then he discovers that, according to club tradtion, he is expected to donate the money to charity--specifically, Uncle Philip's favorite charity, the LAPD. Subsequently, Philip (James Avery) blows his top when he finds out that Will has not contributed his winnings...or has he?. An underprivileged kid and a basketball camp figuring prominently in the story's outcome. ~ Hal Erickson, Rovi

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1991  
 
Zsa Zsa Gabor essentially plays herself in the role of Sonya Lamor, glamorous neighbor of the Banks family. During a dinner party, some of the Bankses' silverware disappears--and Will (Will Smith) and Carlton (Alfonso Ribeiro) suspect the flamboyant Sonya of being a kleptomaniac. Even so, when the cops arrive, it is poor Will who is innocently caught with the goods! Not surprisingly, this 1991 episode does not pass up the opportunity of referencing Zsa Zsa's recent run-in with a traffic cop. ~ Hal Erickson, Rovi

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1991  
 
Tom O'Roarke is cast as Jameson Whitworth, a very eccentric and highly superstitious client of Philip Banks (James Avery). Taking a liking to Philip's brash nephew Will (Will Smith), Whitworth hires the "Fresh Prince" as his combination business advisor and good-luck charm. Terrified that Will is a harbinger of financial ruin for Whitworth, Philip decides to fight fire with fire, using the daily newspaper horoscope as his weapon. ~ Hal Erickson, Rovi

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1991  
 
Tyne Daly ages and ages (courtesy of a sympathetic makeup staff) as the matriarch of an upper-class Connecticut family. This TV movie traces the progress of that family--mother, father, three kids--from 1962 through 1984. We watch the children go through all the joys and heartache of maturity, and we see Ms. Daly's husband (Terry O'Quinn) stray from the fold in the company of another woman. The one unifying factor throughout the years is the family's well-appointed suburban house. The title The Last to Go refers to Tyne Daly, who is the final person out of the house when it is finally put up for sale. ~ Hal Erickson, Rovi

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1990  
 
The Jim and Tammy Faye Bakker story was a "natural" for TV-movie adaptation, and Fall From Grace more than fills the bill. Bernadette Peters heaps on makeup by the trowel as Tammy Faye, the wife of televangelist Jim Bakker (here played with boyish fanaticism by Kevin Spacey). The Bakkers build up their "PTL" organization ("Praise the Lord") into a massive empire encompassing millions of dollars in donations, a cable-TV network, valuable land holdings and a garish religious theme park, Heritage USA. A North Carolina newspaper rocks the boat by investigating inequities in the Bakkers' financial setup. The whole enterprise falls apart when it's discovered that Jim has siphoned off funds to cover up an extramarital affair. Telecast in the spring of 1990 to coincide with the beginning of Jim Bakker's long, long prison sentence, Fall From Grace tries to be fair...for at least fifteen minutes. ~ Hal Erickson, Rovi

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1990  
 
While paying his first visit to the Banks' country club, Will (Will Smith) falls for attractive Mimi Mumford (Victoria Rowell), who happens to be the daughter of a snobbish--and rather menacing--physician (played by Richard Roundtree) of "Shaft" fame). Terrified of "Dr. No", Will turns to cousin Carlton (Alfonso Ribeiro) for advice on how to win over the girl's dad. Predictably, Will is not cut out to be a preppie--but this hardly matters to Mimi, who has a fondness for "street guys". ~ Hal Erickson, Rovi

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1990  
 
The Banks family learns a sobering lesson about racial profiling when Will (Will Smith) and Carlton (Alfonso Ribeiro) are caught "driving while black" in the car owned by Philip's white law partner Mr. Furth (John Petlock). Though the guys were driving with the owner's permission, they are thrown in jail because they fit the descriptions of two car thieves. Worried that they'll never get out of the holding tank, Will "confesses" to being a thief in front of a TV camera crew in order to alert Uncle Philip (James Avery) to his plight. Upon arriving at the police station to spring Will and Carlton, Philip is subjected to a barrage of insults and insinuations by the racist desk sergeant (Dan Desmond)--but when Mr. Furth shows up to explain the situation, it's a different story! ~ Hal Erickson, Rovi

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1990  
 
Just before Philip (James Avery) is to receive the Urban Spirt Award, his rural parents Hattie (Virginia Capers) and Joe (Gilbert Lewis) pay a visit. Though the snobbish Philip is upset by his folks' "uncouth" behavior, Will (Will Smith) is fascinated by this hitherto unknown aspect of his Uncle's childhood--especially when he learns that Philip was once known as "Zeke", and he once had a pet pig named Melvin. This information somehow makes its way to an inquiring reporter (played by a pre-stardom Kathy Griffin) who is looking for an interesting angle on the Banks family! ~ Hal Erickson, Rovi

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1990  
 
In the debut episode of The Fresh Prince of Bel-Air, it's difficult to say who is more upset when South Philly teenager Will Smith (played by rap artist Will Smith) is uprooted from his old neighborhood and shipped off to his wealthy Los Angeles relatives by his concerned mother Vy. Will himself didn't ask to be moved, and has a lot of trouble warming up to his pampered cousins Carlton (Alfonso Ribeiro), Hilary (Karyn Parsons) and Ashley (Tatyana M. Ali); meanwhile, his Uncle Philip (James Avery), a prominent attorney, is convinced that Will is a bad influence on his kids--especially after Ashley performs some impromptu rap lyrics in front of Phillip's astonished law partners. It is up to Will's Aunt Vivian (Janet Hubert-Whitten), Vy's sister, to act as mediator--and to convince both Will and Phillip that they've got a lot to learn about patience and tolerance. ~ Hal Erickson, Rovi

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1989  
PG13  
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Gross Anatomy is to medical school what The Paper Chase was to law school, with perhaps a little less sobriety. Matthew Modine plays the blue-collar Joe Slovak, who's attending a posh school of medicine where everyone -- teacher and student alike -- seems to be well above his social stratum. Perhaps as a reaction to the snobbery all around him, he behaves as irreverently as possible. Neither his teacher Dr. Rachel Woodruff (Christine Lahti) nor his lab partner, Laurie Rorbach (Daphne Zuniga), finds Joe's what-the-hell act appealing, but both are fully aware that he is a talented young man with a brilliant future. The climax of the film lays it on pretty thick in defining Joe as an all-around good fellow despite his cheekiness (he even delivers a baby just before taking his finals!), but Gross Anatomy strives successfully to be a "feel-good" movie -- albeit brought ever so slightly down to earth by the death of one of the principal characters. ~ Hal Erickson, Rovi

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Starring:
Matthew ModineDaphne Zuniga, (more)
 
1989  
 
Just before attending the funeral of an old friend, Jessica (Angela Lansbury) makes the acquaintance of young Rick Banner (Marc Singer), former college roommate of the dead woman's long-lost son Peter. When Rick hears a song written by Peter, the ball starts rolling for a onslaught of intrigue, ill will and murder predicated on the fact that the missing Peter will fall heir to millions should he ever make a return appearance. Jessica's fellow sleuth on this occasion is rumpled, clownish Chief Underwood (Lane Smith), who may remind some viewers of Peter Falk's Lieutenant Columbo (of course, both Columbo and Murder, She Wrote were created by the same writing team!) ~ Hal Erickson, Rovi

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1988  
R  
This grim sci-fi film presents a dim view of the near future in which humanity has been decimated by a virulent plague. The survivors are rigidly divided into those who are plague-free and those who are dying. The former live in heavily-guarded areas and have most of the wealth and power, while the latter are quarantined. A few people have a fatal but not contagious mutation of the virus. These are the Zero Men, and during their lives they are able to move in an out of the different zones; some of them are mercenaries and when the daughter of a prominent industrialist is kidnapped and taken to the plague zone, it is up to one of these terminally ill soldiers of fortune to save her. ~ Sandra Brennan, Rovi

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Starring:
Wings HauserBrion James, (more)
 
1987  
 
Actress-activistTheresa Saldana, who after surviving a brutal knife attack by a deranged fan founded the organization Victims for Victims, plays a semi-autobiographical role in this episode. Seven years after being jailed for attempting to murder famed pianist Jenny Hartman (Saldana), demented "number one fan" Ralph Flager (Andy Wood) is paroled--and once he's back on the street, he makes no secret of his intention to finish the job on Jenny. Since there is no real proof against Flager, the police can do nothing officially: unofficially, however, Hunter (Fred Dryer) vows to shield Jenny from harm during his off-hours--prompting Flager to add Hunter's partner McCall (Stepfanie Kramer) to his list of potential victims! ~ Hal Erickson, Rovi

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1985  
 
In this Stephen Cannell-produced pilot for a potential TV detective series, Mac Davis plays an ex-highway patrolman and Joseph Cortese an ex-trucker, related by marriage. Their wives were twin sisters--were, because in addition to all the other "ex" qualifications in their lives, Davis and Cortese are ex-husbands. Still pals after their group divorce, the boys become private eyes. Their first case is to get the goods on a shady tycoon (Robert Culp), who happens to be their former father-in-law. Brothers-in-Law was the first Steven J. Cannell independent production which failed to sell as a series, but it wouldn't be the last. ~ Hal Erickson, Rovi

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1985  
 
The Atlanta Child Murders is a five-hour, two-part dramatization of one of the most tragic and controversial homicide cases of the past twenty years. From 1979 through 1982, some 28 African-American children and young adults disappeared from Atlanta--some without a trace, but others to later turn up as murder victims. Part One (which debuted February 10, 1985) details the beginning of the manhunt conducted by the Atlanta Chief of Police (James Earl Jones). Screenwriter Abby Mann uses the actual events as a springboard for his thesis that the case and its outcome revealed many uncomfortable truths about the still-fragile state of race relations in the New South. Both parts of The Atlanta Child Murders were later combined into one 245-minute "feature film."

The second part of the five-hour TV docudrama The Atlanta Child Murders originally aired February 12, 1985. After 28 African-American children and young adults have either disappeared or been murdered, the Atlanta police finally have a suspect in custody: Small-time show business entrepreneur Wayne Williams (Calvin Levels). Scriptwriter Abby Mann utilizes actual court transcripts of Williams' trial, which results in a conviction on one count of murder. This decision in essence leaves the cases of the other 27 victims unresolved--and in so doing, Mann opens the door to speculations that Williams, a black man, was a "convenient" suspect, who might possibly have been railroaded in the authorities' haste to find a solution to the sordid case. Whatever Mr. Mann may have felt concerning Williams' guilt or innocence, the fact remains that the murders and disappearances stopped cold once Williams was in custody (as of this writing, Williams persists in his efforts to reopen the case, claiming that he was framed by the white power structure). Morgan Freeman served as narrator for both installments of The Atlanta Child Murders. ~ Hal Erickson, Rovi

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1985  
 
This campy drama, set in the 1940s, was inspired by a hit song by Barry Manilow. It tells the tale of an aspiring songwriter, Lola, a showgirl, and the sleazy owner of the Copa. Tragedy ensues as the two men duel over Lola's love. ~ Sandra Brennan, Rovi

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1984  
 
In the first hour-long episode of Murder She Wrote (the debut episode had run two hours), mystery writer Jessica Fletcher (Angela Lansbury) is back in her home town of Cabot Cove, Maine, where she makes the acquaintance of a seedy-looking gentleman named Ralph (Howard Duff), who has shown up in her backyard looking for work. At the same time, the authorities are investigating the reported death of multimillionaire Stephen Earl, who was swept off his yacht during a hurricane--or at least that's the story given by Earl's four rather predatory daughters. This episode marks the first series appearances of Tom Bosley as Cabot Cove's sheriff Amos Tupper, and Claude Akins as Jessica's sometime fishing companion Ethan Cragg. ~ Hal Erickson, Rovi

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1982  
 
This made-for-television drama chronicles an atypical May-December romance involving a twenty-something doctor and a middle-aged woman. The two soon fall passionately in love and this causes a little friction between the woman and her full-grown daughters. ~ Sandra Brennan, Rovi

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1981  
 
In the first episode of a two-part story, the Sunshine Cab Company goes out of business forcing the cabbies to seek employment elsewhere. One month later, Sunshine is up and running again, and the drivers get together to recount their experiences in their new (and very temporary) "outside" jobs. Highlights of this episode include Tony's (Tony Danza) brief and involuntary career as a collector for a bookie, Elaine's (Marilu Henner) misadventures in the secretarial pool, and Jim's (Christopher Lloyd) perambulations as a door-to-door salesman -- without even knowing what it is that he's selling. ~ Rovi

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1975  
 
In the first episode of The Rockford Files' second season, private eye Jim Rockford (James Garner) is unexpectedly reunited with his boyhood pal Aaron Ironwood (James Hampton). Outwardly a dimwitted rube, Aaron has nonetheless become a multimillionaire by promoting his own "School of Success" self-help system. Much to Jim's surprise, Aaron is willing to sign his lucrative business over to him--lock, stock and barrel. But this is no act of generosity: Mr. Ironwood is on the lam from mobsters who are willing to go to any extreme (and we all know what that means!) to control his operation. With this episode, former recurring player Joe Santos becomes a regular in the role of Jim Rockford's police contact Dennis Becker. ~ Hal Erickson, Rovi

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