Arthur Peterson Movies

When Soap arrived at its cliffhanging season-two finale, Jessica Tate (Katherine Helmond) was trying to choose between her husband Chester (Robert Mandan) and a detective named Donahue; Jessica's son Billy (Jimmy Baio) was in the clutches of a religious cult called the "Sunnies"; and Jodie's step-father (and Jessica's brother-in-law) Burt Campbell (Richard Mulligan) had been abducted by space aliens. Season Three finds Billy being rescued from the Sunnies by Jessica's butler Benson (Robert Guillaume), while an alien clone of Burt moves into the Campbell home undetected -- much to the delight of Burt's spouse Mary (Cathryn Damon), who immensely enjoys the vast improvement in her sex life! In other developments, Jessica's daughter Eunice (Jennifer Salt) is getting tired of life on the run with her escaped-con husband Dutch (Donnelly Rhodes); Eunice's sister Corrine (Diana Canova) is just about fed up with her do-nothing husband, ex-priest Father Tim; Jodie's gangster brother Danny (Ted Wass) is saved from mob retribution by a girl named Millie (Candy Azzara), but ultimately forges a new romance with a black girl named Polly Dawson (Lynne Moody); Jessica decides to forgive Chester, only to have him cheat on her again; "Alien Burt" impregnates Mary, and later "Real Burt" runs for sheriff; Mary's gay son Jodie (Billy Crystal) launches a few more "straight" relationships; and Benson leaves the employment of the Tate family (a move necessitated by actor Robert Guillaume's defection to his own sitcom titled -- what else? -- Benson). This season's 60-minute cliffhanger finale finds Danny proposing to Polly, Jodie fighting for custody of the son born to him by Carol David, and Mary trying to figure out how to tell Burt that her baby is not his; and, after a lengthy illness, Jessica Tate dies. ~ Hal Erickson, Rovi

Rollercoaster was a by-product of the brief "Sensurround" craze of the 1970s. Nutsoid Timothy Bottoms sabotages an amusement-park roller coaster, killing several innocent revelers. After several other acts of terrorism, Bottoms (whose character is credited as Young Man) presents his demands to the authorities via audio tape: one million dollars, or he'll stage five roller-coaster disasters simultaneously in five different parks. Because detective Harry Calder George Segal evinces a grudging respect for the elusive extortionist, Bottoms declares that only Detective Calder will be permitted to deliver the money. Thus the stage is set for an explosive climax, which during the film's original run was accompanied by the Sensurround effect, a gimmick that electronically caused the filmgoer's chairs to begin shaking and vibrating during the "thrill scenes." As with most disaster flicks of the era, Rollercoaster is top-heavy with "guest stars," including Richard Widmark, Henry Fonda, Harry Guardino, and Susan Strasberg. Watch for 13-year-old Helen Hunt as Detective Calder's spunky daughter. ~ Hal Erickson, Rovi

Arrogant rookie cop George Barrett (John Elerick) has trouble following orders during his probation period--and Officers Jim Reed (Kent McCord), Pete Malloy (Martin Milner) and Ed Wells (Gary Crosby) bear the brunt of his insubordination. Messing up a variety of cases and forever jumping to the wrong conclusions on the job, Barrett proves to be danger to himself and his coworkers. Things come to a head when Barrett panics during a confrontation with a bombing suspect. This episode is highlighted by a slyly misleading opening sequence (Don't worry, our heroes aren't really dead). ~ Hal Erickson, Rovi

Olivia (Michael Learned) strongly disapproves when husband John (Ralph Waite) invites four travelling carnival performers (one of them played by legendary "little person" Billy Barty) to stay with the Walton family. The quartet of "carnies" had found themselves stranded after their manager skipped town with the carnival's profits. Ever so gradually, Olivia warms up to these curious but likeable nomads -- and when the four entertainers discover that the Waltons hadn't had enough money to attend their carnival when it first arrived on the Mountain, a very special performance is staged in the family's barn. ~ Hal Erickson, Rovi

Humorist Samuel Clemens, aka Mark Twain, makes his third Bonanza appearance, this time in the person of actor Ken Howard (fresh from his Broadway and Hollywood triumph in the musical 1776). As editor of the Virginia City Enterprise, Clemens is determined to prove that a government assayer is guilty of fraud and murder. Because he won't reveal his source in court, Clemens loses a libel suit, whereupon he enlists the aid of Ben and Joe Cartwright to bring the villain (who in the interim has committed another killing) to justice. The episode's closing scene, involving an outraged lady stagecoach passenger, is priceless. The supporting cast includes Dana Elcar as Merrick, Phil Kenneally as McNabb, Walter Burke as Campbell, Staats Cotsworth as Judge Hale, Richard Bull as Goodman, and Stacy Keach Sr. as Lawyer Prentiss. Written by Stanley Roberts, "The 26th Grave" was the first Bonanza episode to be filmed for the series' fourteenth season, but was shown as the eighth installment on October 31, 1972. ~ Hal Erickson, Rovi

Neville Brand guest-stars as Pepper Shannon, a stage robber whose career has been blown up to "heroic" proportions by the dime-novel brigade. Unfortunately, Ben Cartwright's adopted son Jamie idolizes Shannon, who has allowed Jamie to "capture" him to avoid being shot by his enemies. It is only after Shannon is framed for murder that the disillusioned Jamie realizes that his hero is a lily-livered coward. Also in the cast are Walter Brooke as Corey, Dan Tobin as Mills, and Arthur Peterson as Donovan. Written by John Hawkins, George Scheneck and William Marks, "The Luck of Pepper Shannon" originally aired on November 22, 1970. ~ Hal Erickson, Rovi

Phyllis Thaxter guest-stars as widowed newspaper publisher Ruth Manning, yet another old friend of Ben Cartwright. Ben comes to Ruth's assistance when her newspaper is targeted for extinction by ruthless town boss Judge Seth Tabor (Simon Oakland). Featured in the cast are William Jordan as Leek, Hamilton Camp as Dobbs, Philip Kennealy as Sheriff Knox, Ken Mayer as North, Connie Sawyer as Mrs. Lewis, James Jeter as Cotton, Arthur Peterson as Dr. Adams, and Ed McCready as Purdy. Written by John Hawkins and Frank Chase, "The Clarion" first aired on February 9, 1969. ~ Hal Erickson, Rovi

Together with Orson Welles' Citizen Kane and John Singleton's Boyz 'n the Hood, director Peter Bogdanovich's Targets is among the most impressive first features ever made. When Bogdanovich's cinematic mentor Roger Corman suggested that Bogdanovich might want to make his directorial debut, he offered to "donate" 20 minutes worth of footage of the Corman-directed The Terror and the services of Boris Karloff, who owed Corman two days' worth of work (at a cost of $22,000). Karloff became so caught up in the 29-year-old Bogdanovich's enthusiasm that he agreed to work an additional two days at a bare-minimum salary.

The script, by Bogdanovich and his then-wife, Polly Platt, was inspired by the 1966 shooting spree of Texas Tower sniper Charles Whitman. Karloff, as Byron Orlock, more or less plays himself: an aging horror star, consigned to low-budget drive-in fare. Unlike the workaholic Karloff, Orlock wants to retire from films, noting that his movies seem inconsequential in light of the real-life horrors occurring every day. As Bogdanovich, playing young-and-hungry director Sammy Michaels, desperately tries to convince Orlock to star in just one more picture, the film's attentions shift to Vietnam veteran Bobby Thompson (Tim O'Kelly). An otherwise amiable, normal-looking lad, Bobby seems to harbor an inordinate fascination with guns, particularly high-powered rifles. One bright and sunny morning, Bobby suddenly and unexpectedly shoots and kills his wife, his mother, and an unlucky delivery boy. He leaves behind a note confessing to these crimes, noting that, while he fully expects to be captured, many more will die before the day is over. From this point onward, the film switches from Bobby's day-long bloodbath (from the vantage point of an oil storage tank, calmly picking off passing freeway motorists) to Orlock's grumbling preparations to make a personal appearance at a local drive-in movie.

Inevitably, Bobby also shows up at the drive-in, hiding himself behind the huge screen and shooting down the patrons as they sit complacently in their cars, watching the latest Byron Orlock film (actually The Terror, in which Karloff also starred). Once the reality of the situation sets in, panic ensues, leading to the ultimate confrontation between the escaping Bobby and the bewildered Orlock. ("Is this what I was afraid of?" Orlock ruefully exclaims as Bobby cowers at his feet.) The tension never lets up throughout Targets' jam-packed 90 minutes. The film was virtually thrown away by its distributor, Paramount Pictures, which was uncertain about packaging a film about a sniper in the wake of the King and Kennedy assassinations. Only when it was reissued to college campuses and film societies did Targets begin building up its much-deserved reputation. Though Targets was not, technically, Boris Karloff's last film, it serves as a worthy valedictory for this cinematic giant. ~ Hal Erickson, Rovi

Ben's longtime unofficial ward Davy (Lou Antonio), a Ute Indian, tries to rejoin the tribe that had exiled him years earlier. Davey's re-entry into the culture of his ancestors is complicated when he falls in love with Bright Moon (Cherie Latimer), the daughter of Chief Lone Spear (Arnold Moss), and the intended bride of White Wolf (Ned Romero). The resultant inter-tribal bitterness and dissension enables a group of bigoted white men to sabotage a crucial treaty negotiation. Written by William Douglas Lansford and Richard Wendley, "In Defense of Honor" was originally slated to air on March 31, 1968, but was moved to April 28 due to coverage of President Johnson's refusal to run for another term. ~ Hal Erickson, Rovi

This installment of Bewitched is one of several 1960s sitcom episodes tied in with the annual Soapbox Derby in Akron, OH. Hoping to show up Gladys Kravitz's obnoxious nephew, Flash (Peter Dunhill), Samantha offers a helping hand to young soapbox racer Johnny Mills (Michael Shea). In so doing, she helps Johnny win the approval of his widowed father (William Bramley), who strongly disapproves of his son's participation in the race. Written by James Henerson, "Soapbox Derby" originally aired on December 29, 1966. ~ Hal Erickson, Rovi

NASA sends a camera-equipped space probe to mars, but the rocket misses its target a by a couple million miles and lands on Gilligan's island. Naturally, the Castaways hope to use the camera to alert the authorities as to their location, but unfortunately the apparatus is damaged. By the time the Professor (Russell Johnson) has fixed the camera, Gilligan (Bob Denver) has somehow managed to cover everyone on the island with feathers and glue--so guess to which conclusion the NASA scientists immediately leap when they gaze upon these seven "strange creatures"? ~ Hal Erickson, Rovi

Disgraced Army officer Jason McCord (Chuck Connors) crosses the path of another outcast in the form of saloon girl-turned-dressmaker Elsie Brown (Jeanne Cooper). Inasmuch as Elsie once saved her life, Jason comes to the town of McKinley to return the favor. His visit coincides with that of a low-life named Charlie Vance (Brad Weston), who has made it his mission in life to ruin Elsie's reputation by dredging up memories of her unsavory past. Not long afterward, Vance is found shot in the back--and Jason is accused of murder. Featured in the cast is future Family Affair costar Kathy Garver. ~ Hal Erickson, Rovi