William Petersen Movies

Steve Carell and Keira Knightley star in this apocalyptic comedy following two neighbors who set out for one last road trip after learning that a massive asteroid will wipe out all life on Earth in just three weeks. Dodge (Carell) and Penny (Knightly) are both having a very bad day. Shell-shocked after hearing that the last hope of destroying the massive asteroid on a collision course with Earth has failed, Dodge watches helplessly as his wife bounds out of their car and vanishes into the night. Later, as the now-reluctant loner ponders what to do with his remaining time on the doomed planet, sobbing waif Penny appears at his window lamenting her breakup with self-centered boyfriend Owen. When the sun rises the following morning, the two neighbors who had barely exchanged passing glances in the hallway have forged a tenuous yet very real connection. Tensions rise, however, when Dodge learns that Penny inadvertently received an inviting love letter from the ex he's always loved, and that she failed to give it to him before all of mankind was doomed to a catastrophic fate. When Dodge announces a plan to reconnect with his ex while he still has the time, guilt-ridden Penny vows to help him accomplish his goal at all costs. But the more time this mismatched pair spend on the road together, the more their journey takes on a new meaning -- one that neither could have ever seen coming, but which both sense was the way things were meant to be. ~ Jason Buchanan, Rovi

CSI: Crime Scene Investigation is a fast-paced drama about a passionate team of forensic investigators trained to solve crimes the old-fashioned way - by examining the evidence. CSI: Crime Scene Investigation is on the case 24-7, scouring the scene, collecting the irrefutable evidence and finding the missing pieces that will solve the mystery.

As season four of CSI: Crime Scene Investigation drew to a close, it appeared as though a contract dispute would rob the series of two of its most popular characters, Las Vegas PD forensic specialists Sara Sidel (Jorja Fox) and Nick Stokes (George Eads). At the last moment, however, a suitable financial arrangement was worked out, and both characters -- and the actors who played them -- were retained for the whole of season five. Reiko Aylesworth stars in the first episode ("Viva Las Vegas") as Chandra Moore, a dedicated, no-nonsense lab tech who is to replace Greg Sanders (Eric Szmanda) when Greg is promoted to CSI field duty. Both Chandra and Greg prove to be worthy of their new responsibilities, though both are somewhat nonplussed by being dropped head-first into a whole new world of investigation. (Aylesworth's character was dropped after Fox and Eads resolved their contracts.) In a major mid-season development, a storm of controversy attending the apparent bungling of a murder investigation prompts CSI boss Ecklie (Marc Vann) to split the forensics bureau into two teams, with senior officer Gil Grissom (William L. Petersen) heading one team, and his former assistant Catherine Willows (Marg Helgenberger) heading another. The arrangement is hardly to the liking of either party, especially when the efficiency their investigations is compromised by radical and often arbitrary budget cuts. Other demons plaguing the CSIers this season include the return of a particularly vicious (and brilliant) serial killer from the earlier episode "The Execution of Catherine Willows," the revelation that a man with whom Catherine flirted in a bar is the prime suspect in a high-profile murder case, and the unpleasant childhood memories of Sara Sidel. The Grissom and Willows teams are reunited for the season's unbearably suspenseful finale, "Grave Danger" (a two-parter directed by Quentin Tarantino) as the combined officers search for their colleague Nick Stokes (George Eads), who has been buried alive in a casket filled with red ants by a maniacal murderer. ~ Hal Erickson, Rovi

Some dangling plot strands left over from season three of CSI: Crime Scene Investigation were tied up in season four; others were not, and of course, new complications ensued throughout the latter season's 23 episodes. Facing surgery to correct (or at the very least forestall) his hereditary hearing loss, CSI team leader Gil Grissom (William L. Petersen) emerged from the operation somewhat better off, though his hearing was still not 100 percent. Struggling to overcome the death of her husband and relieved that injuries sustained by her daughter were not fatal, team member Catherine Willows (Marg Helgenberger) nonetheless faced several other crises, not least of which was the discovery that unsavory casino owner Sam Braun (Scott Wilson) was her biological father; a hefty check given to Catherine by Braun for her indirect assistance in helping him beat a murder rap also caused a great deal of soul-searching on her part, not to mention an embarrassing situation when she came up for her annual departmental review. And the already seething tensions between Catherine and her fellow CSI'er Sara Sidle (Jorja Fox) were exacerbated by decisions made from the top pertaining to job assignments and promotions. Sara's inner demons threatened to overwhelm her by the end of season four, culminating in a drunk-driving charge that figured into the season-ending cliffhanger. The regular cast remained intact, though there were hints that at least two of them would be gone before season five began due to contract negotiations. New to the series was Xander Berkeley as Nevada sheriff Rory Atwater, who was prominently featured in at least one episode that, in true CSI tradition, was "ripped from today's headlines." Some critics carped that the series' storylines were more gratuitously kinky than in previous seasons, with episodes involving modern-day vampires, a cult of fur fetishists, and the like. Also, there were those who felt that the personal problems of the major characters tended to impede the investigations to an excessive degree. But most viewers didn't mind, as witness the excellent ratings posted by CSI throughout season four. ~ Hal Erickson, Rovi

The freshman season of CSI: Crime Scene Investigation had ended with a dramatic rescue, as the head of the Las Vegas crime-lab unit, Gil Grissom (William L. Petersen), was saved from becoming the latest victim of a serial killer by the quick thinking of Gil's second-in-command, Catherine Willows (Marg Helgenberger). Clearly, the relationship between Gil and Catherine was destined to go beyond the "just friends and co-workers" stage during season two. With the series' ratings riding high -- so high that it was now network television's number one cop drama -- the producers saw no reason to make any radical changes in the format or cast. The list of regulars remained intact, with Eric Szmanda (as Greg Sanders) and Robert David Hall (as coroner David Robbins) graduating from recurring characters to weekly co-stars. The success of CSI encouraged the producers to develop a spin-off series, this one set in Miami and starring David Caruso and (briefly) Kim Delaney, two alumni from NYPD Blue. The pilot for CSI: Miami was telecast as the CSI: Crime Scene Investigation episode titled "Cross-Jurisdictions" on May 9, 2002. Nominated for several Emmy awards during the 2001-2002 season, CSI copped one Emmy, shared jointly by makeup artists Nicholas Pagliaro, John Goodwin, and Melanie Levitt. ~ Hal Erickson, Rovi

An American journalist takes on the dangerous responsibility of rescuing nearly a thousand refugees from a Nazi concentration camp in this two-part made-for-TV movie based on a true story. In the early days of America's involvement in World War II, Ruth Gruber (Natasha Richardson) is a reporter who has been giving particular attention to a recent story: President Franklin D. Roosevelt, in violation of United States policies of the day, has announced he will grant asylum in America to 982 European refugees from Nazi labor camps. But someone needs to escort the prisoners to the U.S.; Gruber, of European ancestry and Jewish faith, volunteers for the assignment over the objections of her parents (Anne Bancroft and Martin Landau). Gruber travels to Italy on behalf of Secretary of the Interior Harold Ickes (Hal Holbrook), where she helps the refugees board the U.S.S. Henry Gibbins. But Gruber discovers that the American sailors manning the ship regard their passengers as little better than their Nazi jailers, and the State Department declares, upon their arrival in the United States, that all the refugees are to be housed in a camp in Oswego, NY -- even those who have families willing to sponsor them in America. Gruber realizes her work with the refugees is far from done, and she bravely battles against both bureaucracy and prejudice to win both dignity and fair treatment for the new settlers. Haven was originally broadcast on the CBS television network on February 11 and 14, 2001. ~ Mark Deming, Rovi

The hard-ball gamesmanship and casual character assassination of American politics sets the stage for this thriller from writer and director Rod Lurie. When the Vice President of the United States unexpectedly dies, all eyes in Washington D.C. are on President Jackson Evans (Jeff Bridges) as he chooses a new VP. Sen. Jack Hathaway (William Petersen), a respected career politician enjoying a new swell of popularity after a well-publicized attempt to save a drowning woman, is expected to be Evans' choice, but instead he picks Sen. Laine Hanson (Joan Allen), a decision that raises eyebrows on both sides of the political fence. Veteran power broker Shelly Runyon (Gary Oldman) is vehemently opposed to Hanson's appointment, in part because the Democratic senator was once a Republican, and vows to do everything in his power to prevent her from being confirmed. Runyon and his staff start digging for dirt on Hanson, and soon make a surprising discovery -- her personal morality is called into question when it's alleged that she took part in a group sexual liaison while she was a college student. The Contender also stars Mike Binder as one of Hanson's advisors, Mariel Hemingway as an old friend with a surprising secret, Christian Slater as an ambitious congressmen assisting Runyon, and Philip Baker Hall as Hanson's father; it was the second feature from former film critic Rod Lurie. ~ Mark Deming, Rovi

Created by Anthony Zuiker, the CBS cop series CSI: Crime Scene Investigation, which first aired on October 6, 2000, could be described as "Quincy for the 21st century." Set in Las Vegas, the weekly, 60-minute series focused on the activities of that city's Crime Scene Investigations Bureau. Working the overnight shift, the principal characters deployed state-of-the-art forensic technology to solve unsolvable crimes. Whenever scientific analysis failed, however, the lab's "criminalists" relied upon good, old-fashioned logic -- logical to them, if not to their superiors. So efficient was the CSI team that it was rated the number two such crime lab in America. The series' main protagonist was Gil Grissom (William L. Petersen), once the youngest coroner in the history of the L.A. police department, who after 15 years with the Vegas PD, was put in charge of the crime lab when its former skipper, the mercurial Captain Jim Brass (Paul Guilfoyle), was transferred back to the homicide division. Grissom's elite ensemble included his second-in-command, onetime exotic dancer Catherine Willows (Marg Helgenberger), who juggled her professional responsibilities with her home duties as a single mother; ex-grave digger Warrick Brown (Gary Dourdan), the only member of the team who was born in Vegas and, as such, the most savvy member when it came to the ins and outs of the casino industry that figured so largely in the proceedings; Warrick's friendly rival, the warm and outgoing Nick Stokes (George Eads), late of the Dallas PD; and the brilliant but somewhat distant Sara Sidle (Jorja Fox), who was initially brought in from San Francisco to investigate the murder of her predecessor, rookie criminalist Holly Gribbs (a case that had lost Captain Brass his position as head of the lab). Each of these worthies brought a distinct specialty to their work: Willows was a blood-splatter analyst, Brown an audio-visual expert, Stokes a hair-and-fiber specialist, and Sidle a materials-and-element analyst.

The criminalists generally worked in sub-teams to investigate the myriad of baffling cases which came across their desk in each episode (usually two crimes were depicted and solved per week). During the series' first three seasons on the air, there were no significant cast changes, though former recurring characters Greg Sanders (Eric Szmanda) and Dr. David Robbins (Robert David Hall) were gradually elevated to weekly-regular status. In many ways, however, there was an unbilled "major character" in the form of the series' fluid camerawork, deploying quickie montages, juxtaposed images, and dreamlike scene transitions -- all complemented by a driving but low-key background music score. Cinematographers like Michael Barrett and Frank Byers and editors like Alex Mackie and Alec Smight were as responsible for the "look" of CSI as were the series' producers, directors, and stars. As of 2002, the highly rated series had been nominated for a myriad of Emmy Awards, scoring one win for makeup artists Nicholas Pagliaro, John Goodwin, and Melanie Levitt. 2002 was also the year that the producers cooked up a spin-off series, CSI: Miami. ~ Hal Erickson, Rovi

Shot in 33 days, this $9.6 million biographical drama of behind-the-scenes interactions within the Rat Pack group of Frank Sinatra (Ray Liotta), Dean Martin (Joe Mantegna), and Sammy Davis Jr. (Don Cheadle) is set against the political backdrop of the '60s, establishing links of singers, gangsters, actors, and politicans (sometimes brushing shoulders in the same rooms). The film also explores Sinatra's relationship with John F. Kennedy (William Peterson). Deciding to support Kennedy, Sinatra patches up his feud with Peter Lawford (Angus Macfadyen), since Lawford's wife, Pat (Phyllis Lyons) is JFK's sister -- and a Sinatra-Kennedy friendship soon follows. However, when Joe Kennedy (Dan O'Herlihy) decides Sinatra's nightclub, mob and commie connections are a no-no for JFK, the patriarch's interference angers Sinatra. Meanwhile, Sammy Davis Jr. enters into an interracial liaison with May Britt (Megan Dodds), and the dynamics of the situation are visualized in an imaginative musical fantasy sequence in which Davis sees himself singing and dancing for an unresponsive line of white supremacists. Broadway's Savion Glover stepped in with the film's choreography. Substitute singers featured the voice of Michael Dees for Sinatra and Mantegna duplicating Dino. Also covered here are the events that led to the filming of Ocean's Eleven (1960). For an actual Rat Pack stage performance, see The Rat Pack Captured (1965). Filmed in LA, the TV movie premiered August 22, 1998 on HBO. ~ Bhob Stewart, Rovi

In this crime drama, New York journalist Jake Bridges (William Petersen), off on a bender in Atlantic City, gets into a bar confrontation with Lew Collins (Meat Loaf) but is rescued by gregarious Frankie McGregor (Michael Wincott), a member of a gang headed by Irishman Lange (Michael Byrne), a sadist in a wheelchair. After Bridges gets an eyeful of Frankie's girlfriend, nurse Melissa (Diane Lane), he finds excuses to drop by the hospital where she works. Admiring Bridges's credentials as a writer, Frankie cultivates his companionship in order to upgrade his schooling in literature. Jake gives him a reading list, while Frankie draws Jake into the gang. Shown at the 1998 Santa Barbara Film Festival. ~ Bhob Stewart, Rovi

The fishing industry of a small Northwestern coastal town is nearly destroyed when a mysterious giant sea creature takes up residence. Based on a novel by Peter Benchley, the story bears more than passing resemblance to the author's most popular story, Jaws in that a few, including a scientist, learn the terrifying truth and try to convince a skeptical community that they are all in danger should they go too near the water. Once the town believes, it is up to the hero, a lady coast guard officer, and the scientists to stop the beast. This feature originally aired as a two-part miniseries on network television. ~ Sandra Brennan, Rovi

Four men just barely on the right side of the law step into a web of danger and corruption in this drama. In the early 1950s, Max Hoover (Nick Nolte) is a detective with the Los Angeles Police Department who leads what's been dubbed "the hat squad," a group of sharp-dressed cops who are ordered to stamp out organized crime using any means necessary, with legality and delicacy not much of an issue. Hoover and his partners Ellery Coolidge (Chazz Palminteri), Eddie Hall (Michael Madsen), and Arthur Relyea (Chris Penn) are looking into the brutal murder of a young woman named Allison Pond (Jennifer Connelly). In the course of their investigation, they discover that Allison had a lively sexual history, and she possessed explicit films of herself with her lovers, including Gen. Thomas Timms (John Malkovich), leader of the newly-formed Atomic Energy Commission. Timms becomes a key suspect, and he reveals the first of a long trail of troubling secrets, but Hoover has secrets of his own that he's trying to keep covered in the process -- including the fact that he and Allison were once an item. Popular vocalist Aaron Neville has a cameo as a singer at a night spot. ~ Mark Deming, Rovi