Jean Peters Movies

This 1981 motion picture follows in the footsteps of the first Christians, led by Peter and Paul, during three decades of evangelizing in the Mediterranean region. The 195-minute version of the original TV miniseries begins in Jerusalem four years after the death of Jesus Christ when Stephen, a disciple of the new religion, dies by stoning after Jews find him guilty of blasphemy. Among the Jewish accusers is Paul of Tarsus (Anthony Hopkins), a leader in the campaign against the Christians. However, when he reaches down for a stone to throw, he hesitates while other Jews carry out the sentence. Later, on his way to Damascus to root out Christians there, he is thrown from his horse. When he looks up, he sees a bright light and hears a voice -- the voice of the Christian God -- reproaching him for his persecution of the Jews. Paul then converts to Christianity and preaches on its behalf in Damascus, where authorities flog and jail him. He escapes and returns to Jerusalem. There, another Christian, Barnabas (Herbert Lom), introduces him to Peter (Robert Foxworth). At first, Peter suspects Paul is a spy. But after Paul persuades him that he has truly converted, the two men unite in their efforts to win souls to Christ. While Peter remains behind to labor in Jerusalem and other parts of Judea, then a Roman province, Paul goes north to preach in Antioch, Perga, Lystra, and other cities. However, because he converts Gentiles without requiring them to accept Jewish religious law and traditions, the Jerusalem branch of Christianity chastises him. Later, when Peter and others meet with Paul to strike a compromise, asking him to require Gentiles to accept a limited number of Jewish religious practices, Paul angrily rejects their proposal. Eventually, however, Paul and Peter reconcile and end up ministering in Rome during the reign of Emperor Nero (Julian Fellowes). There, they become martyrs to their faith. ~ Mike Cummings, Rovi

Adapted by playwright John Patrick from a novel by famed globetrotter/filmmaker John H. Secondari, Three Coins in the Fountain offers the splendors of Rome in Technicolor, CinemaScope and Stereophonic Sounds. For all its lovely picture-postcard images, the film is at base a reworking of 20th Century-Fox' favorite plotline: three pretty girls on the prowl for husbands. The three lovelies, who toss their coins in the Trevi fountain and wish for romance, include Dorothy McGuire, Jean Peters and Maggie McNamara. Before the film is over, secretary McGuire has wooed her boss, Clifton Webb, Peters has won the heart of a co-worker Italian translator Rossano Brazzi (despite being fired, in the process, for having an office romance); and McNamara finds happiness with prince Louis Jourdan. Three Coins in the Fountain won two Academy Awards: "Best Color Cinematography" (Milton Krasner), and "Best Song" (written by Sammy Cahn and Jimmy Van Heusen, and sung in the pre-credits sequence by an uncredited Frank Sinatra). The film was remade in 1965 as The Pleasure Seekers, and also served as the basis for a never-sold TV pilot starring Yvonne Craig, Cynthia Pepper and Joanna Moore. ~ Hal Erickson, Rovi

Apache was based on Paul I. Wellman's novel Broncho Apache, which in turn was inspired by a true story. Burt Lancaster plays Massai, a lieutenant of the great Apache warrior Geronimo (here depicted as an old man, played by Monte Blue). Though his tribe has signed surrender terms with the conquering whites, Massai refuses to do so. He escapes from a prison train and conducts a one-man war against the white intruders-and against some of his own people. Along the way, he claims Nalinle (Jean Peters), whom he previously regarded as a traitor to his cause, as his wife. John McIntire plays famed Indian scout Al Sieber, who-in this film, if not in real life-is sympathetic to the Indians' plight and Massai's single-purposed cause. The real-life counterpart to Massai was killed by Sieber's minions after agreeing to call off the hostilies; United Artists objected to this, forcing producer/star Burt Lancaster to shoot an unconvincingly happy ending. ~ Hal Erickson, Rovi

Samuel Fuller scarcely used Dwight Taylor's source material, a languid courtroom romance, in crafting this pugnacious potboiler. Pickup on South Street is strictly Fuller film noir -- lean and wicked straight to its core. Barely out of prison, loner and pickpocket Skip McCoy (Richard Widmark) quietly helps himself to the contents of a woman's purse. His beautiful victim, Candy (Jean Peters), turns out to be an unwitting courier for the communist underground; McCoy's booty is actually microfilmed U.S. government secrets, formerly en route to Moscow. Both the FBI and Candy's employers are desperate to retrieve the film. The apolitical and arrogant McCoy has a plan to play both ends against the middle and come up ahead. However, dealing with the authorities may mean life in the clink, and the sadistic communists would rather kill McCoy than pay him off. He quickly becomes embroiled with Candy, who will risk everything to right her wrongs, and eventually even more to save her new man. When McCoy loses a cohort and Candy is almost killed, the cocksure pickpocket finds a stronger motivation than personal gain. ~ Aubry Anne D'Arminio, Rovi

This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, Rovi

Belated honeymooners Polly (Jean Peters) and Ray Cutler (Casey Adams) arrive at their Niagara Falls cottage only to find that Rose (Marilyn Monroe) and George Loomis (Joseph Cotten) have not yet checked out. Though the Cutlers temporarily take another cabin, the lives of the two couples are bound together for the next two days. Polly discovers that Rose is having an affair and that George, though emotionally unstable, has good reason for his jealous rage. George accurately suspects that Rose openly flaunts her sexuality to make him act crazy in front of witnesses. This is part of Rose's plan: her lover Patrick (Richard Allan) will kill George and make it look like suicide or a disappearance. Instead, George kills Patrick, and he returns to kill Rose, but finds Polly instead. As she had been sympathetic to him, he asks her not to tell anyone that he is alive so he can simply disappear. But, realizing that he wants to kill Rose, Polly informs the police. What follows is escalating terror, with George stalking Rose, Rose desperately trying to leave town, the police searching for both of them, and finally George and Polly adrift in a boat heading for the precipice. In Henry Hathaway's Technicolor film noir, Niagara Falls serves as an apt metaphor for the destructive power of out-of-control carnal and murderous obsessions. ~ Steve Press, Rovi

The upbeat title belies the film's often melancholy subject matter. Based on a novel by Ferdinand Reyher, Nellie stars David Wayne as a small town barber in the early 20th century. Wayne's bored wife (Jean Peters) leaves him for a city slicker (Hugh Marlowe), whereupon both are killed in a train accident. Wayne does his best to raise his two children alone, but the oldest son (Tommy Morton) becomes a criminal and is shot down in a Chicago gang war (a startlingly graphic sequence for a 1952 film). Wayne's life seems to be one disaster after another, but he perseveres, and upon his town's 50th anniversary he is honored as a pillar of his community. Somehow all of the previous tragedies are compensated for by the presence of Wayne's doting granddaughter Nellie (Helene Stanley). ~ Hal Erickson, Rovi

Jean Peters is at her feisty best in Anne of the Indies. Harboring a grudge against all men (and not without reason), Anne becomes "Captain Providence," one of the most notorious pirate leaders of the Spanish Main. Anne is pursued by French captain Pierre la Rochelle (Louis Jourdan), who intends to bring her to justice. To this end, La Rochelle makes romantic overtures to Anne, but she gloms onto his scheme and abducts the captain and his wife Molly (Debra Paget). After leaving her victims to die on a desert island, Anne relents and rescues them. She later fully redeems herself (at great personal cost) during a battle with her fiercest rival, Blackbeard (Thomas Gomez). Few actresses could have pulled off the contrarily-written title character in Anne of the Indies with as much determination and conviction as Jean Peters; surprisingly, the actress was reportedly never comfortable before the cameras, often insisting that she'd rather be a schoolteacher! ~ Hal Erickson, Rovi

Love That Brute is a remake of the 1942 comedy Tall, Dark and Handsome. In the original, Cesar Romero starred as a soft-hearted 1920s gangster who manages to maintain a reputation as a dangerous character, even though he's never killed anyone in his life. In the remake, Romero is cast as Pretty Willie, the principal villain, while the starring role is essayed by Paul Douglas. Falling in love with Ruth Manning (Jean Peters), the pretty recreation director of the city's park system, "Big Ed" Hanley (Douglas) hires Ruth as the governess for his children. Trouble is, he has no children, so he dispatches his faithful henchman Bugs (Keenan Wynn) to find him a kid. Meanwhile, "Big Ed" tilts with arch-enemy Pretty Willie, gaining the upper hand when it appears that "Big Ed" has bumped off several of Willie's lieutenants. Discovering that her boss is a gangster, Ruth is about to walk out on him--and then, the truth behind Ed's phony "killer instinct" is hilariously revealed. ~ Hal Erickson, Rovi

In this drama, filmed on location in Maine, the life of a young lobster fisherman is forever changed by an orphan boy. It was the fisherman's girlfriend that got him involved with the troubled lad who had been caught stealing while in a foster home. The fisherman was to provide a good role-model for the young man. With the help of one of his partners the fisherman succeeds. ~ Sandra Brennan, Rovi