House Peters, Jr. Movies

The Great Sioux Massacre is an entertaining pack of lies about Custer's Last Stand. General Custer (Philip Carey) is herein depicted as a bastion of tolerance, whose efforts to secure fair treatment for the Indians lead to several confrontations with corrupt government officials. Custer is forced to retire, but is soon approached by a machiavellian senator (Don Haggerty) who convinces the General that he is presidential material. The best way to attain the White House, Custer reasons, is to wrest control of the upcoming Little Big Horn campaign from the officer in charge (Frank Ferguson). This, alas, proves to be "Yellow Hair's" undoing. The Great Sioux Massacre costars Joseph Cotten and Darren McGavin as Custer's fellow officers Reno and Benton. ~ Hal Erickson, Rovi

The senatorial campaign between Jason Foster (Richard Anderson) and Randolph Cartwell (Stewart Moss) gets down and dirty when political boss Harry Margis (Patrick McVey) tries to set up Foster's sister as a pawn in a fabricated scandal, using her romance with Cardwell's stepson David (Stewart Moss) as a means to an end. When David is murdered, suspicion falls upon Jason's wife Margaret (Jan Shepard), who thinks that Jason is the killer--and as such, refuses to cooperate with Perry Mason as he tries to defend her in court. Appearing as the ingenue Susan Foster is future Hollywood producer and studio executive Lynn Loring. ~ Hal Erickson, Rovi

Lawyer Dean Martin's gambling habit is beginning to get on the nerves of his wife Lana Turner. To keep the money in the family, Lana talks Dino's law partner Eddie Albert into acting as Martin's bookie. Not only does this plan not work, but it also rouses the ire of Runyonesque gangster Walter Matthau. In the cutest of the film's cute twist, Lana saves herself and her husband by solving Matthau's financial and domestic problems. A minor but efficiently assembled star comedy, Who's Got the Action benefits from tasty production values and a knockout supporting cast, including Paul Ford, John McGiver, Nita Talbot, Ned Glass, and fabled pin-up girl June Wilkinson. ~ Hal Erickson, Rovi

For those of you who might have wondered whether accordion virtuoso Dick Contino ever made a film, we refer you to The Big Night. Fourth-billed Contino weaves in and out of a plotline involving stolen money, an innocent married couple, and not-so-innocent gangsters. Newlyweds Randy Sparks and Venetia Stevenson find a sack of cash, then stash it away for a rainy day rather than inform the cops. That this is not a smart move is hammered home before the film is half over. You'll have to see The Big Night yourself to find out if Dick Contino gets the opportunity to render "Lady of Spain" on his squeeze-box. ~ Hal Erickson, Rovi

Thanks to the notorious gangland conference in Appalachian, New York, the word "Mafia" was on everyone's lips in 1959. Rushing to capitalize on this fact was the low-budget expose Inside the Mafia. Grant Richards plays a Lucky Luciano type who is about to return to the US after several years' deportation. Richards arranges for an upstate New York gangland meeting, where minor mob functionary Cameron Mitchell plans to depose big boss Ted DeCorsia. Mitchell also intends to murder Richards so that he can rule the Mafia unfettered. But Richards is still master of his own fate, and he guns down his competition during the gang conference before surrendering to the police. Inside the Mafia told the public little that wasn't already known, but the film served its purpose of cashing in on a "hot" title. ~ Hal Erickson, Rovi

Original slated for release through United Artists, the Wisberg-Yarborough production Women of Pitcairn Island was ultimately distributed by 20th Century-Fox. The film purports to detail the aftermath of the mutiny on the Bounty in the late 18th century. When the last of the male mutineers dies, the wives and daughters of the Bounty crew are left behind to make the best of things on Pitcairn Island. Trouble arises in the form of a band of pirates, who've landed on Pitcairn with the intention of hiding a cache of stolen pearls. After dallying with the ladies, the pirates come to grief by fighting amongst themselves. James Craig hams it up as the bearded pirate captain, while second-billed Lynn Bari seems grimly determined to get the film over with as quickly as possible. ~ Hal Erickson, Rovi

In this adventure, a renowned American physician journeys to darkest Africa to help a pair of sibling missionaries stop prospectors from inciting a tribal war. The miners do this to scare the white colonists away from their newly discovered mine. ~ Sandra Brennan, Rovi

This landmark juvenile-delinquent drama scrupulously follows the classic theatrical disciplines, telling all within a 24-hour period. Teenager Jimmy Stark (James Dean) can't help but get into trouble, a problem that has forced his appearance-conscious parents (Jim Backus and Ann Doran) to move from one town to another. The film's tormented central characters are all introduced during a single night-court session, presided over by well-meaning social worker Ray (Edward Platt). Jimmy, arrested on a drunk-and-disorderly charge, screams "You're tearing me apart!" as his blind-sided parents bicker with one another over how best to handle the situation. Judy (Natalie Wood) is basically a good kid but behaves wildly out of frustration over her inability to communicate with her deliberately distant father (William Hopper). (The incestuous subtext of this relationship is discreetly handled, but the audience knows what's going on in the minds of Judy and her dad at all times.) And Plato (Sal Mineo), who is so sensitive that he threatens to break apart like porcelain, has taken to killing puppies as a desperate bid for attention from his wealthy, always absent parents.

The next morning, Jimmy tries to start clean at a new high school, only to run afoul of local gang leader Buzz (Corey Allen), who happens to be Judy's boyfriend. Anxious to fit in, Jimmy agrees to settle his differences with a nocturnal "Chickie Run": he and Buzz are to hop into separate stolen cars, then race toward the edge of a cliff; whoever jumps out of the car first is the "chickie." When asked if he's done this sort of thing before, Jimmy lies, "That's all I ever do." This wins him the undying devotion of fellow misfit Plato. At the appointed hour, the Chickie Run takes place, inaugurated by a wave of the arms from Judy. The cars roar toward the cliff; Jimmy is able to jump clear, but Buzz, trapped in the driver's set when his coat gets caught on the door handle, plummets to his death. In the convoluted logic of Buzz' gang, Jimmy is held responsible for the boy's death. For the rest of the evening, he is mercilessly tormented by Buzz' pals, even at his own doorstep. After unsuccessfully trying to sort things out with his weak-willed father, Jimmy runs off into the night. He links up with fellow "lost souls" Judy and Plato, hiding out in an abandoned palatial home and enacting the roles of father, mother, and son. For the first time, these three have found kindred spirits -- but the adults and kids who have made their lives miserable haven't given up yet, leading to tragedy. Out of the bleakness of the finale comes a ray of hope that, at last, Jimmy will be truly understood.

Rebel Without a Cause began as a case history, written in 1944 by Dr. Robert Lindner. Originally intended as a vehicle for Marlon Brando, the property was shelved until Brando's The Wild One (1953) opened floodgates for films about crazy mixed-up teens. Director Nicholas Ray, then working on a similar project, was brought in to helm the film version. His star was James Dean, fresh from Warners' East of Eden. Ray's low budget dictated that the new film be lensed in black-and-white, but when East of Eden really took off at the box office, the existing footage was scrapped and reshot in color. This was great, so far as Ray was concerned, inasmuch as he had a predilection for symbolic color schemes. James Dean's hot red jacket, for example, indicated rebellion, while his very blue blue jeans created a near luminescent effect (Ray had previously used the same vivid color combination on Joan Crawford in Johnny Guitar). As part of an overall bid for authenticity, real-life gang member Frank Mazzola was hired as technical advisor for the fight scenes. To extract as natural a performance as possible from Dean, Ray redesigned the Stark family's living room set to resemble Ray's own home, where Dean did most of his rehearsing. Speaking of interior sets, the mansion where the three troubled teens hide out had previously been seen as the home of Norma Desmond in Sunset Boulevard. Of the reams of on-set trivia concerning Rebel, one of the more amusing tidbits involves Dean's quickie in-joke impression of cartoon character Mr. Magoo -- whose voice was, of course, supplied by Jim Backus, who played Jimmy's father. Viewing the rushes of this improvisation, a clueless Warner Bros. executive took Dean to task, saying in effect that if he must imitate an animated character, why not Warners' own Bugs Bunny? Released right after James Dean's untimely death, Rebel Without a Cause netted an enormous profit. The film almost seems like a eulogy when seen today, since so many of its cast members -- James Dean, Natalie Wood, Sal Mineo, Nick Adams -- died young. ~ Hal Erickson, Rovi

Target Earth was adapted from Paul W. Fairman's short story Deadly City. Set in, of all places, Chicago, this sci-fier concentrates on four people who've congregated in the deserted city after a sudden and mysterious evacuation. The ill-matched foursome are Vicki Harris (Virginia Grey), a flashy, trashy blonde; Nora King (Kathleen Crowley), a young widow; Frank Brooks (Richard Denning), a handsome fellow with a questionable past; and Jim Wilson (Dick Reeves), a brutish transient. Though they don't get along at first, the four strangers are compelled to unite against a common enemy: an invading Venusian army, using huge robots to do their dirty work. Nothing spectacular, Target Earth works well within its modest limitations. ~ Hal Erickson, Rovi

Port Sinister was produced by the team of Aubrey Wisberg and Jack Pollexfen, whose chief claim to fame was the 1951 sci-fi "sleeper" The Man From Planet X. Soldier of fortune Tony Ferris (James Warren) leads an expedition to an island threatened with extinction by a volcano. No, Ferris isn't crazy: it is his belief that the eruption will reveal a fortune in buried pirate treasure. Surrounded by highly suspicious-looking characters, Ferris can trust only his longtime companion, Jean Hunter (Lynne Roberts) -- and even she doesn't seem too trustworthy. Originally distributed by RKO Radio, Port Sinister was re-issued by Realart Pictures in 1961 under the title Beast of Paradise Isle. ~ Hal Erickson, Rovi

This anthology film assembles five respected directors and a top-notch cast to bring a handful of stories by the great American author O. Henry to the screen. In The Cop and the Anthem, a tramp named Soapy (Charles Laughton) tries to get arrested so that he can spend the winter in jail, only to find that is not as easy as it used to be. Marilyn Monroe appears in this episode as a streetwalker. The Clarion Call features Dale Robertson as Barney, a cop forced to arrest an old friend, Johnny (Richard Widmark). Anne Baxter stars in The Last Leaf as Joanna, an elderly woman who sees her own illness reflected in the fall of the autumn leaves; she's convinced that when the last leaf drops from the tree outside her window, her life will go with it. The Ransom of Red Chief concerns Sam (Fred Allen) and Bill (Oscar Levant), two novice kidnappers who kidnap a child, only to discover that his parents don't want him back -- and after a few hours with the brat, they find out why. And The Gift of the Magi tells the story of a pair of cash-strapped newlyweds, Della (Jeanne Craine) and Jim (Farley Granger), who struggle to get each other the perfect Christmas gift, with unexpected results. John Steinbeck narrates. ~ Mark Deming, Rovi

Whip Wilson and Tommy Farrell star in this Western as a pair of cowboys who are new in town. When they break up a brawl in the neighborhood saloon, they're made town marshals, but they have little time to bask in their glory before they have to help settle a range war between a group of ranchers. While most folks in town think Terry Howard (Phyllis Coates) is the one who has been causing all the problems, Whip has a hunch someone else is to blame. ~ Mark Deming, Rovi

The Waco depicted in this film is a wide-open Texas frontier town, in desperate need of a strong authority figure to clean out the criminal element. The man needed is the man found: Matt Boone, played by Wild Bill Elliot. Though himself a fugitive from justice (he killed a man in self-defense), Boone takes his responsibilities as sheriff very seriously. Flying in the face of standard "good badman" movie cliches, Boone is often as brutal and ruthless as the desperadoes he comes up against. Waco was one more feather in the cap of cowboy star Bill Elliot, who appeared in some of the toughest -- and best -- medium-budget westerns of the 1950s. ~ Hal Erickson, Rovi