Clarke Peters Movies

Vantage Point director Pete Travis turns his attention from high-profile political assassinations to the high-risk talks that ushered in the end of apartheid while securing the release of Nelson Mandela in this historical drama starring William Hurt, Chiwetel Ejiofer, Mark Strong, and Johnny Lee Miller. The time is the late '80s, a crucial period in the history of South Africa. President P.W. Botha is hanging on to power by a thread as the African National Congress (ANC) takes up arms against apartheid and the country tumbles toward insurrection. A British mining concern called Consolidated Gold is convinced that their interests would be better served in a stable South Africa, and they quietly dispatch Michael Young, their head of public affairs, to open an unofficial dialogue between the bitter rivals. Assembling a reluctant yet brilliant team to pave the way to reconciliation by confronting obstacles that initially seem insurmountable, Young places his trust in ANC leader Thabo Mbeki and Afrikaner philosophy professor Willie Esterhuyse. It is their empathy that will ultimately serve as the catalyst for change by proving more powerful than the terrorist bombs that threaten to disrupt the peaceful dialogue. As the story shifts between Mandela's jail cell, Botha's chambers, ANC headquarters, and a rented car occupied by a British bureaucrat, the prospect for peace becomes more than just a distant hope. ~ Jason Buchanan, Rovi

Owen Wilson and Jennifer Aniston go to the dogs with Marley & Me, a tale of a couple embarking on the adventure of marriage, career, family, and the world's worst dog. At least that's how writer and newlywed John comes to describe his blonde lab, Marley, when he takes the puppy home and finds that the fluff-ball has an uncanny ability to eat and/or destroy just about anything. As years go by, John and his wife, Jennifer, contemplate having babies and moving across the country, while Marley grows into 100 lbs. of funny, wild, completely untrainable canine companionship -- as well as one of the most important people in the family. Marley & Me is based on the best-selling autobiographical book by columnist John Grogan. ~ Jeremy Wheeler, Rovi

For the fifth and final season of this groundbreaking urban drama, series creator David Simon returns to his old stomping grounds at the Baltimore Sun, where he worked for many years as a crime reporter, to examine the media's role in modern society. This fictionalized version of what was once a newspaper of record is experiencing tough economic times, precipitating layoffs and a hollow mantra from management to "do more with less." These marching orders are met with derision by Gus Haynes (Clark Johnson), an old-school City Desk editor who encourages eager young journalists such as Alma Gutierrez (Michelle Paress) to hone their craft. The cutbacks at the Sun mirror those at City Hall, where Mayor Carcetti (Aidan Gillen) -- who's too busy angling for a gubernatorial run and convicting corrupt politico Clay Davis (Isiah Whitlock Jr.) to care-slashes the police budget to save money. But the decimation of the department's morale and matériel is too much for Jimmy McNulty (Dominic West). The maverick detective, who is not only back in Homicide but regressing to his tomcatting ways, fabricates a grisly crime that catches the eye of self-serving Sun reporter Scott Templeton (Tom McCarthy). And although his sensational articles about a rampaging serial killer are met with skepticism by Haynes, they're championed by his prize-hungry bosses. McNulty's scheme doesn't sit well with his partner Bunk (Wendell Pierce), but is embraced by Det. Freamon (Clarke Peters) if the means justify the restoration of funding to pursue drug lord Marlo Stanfield (Jamie Hector). Free of law-enforcement scrutiny, Marlo shields himself with onetime Barksdale attorney Maurice Levy (Michael Kostroff) on a quest to rule the entire city's drug trade, and tempts fate by luring stickup artist Omar (Michael K. Williams) back to town to settle an old score. Meanwhile, former addict Bubbles (Andre Royo) struggles to stay clean, but finds it hard to face his demons at Narcotics Anonymous meetings. ~ Joe Friedrich, Rovi

David Simon's masterful social commentary went back to school, quite literally, in the fourth season, which focuses on Baltimore's crumbling education system. A relevant link to its first three seasons is supplied by Roland "Prez" Pryzbylewski (Jim True-Frost), who left the police department to become a teacher at Edward Tilghman Middle School, a hardscrabble institution on life support that services a low-income, drug-infested neighborhood. (Incidentally, Prez's career path is similar to one of the series' producers, Ed Burns). His eighth-grade math class includes a close-knit quartet of friends -- Randy Wagstaff (Maestro Harrell), Michael Lee (Tristan Wilds), Duquan "Dukie" Weems (Jermaine Crawford) and Namond Brice (Julito McCullum). The wisecracking Brice is ignominiously selected to be part of a university experiment studying at-risk kids, which counts a former police commander, Bunny Colvin (Robert Wisdom), as a consultant. Out on the corners, Marlo Stanfield (Jamie Hector) strengthens his grip on the city's West Side narcotics trade once dominated by the Barksdale gang, and with his cold-blooded lieutenants, Chris (Gbenga Akinnagbe) and Snoop (Felicia Pearson), devises an ingenious method to hide the collateral damage of his ascent from the law. This sleight-of-hand bedevils detectives Freamon (Clarke Peters), Greggs (Sonja Sohn) and Bunk (Wendell Pierce). The trio are flummoxed by the lack of victims that would surely coincide with Marlo's ever-widening domain, a savage power grab that also threatens the relative peace of the New Day Co-Op under East Side pooh-bah Proposition Joe (Robert F. Chew). Meanwhile, the Democratic primary in the city's mayoral campaign pits the entrenched African-American incumbent, Clarence Royce (Glynn Turman), against Councilman Tommy Carcetti (Aidan Gillen), a scrappy politico with a savvy campaign manager in Norman Wilson (Reg E. Cathey), but a long shot to become Charm City's first white chief executive in years. ~ Joe Friedrich, Rovi

Season Three of The Wire opens with the demolition of Baltimore's notorious Franklin Terrace towers, the home base of Avon Barksdale's (Wood Harris) crew, currently under the supervision of Stringer Bell (Idris Elba). Rather than worry about expanding his control, through violence and intimidation, of the corners of West Baltimore, Stringer explains to his lieutenants that he plans to make money by offering the other gangs in on their New York drug supply, and sharing the corners with them. Lieutenant Daniels (Lance Reddick) and his unit are doing surveillance on Cheese (Method Man), one of Proposition Joe's dealers, and begin to realize that the phones that the street dealers use never reach the higher-ups in the organization. They have a wire up on one talkative dealer, who happens to be Prop Joe's nephew, and they decide to bust someone higher on the food chain in hopes that Prop Joe will promote the talker. "What makes you think they'll promote the wrong man?" asks Commissioner Burrell (Frankie Faison), to which Daniels responds, "We do it all the time." Daniels also finds out that Mayor Royce (Glynn Turman) is holding up his promotion because his wife, Marla (Maria Broom) is planning to run for the city council against one of the mayor's cronies. An ambitious councilman, Tommy Carcetti (Aidan Gillen) notices an uptick in violent crimes in the city, and decides to go after the mayor, inviting the media to watch him criticize Burrell at a hearing. This leads Burrell and Rawls to pressure their majors, including Bunny Colvin (Robert Wisdom) who is approaching his thirty year pension, to bring the murder rate down. Cutty (Chad L. Coleman), a former drug soldier, gets out of prison after fourteen years, and gets a handout from Avon, who plans to get out soon himself. ~ Josh Ralske, Rovi

The Baltimore "drug wars" enter a new phase (with a few diversions along the way) as The Wire launches its second season of 12 hour-long episodes. Although he was instrumental in weakening the Barksdale drug empire during the previous season, narcotics-division detective James McNulty (Dominic West) ruffled too many high-ranking feathers in the process, and has been demoted and reassigned to the Baltimore Police Harbor Unit. Swallowing his pride, McNulty is able to unearth a hotbed of corruption and duplicity within the Dockworker's Union, his investigation sparked by the recovery of a woman's body floating in the harbor -- which in turn leads to the recovery of 13 other corpses, all female. This season, the fly in the ointment vis-à-vis the "negotiations" between the good guys and the bad guys is Ziggy Sobotka (James Ransome), the loose-cannon son of the Union's secretary treasurer, Frank Sobotka (Chris Bauer). These new plot developments do not in any way eclipse the Baltimore PD's ongoing campaign to bring the drug-dealing Barksdale family to its knees. In fact, one of the predominant subplots involves the willingness of the Barksdales' main rival, Omar Little (Michael K. Williams), to testify in court...if he lives that long. The season's final episode is titled "Port in a Storm" -- and be assured that this port will be tragically elusive to several of the main characters. ~ Rovi

Setting the tone for all seasons to come, season one of HBO's The Wire divides its attention equally between cops and dealers, offering a fascinatingly objective overview of the Baltimore drug scene. The weekly, hour-long series also pays homage to its spiritual predecessor, Homicide: Life on the Street (both series were created by Tom Fontana), by basing its debut episode (originally telecast June 2, 2002) on the same book (by David Simon) that inspired the earlier program. After drug dealer D'Angelo Barksdale (Larry Gilliard Jr.) beats a murder rap, Detective James McNulty (Dominic West) vows never to let D'Angelo out of his sight, hoping that the criminal will lead him to an even bigger fish -- namely, D'Angelo's uncle, drug kingpin Avon Barksdale (Wood Harris). McNulty's task is complicated by a variety of things, including the corruption and dissension within the police department -- which in turn hampers the effectiveness of the man leading the investigation of the Barksdale empire, Lt. Cedric Daniels (Lance Reddick). Meanwhile, Avon Barksdale and his second-in-command, Stringer Bell (Idris Elba), are likewise bedeviled with their own personal and professional problems as they gear up to do battle against their underworld rivals. Throughout the series' first 13 episodes, police officers and criminals alike are seen to possess their own curious codes of honor and rules of conduct, allowing viewers to empathize with both the hunter and the hunted (without, of course, ever completely siding with the "bad guys"). And though the season finale is titled "Sentencing," it is clear that the story is far from over. ~ Rovi

"They're the toughest anti-terrorist strike force in the world. But they've never faced an enemy like this." The "they" mentioned in the ad copy for Death Train are headed by Pierce Brosnan. The enemy is rogue Russian general Christopher Lee, who has stolen two nuclear bombs, intending to hold the world for ransom. The bombs are placed on two trains, which are then engaged in a breakneck race by the general via remote control. Things really get dangerous when one of the trains is hijacked! Alexandra Paul and Patrick Stewart also star in this middling actioner, which manages to stir up suspense only during the climactic detonation sequence. Originally titled Alastair MacLean's Death Train when it premiered over the USA Cable Network on April 14, 1993, the film was retitled Detonator for its theatrical release. ~ Hal Erickson, Rovi

Tom Skerritt plays an end-of-tether CIA agent in Red King, White Knight. His superiors persuade Skerritt to take one last assignment: to prevent the assassination of the Russian president. Max Von Sydow plays Skerritt's opposite number at the KGB, who despite orders to kill the American agent, teams up with him to save the Soviet leader. Meanwhile, Skerritt's private life is complicated by the return of ex-lover Helen Mirren. Though unrated, the film contains violence and nudity. Produced for the HBO Cable Service, Red King, White Knight was first telecast November 25, 1989. ~ Hal Erickson, Rovi

Saigon: Year of the Cat is a low-budget drama about the fall of Saigon. The film was made for the BBC in 1983. It was one of many television projects that director Stephen Frears (High Fidelity) worked on in the early part of his career. Playwright David Hare (Plenty) wrote the script. Judi Dench plays Barbara Dean, a depressed loan officer working for a British bank in Saigon in 1974. Barbara politely wards off the advances of her Scottish co-worker, Donald (Roger Rees), who does not share her respect for the Vietnamese people. She also avoids getting involved with Frank (Wallace Shawn), an American embassy employee with whom she plays bridge. When she meets Bob (Frederic Forrest), however, she's immediately attracted to him. She soon learns that while Bob poses as a cultural attaché, he actually works for the CIA. When Bob belatedly recognizes her attraction, he opens up to her, and they become lovers. Bob hears from a reliable intelligence source that the North Vietnamese are stepping up their aggression and plan to take Saigon soon. He tries to convince his boss, Jack Ockham (Josef Sommer), and the U.S. ambassador (E.G. Marshall) to prepare for the fall of the city by evacuating the South Vietnamese citizens who have worked most closely with the U.S. government. The ambassador does not want to appear to be abandoning President Thieu's regime. He refuses to credit Bob's report. Meanwhile, as the crisis looms, Barbara is growing despondent because Bob is not spending time with her, and because there's little she can do to help her South Vietnamese friends get out of the country. ~ Josh Ralske, Rovi

Coming in around the middle of the pack, this so-so drama about motorcycle racing features David Essex, the British pop star, as Nick Freeman. Nick's brother has died before he is able to test and race the motorcycle he developed, and now Nick has inherited that responsibility. In spite of a series of tough setbacks, including the loss of his girlfriend, Nick goes into the big race he has been waiting for with all his energy and concentration bent on winning. An underhanded American racer (Beau Bridges) is among the competition, so there may be trouble before the finish line is crossed. ~ Eleanor Mannikka, Rovi