Nehemiah Persoff Movies
Trivia buffs and diehard fans of Elia Kazan's On the Waterfront will know that the non-speaking cab driver in the film's famed 'taxicab scene between Marlon Brando and Rod Steiger was noted character actor Nehemiah Persoff. An American resident from age 9, the Jerusalem-born Persoff spent his early adulthood working for the New York subway system. Asked in later years why he chose acting as a profession, Persoff would comment that the rise of anti-Semitism in Europe compelled him to prove himself worthy of his "gift of life." On stage in community and non-professional productions from 1940, he studied with Stella Adler at the Actor's Studio before graduating to Broadway. His first film appearance, in 1948, was in the Manhattan-based The Naked City. After attaining prominence in the mid-1950s, Persoff alternated between villainy and sympathetic roles, utilizing his ear for dialects to depict a wide array of nationalities. He was often cast as a gangster, both serious (Johnny Torrio in the 1959 feature Capone, Jake Guzik on the TV series The Untouchables) and satiric (Little Bonaparte in 1959's Some Like It Hot). His credits in the 1980s included Stalin in the 1980 TV movie FDR: The Last Year, Barbra Streisand's father in Yentl (1983), and the robust voice of Papa Mousekewitz in the 1986 animated feature An American Tail. ~ Hal Erickson, All Movie Guide- 1959
Rod Steiger is the screen's first "method mobster" in the title role of Al Capone. The film traces Big Al's progress from a torpedo in the hire of Chicago gangster Johnny Torrio (Nehemiah Persoff) to Capone's takeover of the Windy City's bootlegging operations, and his ultimate downfall at the hands of the IRS. Rod Steiger delivers every line with maniacal gusto, as though it will be his last; sometimes he sounds like Frank Gorshin doing a Rod Steiger impression, but for the most part it is a dynamite performance. Featured in the cast are Murvyn Vye as Bugs Moran, Joe De Santis as Big Jim Colosimo, Lewis Charles as Hymie Weiss, Robert Gist as O'Banion, and James Gregory and Martin Balsam as composite characters, respectively based on honest Chicago cop John Siege and duplicitous newspaper reporter Jake Lingle. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Steiger, Fay Spain, (more)
- 1958
Peter Van Hook (Alan Ladd), alias The Dutchman, is nearing the end of a stretch in Yuma Territorial Prison for a gold robbery that he didn't commit. Released early with the unwitting -- and unwilling -- help of fellow inmate John McBain (Ernest Borgnine), he sets about getting even with the men and the mining company whose original owner got him into trouble, in a plan of double- and triple-crosses for which he needs the reluctant help of McBain. The latter wants nothing more than to go back to the life of a rancher -- and then he discovers something equally important in life, when he steps in to help a victimized Mexican woman (Katy Jurado). Suddenly, McBain is very interested in the Dutchman's scheme, and with the help of explosives expert Vincente (Nehemiah Persoff), they pull off what looks like an absolutely perfect robbery of a gold mine -- even the evidence that a crime was committed ends up being covered up. But Cyirl Lounsberry (Kent Smith), the financier who's supposed to fence the gold, has other ideas, and a crooked lawman (Adam Williams) to back him up. ~ Bruce Eder, All Movie Guide
- Starring:
- Alan Ladd, Ernest Borgnine, (more)
- 1957
An overbearing woman is determined to force her two kids to turn her struggling rice plantation into a success. Unfortunately, it is located on the Indochinese coast and is being threatened by rough seas; all that stands between the paddies and the ocean is a small seawall. More trouble comes in the form of a government agent who tries to get them to abandon the land. After falling in love with the beautiful daughter, the agent abandons his mission. But then her brother tires of his mother's constant harping and flees to Bangkok and this leads to more problems. Featuring an international cast, much of the film was shot on location in Thailand. ~ Sandra Brennan, All Movie Guide
- Starring:
- Anthony Perkins, Silvana Mangano, (more)
- 1957
Upon his release from prison, petty crook Jackie Blake (Darryl Hickman) is "adopted" by Martha and Ralph Collins (Mildred Dunnock, Nehemiah Persoff), the kindly parents of his former cellmate. For the first time in his life, Jackie has a family and a place that he can call home, and before long he has found a good job and has embarked upon a new direction in life. But as revealed in the episode's final moments, Martha and Ralph Collins aren't quite all that they appear to be. ~ Hal Erickson, All Movie Guide
- 1957
This action-filled police drama chronicles the difficult first year of a rookie cop. The trouble begins on his very first day on the beat when he has a conflict with the criminally connected owner of the local tavern. Against the more moderate advice of his experienced partner, the rookie insists on strictly enforcing every law on the books. His unbending toughness creates hard feelings with the neighborhood toughs and soon he becomes their target. He becomes quite upset when a drunken woman leaps from his window to her death. He is then suspended. Later he redeems himself by solving a murder and bringing the corrupt tavern owner to justice. ~ Sandra Brennan, All Movie Guide
- Starring:
- Geraldine Brooks, Nehemiah Persoff, (more)
- 1957
Anthony Mann, best known for his intelligent Westerns and hard-boiled crime films, directed this unflinching look at the realities of war set against the backdrop of the Korean conflict. Lt. Mark Benson (Robert Ryan) is the leader of a platoon that has just been given orders to advance to Hill 465, where they are to join awaiting troops and advance on the territory. While Benson and his men are weary, they have little choice but to comply. Needing a transport for their weapons, Benson and his men commandeer a truck, only to discover that it's not empty -- Sgt. "Montana" Williamette (Aldo Ray) has been ordered to escort a colonel (Robert Keith) suffering from extreme battle fatigue to a field hospital for examination and treatment. While Benson's loyalty is to his troops and his mission, Montana refuses to turn over the truck; the colonel is one of the only men he's been able to rely on during his stretch in the Army, and he is determined to stand by him in his time of need. Either way, the men find themselves frequently confronted by danger, and their numbers are decimated when they're ambushed by enemy troops. The supporting cast includes L.Q. Jones, Nehemiah Persoff, and Vic Morrow, who five years later would confront the dark side of war on a weekly basis as star of the TV series Combat. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Ryan, Aldo Ray, (more)
An obviously ailing Humphrey Bogart made his final screen appearance in The Harder They Fall. Adapted from a novel by Budd Schulberg, the film is a thinly disguised a clef account of the Primo Carnera boxing scandal. Bogart is cast as unemployed newspaperman Eddie Willis, who sells his soul down the river when he signs on as press agent for slimy fight manager Nick Benko (Rod Steiger). It is Willis' job to stir up publicity for Benko's newest protégé, Argentinian boxer Toro Moreno (Mike Lane). Benko's boy quickly rises to the top of his profession, though everybody but Toro knows that all the fights have been fixed. Upon learning that Benko intends to bilk Toro of his earnings, Willis regains his integrity, tells the wide-eyed young pugilist the truth, then sits down to write a searing expose of the fight racket. Jan Sterling costars as Willis' estranged wife, while real-life boxers Jersey Joe Walcott and Max Baer are suitably cast as Toro's trainer and ring opponent, respectively. There is also a heartbreaking cameo appearance by ex-fighter Joe Greb, cast as a punchdrunk skid row bum. The Harder They Fall originally went out with two different endings: in one, Eddie Willis demanded that boxing be banned altogether, while in the other, Willis merely insisted that there be a federal investigation of the prizefighting business. The videotape version contains the "harder" denouement, while most TV prints end with the "softer" message. ~ Hal Erickson, All Movie Guide
- Starring:
- Humphrey Bogart, Rod Steiger, (more)
Director Alfred Hitchcock lets us know from the outset that The Wrong Man is a painfully true story and not one of his customary fabricated suspense yarns, through the simple expedient of walking before the camera and telling us as much (this introductory appearance replaced his planned cameo role as a nightclub patron). The real-life protagonist, musican Christopher Emmanuel Balestrero, is played by Henry Fonda. Happily married and gainfully employed at the Stork Club, Balestrero's life takes a disastrous turn when he goes to an insurance office, hoping to borrow on his wife's (Vera Miles) life insurance policy in order to pay her dental bills. One of the girls in the office spots Balestrero, identifying him as the man who robbed the office a day or so earlier. This, and a few scattered bits of circumstantial evidence, lead to Balestrero's arrest. Though he's absolutely innocent, he can offer no proof of his whereabouts the day of the crime. Lawyer Frank O'Connor (Anthony Quayle) does his best to help his client, but he's up against an indifferent judicial system that isn't set up to benefit the "little man". Meanwhile, Balestrero's wife becomes emotionally unhinged, leading to a complete nervous breakdown. As Balestrero prays in his cell, his image is juxtaposed onto the face of the actual criminal-who looks nothing like the accused man! Utilizing one of his favorite themes-the helplessness of the innocent individual when confronted by the faceless bureaucracy of the Law-Hitchcock weaves a nightmarish tale, all the more frightening because it really happened (the film's best moment: Fonda looking around the nearly empty courtroom during his arraignment, realizing that the rest of the world cares precisely nothing about his inner torment). Hitch enhances the film's versimilitude by shooting in the actual locations where the real story occured. His only concession to Hollywood formula was the half-hearted coda, assuring us that Mrs. Balestrero eventually recovered from her mental collapse (she sure doesn't look any too healthy the last time we see her!) Watch for uncredited appearances by Harry Dean Stanton, Bonnie Franklin, Tuesday Weld and Charles Aidman. ~ Hal Erickson, All Movie Guide
- Starring:
- Henry Fonda, Vera Miles, (more)
- 1956
The "hipster" dialogue bandied about in The Wild Party is reason enough to sit through this curious time capsule. Anthony Quinn stars as an embittered ex-athlete who seeks an escape from his dead-end existence. Unfortunately, Quinn opts for a life of crime when he ties up with unemployed pianist Nehemiah Persoff, petty thief Jay Robinson and mixed-up girl Kathryn Grant. The trio impulsively kidnap naval officer Arthur Franz and his fiancee Carol Ohmart, hoping to shake down Franz for a huge sum of money. Not unexpectedly, the whole scheme blows up in the schemers' faces. ~ Hal Erickson, All Movie Guide
- Starring:
- Anthony Quinn, Carol Ohmart, (more)
This classic story of Mob informers was based on a number of true stories and filmed on location in and around the docks of New York and New Jersey. Mob-connected union boss Johnny Friendly (Lee J. Cobb) rules the waterfront with an iron fist. The police know that he's been responsible for a number of murders, but witnesses play deaf and dumb ("plead D & D"). Washed-up boxer Terry Malloy (Marlon Brando) has had an errand-boy job because of the influence of his brother Charley, a crooked union lawyer (Rod Steiger). Witnessing one of Friendly's rub-outs, Terry is willing to keep his mouth shut until he meets the dead dockworker's sister, Edie (Eva Marie Saint). "Waterfront priest" Father Barry (Karl Malden) tells Terry that Edie's brother was killed because he was going to testify against boss Friendly before the crime commission. Because he could have intervened, but didn't, Terry feels somewhat responsible for the death. When Father Barry receives a beating from Friendly's goons, Terry is persuaded to cooperate with the commission. Featuring Brando's famous "I coulda been a contendah" speech, On the Waterfront has often been seen as an allegory of "naming names" against suspected Communists during the anti-Communist investigations of the 1950s. Director Elia Kazan famously informed on suspected Communists before a government committee -- unlike many of his colleagues, some of whom went to prison for refusing to "name names" and many more of whom were blacklisted from working in the film industry for many years to come -- and Budd Schulberg's screenplay has often been read as an elaborate defense of the informer's position. On the Waterfront won Oscars for Best Picture, Best Director, Best Adapted Screenplay, Best Actor for Brando, and Best Supporting Actress for Saint. ~ Hal Erickson, All Movie Guide
- Starring:
- Marlon Brando, Karl Malden, (more)
- 1953
Not the 1955 film, but a television version filmed two years earlier, Marty is the story of a lonely New York man (Rod Steiger) who finds solace with an equally introverted woman. ~ John Bush, All Movie Guide
- Starring:
- Rod Steiger, Nancy Marchand, (more)
