Lou Perry Movies

Made for television, The Unspoken Truth is the factual story of Brianne Hawkins (Lea Thompson), who after enduring a lifetime of abuse at the hands of her family marries the even more abusive Clay Hawkins (James Marshall). Given to beating his wife at the slightest provocation, Clay finally goes completely over the edge when he shoots and kills a man who had the temerity to speak to Brianne without Clay's permission. Thinking quickly for a change, Clay persuades Brianne to take the rap for the killing, whereupon she complicity (if not willingly) concocts an elaborate story as to how she shot the man accidentally. Not only do the authorities refuse to swallow this fabrication, but they end up sending both Clay and Brianne to prison for life! Only when the future of her daughter, Lily (Karis Paige Bryant), is jeopardized does the long-suffering Brianne finally work up the courage to fight for her freedom and her long-denied fundamental rights as a human being. A shocking mid-film revelation elevates this story from the usual battered-wife TV-movie syndrome. Filmed on location in Austin, TX, The Unspoken Truth originally aired September 24, 1995, on NBC. ~ Hal Erickson, All Movie Guide

This passable monster chiller is actually aimed at a slightly younger audience, featuring a young hero whose family relocates to an old ranch house in the Southwestern desert in which resides an ancient Comanche monster known as a "Quagway" -- which has a sweet tooth for bite-sized human morsels. Of course, the poor kid spends three-fourths of the film trying to convince his addle-brained father that there's something evil lurking about... but dad's too wrapped up in his own problems to notice. The monster is not particularly scary in full view -- and we see it in full view quite a bit -- but the film's lack of overt shocks may be due to the slightly younger age of its target audience. Direction is credited to Kevin S. Tenney, who took over after writer John Woodward withdrew. ~ Cavett Binion, All Movie Guide

Over ten years after making the original Texas Chainsaw Massacre, Tobe Hooper returns to his deranged family of reclusive cannibals for another round of chainsaw chases and non-stop screaming. Hooper brings a real budget this time (having recently directed Poltergeist for Steven Spielberg) and the talents of veteran make-up artist Tom Savini. This means he can make things bigger, louder, and gorier than ever before -- and they are. He also brings a wacky, self-deprecating sense of humor, as if deliberately flaunting Texas Chainsaw Massacre's status as one of the first and still greatest "splatter" movies. The result is an impish take-off on the original film (and contemporary horror movies in general) that elevates its own clichés -- buckets of blood and gore, droll dialogue, the screaming female lead -- to the level of high camp. The movie is loosely concerned with a small-town disc jockey named "Stretch" (Caroline Williams, who does most of the screaming) and an embittered Texas Ranger named "Lefty" (Dennis Hopper). They team up and decide to put an end to the murderous activities of the Sawyer family once and for all (that is, of course, until Texas Chainsaw Massacre III). The real highlight of the film is when Stretch and Lefty find their way into the Sawyer family hideout -- a ruinous, winding abattoir underneath an abandoned amusement park -- and engage in a chainsaw-battle-to-the-death with Leatherface (Bill Johnson) and the rest of the clan. Jim Siedow is back from the first film as the acerbic Drayton Sawyer, the family cook and owner of the Last Roundup Rolling Grill. Chop-Top (Bill Moseley) and Leatherface do most of the movie's dirty work. ~ Anthony Reed, All Movie Guide

The Alamo is a seedy Houston bar, slated for demolition. The bar's habitues gather for one last binge before the wrecker's ball descends. In the course of a long evening (boiled down to 80 minutes' worth of film), the patrons laugh, cry, ruminate over the past and pontificate on the future. One of the more ambitious barflies (Sonny Carl Davis) stages an eleventh-hour effort to save the bar by touching bases with his old college roommate, who is now an important politician. Last Night of the Alamo is charmingly effective in its own crude, slapdash manner. ~ Hal Erickson, All Movie Guide

Expanding on their Saturday Night Live characters, John Belushi and Dan Aykroyd star as Jake and Elwood Blues, two white boys with black soul. Sporting cool shades and look-alike suits, Jake and Elwood are dispatched on a "mission from God" by their former teacher, Sister Mary Stigmata (Kathleen Freeman). Said mission is to raise $5000 to save an orphanage. In the course of their zany adventures, the Blues Brothers run afoul of neo-Nazi Henry Gibson, perform the theme from Rawhide before the most unruly bar crowd in written history, and lay waste to hundreds of cars on the streets and freeways of Chicago. In case you aren't swept up in the infectuous nuttiness of the brothers Blue, you might have fun spotting film's legion of guest stars, including James Brown, Cab Calloway, Aretha Franklin, Ray Charles, John Candy, Carrie Fisher, Steve Lawrence, Twiggy, Paul Reubens (aka Pee-Wee Herman), Frank Oz, and Steven Spielberg. ~ Hal Erickson, All Movie Guide

Albert Sordi is the son who travels to America to visit his father in New York. The two are to be reunited for the first time in 30 years on a television program. His father (Vittorio De Sica) takes advantage of the fabulous prizes offered by the show in hopes of paying off his gambling debts. The faithful son has quit his job as a gas-station attendant outside Rome to visit his opportunistic father, who uses his son to collect the gifts. The father talks his son into laying down a bet at the Derby while father travels to Mississippi in his newly won luxury sedan. Instead of sharing in his father's winnings, the son once again ends up pumping gas in a service station while the police go after the felonious father. Sordi also produced and wrote this effort. ~ Dan Pavlides, All Movie Guide