Harvey Perry Movies

This spoof of a "typical" double-feature bill of the 1930s is introduced by George Burns, who explains that we're about to see two classic films produced by the legendary Warren Brothers. The first, "Dynamite Fists," is a black-and-white takeoff of such boxing dramas as Golden Boy. Harry Hamlin plays a John Garfield-like pugilist who is brought along by a tough-but-lovable fight promoter George C. Scott. Nasty gangster Eli Wallach attempts to compromise Hamlin by offering him the delectable Trish VanDevere, but Hamlin proves loyal to Scott. When Scott is killed by Wallach, Hamlin vows to become an attorney and bring the murderer to justice -- which he does in the space of one year. Along the way, Hamlin's gangster brother-in-law secures an eye operation for his nearly blind sister Kathleen Beller (whose bump-in-the-wall myopia is good for several laughs). After "Dynamite Fists," we are treated to a coming-attractions trailer for a Dawn Patrol-style aviation epic, again starring George C. Scott. The last segment, "Blansky's Beauties of 1933," is an all-stops-out Technicolor lampoon of Busby Berkeley musicals. Told by doctor Art Carney that he is dying, Broadway impresario Blansky (George C. Scott again) determines to produce one last spectacular show before the curtain goes down for good. The highlights in "Blansky's Beauties" are too numerous to mention here: memorable bits include composer Barry Bostwick's rooftop number, and the opening dialogue exchange between Carney and Scott (told that he has a month to live, Scott philosophically replies that at least he has 30 days left -- whereupon Carney dolefully reminds his patient that it's February). An additional sequence, parodying the Republic serials of the era, was filmed for Movie, Movie but cut from the final release print. Michael Kidd, who plays "Pop Popchick" in "Dynamite Fists," handled the choreography in "Blansky's Beauties." On the videocassette version of Movie, Movie, "Dynamite Fists" has been reprocessed in color. ~ Hal Erickson, Rovi

James Cagney stars as a popular prizefighter who loses his winnings through too much partying and too many women. Cagney's fans finance the boxer's regenerative stay at a New Mexico health resort. For the sake of pretty, poverty-stricken Marian Nixon, Cagney enters into a return bout. He splits his winnings with Nixon, then goes back to his old skirt-chasing pattern with fickle society girl Virginia Bruce. Having had his nose broken, Cagney fixes it up to please Bruce, and stops taking chances in the ring lest his beezer get smashed again. It doesn't take long for Cagney to plummet from popularity, but true-blue Nixon is there for him when he gets wise to himself. The beautifully staged fight scenes in Winner Take All, wherein James Cagney disdains the use of a double, were later excerpted in Cagney's last-ever film, 1985's Terrible Joe Moran. ~ Hal Erickson, Rovi