Valerie Perrine Movies
The daughter of a military officer, Valerie Perrine spent her childhood hopscotching from one country to another. Her early plans to become a psychologist were abandoned when she parlayed her svelte figure and sparkling personality into a brief career as a Las Vegas showgirl. Perrine then settled into a lucrative, active career upon being cast as habitually naked movie queen Montana Wildhack in Slaughterhouse Five (1971). While her talk show persona was that of a typically airheaded starlet, Perrine was in fact a serious, dedicated actress; she won an Oscar nomination for her performance as Honey Bruce in 1974's Lenny, and was no less impressive as Carlotta Monti in 1976's W.C. Fields and Me. Despite her acting accomplishments, Perrine was most often cast on the basis of her top-heavy physical attributes; it is said that she was cast as the leading lady in Can't Stop the Music (1980) in order to attract those "straight" filmgoers that might have otherwise avoided a film starring the Village People. More recently, Valerie Perrine has excelled in eccentric character roles on such TV series as Northern Exposure and ER. ~ Hal Erickson, All Movie Guide
Tom Jones director Tony Richardson might seem a curious choice to direct the contemporary western The Border, but he does his best to emulate Sam Peckinpah. Jack Nicholson stars as an El Paso border guard, saddled with avaricious wife Valerie Perrine. Hoping to stifle her nagging about money matters, Nicholson begins accepting payoffs to allow Mexican aliens to cross the border without interference. This leads to a relationship with a young Mexican mother Elpidia Carillo. Harvey Keitel and Warren Oates lend strong support to this atmospheric tale. ~ Hal Erickson, All Movie Guide
- Starring:
- Jack Nicholson, Harvey Keitel, (more)
- 1981
By the admission of its own producers, the made-for-TV Marian Rose White was "extremely loosely based" on a true story. The real Marian Rose White was a 1930s teenager who suffered from a congenital visual defect. This led to her being misdiagnosed as "feebleminded," and locked away in a Sonoma, California institution. Despite the entreaties of sympathetic staffers, Marian was forced to undergo a legally mandated sterilization--which her widowed, impoverished mother readily agreed to. Thirty years passed before this terrible wrong was addressed and Marian was allowed to re-enter society. For the purposes of this film, those three decades were telescoped into four years. The result is a sincere (if somewhat rushed) "injustice of the week" TV effort. Katherine Ross is top-billed as a compassionate nurse, while Valerie Perrine is cast as Marian's unfeeling mother. Marian Rose White is brilliantly essayed by Nancy Cartwright, who is best known today as the voice of cartoon character Bart Simpson. ~ Hal Erickson, All Movie Guide
Agency tackles the question of the efficiency of media manipulation. An unscrupulous advertising agency, in league with equally untrustworthy political campaign manager Robert Mitchum, plants subliminal messages in its TV commercials. Just as Vance Packard warned in the 1950s expose The Hidden Persuaders, these hidden messages persuade the viewers to vote for Mitchum's candidate. Given the potency of the the film's premise, it's disappointing to watch director George Gaczender handle the material (based on a novel by Paul Gottleib) is so cut-and-dried a fashion. But Mitchum is good, as are his costars Valerie Perrine, Lee Majors, Saul Rubinek and Alexandra Stewart. ~ Hal Erickson, All Movie Guide
- Starring:
- Robert Mitchum, Lee Majors, (more)
Between giving up his super powers, confronting criminals from outer space, and having problems with his girlfriend, it's a bad time to be the Man of Steel in this sequel to the 1978 blockbuster. When terrorists threaten to destroy Paris with a thermonuclear device as they hold reporter Lois Lane (Margot Kidder) hostage, Superman (Christopher Reeve) comes to the rescue and flings the weapon into space. However, its blast outside the earth's orbit awakens Zod (Terence Stamp), Ursa (Sarah Douglas), and Non (Jack O'Halloran), three villains from Superman's home planet of Krypton who were exiled to outer space for their crimes. Zod and his partners arrive on Earth and use their powers in a bid to take over the U.S., and then the world. However, when Lois realizes that mild mannered Clark Kent and Superman are actually the same person, he brings her to his Fortress of Solitude, where his decision to marry Lois costs him his remarkable strength. Without his super powers, how can Superman vanquish Zod and save the world? Gene Hackman, Ned Beatty, Susannah York, and Jackie Cooper return from the first film, which was shot at the same time as parts of the sequel. ~ Mark Deming, All Movie Guide
- Starring:
- Christopher Reeve, Gene Hackman, (more)
Glitz producer Allan Carr tries to cash in on the late-'70s disco boom with Can't Stop the Music -- a film of such Brobdingnagian banality that it almost in itself stopped the disco movement cold. Comedienne Nancy Walker directed this musical chronicle, purporting to relate the legend of the formation of the disco group The Village People. Valerie Perrine is Samantha Simpson, a helpful ex-model who attempts to get her roommate, Jack Morrell's (Steve Guttenberg), songwriting career off the ground by assembling a motley group of her Greenwich Village friends (The Village People) together to cut a demo tape of Jack's ditties. All Samantha has to do is charm the square lawyer Ron White (Bruce Jenner) in order to get him to listen to The Village People's scintillating disco strains. ~ Paul Brenner, All Movie Guide
- Starring:
- Valerie Perrine, Ray Simpson, (more)
A cowboy-turned-huckster unexpectedly finds love as he tries to regain his self-respect in this romantic comedy drama. Sonny Steele (Robert Redford) is a one-time rodeo star whose career as a cowboy has ground to a halt. He makes a good living as a spokesman for Ranch Breakfast, a sugar-coated cereal for kids, but he's lost most of his self-respect in the process; his boss, corporate mogul Hunt Sears (John Saxon), considers him a property rather than a human being, and Sonny has developed a serious problem with alcohol. Sears' cereal company is negotiating a highly profitable merger with another firm and brings Sonny to Las Vegas for a publicity stunt, in which Sonny, wearing a garish cowboy outfit complete with blinking lights, will ride on-stage at Caesar's Palace aboard prize-winning thoroughbred stallion Rising Star. When Sonny discovers Sears' men have drugged the horse so that it will be able to walk on an injured leg, he's appalled, and he rides Rising Star off the stage at Caesar's and into the Nevada desert, looking for grazing land where he and the horse can heal their wounds. Sears is shocked to discover that Sonny has run off with a 12 million dollars, and he realizes that Sonny knows enough to make his firm look very bad in the press, potentially scotching the merger. Sears files charges against Sonny and posts a reward for Rising Star's safe return, though he implies that it wouldn't bother him if Sonny died in the rescue attempt. Hallie Martin (Jane Fonda), a television journalist covering Sonny's Vegas appearance, is convinced that something is fishy and manages to catch up with him in the desert; as Hallie tries to get Sonny to tell her his story, the has-been cowboy and the city-girl reporter fall in love. The Electric Horseman also stars Valerie Perrine and Willie Nelson; the country & western star made his screen debut in this film and has a very memorable line about tequila and trailer hitches. ~ Mark Deming, All Movie Guide
- Starring:
- Robert Redford, Jane Fonda, (more)
- 1979
- R
This expensive production attempts to bring Nobel Prize-winning author Isaac Bashevis Singer's subtle philosophical novel The Magician of Lublin to the screen. In the story, Yasha Mazur (Alan Arkin) is a perfectionistic turn-of-the-century Jewish stage magician, con-man and mystic, who is touring through eastern Europe, at the same time managing to progressively sabotage his own career. In nearly every town Yasha has a girlfriend, from the youthful Zeftel (Valerie Perrine), to the feisty Elizabeta (Shelly Winters). His harassed manager/impressario Wolsky (Lou Jacobi) arranges for him to have one more chance at theatrical success, which requires that he pull off the trick of a lifetime in a Warsaw theater. Reviewers, fans of Singer's works, and ordinary filmgoers all expressed disappointment in this beautifully filmed and ambitious movie, which was a box-office failure. ~ Clarke Fountain, All Movie Guide
- Starring:
- Alan Arkin, Louise Fletcher, (more)
- 1978
When it was first made available to television in 1978, the three-hour Ziegfeld: The Man and His Women was previewed to only a few carefully selected TV critics. Barred from the preview were those older columnists who would have most likely harbored pleasant memories of the Oscar-winning 1936 theatrical feature The Great Ziegfeld, which is approximately ten times the better film. The TV movie version stars Paul Shenar as Broadway showman Flo Ziegfeld, looking for all the world like a spoiled prep-schooler dressed up in his daddy's tuxedo. While the film admirably attempts to encompass every aspect of Ziegfeld's public and private life, the sense of beauty and grandeur, so vital to the success of the 21 "Follies" stage shows mounted between 1908 and 1931, is totally missing. The film's structure is curiously aloof: The four most important women in Ziegfeld's life dispassionately narrate the story, a couple of them "from beyond the grave." Valerine Perrine comes off best as actress Lillian Lorraine; Barbara Parkins struggles with a wavering foreign accent as Ziegfeld's first wife Anna Held (she even gets a "telephone scene" ripped off from The Great Ziegfeld's Luise Rainer); Pamela Peardon is shrill and unlikeable as dancer Marilyn Miller; and Samantha Eggar is saintly to the point of tedium as Billie Burke, the second Mrs. Ziegfeld. Those expecting to see an unending stream of Ziegfeld headliners will have to settle for fleeting cameos by "celebrity look-alike" actors playing Fanny Brice, Will Rogers and W. C. Fields. This is the sort of clichefest in which Ziegfeld announces that his greatest days are yet to come--just before we cut to a title reading "1929." Ziegfeld: The Man and His Women serves only one positive purpose--to whet the viewer's appetite for a cable-TV revival of The Great Ziegfeld. ~ Hal Erickson, All Movie Guide
- Starring:
- Paul Shenar
Richard Donner's big-budget blockbuster Superman: The Movie is an immensely entertaining recounting of the origin of the famous comic book character. Opening on Krypton (where Marlon Brando plays Superman's father), the film follows the Man of Steel (Christopher Reeve) as he's sent to Earth where he develops his alter-ego Clark Kent and is raised by a Midwestern family. In no time, the movie has run through his teenage years, and Clark gets a job at the Daily Planet, where he is a news reporter. It's there that he falls in love with Lois Lane (Margot Kidder), who is already in love with Superman. But the love story is quickly sidetracked once the villainous Lex Luthor (Gene Hackman) launches a diabolical plan to conquer the world and kill Superman. Superman: The Movie is filled with action, special effects and a surprising amount of humor. ~ Stephen Thomas Erlewine, All Movie Guide
- Starring:
- Marlon Brando, Gene Hackman, (more)
An Italian mechanic (Terence Hill) finds that he has inherited a billion-dollar company from his dead uncle, but he needs to be in San Francisco in 20 days to sign over the will. In the meantime, he is chased by kidnappers and the affected corporation's president (Jackie Gleason). ~ John Bush, All Movie Guide
- Starring:
- Terence Hill, Valerie Perrine, (more)
- 1976
- PG
W.C. Fields and Me is the film version of the Fields biography written by the comedian's former mistress Carlotta Monti. W. C. Fields was a great comedian in vaudeville and early talking films, who was noted for his ability to say the most hilariously cutting and mean things in a cheery, bright tone of voice. He had amazing skills in the manipulation of objects, from pieces of paper to crooked cue sticks. Rod Steiger plays Fields, while Valerie Perrine portrays Ms. Monti. Jack Cassidy is also on hand as Fields' close friend and drinking crony John Barrymore. The film is not above sacrificing facts for a good story, notably in its recreation of Fields' celebrated "dentist" routine which. W. C. Fields and Me depicts the great juggler/comedian as a straightforwardly mean-spirited man, whereas he is generally believed to have been more complex than that. ~ Hal Erickson, All Movie Guide
- Starring:
- Rod Steiger, Valerie Perrine, (more)
Adapted by Julian Barry from his own Broadway play, Lenny manages to be both brutally frank and highly romanticized in detailing the short life and career of influential, controversial stand-up comedian Lenny Bruce. The chronology hops, skips and jumps between Lenny (Dustin Hoffman) in his prime and the burned-out, strung-out performer who, in the twilight of his life, used his nightclub act to pour out his personal frustrations at great, boring length. We watch as up-and-coming comic Bruce courts his "Shiksa goddess," a stripper named Honey (Valerie Perrine). With family responsibilities, Lenny is encouraged to do a "safe," conformist act, but he can't do it. Constantly in trouble for flouting obscenity laws, Lenny develops a near-messianic complex, which fuels both his comedy genius and his talent for self-destruction. Worn out by a lifetime of tilting at Establishment windmills, Lenny Bruce died of a drug overdose in 1966. Director Bob Fosse chose to film Lenny in black-and-white, giving the film the texture of a documentary. Though a film as verbally graphic as Lenny could not have been made when the real Lenny Bruce was alive, audiences in 1974 responded, to the tune of an $11 million gross. ~ Hal Erickson, All Movie Guide
- Starring:
- Dustin Hoffman, Valerie Perrine, (more)
Bruce Jay Friedman's acclaimed off-Broadway play, which offers a decidedly unusual perspective on the afterlife, is brought to the screen in this production originally created for public television. Tandy (Bill Bixby) is a New York Police Department employee who suddenly and unexpectedly finds himself enjoying a steam at a public bathhouse overseen by an elderly Hispanic gentleman, Morty (Jose Perez). As the evening wears on, Tandy and Morty are joined by several other guests -- a stock trader (Kenneth Mars), a cabbie (Stephen Elliott), an attractive woman (Valerie Perrine), and a schlubby nebbish (Herb Edelman) -- and it begins to dawn on Tandy and his companions that they've all recently died, and that the steam bath is actually the waiting room to the next life, where Morty is judging their fates. ~ Mark Deming, All Movie Guide
- Starring:
- Bill Bixby, Jose Perez, (more)
Lamont Johnson's subtle direction graces this true-life success story about racecar driver Junior Jackson (Jeff Bridges), based on stock-car champion Junior Johnson. As a child in North Carolina, Jackson stays one step ahead of reform school until his father (Art Lund) is thrown in prison for moonshining. Seeing the error of his ways, Jackson begins to concentrate his driving skills, hoping to become a professional stock car racer to raise money to get his father released from jail. Jackson rises from the ranks into the highest rung of professional stock car racing, but Jackson finds his independent nature is compromised by the corporate realities of the professional sports world. The real Junior Johnson served as technical advisor on the film. ~ Paul Brenner, All Movie Guide
- Starring:
- Jeff Bridges, Valerie Perrine, (more)
"Billy Pilgrim has come unstuck in time." These opening words of Kurt Vonnegut's famous novel make an effective and short summary of a haunting, funny film. For the screen, director George Roy Hill faithfully renders Vonnegut's black anti-war comedy about Pilgrim (well played in a low key by Michael Sacks), who survives the horrendous 1945 fire bombing of Dresden then lives simultaneously in his past as a naïve American POW and in the future as a well-cared-for zoo resident on the planet Tralfamadore (with zaftig Valerie Perrine as his mate). In the present, he's a middle-aged optometrist in Ilium, NY. If this sounds like a bit of a jumble -- it is. But viewers willing to watch carefully will find the movie as intricate and harmonious as Glenn Gould's plaintive renderings of the Bach keyboard pieces that decorate its soundtrack. It's not essential, but fans who read the short, poetic book will find it a treat in itself, and it will help them appreciate Hill's genius in bringing this "Children's Crusade" to the screen. In addition to Sacks, there are noteworthy performances by Ron Leibman (Norma's union man in Norma Rae) as Pilgrim's crazed nemesis and by radio/TV/movie legend, John Dehner as the arrogant Professor Rumfoord. Hill, of course, came to this film from a big hit, Butch Cassidy and the Sundance Kid, and went on to triumph with The Sting one year later. The elaborate medieval and baroque architecture of pre-bombing Dresden was represented authentically in the film by scenes from Prague, since much of Dresden's architecture was lost to the bombing, and that city, in any case, was deep in East Germany, thus inaccessible at the time of filming. ~ Michael P. Rogers, All Movie Guide
- Starring:
- Michael Sacks, Ron Leibman, (more)
- 1972
Contrary to popular belief, "B" pictures didn't die in the 1970s; they just changed their classification to "ABC Movies of the Week". First telecast December 5, 1972, The Couple Takes a Wife is a by-the-numbers screwball comedy with a spirited all-TV cast. Career-minded couple Bill Bixby and Paula Prentiss just don't have time to watch the kids or attend to the housekeeping. So they advertise for a "wife", to assume wifely duties around the house. Enter Valerie Perrine, who takes her job very seriously-much to the dismay of real wife Prentiss. Myrna Loy, a seasoned veteran of this sort of frothy fare, appears as Prentiss' mother, while other key roles are filled by Nanette Fabray and Robert Goulet. ~ Hal Erickson, All Movie Guide
