Valerie Perrine Movies

Agency tackles the question of the efficiency of media manipulation. An unscrupulous advertising agency, in league with equally untrustworthy political campaign manager Robert Mitchum, plants subliminal messages in its TV commercials. Just as Vance Packard warned in the 1950s expose The Hidden Persuaders, these hidden messages persuade the viewers to vote for Mitchum's candidate. Given the potency of the the film's premise, it's disappointing to watch director George Gaczender handle the material (based on a novel by Paul Gottleib) is so cut-and-dried a fashion. But Mitchum is good, as are his costars Valerie Perrine, Lee Majors, Saul Rubinek and Alexandra Stewart. ~ Hal Erickson, All Movie Guide

This contemporary western stars Dermot Mulroney as a Montana teenager whose sanity is being eroded by his parent's domestic squabbles. Linking up with Lili Taylor, a Wyoming-bound transient with a checkered history, Mulroney embarks upon an odyssey of self-discovery. Unfortunately, he persists in crossing the paths of people even more emotionally disturbed than his mother and father. Adapted by Richard Ford from two of his short stories, Bright Angel is a film of short, pithy vignettes, handled with subtlety and sensitivity-at least until the unexpectedly brutal finale. ~ Hal Erickson, All Movie Guide

Glitz producer Allan Carr tries to cash in on the late-'70s disco boom with Can't Stop the Music -- a film of such Brobdingnagian banality that it almost in itself stopped the disco movement cold. Comedienne Nancy Walker directed this musical chronicle, purporting to relate the legend of the formation of the disco group The Village People. Valerie Perrine is Samantha Simpson, a helpful ex-model who attempts to get her roommate, Jack Morrell's (Steve Guttenberg), songwriting career off the ground by assembling a motley group of her Greenwich Village friends (The Village People) together to cut a demo tape of Jack's ditties. All Samantha has to do is charm the square lawyer Ron White (Bruce Jenner) in order to get him to listen to The Village People's scintillating disco strains. ~ Paul Brenner, All Movie Guide

Oscar-winning filmmaker Quentin Tarantino directed this episode, which contains all manner of characteristic black comedy touches, not to mention Tarantino's trademarked use of a popular 1960s songs to comment upon the action. The story occurs on Mother's Day, when the long-suffering Lewis (Sherry Stringfield), who is having enough trouble coping with sister Chloe's (Kathleen Wilhoite) pregnancy, is visited by her zany, irresponsible mother, Cookie (Valerie Perrine). Elsewhere, Benton (Eriq La Salle) is told that his mother is dead; Diane (Lisa Zane) is surprised by Ross' (George Clooney) reaction when she asks him to move in with her; and Carter (Noah Wyle) makes a life-altering professional decision. ~ Hal Erickson, All Movie Guide

Erika Eleniak and William McNamara star as a couple of young lovers on the run in this breezy road movie, based on James M. Cain's novella The Enchanted Isle. Mandy Baker (Erika Eleniak) is a bored 17-year-old looking for adventure outside of her small hometown of Paint Rock, Texas. She finds it at a bus station, as she is set to head out for Corpus Cristi. There she meets Rick Davis (William McNamara), a handsome and narcissistic dude in a cowboy outfit, whom Mandy lends $17 for a one-way ticket to the lay-over stop of Utopia. The two get familiar on the bus and, upon arriving in Utopia, she tags along with Rick as he meets his Uncle Pal (Michael Lerner), a two-bit crook, and his weird cohort Bud (Bud Cort). The three hatch a plan for a $5,000 bank robbery, and Mandy is talked into going along with them. The robbery itself is a failure, but Rick and Mandy manage to take off with the money, with Pal and Bud chasing after them. ~ Paul Brenner, All Movie Guide

Adapted by Julian Barry from his own Broadway play, Lenny manages to be both brutally frank and highly romanticized in detailing the short life and career of influential, controversial stand-up comedian Lenny Bruce. The chronology hops, skips and jumps between Lenny (Dustin Hoffman) in his prime and the burned-out, strung-out performer who, in the twilight of his life, used his nightclub act to pour out his personal frustrations at great, boring length. We watch as up-and-coming comic Bruce courts his "Shiksa goddess," a stripper named Honey (Valerie Perrine). With family responsibilities, Lenny is encouraged to do a "safe," conformist act, but he can't do it. Constantly in trouble for flouting obscenity laws, Lenny develops a near-messianic complex, which fuels both his comedy genius and his talent for self-destruction. Worn out by a lifetime of tilting at Establishment windmills, Lenny Bruce died of a drug overdose in 1966. Director Bob Fosse chose to film Lenny in black-and-white, giving the film the texture of a documentary. Though a film as verbally graphic as Lenny could not have been made when the real Lenny Bruce was alive, audiences in 1974 responded, to the tune of an $11 million gross. ~ Hal Erickson, All Movie Guide

Malibu is a two-part, four-hour adaptation of William Murray's best-selling novel. William Atherton and Susan Dey play a green-as-grass married couple from Milwaukee who take a vacation in Malibu. Amidst the elite and their million-dollar beach houses, Atherton starts up an affair with divorcee Valerie Perrine, while Dey fends off the attentions of TV star Steve Forrest before succumbing to the charms of tennis pro Chad Everett. Other Southern California satyrs and nymphs wandering in and out of Malibu include James Coburn, Eva Marie Saint, Ann Jillian, Kim Novak, Richard Mulligan, and (who else?) George Hamilton. The multiple story lines all come to a head during a climactic tennis match. Malibu is trash, true, but it's trash cultivated from the highest-quality refuse heaps. ~ Hal Erickson, All Movie Guide

Valeria (Francoise Fabian) is a doctor, but she's also an alcoholic. Unable to do her regular work effectively, she gives that (and her family) up, so as to better devote herself to drink. However, she has an errant benevolent impulse and invites Chim (Anna Kanakis), a sluttish drug addict, to share her quarters. Thereupon she proceeds to dry the woman out, curing her of her addition almost solely through the force of her will. That done, her victim/patient decides that it's time to return the favor, and after a lot of hootin' and hollerin', demon rum is no longer part of her life. ~ Clarke Fountain, All Movie Guide

The experiment of a doctoral student that utilizes a video camera causes a release of sexual inhibitions in herself and her study subjects. ~ All Movie Guide

Bruce Jay Friedman's acclaimed off-Broadway play, which offers a decidedly unusual perspective on the afterlife, is brought to the screen in this production originally created for public television. Tandy (Bill Bixby) is a New York Police Department employee who suddenly and unexpectedly finds himself enjoying a steam at a public bathhouse overseen by an elderly Hispanic gentleman, Morty (Jose Perez). As the evening wears on, Tandy and Morty are joined by several other guests -- a stock trader (Kenneth Mars), a cabbie (Stephen Elliott), an attractive woman (Valerie Perrine), and a schlubby nebbish (Herb Edelman) -- and it begins to dawn on Tandy and his companions that they've all recently died, and that the steam bath is actually the waiting room to the next life, where Morty is judging their fates. ~ Mark Deming, All Movie Guide

Reconstructed using archival film and sound elements long thought to be extinct, this special cut of Superman II pieces together unseen footage shot by Richard Donner in order to present the most comprehensive version of what was to be the original cut of the blockbuster sequel. As initially planned, the first two films were to be filmed back-to-back using the same sets and actors to save on production costs. However, with a budget escalating out of control and Warner Bros. breathing down the producers' necks, the decision was made to drop any further filming on the sequel in order to finish the first movie and usher it into theaters. Of course, the first Superman was a wild success, so then it was just a matter of ramping up production again, though this time, Donner was not asked back. Instead, producers went with Richard Lester, who had served them well with his Three Musketeers films. Decisions were made to drop most of the key scenes that were already in the can, including all of the footage featuring Marlon Brando as Jor-El, the Man of Steel's father. After completion, the sequel found much success in theatrical and home-video box-office returns, though that didn't stop die-hard fans from speculating what Donner's cut would have looked like. Once the Internet was spawned, Warner Bros. saw interest grow more and more for this alternate version, even prompting the company to send cease and desist letters to individuals who had posted a re-edit of the film using deleted footage taken from an alternate TV version from the U.K. With the release of Superman Returns, the company saw this as a chance to finally deliver what people had wanted for years and enlisted Michael Thau to oversee the restoration process. Under the tutelage of Donner's notes, scripts, storyboards, and the director himself, the new version was delivered to home audiences in 2006, thereby not only giving people a look into what could have been, but giving a director an unprecedented chance to realize a vision long thought lost in the annals of movie history. ~ Jeremy Wheeler, All Movie Guide