Pat Perkins Movies
- 1978
- Add The Rutles: All You Need Is Cash to Queue Add The Rutles: All You Need Is Cash to top of Queue
A mockumentary of a Beatles-like singing group called the Rutles, The Rutles is a collaboration between Monty Python alumnus Eric Idle and Saturday Night Live filmmaker Gary Weis. The members of the "pre-Fab Four" are Nasty, Barry, Stig, and Dirk. There really isn't any plot, just a series of vignettes, unctuously narrated by Idle, which mercilessly skewer the Beatles mythology. Under the guidance of agent Leggy Mountbatten (before he tragically takes a teaching post in Australia), the Rutles rise to the top with such hit songs as "Please Please Let Me Hold Your Hand" and "I Am the Waitress." Mention is made of the Rutles' film successes: "A Hard Day's Rut," "Ouch!," "Tragical History Tour," "Yellow Submarine Sandwich," and "Let It Rot." We also see such career highlights as Nasty's declaration that the Rutles are more popular than God (he meant "Rod," as in Rod Stewart), the rumor that Dirk is dead (whereupon Stiggy starts his own rumor that he is dead), and Nasty's unfortunate liaison with a Yoko Ono counterpart (depicted as a Neo-Nazi dominatrix). The Rutles gains an added veneer of verisimilitude through the participation of such rock stars as Paul Simon, Mick Jagger, and Ron Wood, as well as George Harrison himself, who shows up as a BBC commentator. ~ Hal Erickson, Rovi
- Starring:
- Eric Idle, Neil Innes, (more)
The November 22, 1963, assassination of U.S. President John F. Kennedy shocked the nation and the world. The brisk investigation of that murder conducted under the guidance of Supreme Court Justice Earl Warren distressed many observers, even though subsequent careful investigations have been unable to find much fault with the conclusions his commission drew, the central one of which was that the assassin, Lee Harvey Oswald, acted alone. Instead of satisfying the public, one result of the Warren Commission Report was that an unimaginable number of plausible conspiracy theories were bruited about, and these have supported a sizeable publishing mini-industry ever since. In making this movie, director Oliver Stone had his pick of supposed or real investigative flaws to draw from and has constructed what some reviewers felt was one of the most compelling (and controversial) political detective thrillers ever to emerge from American cinema. Long before filming was completed, Stone was fending off heated accusations of artistic and historical irresponsibility, and these only intensified after the film was released. In the story, New Orleans District Attorney Jim Garrison (Kevin Costner) is convinced that there are some big flaws in the investigation of Oswald (Gary Oldman), and he sets out to recreate the events leading up to the assassination. Along the way, he stumbles across evidence that a great many people had reason to want to see the president killed, and he is convinced that some of them worked in concert to frame Oswald as the killer. Among the suspects are Lyndon Baines Johnson (the next president), the CIA, J. Edgar Hoover, and the Mafia. Over the course of gathering what he believes to be evidence of a conspiracy, Garrison unveils some of the grittier aspects of New Orleans society, focusing on the shady activities of local businessman Clay Shaw (Tommy Lee Jones). Garrison's investigations culminate in his conducting a show trial that he knows he will lose and which he is sure will ruin his career in order to get his evidence into the public record where it can't be buried again. This movie won two of the many Academy Awards for which it was nominated: one for Best Photography (Robert Richardson) and the other for Editing (Joe Hutshing). ~ Clarke Fountain, Rovi
- Starring:
- Kevin Costner, Sissy Spacek, (more)
After making a series of acclaimed and controversial films in his native France, director Louis Malle made his American debut with this disturbing but visually beautiful story about Hattie (Susan Sarandon), a prostitute working in New Orleans' Storyville district at the turn of the century. When Hattie becomes pregnant, she opts to keep her baby and gives birth to a daughter named Violet, raising her in the brothel where she continues to work. Twelve years later, Violet (Brooke Shields) is old enough to attract the attentions of the brothel's customers, but emotionally has one foot in the adult world of her surroundings and the other in the naïveté of childhood. With Hattie's consent, Violet's virginity is auctioned off to the customers of the house; but for Violet, the pull between childhood and adulthood becomes most clear -- and most painful -- when she draws the affections of Bellocq (Keith Carradine), a photographer who has been working on a photo series about Storyville prostitutes. Violet's blend of childlike innocence and adult sensuality is profoundly attractive to him, but their relationship quickly becomes problematic, especially when Hattie leaves Violet behind to get married. ~ Mark Deming, Rovi
- Starring:
- Keith Carradine, Susan Sarandon, (more)
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