Gil Perkins Movies
Born in Northern Australia, Gil Perkins distinguished himself in his teen years as a champion athlete, trackman and swimmer. Perkins left his homeland at age 18 to go to sea; nearly a decade later he found himself in Hollywood, where he sought out acting roles, the first of which was in The Divine Lady (1928). Though a personable screen presence, he found that his true forte was stunt work. Over a period of thirty years, he doubled for dozens of male stars, from William Boyd ("Hopalong Cassidy") to Red Skelton (whom he closely resembled). While he was willing to tackle the riskiest of stunts, Perkins was far from reckless, always working out in advance the safest and least painful method of pulling off his "gags." He was especially in demand for slapstick comedies, eventually receiving so many pies in the face that the very sight of the pastry made him physically ill. Perkins did more acting than stunting in the latter stages of his career (he can be seen as Jacob of Bethlehem in 1965's The Greatest Story Ever Told), and also kept busy as a stunt coordinator. A most engaging and candid interview with Gil Perkins can be found in Bernard Rosenberg and Harry Silverstein's 1970 book of Hollywood reminiscences, The Real Tinsel. ~ Hal Erickson, All Movie Guide
"How would you like to star opposite the tallest, darkest leading man in Hollywood?" Enticed by these words, brunette leading lady Fay Wray dyed her hair blonde and accepted the role of Ann Darrow in King Kong -- and stayed with the project even after learning that her "leading man" was a 50-foot ape. The film introduces us to flamboyant, foolhardy documentary filmmaker Carl Denham (Robert Armstrong), who sails off to parts unknown to film his latest epic with leading lady Darrow in tow. Disembarking at Skull Island, they stumble on a ceremony in which the native dancers circle around a terrified-looking young girl, chanting, "Kong! Kong!" The chief (Noble Johnson) and witch doctor (Steve Clemente) spot Denham and company and order them to leave. But upon seeing Ann, the chief offers to buy the "golden woman" to serve as the "bride of Kong." Denham refuses, and he and the others beat a hasty retreat to their ship. Late that night, a party of native warriors sneak on board the ship and kidnap Ann. They strap her to a huge sacrificial altar just outside the gate, then summon Kong, who winds up saving Ann instead of devouring her. Kong is eventually taken back to New York, where he breaks loose on the night of his Broadway premiere, thinking that his beloved Ann is being hurt by the reporters' flash bulbs. Now at large in New York, Kong searches high and low for Ann (in another long-censored scene, he plucks a woman from her high-rise apartment, then drops her to her death when he realizes she isn't the girl he's looking for). After proving his devotion by wrecking an elevated train, Kong winds up at the top of the Empire State Building, facing off against a fleet of World War I fighter planes. ~ Hal Erickson, All Movie Guide
- Starring:
- Fay Wray, Robert Armstrong, (more)
- 1935
Legendary stage actress Pauline Lord made but a few films, but was always worth watching whenever she took command of the screen. In Feather in Her Hat, Lord plays cockney storekeeper Clarissa Phipps, who worries that her son Richard will grow up being ashamed of her humble vocation. Thus, she loftily pretends that she's not Richard's mother, and that the boy is actually the offspring of a prominent theatrical family. Upon reaching adulthood, Richard (Louis Hayward) becomes a prominent playwright, confident that the stage is in his blood, while Clarissa secretly sells her store at a loss to finance Richard's first production. Only on her deathbed does Clarissa reveal the truth -- and happily, Richard isn't ashamed of her in the least, and indeed is prouder of her than ever. Basil Rathbone contributes a fascinating characterization as a gin-swilling, unshaven remittance man. ~ Hal Erickson, All Movie Guide
- Starring:
- Pauline Lord, Basil Rathbone, (more)
- 1939
Through a miscarriage of justice, John Ingram (Edward G. Robinson) is convicted of a crime he did not commit and sentenced to a long stretch on a chain gang in the deep South. In time, Ingram flees to Oklahoma, where he makes a living fighting oil fires under an assumed name. Several years later, he has a successful business, a loving wife (Ruth Hussey), and a child. But he still lives in fear that his secret will be revealed, and one day he's visited by William Ramey (Gene Lockhart). Ramey admits that he committed the crime for which Ingram was convicted; he proposes that they meet with the authorities together, and Ramey will sign a confession that will clear Ingram's name. But Ramey instead double-crosses Ingram, putting him back on the chain gang while Ramey lays claim to his business. Before long, Ingram learns that his wife and child are nearly broke thanks to Ramey's gutting of his once-thriving business, and he decides that he must once again escape if he is to protect the safety of his family. Blackmail marked one of Edward G. Robinson's first "good guy" roles after making his name in a series of gangster epics; a year later, he would be starring in prestigious biopics, such as Dr. Ehrlich's Magic Bullet and A Dispatch From Reuters. ~ Mark Deming, All Movie Guide
- Starring:
- Edward G. Robinson, Ruth Hussey, (more)
A Yank in the RAF is brash pilot Tim Baker (Tyrone Power), freshly arrived in London. Hoping to impress his nightclub-singer girlfriend Carol Brown (Betty Grable), Tim joins the Royal Air Force, immediately alienating everyone with his cockiness and "What the Hell?" attitude concerning the war. All this changes when Baker is obliged to fly under combat conditions, whereupon he shows what he's really made of. One of the most popular of the pre-Pearl Harbor "preparedness" films, A Yank in the RAF comes to an exciting conclusion, with actual newsreel footage of the evacuation of Dunkirk expertly matched with studio mockups. As a bonus, Betty Grable sings such catchy numbers as Another Little Dream Won't Do Us Any Harm. ~ Hal Erickson, All Movie Guide
- Starring:
- Tyrone Power, Betty Grable, (more)
- 1941
Hellzapoppin' is the film version of the "anything goes" Broadway hit starring Ole Olsen and Chic Johnson. The original production was part musical comedy, part "blackout" revue, with wild sight gags, zany props, audience participation sequences, dirty jokes, and never-ending gunshots. There was no plot, and in fact no two performances were exactly alike. When Hellzapoppin' was optioned by Universal, the original intention was to film the play as it stood (minus the more ribald one-liners), but the studio got cold feet and grafted on a conventional plot and romantic interest. The film's story concerns a musical show being staged at a fancy estate, and the romantic triangle of the show's producer (Robert Paige), the wealthy girl who lives at the estate (Jane Frazee), and the girl's erstwhile fiance (Lewis Howard). The show's stars are Olsen, Johnson, and Martha Raye. Martha is mistaken for the wealthy girl by a penniless Russian aristocrat (Mischa Auer), and the entire proceedings are "investigated" by a goofy private detective (Hugh Herbert). Olsen and Johnson are thus reduced to supporting players in their own film, but when they do manage to command the screen, the results are hilarious. The best moments range from a throwaway gag about Citizen Kane (Johnson finds a sled marked "Rosebud" and mutters "I thought they burned that!") to the more elaborate special-effects routines involving the mixed-up projectionist (Shemp Howard) who's ostensibly running Hellzapoppin for the benefit of the film audience. While the movie version fails to completely capture the spirit of the original play (except in a bizarre opening sequence), and the finale is a major disappointment, Hellzapoppin remains one of the few sustained filmic examples of the "nut humor" exemplified by Olsen and Johnson. ~ Hal Erickson, All Movie Guide
- Starring:
- Ole Olsen, Chic Johnson, (more)
- 1942
Bob Hope's first starring vehicle for producer Sam Goldwyn borrows the title of Bob's 1942 autobiography They Got Me Covered and very little else. Co-scripted by Leonard Q. Ross (aka Leo Rosten), Leonard Spigelgass and Harry Kurnitz (among many others!), the film casts Hope as Robert Kittredge, the Moscow correspondent for a major American news service, who is fired when he neglects to file a report about Hitler's invasion of Russia. Hoping to get back in the good graces of his boss Norman Mason (Donald MacBride), Kittredge steals another reporter's story about a Nazi spy ring operating in New York. Though officially a comedy, the film is curiously unfunny at times, with Hope playing an unsympathetic, unappealing character who'll step on anyone -- including his long-suffering sweetheart (Dorothy Lamour) and a hysterical kidnap victim (Phyllis Povah) -- to get ahead. Otto Preminger is funnier (perhaps intentionally) as the head Nazi. A few good gags notwithstanding, They Got Me Covered is nowhere near as satisfying as Hope's second Goldwyn effort, The Princess and the Pirate. ~ Hal Erickson, All Movie Guide
- Starring:
- Bob Hope, Dorothy Lamour, (more)
- 1944
Heavenly Days was the last of three RKO Radio film vehicles for the popular radio duo of Fibber McGee and Molly (aka Jim and Marion Jordan). Unlike their first two films, which were cacophonous, plotless musical farces, this one actually has a coherent storyline and not a little "heart appeal." Self-styled expert on everything Fibber McGee takes it upon himself to leave the safe environs of Wistful Vista to go to Washington DC, intending to present himself as the "common man" before the US Congress. Naturally, Fibber's wife Molly goes along for the ride, if only to keep her husband from making a fool of himself. Fibber's actions are given credibility when pollster George Gallup (played by Don Douglas) selects the McGees as Mr. and Mrs. Average Man (or Person). While at large in DC, the McGees also become involved with a group of wide-eyed war orphans. The film's highlight is an impromptu musical interlude with Fibber, Molly, and a group of GIs, played by the King's Men Quartet (regulars on the Fibber McGee and Molly radio show). Perhaps because it took itself a bit too seriously, Heavenly Days failed to match the box-office success of RKO's earlier Fibber-and-Molly efforts, posting a loss of $205,000. ~ Hal Erickson, All Movie Guide
- Starring:
- Jim Jordan, Marian Jordan, (more)
Inspired by actual events, Cloak and Dagger was first major "atomic power" melodrama of the postwar era. Gary Cooper stars as bookish physics professor Alvah Jesper, a character obviously based on A-bomb codeveloper J. Robert Oppenheimer. Pressed into service by the OSS in the last months of WW2, Jasper is sent to Europe in search of Dr. Polda (Vladimir Sokoloff), an atomic scientist held captive by the Nazis. In Switzerland, Jesper quickly runs afoul of enemy spies who murder the only person to know Polda's whereabouts. Moving on to Italy, he links up with the partisans, falling in love with gorgeous resistance fighter Gina (Lilli Palmer). Adopting a disguise, Jesper finally locates Polda and spends the last few reels in a desperate dash to freedom. Screenwriters Albert Maltz and Ring Lardner Jr. had originally intended Cloak and Dagger as a warning to a complacent America. Director Fritz Lang recalled in later years that, as conceived and filmed, the ending was to have occured after Jesper and a group of Allied soldiers stumbled upon the ruins of a secret Nazi A-bomb factory, as well as evidence that the German scientists had fled to parts unknown with their atomic secrets intact. "It's day one of the Atomic Age", Jesper was to have noted ruefully, "And God help us if we think we can keep it a secret much longer." This lengthy coda was removed from the final release print, transforming a thought-provoking drama into a mere romantic thriller. ~ Hal Erickson, All Movie Guide
- Starring:
- Gary Cooper, Lilli Palmer, (more)
Smugglers are working the border between Mexico and California in this action-filled and, of course, tuneful Gene Autry Western. Autry, sidekick Sterling Holloway, and the Cass County Boys get involved with fiery Elena Del Rio (Adele Mara), a singer in the local cantina who alternately throws knives at them and helps catch a gang of jewel smugglers taking advantage of local refugees. Chasing in and out of Joshua Tree National Monument, our heroes go up against a couple of supposedly law-abiding citizens, a peon (Martin Garralaga) who isn't what he pretends to be, and the local rural residents. Happily, everyone takes time out from the mayhem to perform Jack Elliott's "Twilight on the Rio Grande" and "The Pretty Knife Grinder," Smiley Burnette's "It's My Lazy Day" and "Great Grand Dad," Nat Simon and Charles Tobias' "The Old Lamplighter" and a couple of other selections. In addition to Joshua Tree National Monument, Twilight on the Rio Grande was filmed at Victorville, CA. ~ Hans J. Wollstein, All Movie Guide
- Starring:
- Gene Autry, Sterling Holloway, (more)
- 1947
Marise Aubert (Greer Garson) has begun seeing a psychiatrist to treat her overwhelming guilt. It seems that Marise was married to Paul (Robert Mitchum), who was sent overseas in World War II. She loved Paul deeply and remained faithful to him. She then receives tragic news that Paul died in action, and months later is visited by Jean Renaud (Richard Hart), one of Paul's friends from the Army. Jean tells Marise that he and Paul were captured by enemy troops, and Paul died in the midst of a heroic attempt to escape. Marise senses that Jean is as lonely and heartbroken as she is, and she allows him to stay at her house. They fall in love, but the situation becomes complicated when a letter arrives from Paul. Jean hides it from Marise, hoping that she will not discover that her husband is still alive. He tries to convince her to sell her home and move away from her troubling memories, but before the sale can go through, Paul appears at the doorstep. While Paul can forgive Marise for betraying him, she is unable to forgive herself. Desire Me was released without a director's credit; the bulk of the principal photography was supervised by George Cukor, but by all accounts it was a troubled shoot, and eventually Mervyn LeRoy] and Jack Conway both worked to finish the picture. Garson nearly drowned while filming one scene, and Mitchum claimed that Cukor put Garson through 125 takes of another scene before she could say the word "No" to his satisfaction. ~ Mark Deming, All Movie Guide
- Starring:
- Greer Garson, Robert Mitchum, (more)
The third talkie version of Dumas' The Three Musketeers, this splashy MGM adaptation is also the first version in Technicolor. Gene Kelly romps his way through the role of D'Artagnan, the upstart cadet who joins veteran Musketeers Athos (Van Heflin), Porthos (Gig Young) and Aramis (Robert Coote) in their efforts to save their beloved Queen Anne (Angela Lansbury) from disgrace. They are aided in their efforts by the lovely and loyal Constance (June Allyson), while the villainy is in the capable hands of Milady De Winter (Lana Turner) and Richelieu (Vincent Price). Notice we don't say Cardinal Richelieu: anxious not to offend anyone, MGM removed the religious angle from the Cardinal's character. While early sound versions of Three Musketeers eliminated the deaths of Constance and Milady, this adaptation telescopes the novel's events to allow for these tragedies. True to form, MGM saw to it that Lana Turner, as Milady, was dressed to the nines and heavily bejeweled for her beheading sequence. Portions of the 1948 Three Musketeers, in black and white, showed up in the silent film-within-a-film in 1952's Singin' in the Rain, which of course also starred Gene Kelly. ~ Hal Erickson, All Movie Guide
- Starring:
- Gene Kelly, Lana Turner, (more)
- 1949
The Lost Tribe was the 2nd entry in Columbia's "Jungle Jim" series. Johnny Weissmuller stars as Jungle Jim, the comic-strip adventurer created by Alex Raymond way back in 1934. The plot is motivated by a lost treasure, located somewhere in the faraway land of Dzamm. Villains Calhoun (Joseph Vitale) and Rawling (Ralph Dunn) scheme to steal the treasure, but Jungle Jim won't let that happen. Our hero summons forth an army of gorillas to fight off the bad guys. Many of the animal-fight sequences in The Lost Tribe would pop up as stock footage in future "Jungle Jim" entries. The film is graced with the presence of two exotic leading ladies, Myrna Dell and Elena Verdugo. ~ Hal Erickson, All Movie Guide
So baseball pictures never make money, eh? Try telling that to MGM, which raked in a box office gross of $4 million on their 1949 baseball musical Take Me Out to the Ball Game. Set in 1906, the film concerns the adventures and misadventures of The Wolves, a champion ball club. The team's success is contingent upon the double-play combination of "O'Brien to Ryan to Goldberg." But while Goldberg (Jules Munshin) lives to play baseball, O'Brien (Gene Kelly) and Ryan (Frank Sinatra) would rather pursue their off-season vaudeville career. Both erstwhile song-and-dance men decide to stick around on the baseball diamond when they mutually fall in love with the Wolves' new owner, the lovely K.C. Higgins (Esther Williams). Though O'Brien wins K.C. for himself, Ryan is compensated with the aggressively affectionate Shirley Delwyn (Betty Garrett). Gambler Joe Lorgan (Edward Arnold), who has bet heavily against the Wolves in an upcoming Big Game, woos O'Brien away from the team with promises of a big role in an upcoming musical comedy. Having let down K.C. and the rest of the team, O'Brien vows to redeem himself by playing in the crucial game. Lorgan gets wind of this, and orders his henchmen to do away with O'Brien. Hoping to shield his buddy from harm, Ryan beans O'Brien with a pitched ball, thereby incapacitating the prodigal player. The crooks are vanquished, and K.C. forgives O'Brien. But upon learning that Ryan had knocked him out, O'Brien charges onto the diamond, thirsting for revenge. Believe it or not, this action results in no fewer than two winning home runs! We offer you this detailed synopsis because it's likely that you'll be too entertained by the film's musical numbers to pay any attention to the story. Outside of the title number and Gene Kelly's solo "The Hat My Father Wore on St. Patrick's Day," the picture's best songs are contributed by Betty Comden, Adolf Green and Roger Edens. Take Me Out to the Ball Game is so delightful as it stands that one can only wonder what the film would have looked like had MGM's first choice Kathryn Grayson--or the studio's second choice, Judy Garland--played the Esther Williams role (In a similar vein, the Frank Sinatra character was originally to have been played by real-life Brooklyn Dodgers manager Leo Durocher!) ~ Hal Erickson, All Movie Guide
- Starring:
- Frank Sinatra, Esther Williams, (more)
Spencer Tracy received an Oscar nomination for his performance in this classic comedy. Stanley T. Banks (Tracy) is a securely middle-class lawyer whose daughter Kay (Elizabeth Taylor) announces that she's going to marry her beau Buckley Dunstan (Don Taylor). From that point on, everything in Stanley's life is turned upside down. His wife Ellie (Joan Bennett) wants Kay to have the kind of formal wedding that she and Stanley never had, and between meeting his soon-to-be in-laws, the socially prominent Herbert and Doris Dunstan (Moroni Olsen and Billie Burke), his man-to-man talk with the groom, hosting the engagement party, financing the increasingly lavish wedding, and wondering if Kay and Buckley will resolve their differences before arriving at the altar, Stanley barely has time to deal with his own considerable anxieties about his advancing age and how his "little girl" became a grown woman. Director Vincente Minnelli reunited with the principal cast a year later for a sequel, Father's Little Dividend; and the movie was remade in 1991 with Steve Martin and Diane Keaton. ~ Mark Deming, All Movie Guide
- Starring:
- Spencer Tracy, Elizabeth Taylor, (more)
One man's good luck leaves a very bad impression in this comedy. Johnny Dalton (Frank Sinatra) and Mildred Goodhug (Jane Russell) are two tellers working at the same bank who have fallen in love and want to get married. However, neither is making much money, and Johnny doesn't want to set a date until he has some savings in the bank. Emil J. Keck (Groucho Marx), a pal of Johnny's who waits tables at a diner, suggests that it can't be that difficult to "find" some money in a bank, but Johnny prefers to stay on the straight and narrow. However, Johnny enjoys a sudden windfall after he happens upon "Hot Horse" Harris (Nestor Paiva), a racetrack tout being beaten up by ne'er-do-wells, and breaks up the fight. Grateful Harris places a bet on a "can't lose" horse in Johnny's name, and suddenly Johnny is $60,000 richer. But before Johnny and Mildred can enjoy their good fortune, word leaks out that someone has embezzled $70,000 from the bank, and the suddenly prosperous Johnny seems a likely suspect. Double Dynamite was produced under Howard Hughes' supervision at RKO, but bad blood between Hughes and Sinatra led to "Ol' Blue Eyes" receiving third billing for the film's leading role; the film also spent over a year on the shelf before finally hitting theaters. ~ Mark Deming, All Movie Guide
- Starring:
- Jane Russell, Groucho Marx, (more)
- 1952
Veteran serial director Spencer Gordon Bennett keeps things moving at a hectic pace in Brave Warrior. The title character is legendary Shawnee chief Tecumseh, well-played by Jay Silverheels (better known as Tonto on TV's The Lone Ranger). Though he has every reason to distrust the White Man, Tecumseh comes to the aid of American emissary Steve Ruddell (Jon Hall) during the War of 1812. The villain is a renegade medicine man known as The Prophet, played by Michael Ansara, who later portrayed the peace-loving Cochise on the TV version of Broken Arrow. Considering that this is a typically low-budget Sam Katzman production, Brave Warrior is fairly elaborately mounted. ~ Hal Erickson, All Movie Guide
- Starring:
- Jon Hall, Christine Larson, (more)
- 1952
Steel Fist was produced by William F. Broidy and Wesley Barry, the same team responsible for TV's Wild Bill Hickok series. Roddy McDowall stars as Erik, an idealistic young student in an unnamed Iron Curtain country. Pursued by the communist police for speaking his views, Erik is sheltered by the underground. While being smuggled out of the country, he finds time to fall in love with Marina (Kristine Miller), who unfortunately has also developed a close relationship with Red-army officer Giorg (Rand Brooks). Steel Fist is basically a WW II "French Resistance" film with names and nationalities changed to reflect the tinderbox situation in postwar Europe. ~ Hal Erickson, All Movie Guide
- Starring:
- Roddy McDowall, Kristine Miller, (more)
Hans Christian Andersen was Sam Goldwyn's final production for RKO Radio release, and also the producer's last Danny Kaye vehicle. The Moss Hart-Myles Connolly screenplay largely disregards the facts concerning Denmark's great storyteller, opting for a fanciful blend of comedy, fantasy, romance and music. As played by Kaye, Hans Christian Andersen starts out as a small-town cobbler whose gift for spinning fairy tales is keeping the local kids from attending school. Asked to leave town, Hans heads to Copenhagen to seek his fortune as a writer. After having his heart broken by the beautiful ballerina Doro (Jeanmaire), Hans finds solace--and happiness--in the knowledge that hundreds of thousands of children the world over are devoted to his enchanting fantasy stories. The lilting Frank Loesser score includes such tunes as "No Two People," "The King's New Clothes," "Wonderful Copenhagen," "Inchworm," "The Ugly Duckling," "Thumbelina," and the title song. Though Hans Christian Andersen was a smashing box-office success, and as a bonus earned five Oscar nominations. Originally released at 112 minutes, the film is generally available in its 104-minute TV-release form. ~ Hal Erickson, All Movie Guide
- Starring:
- Danny Kaye, Farley Granger, (more)
- 1953
An unofficial remake of The Champ, The Clown concerns Dodo Delwyn (Red Skelton), a down-and-out performer with abundant and obvious talent, but also a self-destructive tendency to overindulge his drinking and gambling habits. Once a Ziegfeld headliner, Dodo is now lucky to get jobs playing a clown at cheap amusement parks and even cheaper burlesque. Dodo's addictions cost him his marriage, but he somehow is able to maintain custody of his son Dink (Tim Considine), whose love for and faith in his father knows no bounds. Dink and Dodo's desperate need for each other is threatened when Dink's mother -- married again and capable of providing him with a better life -- reappears and explains that she wants to take care of the boy herself. Dink goes behind his father's back to locate his old agent, and begs him to help Dodo; but the agent cannot do anything. Dink goes away with his mother, but is miserable and runs back to his father. The agent, meanwhile, has managed to wrangle a TV show for Dodo -- and now that his son is back and needs him, Dodo resolves to find the courage to take up this offer and make a success of it. ~ Craig Butler, All Movie Guide
- Starring:
- Red Skelton, Tim Considine, (more)
- 1953
This was the last in a string of spoofs that found the comedy duo tangling with various classic Universal Studios monsters. In this case, Slim (Bud Abbott) and Tubby (Lou Costello) play American detectives who cross wits with Dr. Henry Jekyll (Boris Karloff) in Edwardian-era London when they visit to compare techniques with their British counterparts. Meanwhile, Dr. Jekyll is conducting the usual lab experiments on animals before injecting himself with serum, transforming into the vicious Mr. Hyde and launching a killing spree against fellow doctors who scoffed at him. Slim and Tubby participate in the ensuing investigation, and havoc breaks out when Tubby himself is injected, with predictable results. Karloff lends gravity to the film, but by the time this one followed up earlier efforts like Abbott And Costello Meet Frankenstein and Abbott And Costello Meet The Mummy, the team had mostly exhausted the series' comic possibilities. ~ Don Kaye, All Movie Guide
- Starring:
- Bud Abbott, Lou Costello, (more)
- 1953
In this entry in the long-running Bowery Boys series, Sach becomes a mind-reader after he is punched in the nose. To capitalize on his new talent, he and the boys open the Eagle Eye Detective Agency. Their first client, a forgetful fellow, desperately needs them to find the combination to the vault where he placed an envelope containing secret information about a group of gangsters. The young detectives then don disguises and sneak in to the gangsters' lair to stop them. ~ Sandra Brennan, All Movie Guide
- 1953
Unlike many westerns, City of Bad Men is placed within a specific historical time frame. The scene is Carson City, Nevada, in the year 1897. As the city prepares itself for the much-ballyhooed prizefight between Gentleman Jim Corbett and Bob Fitzsimmons, soldier-of-fortune Brett Stanton (Dale Robertson) rides into town with a few of his cronies. Stanton takes into consideration the enormous gate proceeds that the prizefight will yield and immediately begins formulating plans to steal the loot. He is deflected from this by his former girlfriend Linda Culligan (Jeanne Crain), whose good example sets Stanton on the right path. Corbett and Fitzsimmons are played, respectively, by ace stunt men John Day and Gil Perkins. Actual film footage exists of their legendary bout, and this brief ribbon of celluloid might make an interesting companion feature to City of Bad Men. ~ Hal Erickson, All Movie Guide
- Starring:
- Jeanne Crain, Dale Robertson, (more)
Demetrius and the Gladiators was the sequel to The Robe, and though they were released several months apart, the films were shot at the same time. Based on characters originally conceived by Lloyd C. Douglas, the film stars Victor Mature as the title character, an ex-slave who embraced Christianity after being present at the Crucifixion. Thrown in jail for defending an elderly merchant from a sadistic Roman legionnaire, Demetrius is forced to attend gladiator school and fight in the arena for the amusement of the mad, debauched emperor Caligula (Jay Robinson, likewise repeating his performance in The Robe). The well-proportioned Demetrius attracts the attention of Messalina (Susan Hayward), the nymphomaniac wife of Caligula's would-be successor Claudius (Barry Jones). Briefly losing faith in Christ, Demetrius is saved from himself by the apostle Peter (Michael Rennie). Because of contractual complications, Demetrius and the Gladiators was released to television seven years before The Robe. ~ Hal Erickson, All Movie Guide
- Starring:
- Victor Mature, Susan Hayward, (more)
- 1954
A young police officer tries his best to assuage the fears of his pregnant wife by refusing dangerous new jobs. But despite his caution, he has a job to do and he ends up chasing a dangerous thief all the way to Mexico in a helicopter. This actioner chronicles his death-defying adventures. ~ Sandra Brennan, All Movie Guide
John Wayne plays anti-Nazi Prussian sea captain Karl Erlich in Sea Chase, one of the many film commentaries released post WWII. Though staunchly opposed to the Nazi regime, Karl (Wayne) feels it would nevertheless be unpatriotic should he refuse to save his ship from destruction. His ship--an old, rusty 5,000 ton freighter named the Ergenstrasse--is being pursued by a British warship on his journey from Australia back to Germany. Captain Erlich does everything he can to save his ship and his crew, but the process is long and dangerous, particularly without a plentiful supply of fuel and provisions. Erlich must face obstacles ranging from horrendous sea storms and shark attacks to false murder accusations, and it seems his only devotee is Elsa (Lana Turner), a beautiful German spy. Despite nearly falling to the determined English ship and a mutiny attempt by his own crew, Captain Erlich manages to survive what was anything but a routine trip back to his home country. ~ Tracie Cooper, All Movie Guide
- Starring:
- John Wayne, Lana Turner, (more)
