Barbara Pepper Movies

Season five of Green Acres begins as the ramshackle farm of Oliver and Lisa Douglas (Eddie Albert and Eva Gabor) is invaded by Lisa's Hungarian mother (Lilia Skala), a bejeweled countess. As "Mudder" remains on the premises for weeks and weeks, the male citizenry of Hooterville, notably hotelier Uncle Joe Bradley (Edgar Buchanan) and con artist Mr. Haney (Pat Buttram) pay court to the countess, hoping thereby to land a wealthy wife. Elsewhere, Oliver grows a huge beanstalk in his garden, prompting a visit from the "Jolly Green Giant"; a long-undelivered special delivery letter arouses the curiosity of everyone in town; county agent Hank Kimball (Alvy Moore) proposes to carpenter Ralph Monroe (Mary Grace Canfield), whose brother, Alf Monroe (played in previous seasons by Sid Melton), has disappeared without explanation; and Arnold the pig is expelled from school. The season ends with a double birthday party for Oliver...and Arnold. ~ Rovi

Season three of Green Acres begins as attorney Oliver Wendell Douglas (Eddie Albert) is nominated for the political post of state senator. Alas, this dream come true is destined to become as much a comic nightmare as city slicker Oliver's efforts to become a successful farmer in the bucolic community of Hooterville. Likewise doomed to failure is Oliver's attempt to improve the local telephone service; by season's end, our hero returns to his usual routine of accepting calls by climbing a nearby telephone pole and tapping into the party line. In another episode, Oliver's glamorous wife, Lisa (Eva Gabor), harks back to World War II, when she and her husband first met. Lisa is also the center of attention in the episode in which one of her Hungarian relatives moves into the farm and makes life even more miserable for poor Oliver. In other season-three developments, handyman Ed (Tom Lester) falls in love and elopes, but soon returns to the Douglas farm a single man. Carpenters -- and twin siblings -- Alf and Ralph Monroe (Sid Melton, Mary Grace Canfield) dissolve their partnership just as they are finally poised to finish building the Douglases' bedroom. Lisa saves herself and her husband from bank robbers by serving up her notorious indigestible hotcakes. And Arnold the pig, the pampered, TV-watching pet of neighboring farmers Fred and Doris Ziffel (Hank Patterson, Barbara Pepper), is whisked off to Hollywood, where in a two-part story he is groomed for film stardom. This particular escapade brings the third season of Green Acres to a close, with the promise of even more rustic zaniness to come in season four. ~ Rovi

The third of producer Paul Henning's enormously successful "rustic" comedies of the 1960s, Green Acres made its CBS bow on September 15, 1965. Reversing the situation established on Henning's The Beverly Hillbillies, in which a group of yokels was transplanted to luxurious Beverly Hills, Green Acres stars Eddie Albert as prosperous Manhattan attorney Oliver Wendell Douglas, who to fulfill a lifelong dream forsook his sophisticated surroundings to become a farmer in the tiny rural community of Hooterville. Reluctantly going along for the ride was Oliver's sexy Hungarian wife, Lisa (Eva Gabor), who though she eventually resigned herself to farm life still insisted upon wearing expensive clothes and jewelry while milking cows and plowing the North 40. Alas, she never quite learned to cook, and her rock-hard hotcakes would soon become the source of many hearty laughs from the viewers. Unfortunately for Oliver, the farm he purchased was in deplorable condition, and the surrounding 160 acres weren't much better. Our hero had been suckered into this situation by bucolic con artist Mr. Haney (Pat Buttram), who continued to fleece the Douglases by selling them expensive -- and generally useless -- farm implements and creature comforts throughout the series' six-season run.

Mr. Haney was but one of the many eccentric characters who seemed to have been put on earth to make Oliver Douglas' life miserable. Others included county agent Hank Kimball (Alvy Moore), who never made a statement without immediately contradicting himself ("Good morning, Mr. Douglas. Well...it isn't really good because it's gonna rain...and it's after noon, so it's not really morning..." etc., etc., etc.); doltish handyman Ed Dawson (Tom Lester), who looked upon the Douglases as his surrogate parents and constantly prevailed upon them to bail him out of trouble (usually girl trouble); carpenters and twin siblings Alf and Ralph Malone (Sid Melton and Mary Grace Canfield), who never quite managed to finish construction on the Douglases' bedroom; and neighboring farmer Hank Ziffel (Hank Patterson) and his wife, Doris (played first by Barbara Pepper, then by Fran Ryan), owners of a TV-watching pig named Arnold, who regarded himself as a human being -- and who developed into the series' biggest "superstar"!

Inasmuch as Green Acres was the sister series to Paul Henning's Petticoat Junction -- also set in the mythical village of Hooterville -- there were a number of crossover episodes between the two programs. Also, Frank Cady appeared as storekeeper Sam Drucker on both shows, while one of Petticoat Junction's main characters, Uncle Joe Bradley (Edgar Buchanan), dropped in from time to time. One of the series' most endearing trademarks was its strain of surrealistic humor. This manifested itself in many ways, but none quite as memorable as the method in which the opening credit titles were presented. In several installments, a confused Lisa Douglas would comment upon "those little names" that appeared in front of her on the screen; and in at least one instance, the directorial credit showed up on a newly laid egg! Although it is not generally known, Green Acres was based on a radio series titled Granby's Green Acres, which like its TV counterpart was created by Jay Sommers and written by Dick Chevillat. All but one of the TV series' episodes was directed by Richard L. Bare, a past master at depicting comic frustration, as could be seen in his wonderful "Joe McDoakes" theatrical shorts of the 1940s and '50s. Green Acres might well have run forever had CBS not decided during the 1970-1971 season to purge itself of all its "rural" comedies; thus, the series came to an end on September 7, 1971, still as popular and hilarious as ever. ~ Rovi

At one time the longest-running Broadway musical, My Fair Lady was adapted by Alan Jay Lerner and Frederick Loewe from the George Bernard Shaw comedy Pygmalion. Outside Covent Garden on a rainy evening in 1912, dishevelled cockney flower girl Eliza Doolittle (Audrey Hepburn) meets linguistic expert Henry Higgins (Rex Harrison). After delivering a musical tirade against "verbal class distinction," Higgins tells his companion Colonel Pickering (Wilfred Hyde-White) that, within six months, he could transform Eliza into a proper lady, simply by teaching her proper English. The next morning, face and hands freshly scrubbed, Eliza presents herself on Higgins' doorstep, offering to pay him to teach her to be a lady. "It's almost irresistable," clucks Higgins. "She's so deliciously low. So horribly dirty." He turns his mission into a sporting proposition, making a bet with Pickering that he can accomplish his six-month miracle to turn Eliza into a lady. This is one of the all-time great movie musicals, featuring classic songs and the legendary performances of Harrison, repeating his stage role after Cary Grant wisely turned down the movie job, and Stanley Holloway as Eliza's dustman father. Julie Andrews originated the role of Eliza on Broadway but producer Jack Warner felt that Andrews, at the time unknown beyond Broadway, wasn't bankable; Hepburn's singing was dubbed by Marni Nixon, who also dubbed Natalie Wood in West Side Story (1961). Andrews instead made Mary Poppins, for which she was given the Best Actress Oscar, beating out Hepburn. The movie, however, won Best Picture, Best Director, Best Actor for Harrison, and five other Oscars, and it remains one of the all-time best movie musicals. ~ Hal Erickson, Rovi

Hooterville has always prided itself on being the first community in its state to file election returns. All this may soon change, however: It seems that nearby Crabtree Corners (later known as Crabwell Corners) has installed an automatic voting machine. Ironically, Petticoat Junction would be pre-empted by the 1964 Presidential election coverage one week after the airing of this episode, in which Virginia Sale makes her first series appearance as Kate's arch-rival Selma Plout. ~ Hal Erickson, Rovi

Dean Martin stars in this once-controversial comedy as Dino, a Las Vegas crooner, alcoholic, and celebrity playboy. Dino requires women like oxygen -- a companionless night leaves him with a headache. Ray Walston is Orville, a provincial piano teacher, aspiring songwriter, and jealous husband. Orville violently obsesses over his wife Zelda's (Felicia Farr) fidelity -- any man she encounters becomes his sworn enemy. When a chance detour brings Dino to Orville's hometown of Climax, NV, it is the perfect opportunity for the piano teacher and his songwriting partner, Barney (Cliff Osmond), to pitch their tunes. Yet, Orville predictably fears the possible combination of Dino's libido with Zelda's childhood crush on the singer. Before the two can meet, Orville deceitfully bullies Zelda out of their house and Barney hires local roadhouse prostitute Polly the Pistol (Kim Novak) to pose as Orville's wife. Zelda turns to drink for solace, ending up at the exact bar where Polly plies her trade and, eventually, in the call girl's empty trailer. By the next morning, Orville is with Polly and Dino (looking for a prostitute) finds his way to Zelda -- and husband, wife, hooker, and Barney will all reap the benefits of infidelity.

As indicated, this picture (which endured numerous complications on its long journey to the screen, including Walston's replacement of ailing star Peter Sellers) drew a great deal of attention upon release, most of it overwhelmingly negative. The Catholic League of Decency gave it a "condemned" rating (the first one applied since the 1956 Baby Doll), the picture was charged with debauchery, and movie theaters across the nation discontinued its run. This bed-trick comedy had America's panties tied in a knot, with many arguing that one could not imagine a story so distasteful. As a reflection on changing mores and standards, though, it was rated GP in 1970 (eventually changed to PG-13 in 1994). ~ Aubry Anne D'Arminio, Rovi

This episode opens with an apparent murder in a college classroom--which turns out to be a staged event, dreamed up by Professor Ronald Hewes (Barry Atwater) to test his students' powers of observation. After the demonstration, however, Hewes discovers that the gun used to "kill" him had only one blank and five real bullets, ample proof that someone is planning to do away with him. Can this have anything to do with the fact that Hewes has made a small fortune by claiming authorship of a lurid bestseller which was actually written by one of his former students, a young girl who'd committed suicide? Whatever the case, Hewes is currently being taken to the cleaners not only by the dead girl's sister, but also by his own wife Laura (Patricia Breslin)--and it is Laura whom Perry Mason must ultimately defend on a charge of murdering the "prankish professor". ~ Hal Erickson, Rovi

This frantic comedy finds Raymond (Jerry Lewis) working in a department store. Mr. Tuttle (John McGiver) is the watchful owner, whose outspoken wife Phoebe (Agnes Moorehead) makes no secret about her feelings that Raymond is an incompetent boob. Barbara (Jill St. John) is the pretty elevator operator, and unknown to Raymond, the boss' daughter. Quimby (Ray Walston) is the floor manager who has more of an eye for the ladies than his job at the store. Raymond proceeds to wreck every department in the store, earning new positions with each mishap. ~ Dan Pavlides, Rovi

Astrologer Samuel H. Keel (Richard Boone) has predicted that someone named Seth Carter is destined to win a $500,000 lottery. In hopes of locating the elusive Carter, Keel hires Paladin (Richard Boone) to help in his search. Unfortunately, the first three people presumed to be linked to Carter are brutally murdered--and if the pattern continues, Paladin may be unable to prevent further bloodshed. ~ Hal Erickson, Rovi

Meredith Wilson's hit 1957 Broadway musical was transferred to the screen in larger-than-life fashion in 1962. Robert Preston repeats his legendary stage performance as fast-talking con man Harold Hill, who goes from town to town selling citizens on starting a "boy's band," then extracts money from them by ordering instruments and uniforms, with the promise that he'll teach the kids how to be musicians. Once he's collected his bankroll, Hill skips town, leaving the kids in the lurch. Looking for new suckers in Iowa, Hill arrives in River City, where he declares that the only way to save the youth of River City from the lure of the poolroom is to organize a boy's band. He charms the mayor's wife Eulalie (Hermione Gingold) into forming a "ladies' dance committee" and sets his sights on winning over local music teacher Marian Paroo (Shirley Jones). Marian rightly considers Hill a fraud, especially when he espouses the "Think System" of learning music: if you think a tune, he claims, you can play it. But Marian becomes Hill's staunchest ally when her young brother Winthrop (Ronny Howard), sullen and withdrawn since the death of his father, exuberantly comes out of his shell at the prospect of joining Hill's band; and Marian's budding romance with the charming but unreliable Hill ultimately brings her out of her own shell as well. Marion Hargrove's script uses most of the original play, with a handful of amusing expansions, especially in the roles played by Gingold and by Buddy Hackett as Hill's comic sidekick. ~ Hal Erickson, Rovi

Hoping to capture narcotics boss Alexander Raeder (Joseph Ruskin) during a "business transaction" at a Chicago amusement pier, Elliot Ness (Robert Stack) is thwarted by another crook, Arnold Justin (Martin Balsam). Making this a particularly bitter pill to swallow is the fact that Justin used to be a cop himself before he sold his soul to the Underworld. But Ness manages to turn the tables on on the treacherous Justin by putting him in bad with the formidable Frank Nitti (Bruce Gordon). If the actress playing the landlady looks familiar, it's because she is Barbara Pepper, better known as rural pig fancier Doris Ziffel on the 1960s sitcom Green Acres. ~ Hal Erickson, Rovi

Now working as a health club instructor, former college athletic star Ward Nichols (Ed Nelson) hopes to marry Casey Daniels (Maggie Pierce), the niece of his boss Bernard Daniels (Les Tremayne). Unfortunately, Nichols' estranged wife Veronica (Leslie Parrish) refuses to let him go, and claims to be pregnant so she can shake him down for "hush money." Making matters worse, Mr. Daniels accuses Nichols of forging his name on the checks sent to Veronica. When Daniels is crushed to death by a barbell, the police think they've got Nichols dead to rights--but they haven't reckoned with the poor fellow's attorney Perry Mason (Raymond Burr). ~ Hal Erickson, Rovi

While their husbands are otherwise occupied, Lucy (Lucille Ball) and Ethel (Vivian Vance) take a bus sightseeing tour of Los Angeles. When the bus pulls up near the home of actor Richard Widmark, Lucy announces that Widmark and her husband, Ricky (Desi Arnaz), are at that moment having lunch together. This announcement neatly foreshadows the hilarity to come when, in her efforts to swipe a souvenir orange from Widmark's backyard, Lucy falls over the fence and is trapped on the actor's estate. Ultimately, Widmark and Ricky show up to have lunch -- whereupon Lucy adopts what may be her most ridiculous disguise ever. This was the final episode of I Love Lucy's fourth season. ~ Rovi