Austin Pendleton Movies

Jessica (Angela Lansbury) heads to Carmel, California, to console her old friend, playwright Martin Tremaine (Darren McGavin), whose wife has recentlhy committed suicide. Before long, an attempt is made on Tremaine's life--but another member of his family ends up as the victim. Can it be that the late Mrs. Tremayne has arisen from her grave to exact revenge against her husband? ~ Hal Erickson, All Movie Guide

This first film directorial effort of actor Simon Callow is based on a novel by Carson McCullers -- which, in turn, was adapted for the stage by Edward Albee in 1964. Vanessa Redgrave plays a powerful Southern matriarch who, sequestered in her café/general store, holds her home town in the palm of her hand. Redgrave's benevolent despotry is threatened by the arrival of her hunchbacked cousin, Cork Hubbert (in the role played on stage by dwarf actor Michael Dunn), and her jailbird husband Keith Carradine. Unable to remove this threat to her authority by her usual means, Redgrave is reduced to challenging Carradine to a bare-knuckle fight! Carson McCullers' fascination with the disintegration of the Old South coupled with her preoccupation with the grotesque requires delicate handling (as witness Heart Is a Lonely Hunter). Callow works overtime keeping things controlled and tasteful; unfortunately, this results in a very mannered and stilted production, all too obviously betraying its stage origins. ~ Hal Erickson, All Movie Guide

Writer Susan Isaacs and director Frank Perry of Compromising Positions re-team for this unsuccessful resurrection fantasy comedy. Shelley Long plays Lucy Chadman, the accident-prone wife of plastic surgeon Jason Chadman (Corbin Bernsen). When she chokes to death after eating a South Korean chicken ball, a funeral is held and she is mourned, but then everyone goes on with their lives and forgets about her. Everyone, that is, except her sister Zelda (Judith Ivey). Zelda runs an occult bookstore and as she peruses one of her books of incantations, she discovers a magical chant that can raise the dead. Obeying the rules of the incantation -- it has to be performed a year after the person dies and the resurrected person must find love within 30 days or the person will die again -- she brings back Lucy to life. Lucy immediately proceeds to her husband's home and finds that he is married to her best friend Kim (Sela Ward). She now has to deal with the changed circumstances of her husband, along with a burgeoning love affair with Kevin Scanlon (Gabriel Byrne), the emergency-room doctor who had tried to save her life. ~ Paul Brenner, All Movie Guide

In this charming comedy that lives up to its title, Judge Reinhold stars as Joe Gower, a librarian's assistant posing as a police officer and trying to win the heart of a beautiful police officer, Rachel Wareham (Meg Tilly). A complex chain of events is put in place when Joe agrees to help out a good friend who's a policeman by taking his place at an audition for the cop's annual benefit show. Once at the auditions, Joe falls for Rachel, who will be dancing in the benefit. Joe starts hanging out with the choreographer in order to spend more time with Rachel. Unfortunately, this gets him into his borrowed police uniform more than he would like, and soon he's carrying out the duties of a beat cop while wearing his disguise. ~ Eleanor Mannikka, All Movie Guide

While staying at the Hollins Communication Institute, a stuttering accountant fittingly falls for a squirrel huntress who has a similar speech impediment. ~ Kristie Hassen, All Movie Guide

In this far-out comedy that slams it to academia, television, and the military, Simon (Alan Arkin) is a puffed-up professor who is boondoggled by a group of geniuses in a think tank. Becker (Austin Pendleton) leads the wacked-out thinkers as they invent off-the-wall games to keep themselves amused instead of solving global problems in ecology or whatever. They manage to convince Simon he is really a space alien, but then Simon gets away from them and takes refuge in a strange commune headed up by a former television executive (Adolph Green) whose bible is TV Guide. Simon's life does not get any easier since he is being hunted by the army with orders to shoot on sight. ~ Eleanor Mannikka, All Movie Guide

Kermit the Frog and Fozzie Bear, from of the large crew of loveably fuzzy characters created by puppetmaster Jim Henson, have embarked on a quest for stardom. They take a trip to Hollywood, riding in or on a wide variety of vehicles along the way. They begin their journey on a bicycle pedalled by Kermit, but friends accumulate along the way, and they change vehicles to accomodate them. They have the additional challenge of fending off the entreaties of the heartless Doc Hopper (Charles Durning), who wants Kermit to make some advertisements promoting fried frog legs. Kermit must also cope with his amorous feelings for Miss Piggy, and hers for him. This appealing children's adventure movie has numerous scenes which do homage to classic films, and features a huge cast of Hollywood greats, from Edgar Bergen to Orson Welles, in cameo roles. A great box-office success, this movie paved the way for a number of sequels. One of the film's many songs, The Rainbow Connection, was nominated for an Oscar. ~ Clarke Fountain, All Movie Guide

Two giants of American humor, Ring Lardner and George S. Kaufman, collaborated for this stage comedy (a major success on Broadway when it was first staged in 1929) about a young tunesmith's struggle to succeed in the dog-eat-dog world of Tin Pan Alley. An up-and-coming songwriter (Tom Fitzsimmons) arrives in the big city hoping to make good, and is soon befriended by a veteran composer (Jack Cassidy) whose career isn't what it used to be. The kid looks like he may have a solid career ahead of him, but he soon attracts the attentions of a brass-hearted dame (Susan Sarandon) who wants to take him for his future fame and wealth. This production of June Moon (created for PBS, where it first aired in 1974) features a top-notch supporting cast, including Kevin McCarthy, Estelle Parsons, Austin Pendleton, Marshall Efron, Lee Meredith, and one of Broadway's greatest composers, Stephen Sondheim, in a rare acting role as a fellow Tin Pan Alley melody maker. ~ Mark Deming, All Movie Guide

It is virtually a "given" that Michael (Ralph Carter) is the smartest member of the Evans family, and indeed one of the most brilliant youngsters in his school. Why, then, did Michael post the lowest IQ score in class? It turns out that Michael flunked the intelligence test deliberately -- his own form of protest against a test that he doesn't regard as racially balanced. ~ Hal Erickson, All Movie Guide

In this drama, a woman's dancing school is overrun by gangster's who begin using it for a betting parlor. As a result, she becomes the nanny for the mob boss's son. Soon she kidnaps him. Trouble and action ensue. ~ Sandra Brennan, All Movie Guide

Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide