Austin Pendleton Movies

A variety of crooks, losers, and working stiffs living in the shadow of Hollywood find their various personal crises overlapping in this intricately woven melodrama. Lee Woods (James Spader) is a cold-blooded hit man and Dosmo Pizzo (Danny Aiello) a soft-at-heart gangster; they've been sent to murder Roy Foxx (Peter Horton), the former husband of also-ran Olympic skier Becky Foxx (Teri Hatcher). Lee's girlfriend Helga (Charlize Theron) is unhappy about his habit of killing people, and she attracts the attention of Alvin (Jeff Daniels) and Wes (Eric Stoltz), two cops who've been put on vice detail but don't have the heart to bust the prostitute they've been trailing. Alvin dreams of becoming a homicide detective, so when he discovers that he might be on the trail of a murder, it's like Santa Claus showed up in mid-July to hand him a present. Dosmo manages to escape the crime scene, only to foil a murder attempt by Lee, forcing him to hide out in the home of Hopper, a pretentious English art dealer (Greg Cruttwell), whom Dosmo holds hostage along with Hopper's long-suffering assistant, Susan (Glenne Headly). In the midst of all this, a down-on-his-luck television director (Paul Mazursky) contemplates suicide (the main stumbling block is finding someone to take care of his dog) while also being pestered by an actor with equally bad luck (Austin Pendleton) and meeting a compassionate nurse (Marsha Mason) on a visit to a cemetery. ~ Mark Deming, All Movie Guide

Inspired by the remarkable real life story of one boy's cinematic awakening, writer/director Patrick Read Johnson's semi-autobiographical drama 77 follows the story of an enthusiastic young film fanatic from Wadsworth, Illinois who sets out to produce home-brewed sequels to his favorite sci-fi films, and eventually finds himself at an advance screening of the film that will virtually define the entire genre for generations of movie lovers. Ever since his first viewing of 2001: A Space Odyssey, Patrick Read Johnson (John Frances Daley) has been a die-hard science fiction fan. But life for a movie geek isn't easy in the Midwest, so in order to pass the time, Patrick and his friends begin crafting cheaply budgeted sequels to the sci-fi classic that inspired them. Later, while visiting Hollywood, Patrick meets American Cinematographer editor Herb Lightman (Austin Pendleton), and talking special effects with an ambitious young director named Steven Spielberg. Upon receiving an invitation to an advance screening of a small science fiction film entitled Star Wars, the young film enthusiast from Illinois finds himself at the creative epicenter of a true big screen phenomenon. ~ Jason Buchanan, All Movie Guide

Part of the Broadway Theater Archives, this stage production of Lewis Carroll's children's fantasy Alice in Wonderland was directed by Kirk Browning. Kate Burton plays young Alice, the little girl who wanders into a bizarre wonderland that just gets more and more curious. Her real-life father, Richard Burton, plays the White Knight. Also starring Eve Arden as the Queen of Hearts, Maureen Stapleton as the White Queen, and Donald O'Connor as the Mock Turtle. Broadway star Nathan Lane can also be seen in one of his earliest roles as the Dormouse. Alice in Wonderland was originally broadcast on PBS in 1983 as an episode of Great Performances. ~ Andrea LeVasseur, All Movie Guide

Director Mike Nichols and writer-actor Buck Henry followed their enormous hit The Graduate (1967) with this timely adaptation of Joseph Heller's satiric antiwar novel. Haunted by the death of a young gunner, all-too-sane Capt. Yossarian (Alan Arkin) wants out of the rest of his WW II bombing missions, but publicity-obsessed commander Colonel Cathcart (Martin Balsam) and his yes man, Colonel Korn (Henry), keep raising the number of missions that Yossarian and his comrades are required to fly. After Doc Daneeka (Jack Gilford) tells Yossarian that he cannot declare him insane if Yossarian knows that it's insane to keep flying, Yossarian tries to play crazy by, among other things, showing up nude in front of despotic General Dreedle (Orson Welles). As all of Yossarian's initially even-keeled friends, such as Nately (Art Garfunkel) and Dobbs (Martin Sheen), genuinely lose their heads, and the troop's supplies are bartered away for profit by the ultra-entrepreneurial Milo Minderbinder (Jon Voight), Yossarian realizes that the whole system has lost it, and he can either play along or jump ship. Though not about Vietnam, Catch-22's ludicrous military machinations directly evoked its contemporary context in the Vietnam era. Cathcart and Dreedle care more about the appearance of power than about victory, and Milo cares for money above all, as the complex narrative structure of Yossarian's flashbacks renders the escalating events appropriately surreal. Confident that the combination of a hot director and a popular, culturally relevant novel would spell blockbuster, Paramount spent a great deal of money on Catch-22, but it wound up getting trumped by another 1970 antiwar farce: Robert Altman's MASH. With audiences opting for Altman's casual Korean War iconoclasm over Nichols' more polished symbolism, the highly anticipated Catch-22 flopped, although the New York Film Critics Circle did acknowledge Arkin and Nichols. Despite this reception, Catch-22's ensemble cast and pungent sensibility effectively underline the insanity of war, Vietnam and otherwise. ~ Lucia Bozzola, All Movie Guide

Based on John Grisham's novel Skipping Christmas, Christmas With the Kranks revolves around Nora (Jamie Lee Curtis) and Luther Krank's (Tim Allen) decision to put their normally fanatical enthusiasm for the holidays aside for a tropical cruise. With their daughter in Peru with the Peace Corps, the Kranks believe it just isn't worth it; thus, no presents, Christmas trees, or decorations of any kind will adorn their house to the great consternation of their neighbor Vic (Dan Aykroyd). Just as it looks like Christmas will be successfully skipped, Blair (Julie Gonzalo) throws a major kink into her plans when she suddenly has a change of heart and announces she'll be coming home for Christmas after all. The film ran into troubles early on in production when Ben Affleck's similar sounding bomb Surviving Christmas won the race to the theaters, forcing the filmmakers to depart from the book title in favor of the catchy Kranks one. ~ Tracie Cooper, All Movie Guide

In this drama, a woman's dancing school is overrun by gangster's who begin using it for a betting parlor. As a result, she becomes the nanny for the mob boss's son. Soon she kidnaps him. Trouble and action ensue. ~ Sandra Brennan, All Movie Guide

Andrew Stanton, who helped write Toy Story and Monsters, Inc., co-wrote and directed this computer-animated comedy-adventure about finding a very small fish in a very large ocean. Marlin (voice of Albert Brooks) is a more-than-slightly paranoid Clown Fish who is extremely devoted to his young son, Nemo (voice of Alexander Gould), the only survivor after an undersea predator swallowed up Nemo's mother and her other offspring. It's not Marlin's nature to explore unfamiliar waters, but when he and Nemo are accidentally separated near the Great Barrier Reef en route to Nemo's first day of fish school, Marlin gathers his courage and sets out to find his son. What Marlin doesn't know, however, is that while Nemo was looking at a boat passing on the surface, he was caught in a net and given a new home in a dentist's aquarium. As Marlin searches for his son, he makes friends with a friendly but absent-minded Regal Blue Tang named Dory (voice of Ellen DeGeneres), a Great White Shark named Bruce (voice of Barry Humphries) who is trying to cut fish out of his diet, a beach-rat Sea Tortoise named Crush (voice of Andrew Stanton), and Nigel (voice of Geoffrey Rush), a Pelican who can take Marlin's search from the ocean to dry land. Finding Nemo's impressive voice cast also includes Willem Dafoe, Allison Janney, Eric Bana, Stephen Root, and Brad Garrett. ~ Mark Deming, All Movie Guide

Made for cable television, this frothy western spoof chronicles the exploits of a citified optometrist who exchanges his well-ordered Big Apple life for a wild and woollier version in Tombstone, Arizona. Once there, he is thrilled to meet his hero Wyatt Earp. Unfortunately, the heroic Earp he admired in the many dime-store novels he read is totally different from the real McCoy who turns out to be myopic and continually skunk drunk. Still with the optometrist's help, the sheriff is able to clean up the town. ~ Sandra Brennan, All Movie Guide

It is virtually a "given" that Michael (Ralph Carter) is the smartest member of the Evans family, and indeed one of the most brilliant youngsters in his school. Why, then, did Michael post the lowest IQ score in class? It turns out that Michael flunked the intelligence test deliberately -- his own form of protest against a test that he doesn't regard as racially balanced. ~ Hal Erickson, All Movie Guide

A man trained for a life of excitement and danger is given a new and unexpected challenge -- minding a grouchy old woman -- in this comedy. Doug Chesnic (Nicolas Cage) is a Secret Service agent who takes great pride in his job, performing his duties with the utmost professionalism and always minding the details. However, his assignment for the last three years has been a severe test of his patience; Tess Carlisle (Shirley MacLaine) is the widow of a former U.S. president who is well-known for her diplomatic and philanthropic work, and Doug has been in charge of her security force. But Tess tends to regard Doug less as a security officer and more as a domestic servant, like her chauffeur Earl (Austin Pendleton) or her nurse Frederick (Richard Griffiths). While Doug regards it as beneath his professional dignity to perform little chores around the house or bring Tess her breakfast in bed, she orders him to do so, and he's in no position to say, "no." Sometimes, Tess even refuses to obey Doug's security instructions, and should he argue his point too strongly, Tess will contact her close friend, the President of the United States, and ask him to give Doug a severe dressing down. So when Doug's three year hitch with Tess comes to an end, he asks to be given a more exciting and challenging assignment. However, Tess has other ideas; she's decided that she likes working with Doug, and she demands that his assignment be made permanent. Director Hugh Wilson also provides the voice of the President. ~ Mark Deming, All Movie Guide

It's been said that while most people love their families, they don't always like them very much, and that emotional dividing line is the heart of this comedy directed by Jodie Foster. Claudia Larson (Holly Hunter) usually approaches family reunions with a certain trepidation, but as she prepares to fly from her home in Chicago to her parent's place in Baltimore for Thanksgiving, she is more apprehensive than usual. Claudia has just lost her job, she's not feeling at all well, and her teenage daughter, Kitt (Claire Danes), who is staying behind, informs Claudia on the way to the airport that she plans to use the weekend to lose her virginity with her boyfriend. The family festivities are already under way when Claudia arrives at the home of her mother, Adele (Anne Bancroft), and father, Henry (Charles Durning). Claudia's brother, Tommy (Robert Downey Jr.), whose homosexuality is tolerated without being discussed on a practical basis, has brought along his new friend Leo Fish (Dylan McDermott). Tommy doesn't get along well with his fussbudget sister, Joanne (Cynthia Stevenson), who wears her self-sacrifice like a badge of honor, and he simply hates her husband, Walter (Steve Guttenberg), who has often been the target of Tommy's barbed sense of humor. While the siblings and in-laws struggle to remain civil, their quite eccentric aunt Gladys (Geraldine Chaplin) arrives; she insists on discussing her digestive problems, and after a few drinks, she confesses her long-ago lust for Henry. Home for the Holidays was Jodie Foster's second film as a director, and the first in which she didn't also star. ~ Mark Deming, All Movie Guide

A ritual murder is played out on the Internet, but the homicide detectives aren't certain whether the killing is real or an elaborate hoax. Whatever the case, the detectives "stake out" the Web when it is announced that another murder will occur at midnight. In the course of the investigation, the squad discovers that Bayliss (Kyle Secor) is running his own website -- much to Bayliss' embarrassment. The climax of this episode will dictate the outcome of Homicide: Life on the Street's series finale. ~ Hal Erickson, All Movie Guide