Ron Pember Movies

In this remake of Hitchock's great suspense film, a new bride is filled with dread as her suspicions that her groom is a ruthless killer mount. ~ Sandra Brennan, All Movie Guide

Based on the novel by Agatha Christie and set in the late 1950s, this unevenly told film starts when Dr. Arthur Calgary (Donald Sutherland) comes back to England after two years on an Antarctic expedition and discovers that the man he is searching for has been executed for murder. At the beginning of his expedition he had given a ride one night to a hitchhiker and accidentally ended up with his address book. To his horror, the hitchhiker's mother was killed on that night, and he had been the alibi that would have saved him from execution. Spurred on by his sense of shock and guilt, Calgary makes contact with the family and is put off by their disinterest in finding the real killer. It seems that the mother had many enemies among her close family members: her husband was having an affair, there was a blackmail scheme in the works, and many felt that she had already excluded them from any inheritance. Although the acting is uneven and the plot may seem predictable or contrived to non-Christie readers, the story retains interest, and Dave Brubeck's jazz score adds a special dimension to the proceedings. ~ Eleanor Mannikka, All Movie Guide

Plot is a secondary consideration in this partially successful, partially failed take-off on the Bulldog Drummond series of the 1930s. "Bullshot" Crummond (Alan Shearman) is a square-jawed hero of World War I who longs to face off against his German arch-nemesis Count Otto von Bruno (Ron House) one more time. He gets his chance when he must save Rosemary Fenton (Diz White), a damsel in distress -- her father made a top-secret discovery before he died and Count von Bruno wants that secret for himself, no matter what happens to the good Rosemary. As the hijinks unfold inside the requisite Sinister Mansion (Bullshot fights a giant octopus and leaps onto a plane in mid-air as the action reaches a crescendo), caricature, and zany anarchy provide the humor. ~ Eleanor Mannikka, All Movie Guide

The murders by the infamous British criminal, Jack the Ripper, catch the attention of Sherlock Holmes (Christopher Plummer), but he does not receive the expected call from Scotland Yard because he is being purposefully excluded from the investigation. Instead, Robert Lees (Donald Sutherland), a psychic who volunteered information to the police about the murders, provides the Great Detective with the necessary incitement to action. As the murders proceed, it becomes clear to all concerned that it is more important to stop them than to announce their solution, and Holmes enters the fray with the help of his trusty aide, Dr. Watson (James Mason). The former mistress of a "prominent personage," Annie Crook (Genevieve Bujold), provides crucial information leading to a final confrontation on London's docks. ~ Clarke Fountain, All Movie Guide

Malcolm McDowell plays a World War I air ace, in charge of an elite squadron. Outwardly a bastion of courage, McDowell dies a little every time one of his boys is killed. To steel his nerves, he takes to drink, which has an adverse effect on his abilities. Christopher Plummer staunchly portrays McDowell's commanding officer. Aces High is a remake of Journey's End (1930), which in turn was based on a play by R.C. Sheriff. ~ Hal Erickson, All Movie Guide

Gary Sherman's Death Line is one of those little-seen, long-forgotten 1970s horror films that's still championed by its core of fans. When the film was shown as part of a horror series at Lincoln Center in 2002, director Guillermo Del Toro (The Devil's Backbone) pronounced it one of his all-time favorites. In the film, Patricia (Sharon Gurney) and her American boyfriend, Alex (David Ladd, son of actor/producer Alan Ladd), find an important government official apparently unconscious on the stairs of a London Underground station. By the time they locate a cop to investigate, the body is gone. The sarcastically cynical Inspector Calhoun (Donald Pleasence) and his right-hand man, Rogers (Norman Rossington), take on the case. The culprit turns out to be a deranged man (Hugh Armstrong), the descendent of tunnel workers who were trapped in a cave-in and abandoned by the government at the turn of the century. "The Man" lives in the abandoned tunnel with his mate, "the Woman" (June Turner), and ventures into the Underground proper only to find hapless human victims and bring them back to their decrepit lair for food. When his mate dies, the Man goes in search of another. Put-off by Alex's lack of compassion, Patricia splits up with him, venturing into a train station alone, and before long, she finds herself in the underground hellhole. Christopher Lee makes a cameo appearance as an officious, meddlesome MI5. Much to Sherman's chagrin, his film was re-edited by the producers and released to American grind houses under the title Raw Meat. It was shown in Britain in its original form, under its original title. ~ Josh Ralske, All Movie Guide

Except for the omission of several passages in the original play, this 1970 adaptation of Julius Caesar faithfully retells Shakespeare's account of events surrounding the assassination of Caesar in 44 B.C. The film begins when Caesar John Gielgud is at the height of his power after conquering Pompey "the Great" in a civil war. Important senators worry that Caesar means to become king, diminish their power, and abolish their beloved Roman republic. Two senators, Cassius Richard Johnson and Brutus Jason Robards, hatch an assassination plot involving other disenchanted Roman citizens. Although a soothsayer warns Caesar of trouble ("Beware the ides of March") and his own wife reports ominous signs ("A lioness hath whelped in the streets; and graves have yawn'd, and yielded up their dead"), Caesar decides to go to the senate on the ides (March 15). Upon arrival, the conspirators greet him with daggers. In his funeral oration, Mark Antony Charlton Heston extols Caesar and incites the citizens against Brutus and the other conspirators. Brutus and Cassius flee Rome with their armies, but Antony and two other sympathizers track them down with their armies. When the tide turns against the conspirators, Brutus and Cassius commit suicide. As does Shakespeare's play, the film leaves the discerning viewer wondering who was the real villain -- Caesar, because of his ambition for power, or Brutus, because of his underhanded plot to maintain the status quo. ~ Mike Cummings, All Movie Guide

CIA agent Donovan (Gene Barry) travels to Britain to untangle a web of international spies. He falls for the estranged wife of local secret agent Langley (Tom Adams). Anne (Joan Collins) starts a romance with Donovan before her son is kidnapped by rival agents. While any other mom would worry herself sick, Anne spends her time getting her hair done and selecting a fabulous gown in which she appears in the following scenes. Donovan narrows the suspects down to a trio of agents, all who may have reason to turn double agent and place their country in political turmoil with counter espionage. ~ Dan Pavlides, All Movie Guide

In this spooky thriller, an evil sorcerer invites an innocent young man and his girl friend to his dark and scary mansion. The two have no idea that the black magician is planning to sacrifice the young man to atone for the evil misdeeds of his ancestors who 200 years ago burned the wizard's relative, a witch, at the stake. A crazy party precedes the gruesome ritual. Fortunately for the young couple the sage Professor March (80-year-old Boris Karloff in one of his final films) is also a skilled magic maker and is there to save them. The film is also titled Curse of the Crimson Altar and The Crimson Altar. ~ Sandra Brennan, All Movie Guide