Mark Pellegrino Movies

The title represents much more of an unfulfilled desire than an actualization: for IRA accomplice Sean (David Polcyn) - who participated in a bombing that went grossly awry - nothing could be more perfect than "losing himself" in America. It represents a chance to bury the messiness of what transpired and lose his criminal history. But that may be easier said than done. As the tale opens, three men help smuggle Sean into the United States, bringing him into Oakland, California one fog-bound morning. Horrifyingly, he soon realizes that his "deliverers" are in fact subjugators: one intends to use him as a pawn in stateside drug operations. Sean thus begins to comb his situation for a means of escape, but it gradually dawns on him that this may be close to impossible. ~ Nathan Southern, All Movie Guide

A cozy coffeehouse serves as the setting for director John Cosgrove's over-caffeinated tale of sexual peccadilloes and complicated relationships starring Mena Suvari, Katherine Heigl, and Breckin Meyer. It's a typical lunch hour in London, and The Black Cat Café is fast filling up with patrons whose sexual lives have become a tangled web of infidelity, kinky idiosyncrasies, and betrayal. Stoned on some of the most potent weed in jolly old England, a neurotic young commitment-phobe attempts to keep his cool when he has an unexpected run-in with his bitter ex-girlfriend. But he's not the only one whose secrets are about to come out today, because after a shy young lady is forced to fend off a boorish blind date whose preconception of her couldn't be more wrong, a possessive boyfriend discovers that his current girlfriend was once a well-known adult film star. Later, after a fragile old lady mistakes a patron for the ex-husband she once found in a compromising position with a kinky prostitute and a high-powered attorney discovers that her husband-to-be likes to dress in ladies' clothes, the manager's boyfriend claims that a recent ménage à trois is perfectly forgivable since it was conducted with a pair of identical twins. ~ Jason Buchanan, All Movie Guide

The creation of one of the most memorable books of the 1960s -- and the impact the writing and research would have on its author -- is explored in this drama based on a true story. In 1959, Truman Capote (played by Philip Seymour Hoffman) was a critically acclaimed novelist who had earned a small degree of celebrity for his work when he read a short newspaper item about a multiple murder in a small Kansas town. For some reason, the story fascinated Capote, and he asked William Shawn (Bob Balaban), his editor at The New Yorker, to let him write a piece about the case. Capote had long believed that in the right hands, a true story could be molded into a tale as compelling as any fiction, and he believed this event, in which the brutal and unimaginable was visited upon a community where it was least expected, could be just the right material. Capote traveled to Kansas with his close friend Harper Lee (Catherine Keener), herself becoming a major literary figure with the success of To Kill a Mockingbird, and while Capote's effete and mannered personal style stuck out like a sore thumb in Kansas, in time he gained the trust of Alvin Dewey (Chris Cooper), the Kansas Bureau of Investigation agent investigating the murder of the Clutter family, and with his help Capote's magazine piece grew into a full-length book. Capote also became familiar with the petty criminals who killed the Clutter family, Dick Hickock (Mark Pellegrino) and Perry Smith (Clifton Collins Jr.), and in Smith he found a troubling kindred spirit more like himself than he wanted to admit. After attaining a sort of friendship with Smith under the assumption that the man would be executed before the book was ever published, Capote finds himself forced to directly confront the moral implications of his actions with regards to both his role in the man's death, and the way that he would be remembered. Capote also co-stars Bruce Greenwood as Capote's longtime companion Jack Dunphy, and Amy Ryan as Mary Dewey, Alvin's wife who became a confidante of Capote's. ~ Mark Deming, All Movie Guide

David Mamet writes and directs the political thriller Spartan. Respected Secret Service agent Robert Scott (Val Kilmer) is assigned to the kidnapping case of Laura Newton (Kristen Bell), the missing daughter of a high-ranking political figure. Scott is teamed up with rookie Curtis (Derek Luke). Aided by the FBI and the CIA, the team discovers a human trafficking operation that may lead to Laura's kidnappers. Meanwhile, political operative Stoddard (William H. Macy) refuses to cooperate with the rescue mission. Scott and Curtis are forced to quit the investigation when the media reports Laura's death. Believing her to be alive, Curtis is motivated to start up a dangerous unofficial investigation of his own. Spartan premiered at the Bangkok International Film Festival in 2004. ~ Andrea LeVasseur, All Movie Guide

In the first half of NYPD Blue's ninth-season finale, no sooner have Andy Sipowicz (Dennis Franz) and Connie McDowell (Charlotte Ross) returned from Disney World than they join the rest of the 15th precinct in a case involving a missing four-year-old boy. At first, it seems as though the youngster has fallen victim to an online sexual predator, but before long, several other possible suspects come to surface. Elsewhere, gay cop John Irvin (Bill Brochtrup) inherits a huge amount of money from his late long-estranged father. ~ Hal Erickson, All Movie Guide

David Lynch wrote and directed this look at two women who find themselves walking a fine line between truth and deception in the beautiful but dangerous netherworld of Hollywood. A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no idea of where or who she is. As it turns out, the apartment is home to an elderly woman who is out of town, and is allowing her niece Betty (Naomi Watts) to stay there; Betty is a small-town girl from Canada who wants to be an actress, and her aunt was able to arrange an audition with a film director for her. Betty befriends the injured woman, who begins calling herself "Rita" after seeing a poster of Rita Hayworth. While Betty's audition impresses a casting agent, and she catches the eye of hotshot director Adam Kesher (Justin Theroux), Kesher's producers and moneymen insist with no small vehemence that he instead cast a woman named Camilla Rhodes. As Rita attempts to put the pieces of her life back together, she pulls the name Diane Selwyn from her memory; Rita thinks it could be her real name, but when she and Betty find a listing for Diane Selwyn and visit her apartment, they discover the latest victim of a mysterious killer who is eluding police detective Harry McKnight (Robert Forster). Rita's emotional identity soon takes a left turn, and it turns out that neither woman is quite who she once appeared to be. David Lynch originally conceived Mulholland Drive as the pilot film for a television series; after the ABC television network rejected the pilot and declined to air it, the French production film StudioCanal took over the project, and Lynch reshot and re-edited the material into a theatrical feature. The resulting version of Mulholland Drive premiered at the 2001 Cannes Film Festival, where David Lynch shared Best Director honors with Joel Coen. ~ Mark Deming, All Movie Guide

Rage, jealousy, murder, and Eastern European automotive engineering combine in this offbeat black comedy. Verplanck, NY, is a small town north of Manhattan that has the dubious distinction of being the Yugo capital of America; the ill-fated import compact was first test-marketed in Verplanck, and nearly everyone in town drives one. So no one finds it unusual when a yellow Yugo is seen floating in the river, though seeing someone trapped inside is out of the ordinary. Verplanck's chief of police, Wyatt Rash (Danny De Vito), discovers that the deceased driver was a prominent local citizen, Mona Dearly (Bette Midler), and the evidence suggests that Mona's death was no accident. But the investigation into Mona's murder is hampered by one rather significant detail: nearly everyone in town hated Mona and wanted her dead. She alienated her son Jeff (Marcus Thomas) and his business partner Bobby (Casey Affleck). Bobby's girlfriend Ellen (Neve Campbell) (who is also Rash's daughter) is convinced that Mona would have tried to drive a wedge into their relationship. Mona's husband Phil (William Fichtner) couldn't stand her and fell into an affair with Rona (Jamie Lee Curtis), the waitress at the local diner. And even Rash's sidekick, Deputy Feege (Peter Dobson), spent too much time on the wrong end of Mona's temper to care that she's dead. Before long, the question is no longer who is a suspect, but who isn't? Drowning Mona was directed by Nick Gomez, who earned positive notices for his independent films New Jersey Drive and Illtown. ~ Mark Deming, All Movie Guide

In this suspenseful drama, a disbarred lawyer forgoes the writing of his own book in favor of taking credit for that of a writer who is murdered shortly after giving the attorney his unpublished manuscript to read. A murder-mystery, the book becomes a best-seller and once again the former lawyer finds himself at the top -- until the circumstances of the real writer's death and a series of other deaths lead police to accuse him of being a serial killer. ~ Sandra Brennan, All Movie Guide

14-year-old Holly Nolan (Gina Philips) lives unhappily with her hyperjudgmental mother Donna (Talia Shire) and her brother Ted (Eddie Mills). To escape the pressures of her home life and make herself feel important, Holly begins hanging out with an older crowd, and in the course of events falls in love with 19-year-old Chris (Mark-Paul Gosselaar) an Army reservist who has been disowned by his family. When Donna violently objects to Holly's romance with Chris, the couple elope and head off to Calfornia, certain that all they need to survive in the "outside" world is their love for each other. But it isn't enough: Repeatedly battered down by disillusionment and deprivation, Holly and Chris can't even return to her home town, where Chris faces charges for being AWOL--and, thanks to Holly's vengeful mother, for statutory rape. With apparently no other alternative, Chris resorts to the "easiest" way to stay alive, becoming a male prostitute on the mean streets of LA. Innovative direction and a driving musical score featuring such artists as Van Halen, Peter Himmelman, Lisa Cerbone and Sarah McLaughlin) helps sustain the viewers' interest and fascination in this sordid (but not sordidly told) made-for-TV movie. Born Into Exile made its NBC network debut on March 17, 1997. ~ Hal Erickson, All Movie Guide

This black comedy/psychodrama makes grim fun of Hollywood acting schools and their clients. Set at the title coach's school, the story centers on Aaron Gillespie's latest batch of students, each of whom has a physical anomaly for him to exploit and sadistically berate while ostensibly "teaching" them all about Stanislovski and Method techniques for acting. ~ Sandra Brennan, All Movie Guide

In this awful black comedy, an aging bank robber tries to pull off one final caper. Things go awry and he ends up staying in a raunchy hotel. The crime is well-publicized, but fortunately the equally seedy residents there keep mum. Unfortunately, they are determined to literally nickel and dime him to death by making him pay dearly for even the smallest favors. Things look bleak until a kindly hooker falls in love with him. ~ Sandra Brennan, All Movie Guide