Randy Pelish Movies

Having previously demonstrated her sharp comic timing on a memorable episode of Seinfeld, former Lois and Clark leading lady (and future Desperate Housewives co-star) Teri Hatcher appears on Frasier as a gorgeous young lady named Marie. Still in the depths of unemployment, Frasier's misery is alleviated when Marie, the daughter of his old buddy Duke, appears to be interested in him. But what Frasier (Kelsey Grammer) doesn't know -- at least at first -- is that Marie is a mass of messy neuroses, who may be dating him only to get some free psychological advice. ~ Hal Erickson, All Movie Guide

When an adopted 21-year-old finds that she was adopted, she forsakes her adopted parents and goes on a crazed hunt to discover her real parents. When at last she finds them, she is disappointed to discover that they are very empty and shallow people; her adoptive parents earn a new respect in her eyes. ~ All Movie Guide

Sunset Grill directed by Kevin Connor is a suspenseful, well-written and acted contemporary film noir with an idiosyncratic look at life on the wild side. Ryder Hart (Peter Weller) is a burnt-out former L.A. private detective who hears about the murder of a trafficker in illegal aliens, but who does not get involved until his wife is murdered. Investigating the murder, Ryder meets tycoon Shelgrave (Stacy Keach), who collects Mayan art, and his seductive assistant Loren (Lori Singer). The rather complicated plot includes double-crosses, possible murders of illegal aliens to sell their organs, and it culminates in a bloody shootout. Director Conner deftly ties up all the loose ends of the plot and gives them an internal consistency, as one incident leads to and explains another, creating a portrait of a complex, anti-hero, whose pain is explained but not sentimentalized. The plot is over-complicated, and the supporting cast contains more lunatics than most asylums, however Sunset Grill delivers what it promises: complex, contemporary mystery at its very best. ~ Linda Rasmussen, All Movie Guide

Christina Applegate stars in this convoluted comedy that comes across as a teen fantasy combination of Home Alone and Working Girl. The premise is all in the title -- when the mother (Concetta Tomei) of a sniveling group of surly kids goes on a much-deserved summer vacation, she leaves her kids under the charge of an elderly distaff granny (Eda Reiss Merin). When granny ups and dies, the kids load her dead body in a trunk and deposit the package on the steps of the local funeral home. The kids are ecstatic thinking that with the big wad of cash Mom has left, they can have a summer of consumer madness. But when they find out that the money has been buried with the baby-sitter, the kids have to fend for themselves to make ends meet. Dream teen Sue Ellen (Christina Applegate) tries working at a fast food restaurant but she can't stand the grease. So, she puts together a false resume and, posing as a twenty-eight-year old, she applies for a job as a receptionist at a garment manufacturing company. The company vice president, Rose (Joanna Cassidy), is so impressed by her resume that she hires her on the spot as her executive assistant. Her deception looks to be working out great -- Sue Ellen manages to hold off the office lady killer Gus (John Getz), avoids exposure by the embittered receptionist, borrows money from the company's petty cash box for household incidentals, and continues her relationship with restaurant employee Bryan (Josh Charles). But suddenly, the clothing firm is set to go under, and Sue Ellen must use her teen fashion sense to save the company and her job . . . and she has to get the rest of the brood involved. ~ Paul Brenner, All Movie Guide

With Rebecca (Kirstie Alley) out of the picture, an overworked Sam (Ted Danson) hires a new manager for Cheers, a likeable fellow named Earl (Bryan Clark). Before long, Earl has become the most popular person in the establishment, which greatly depresses Sam when he learns that Rebecca is so desperate for work that she has been reduced to modeling in an auto show. ~ Hal Erickson, All Movie Guide

Based on James Ellroy's novel Blood on the Moon, Cop is a grim, brutally violent, darkly humorous modern-day film noir. Lloyd Hopkins (James Woods), is an obsessive, amoral LAPD police detective investigating a murder he believes to have been the work of a serial killer. Hopkins is cynical and obsessed with the way society fills women's heads with fairy-tale promises of romance. "Innocence kills," he sneers. "I see it every day." His investigation leads him to the bookstore of a writer of feminist poetry (Lesley Ann Warren) who has for some time been receiving gifts of poems and flowers from an unknown admirer. Hopkins, looking through her diaries, realizes that the dates of the gifts correspond to the dates of the murders, and he begins a hunt for the killer which leads to a violent and exciting conclusion. Cop is completely absorbing because of Woods' chillingly effective performance. Few actors can make an amoral, clever, sardonic, and vicious character as appealing as Hopkins. As Hopkins, Woods combines complex contradictions with ease, showing the various sides of his character's personality. Cop, while singularly unpleasant is always insightful and fascinating. ~ Linda Rasmussen, All Movie Guide