Mario Van Peebles Movies
The son of African American director/writer Melvin Van Peebles, Mario van Peebles made his acting bow in a small role in his dad's Sweet Sweetback's Baadasssss Song (1971). At the time, Van Peebles had no burning desire to become a performer, choosing instead to study economics at Columbia University. He wavered between a financial and an acting career before becoming a full-time actor with the 1984 film Cotton Club. In 1988, Van Peebles starred in a conformist TV comedy adventure series, Sonny Spoon, playing a glib private eye with a predilection for elaborate disguises; this brief series afforded him his first opportunity to direct. Three years later he made his film directing debut with New Jack City, a film widely praised by some as being a truthful, no-nonsense dissection of inner-city life, and widely derided by others as merely a slick outgrowth of the "blaxploitation" flicks of the 1970s. Van Peebles played a major role in New Jack City, as he would in his subsequent Posse (1993), a revisionist western about a Utopian all-black community. Van Peebles' next directorial endeavor was Panthers (1995), a recounting of the Black Panther Movement that came under fire from several of the real-life activists depicted in the film despite the fact that Van Peebles steadfastly defended it as historically accurate.In addition to making and starring in his own films, Van Peebles occasionally appears in the films of others. He had a starring role in Clint Eastwood's Heartbreak Ridge (1986) and for his performance earned an NAACP Image Award. On television, Van Peebles has starred in a number of prestigious productions, including The Emperor Jones for PBS and The Pool Hall opposite James Earl Jones. For this latter role, Van Peebles was nominated for a Cable ACE award. For his work in Children of the Night he received a Bronze Halo Award. He has also directed episodes of television series, notably those of producer Steven J. Cannell. For directing the ABC After School Special: Malcolm Takes a Shot, he received a nomination for a Directors Guild Award. In the late '90s, Van Peebles joined a growing trend and starred in an elaborate CD-Rom game for Sony called Solo in which he played an android superhero with a human learning capacity. ~ Hal Erickson, All Movie Guide
In Rappin', Mario Van Peebles is John Hood, a con who when released from jail goes back to his neighborhood to find his girl shacked up with a nasty gang-leader named Duane (Charles Flohe). Duane is on the take with a corrupt contractor who plans to tear down Hood's neighborhood and he and his gang serve as ruffian rowdies who help evict the tenants. John Hood will not put up with this nonsense; he throws a community rap session and gets everybody aligned against the bad guys. His rappin' is so ratin' that he impresses a record company and wins his gal back. ~ All Movie Guide
- Starring:
- Edye Byrde, Rony Clanton, (more)
Filmed independently in 1983, Runaways was released in 1985 under two alternate titles, South Bronx Heroes and Revenge of the Innocents. 14-year-old Paul (Brendan Ward) and 11-year-old Michelle (Melissa Esposito) escape the cruelties of foster father Bennett (Martin Zurla). They run off to the nether regions of the South Bronx, but not before Paul has appropriated some photos that will expose Bennett as a kiddie-porn merchant. Inner-city youths Tony and Chrissie (played by real-life siblings Mario and Megan Van Peebles) use these photos as part of a blackmail scheme. Ultimately, however, Tony and Chrissie turn out to be good kids and help bring Bennett to justice. So much ad-libbing occurs onscreen in Runaways that Mario Van Peebles is given an "additional dialogue" credit. ~ Hal Erickson, All Movie Guide
- Starring:
- Brendan Ward, Mario Van Peebles, (more)
- 1984
- R
In one of the last breakdancing movies of the mid-'80s, two competing breakdancing teams have their eye on a $10,000 prize in an upcoming contest. Three of the dancers on one team work as pizza delivery boys. Mean-spirited Spider (Mario van Peebles) from the opposing team convinces the gullible pizza boss that the three must be detained so they can't enter the contest. So one of the three is set up to make a delivery to a gorgeous woman who seduces him. The second is sent to a hospital where he's given new medicine that sidelines him for the rest of the day. And the third is sent to a gallery where he breaks a statue in an exhibition opening that evening and is forced to pose as the broken image, wearing only a fig leaf. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Joss Marcano, Tom Sierchio, (more)
- 1984
- R
This violent follow-up to the sadistic actioner The Exterminator (1980) again features Johnny Eastland (Robert Ginty), a Vietnam vet who is triggered into vengeful killing when his dancer girlfriend (Deborah Geffner) is first badly beaten and permanently crippled and later murdered by a gang of street thugs led by "X" (Mario Van Peebles). Johnny dresses up in a special uniform and helmet, grabs a flamethrower, and aided by Be Gee (Frankie R. Faison), a former vet turned garbageman, the two incinerate their way through the rest of the film. Like other Death Wish clones, this film is derivative, violent, and mindless. ~ Eleanor Mannikka, All Movie Guide
- Starring:
- Robert Ginty, Mario Van Peebles, (more)
Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide
- Starring:
- Richard Gere, Gregory Hines, (more)
- 1971
Also known as Cross Current, The Cable Car Murder emulates the 1971 theatrical feature Tick, Tick, Tick by teaming a black homicide lieutenant (Robert Hooks) with a white partner (Jeremy Slate). Simon Oakland costars as the team's apoplectic superior (is there any other kind?) Set in San Francisco, the story involves the cable-car murder of a shipping mogul's son, which was committed in broad daylight. Is Special Guest Star Robert Wagner the guilty party? Designed as the pilot for a TV series, Cable Car Murder received very little word of mouth when it premiered on November 19, 1971; after all, everyone was still talking about Steven Spielberg's Duel, which received its first telecast six days earlier. ~ Hal Erickson, All Movie Guide
