Mario Van Peebles Movies

The son of African American director/writer Melvin Van Peebles, Mario van Peebles made his acting bow in a small role in his dad's Sweet Sweetback's Baadasssss Song (1971). At the time, Van Peebles had no burning desire to become a performer, choosing instead to study economics at Columbia University. He wavered between a financial and an acting career before becoming a full-time actor with the 1984 film Cotton Club. In 1988, Van Peebles starred in a conformist TV comedy adventure series, Sonny Spoon, playing a glib private eye with a predilection for elaborate disguises; this brief series afforded him his first opportunity to direct. Three years later he made his film directing debut with New Jack City, a film widely praised by some as being a truthful, no-nonsense dissection of inner-city life, and widely derided by others as merely a slick outgrowth of the "blaxploitation" flicks of the 1970s. Van Peebles played a major role in New Jack City, as he would in his subsequent Posse (1993), a revisionist western about a Utopian all-black community. Van Peebles' next directorial endeavor was Panthers (1995), a recounting of the Black Panther Movement that came under fire from several of the real-life activists depicted in the film despite the fact that Van Peebles steadfastly defended it as historically accurate.

In addition to making and starring in his own films, Van Peebles occasionally appears in the films of others. He had a starring role in Clint Eastwood's Heartbreak Ridge (1986) and for his performance earned an NAACP Image Award. On television, Van Peebles has starred in a number of prestigious productions, including The Emperor Jones for PBS and The Pool Hall opposite James Earl Jones. For this latter role, Van Peebles was nominated for a Cable ACE award. For his work in Children of the Night he received a Bronze Halo Award. He has also directed episodes of television series, notably those of producer Steven J. Cannell. For directing the ABC After School Special: Malcolm Takes a Shot, he received a nomination for a Directors Guild Award. In the late '90s, Van Peebles joined a growing trend and starred in an elaborate CD-Rom game for Sony called Solo in which he played an android superhero with a human learning capacity. ~ Hal Erickson, All Movie Guide
1971  
 
Also known as Cross Current, The Cable Car Murder emulates the 1971 theatrical feature Tick, Tick, Tick by teaming a black homicide lieutenant (Robert Hooks) with a white partner (Jeremy Slate). Simon Oakland costars as the team's apoplectic superior (is there any other kind?) Set in San Francisco, the story involves the cable-car murder of a shipping mogul's son, which was committed in broad daylight. Is Special Guest Star Robert Wagner the guilty party? Designed as the pilot for a TV series, Cable Car Murder received very little word of mouth when it premiered on November 19, 1971; after all, everyone was still talking about Steven Spielberg's Duel, which received its first telecast six days earlier. ~ Hal Erickson, All Movie Guide

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1984  
R  
In one of the last breakdancing movies of the mid-'80s, two competing breakdancing teams have their eye on a $10,000 prize in an upcoming contest. Three of the dancers on one team work as pizza delivery boys. Mean-spirited Spider (Mario van Peebles) from the opposing team convinces the gullible pizza boss that the three must be detained so they can't enter the contest. So one of the three is set up to make a delivery to a gorgeous woman who seduces him. The second is sent to a hospital where he's given new medicine that sidelines him for the rest of the day. And the third is sent to a gallery where he breaks a statue in an exhibition opening that evening and is forced to pose as the broken image, wearing only a fig leaf. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Joss MarcanoTom Sierchio, (more)
1984  
R  
This violent follow-up to the sadistic actioner The Exterminator (1980) again features Johnny Eastland (Robert Ginty), a Vietnam vet who is triggered into vengeful killing when his dancer girlfriend (Deborah Geffner) is first badly beaten and permanently crippled and later murdered by a gang of street thugs led by "X" (Mario Van Peebles). Johnny dresses up in a special uniform and helmet, grabs a flamethrower, and aided by Be Gee (Frankie R. Faison), a former vet turned garbageman, the two incinerate their way through the rest of the film. Like other Death Wish clones, this film is derivative, violent, and mindless. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Robert GintyMario Van Peebles, (more)
1984  
R  
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Combining electric song and dance performances with drama (both on and off screen), Francis Ford Coppola's The Cotton Club (1984) looks back to the 1920s-1930s peak of the legendary Harlem nightclub where only blacks performed and only whites could sit in the audience. Mixing historical figures with characters loosely based on actual people, Coppola and co-writers William Kennedy and The Godfather's Mario Puzo create a panorama of love, crime, and entertainment centered on the Club. Among them are cornet player Dixie Dwyer (Richard Gere, playing his own solos), who escapes psycho gangster "benefactor" Dutch Schultz (James Remar) for a George Raft-type Hollywood career as a gangster film star; Schultz's nubile mistress Vera Cicero (Diane Lane), who loves Dixie against her mercenary instincts; Cotton Club Mob owner Owney Madden (Bob Hoskins) and close associate Frenchy Demarge (Fred Gwynne); Vincent (Nicolas Cage), Dixie's no-good Mad Dog Coll-esque brother; Club tap star Sandman Williams (Gregory Hines), who woos ambitious light-skinned Club singer Lila Rose Oliver (Lonette McKee); and cameos by Charles "Honi" Coles and Cab Calloway impersonator Larry Marshall. Complementing the period story, Coppola evokes the style of '30s gangster movies and musicals through an array of old-fashioned devices like montages of headlines, songs and shoot-outs. Conceived by producer Robert Evans as his crowning achievement and directorial debut, Evans had to hand over the troubled production to Coppola, but the budget spiraled out of control as the script was repeatedly re-written throughout the chaotic shoot. By the time it was released, The Cotton Club's epic production story of power struggles, financial bloat, and even a murder overshadowed the "reunion" of The Godfather's creative team. Neither a Heaven's Gate-sized failure nor a wallet-saving hit like Coppola's Apocalypse Now, The Cotton Club got some favorable critical notices (although it drew fire for subordinating the African American stories). It did not, however, find a large enough audience to justify its expense and controversy, becoming another mark against 1970s "auteur" cinema in increasingly blockbuster-driven 1980s Hollywood. ~ Lucia Bozzola, All Movie Guide

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Starring:
Richard GereGregory Hines, (more)
1985  
 
This drama chronicles the good deeds of a sociology student who after doing research into feminine crimes begins taking in teen-age hookers. It is based on a true story. ~ Sandra Brennan, All Movie Guide

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1985  
 
Yvonne Erwin guests as Clair's sister Sarah, who shows up at the Huxtables to announce her engagement. Helpfully, Clair (Phylicia Rashad) and her mother Carrie (Ethel Ayler) volunteer to give Sarah sage advice on married life. Before long, all three women are laughing hysterically--and Cliff (Bill Cosby) is not only annoyed by this, but also by the fact that they abruptly stop laughing the minute he enters the room! Elsewhere, Cliff struggles manfully to beat his father-in-law (played by singer Joe Williams) at chess. A young Mario Van Peebles appears in this episode, which is highlighted by Joe Williams and Phylicia Rashad's soulful rendition of "We Belong Together". ~ Hal Erickson, All Movie Guide

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1985  
PG  
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In Rappin', Mario Van Peebles is John Hood, a con who when released from jail goes back to his neighborhood to find his girl shacked up with a nasty gang-leader named Duane (Charles Flohe). Duane is on the take with a corrupt contractor who plans to tear down Hood's neighborhood and he and his gang serve as ruffian rowdies who help evict the tenants. John Hood will not put up with this nonsense; he throws a community rap session and gets everybody aligned against the bad guys. His rappin' is so ratin' that he impresses a record company and wins his gal back. ~ All Movie Guide

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Starring:
Edye ByrdeRony Clanton, (more)
1985  
R  
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Filmed independently in 1983, Runaways was released in 1985 under two alternate titles, South Bronx Heroes and Revenge of the Innocents. 14-year-old Paul (Brendan Ward) and 11-year-old Michelle (Melissa Esposito) escape the cruelties of foster father Bennett (Martin Zurla). They run off to the nether regions of the South Bronx, but not before Paul has appropriated some photos that will expose Bennett as a kiddie-porn merchant. Inner-city youths Tony and Chrissie (played by real-life siblings Mario and Megan Van Peebles) use these photos as part of a blackmail scheme. Ultimately, however, Tony and Chrissie turn out to be good kids and help bring Bennett to justice. So much ad-libbing occurs onscreen in Runaways that Mario Van Peebles is given an "additional dialogue" credit. ~ Hal Erickson, All Movie Guide

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Starring:
Brendan WardMario Van Peebles, (more)
1986  
R  
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Having spent much of his directorial career emulating Don Siegel and John Ford, Clint Eastwood borrows a page from the catalogue of Sam Fuller in Heartbreak Ridge. Eastwood casts himself as an old-fashioned Marine Corps sergeant who is out of step with the new-fashioned military. He returns to his old outfit as a gunnery sergeant, where he runs afoul of 1980s-style superior officers to whom the words "Gung Ho" are foolish anachronisms. But through his tough tutelage, Eastwood's lackadaisical platoon is whipped into a first-rate fighting machine, favoring teamwork over such New Age gobbledygook as "self-fulfillment." Eastwood's men prove their mettle during the invasion of Grenada. ~ Hal Erickson, All Movie Guide

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Starring:
Clint EastwoodMarsha Mason, (more)
1986  
 
Street gang member Jeff (Adam Baldwin) leaves the organization, seeking out a quieter existence. Meanwhile, gang leader Cinco (Danny De La Paz) and his minions have taken over the local high school, dispensing drugs with impunity. When Cinco is arrested, a rumor spreads that he's been sold out by Jeff. In the ensuing hostilities, Jeff's girlfriend (Deborah Foreman) is beaten and bloodied. A showdown is inevitable, and, per the film's title, it takes place just after the last school bell has rung. Filmed in 1984, 3:15 - The Moment of Truth wasn't released until 1986. ~ Hal Erickson, All Movie Guide

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Starring:
Adam BaldwinDeborah Foreman, (more)
1986  
R  
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George Lollar (Charles Grodin) overrides his wife's judgment and takes his family for a vacation on a sunny Caribbean island that just happens to be on the verge of a revolution. Their hotel is not the usual Hilton on the beach but a pick-up joint for singles where the main activities are sex, sex, and sex. In that order. As the horrified father watches almost helplessly, his wife becomes liberated, his daughter falls for a Frenchman who is actually a guerrilla, one of his sons loses his virginity to a buxom, worldly-wise woman, and his other son burns down the mini-camp he was forced to attend. But that's hardly the worst of it -- there is that small matter of a political overthrow about to explode on the scene. ~ Eleanor Mannikka, All Movie Guide

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Starring:
Charles GrodinRobin Pearson Rose, (more)
1987  
PG13  
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This third sequel to the 1975 mega-hit Jaws returns Lorraine Gary to the role of Ellen Brody, widow of the Roy Scheider character from the first two films. When her son Sean, the current police chief of shark-plagued Amity Island, is killed by the beast, Ellen goes to the Bahamas to comfort her surviving son. Michael Brody (Lance Guest) and his friend Jake (Mario Van Peebles) are marine biologists there to help, but in the end it is up to Ellen and her new beach-bum love -- played by Michael Caine -- to put a halt to the fishy horror. Director Joseph Sargent concludes the series with an ending chosen from several alternate possibilities. ~ Robert Firsching, All Movie Guide

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Starring:
Michael CaineLorraine Gary, (more)
1987  
 
The made-for-TV Facts of Life Down Under was at once a spin-off of the TV sitcom The Facts of Life and a sequel to the 1982 TV movie The Facts of Life Goes to Paris. In Facts of Life Down Under, Cloris Leachman, who'd earlier replaced Facts of Life's Charlotte Rae as "den mother" to a quartet of girl's-school residents, escorts her charges on a vacation to Australia. As ever, the girls are Blair (Lisa Whelchel), Jo (Nancy McKeon), Tootie (Kim Fields) and Natalie (Mindy Cohn), all of whom were getting a bit long in tooth by this time. For non-fans of the series, a subplot involving a jewel thief is tossed into the billabong. In addition, the girls befriend an aborigine (who seems more erudite than they do), while Leachman renews a romance with an old flame. Lensed on location, Facts of Life Down Under debuted February 15, 1987, at a time when the original Facts of Life series was plodding through its eighth season. ~ Hal Erickson, All Movie Guide

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1988  
 
In this thriller, a successful executive risks it all to help a street orphan get disentangled from the world of drugs. ~ Sandra Brennan, All Movie Guide

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Starring:
Alfre WoodardMario Van Peebles, (more)
1990  
R  
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This hip-hop comedy stars Mario Van Peebles as rapper Chilly D, who becomes possessed by the spirit of outrageous fashion designer Yves Malmaison (Richard Fancy). ~ Jason Ankeny, All Movie Guide

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Starring:
Mario Van PeeblesIlan Mitchell-Smith, (more)
1990  
 
Alfre Woodard plays a Los Angeles DA who moves back to her home town of New Orleans. She does this so that her teenaged son (Keith Williams) can be nearer to his estranged dad (Mario van Peebles). No sooner has Woodard arrived in "The Big Easy" than she is swept up in a local sex scandal. While the main plot is resolved, several secondary story lines are left unresolved, suggesting that Blue Bayou was the pilot film for an unsold series. The film was written by LA Law's Terry Louise Fisher and directed by Cagney and Lacey's Karen Arthur. ~ Hal Erickson, All Movie Guide

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1991  
 
Mario Van Peebles stars as football play Ricky Bell in this made-for-TV biopic. The film touches upon Bell's gridiron accomplishments, then concentrates on the athlete's final years, when he falls victim to a terminal illness. As Bell's physical state deteriorates, he forges a strong friendship with a young handicapped man, played by Lane Davis. Their relationship provides courage and determination for both men, encouraging Davis to make the most of his life after Bell dies at age 29. Substituting bathos for pathos, Triumph of the Heart: The Ricky Bell Story is not the Brian's Song it desperately wants to be. ~ Hal Erickson, All Movie Guide

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1991  
R  
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The ruthless leader of a New York City drug syndicate battles to maintain his power and avoid imprisonment in this fast-moving action drama. While the film's heroes are Scotty (Ice-T) and Nick (Judd Nelson), a pair of tough, streetwise cops, the main focus is their target, drug lord Nino Brown (Wesley Snipes). A criminal businessman with no room for pity or emotion, the flashy but severe Brown has built an empire and transformed an abandoned Harlem apartment building into a well-defended fortress. He begins to consider himself invincible, but his lust for power and the unpredictable actions of a former client turned police informer threaten to bring about his potential downfall. First-time director Mario Van Peebles keeps the traditional plot moving at an appropriately rapid pace, with stylish action sequences and energetic performances. The film's violence was somewhat controversial on its initial release, especially after shooting incidents marred showings in several theaters. However, the film's moral message is clearly anti-drug and anti-crime, its main intent to provide a high-powered, modern take on the gangster movie. ~ Judd Blaise, All Movie Guide

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Starring:
Wesley SnipesIce-T, (more)
1992  
 
After his partner is killed, a police officer's vow of vengeance threatens to expose a cocaine dynasty. ~ All Movie Guide

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Starring:
Mario Van Peebles
1992  
 
Originally aired on CBS in 1992, Stompin' at the Savoy was produced and directed by Broadway choreographer and actress Debbie Allen. Set in New York City during the late '30s, the story concerns the economic survival of four young women trying to achieve their dreams at the end of the Harlem Renaissance. Pop star Vanessa Williams stars as Pauline, a domestic worker trying to make it as a singer. After work, she frequents the happening Savoy Ballroom along with Esther (Lynn Whitfield), Alice (Jasmine Guy), and Dorothy (Vanessa Bell Calloway). Eventually, fame and WWII come between the four friends. Though nominated for several Emmy awards for choreography and costume design, Stompin' at the Savoy has never been released on home video. ~ Andrea LeVasseur, All Movie Guide

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Starring:
Lynn WhitfieldVanessa Williams, (more)
1993  
R  
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This interesting action-horror film stars Mario Van Peebles as a tough cop who becomes the latest recruit in a secret faction of the police which not only operates on the fringes of the law, but is also composed entirely of werewolves. Horror fans who choose to embrace the fundamental goofiness of this premise will find an interesting blend of hyperkinetic John Woo-style action, comic-book fantasy, and good old-fashioned monster mayhem. Inducted into the league of lycanthropic lawmen by one of its more aesthetically pleasing members (Patsy Kensit), Van Peebles partakes of a drug which, like the others on the squad, brings out his animal instincts and endows him with superhuman strength and agility (as well as some unsightly body hair). Despite some touches of black comedy, director Anthony Hickox plays the material fairly straight, with a strong emphasis on slick, tightly edited action sequences. Originally produced for HBO, this was later released on video with some of the gorier footage restored. ~ Cavett Binion, All Movie Guide

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Starring:
Mario Van PeeblesPatsy Kensit, (more)
1993  
R  
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Writer, director, and star Mario Van Peebles tried to correct historical misconceptions about African-Americans on the frontier with this action-packed western that's also an homage to spaghetti Westerns. During the Spanish-American War, a squadron of black soldiers led by Jesse Lee (Van Peebles) is assigned a dangerous mission behind enemy lines in Cuba by evil Colonel Graham (Billy Zane). Joined by a white gambler, Little J (Stephen Baldwin), the troupe is to recover a chest of gold. Realizing that Graham will slaughter them once they've relinquished the booty, Lee and his men retrieve the chest, wound Graham, and head for home. Ambushed by Graham in New Orleans, the "posse" heads for Lee's hometown of Freemanville, a frontier settlement of ex-slaves. Years ago, Lee's minister father (Robert Hooks) was murdered there by Klansmen, and the gunslinger wants revenge. There's new trouble brewing in Freemanville, however. Sheriff Bates (Richard Jordan), top lawman in neighboring Cutterville, plans to wipe out Freemanville's citizens and sell their lucrative property to a railroad. Then there's Graham, still on Lee's trail. ~ Karl Williams, All Movie Guide

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Starring:
Mario Van PeeblesStephen Baldwin, (more)
1994  
R  
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This film opens with a big fat close-up of a sweaty prisoner with a fly (on a string) crawling on his face. The prisoner quickly pops the fly in his mouth and spits it out. Then he leeringly laughs about it to the prisoner next door. Nope. This is not a bad undiscovered Sergio Leone spaghetti western. Rather it is the opening shot Deran Sarafin's Gunmen -- a brainless action film without an original thought in its head. Christopher Lambert is the fly-eater, a man named Dani Servigo, the brother of a dead smuggler and a prisoner in a South American jail, who holds the secret to the whereabouts of $400,000 in stolen drug money. The walls of the prison explode, and Cole Parker (Mario Van Pebbles) makes his entrance. Cole is a mercenary working with the DEA who is in this South American hellhole to mop up the drug traders and to avenge his father's death at the hands of the drug traders. He wants Dani to lead him to the gold. In this love-hate buddy film, the two thrown-together friends/enemies race through the Amazon jungle with ruthless assassins in pursuit, as they all gravitate towards the secret stash of money. ~ Paul Brenner, All Movie Guide

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Starring:
Christopher LambertMario Van Peebles, (more)
1995  
R  
This controversial political drama semi-fictionalizes the history of the radical Black Panther Party, an African-American organization that polarized America from 1966-70. Huey Newton (Marcus Chong) and Bobby Seale (Courtney B. Vance) are a pair of Oakland, California, men who form a new political party dedicated to protecting Blacks from bigoted cops through violent means. Their "Black Panther Party for Self-Protection" serves free lunch to kids, educates the community in African-American awareness, gets drug dealers off the streets, and has gun battles with the Oakland police. Two members of the Panther Party are Tyrone (Bokeem Woodbine) and Judge (Kadeem Hardison). When FBI director J. Edgar Hoover (Richard Dysart) suspects that the Black Panthers' leftist leanings are an indication of communist involvement, Judge, an affable Vietnam vet, agrees to become a double agent, reporting to both the Feds and the Panthers. After the Panthers storm the State Assembly in Sacramento, political paranoia grows, and Hoover conspires with the mafia to flood urban streets with cheap heroin, thus destroying the party. Director Mario Van Peebles, who also appears in the role of Stokely Carmichael, worked from a script written by his father, Melvin Van Peebles, based on his book about his real-life experiences with the Black Panthers. ~ Karl Williams, All Movie Guide

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Starring:
Kadeem HardisonBokeem Woodbine, (more)
1995  
PG13  
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Conner MacLeod (Christopher Lambert) returns in this, the third film in the Highlander series. MacLeod is an "Immortal," a 16th century Scottish soldier who has been both blessed and cursed with the gift of eternal life. After the death of his beloved wife (a common occurrence for him, but one he's never gotten used to), MacLeod travels to Japan during the feudal era where he encounters a fellow immortal, the wizard and swordsman Nakano (Mako). Nakano and MacLeod become friends, and the Scott learns many valuable lessons from the wise magician; however, when Nakamo's arch enemy Kane (Mario Van Peebles) -- an immortal who has pledged himself to evil -- finds the sorcerer's hideaway, he promptly chops off the magician's head. The attack causes Nakamo's cave to collapse with Kane trapped inside, and McLeod narrowly escapes. Moving into the 20th century, MacLeod is in New York City where he's become romantically involved with Alex Johnson (Deborah Unger), an archeologist who is planning a dig in Japan; however, the site she's excavating just so happens to be the cave where Kane remains trapped inside. Once the villain is freed, he sets out to find MacLeod and determine once and for all who is to be the final immortal. Highlander: The Final Dimension was trimmed of two sex scenes for its American theatrical release, though they were restored when the film was brought out on home video. Despite the suggestion of the title "The Final Dimension," a fourth Highlander film was released in 2000. ~ Mark Deming, All Movie Guide

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Starring:
Christopher LambertMario Van Peebles, (more)

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