Ed Peck Movies

Boss Hogg's equally larcenous nephew Hughie (Jeff Altman) is back in town, hoping to return to his Uncle's good graces after his last crooked scheme nearly landed Hogg (Sorrell Booke) in the pen. This time around, Hughie has hatched a scheme to legally gain control of Cooter's garage to tear the place down and clear the area for a whole heap o' "Hoggominiums." The episode's "celebrity speed trap" victim is Buck Owens, who sings "I've Got a Tiger By the Tail". ~ Hal Erickson, All Movie Guide

Opting for light entertainment after the critical satire of Shampoo (1975), producer-director-writer-star Warren Beatty remade the 1941 comic fantasy Here Comes Mr. Jordan. Dimly amiable L.A. Rams quarterback Joe Pendleton (Beatty) is prematurely called to Heaven by an over-eager escort (Buck Henry, who co-directed) after a traffic accident. When archangel Mr. Jordan (James Mason) discovers the error, he offers to return Joe to his body, only to find that it has been cremated. On the verge of playing in the Super Bowl, Joe demands a fit body rather than the old about-to-be-murdered industrialist Farnsworth he has been offered, but he reconsiders when he sees environmentalist Betty Logan (Julie Christie) in Farnsworth's house. Assuming Farnsworth's body while keeping his sweet self, Joe hires his beloved coach Max Corkle (Jack Warden) to get him in shape (after convincing Max who he really is), sets Farnsworth's business on an eco-friendly path, and romances Betty. Farnsworth's homicidal wife (Dyan Cannon) and secretary (Charles Grodin), however, are still determined to succeed in their plan to kill him. When Mr. Jordan finally finds the Super Bowl body Joe wanted, Joe has to trade his old self for the new life -- but will he remember his love for Betty? Heaven Can Wait offered contemporary yet old-fashioned escapism and tapped into the late-1970s vogue for nostalgic fun, becoming one of 1978's most popular summer movies after Grease. Updating the original while following its blueprint, Beatty and co-writer Elaine May switched Joe's sport and turned Joe into a man of his '70s moment, adoring Betty for her convictions and favoring "green" policies over corporate greed. Gently breathing life into a classic form, Heaven Can Wait found romantic innocence in a jaded time, and it went on to receive nine Oscar nominations, including Best Picture. ~ Lucia Bozzola, All Movie Guide

The "Gold Dust Twins" are two L.A. gals who kidnap a likable-loser type who's a driving instructor (Alan Arkin) and force him to take them from Los Angeles to New Orleans. On the way they run into action of all sorts, and by the time they get to the Bayou state, the three have bonded as buddies. ~ All Movie Guide

A lesser but still entertaining Neil Simon work, The Prisoner of Second Avenue was adapted to film in 1974. Jack Lemmon takes over the role played on Broadway by Peter Falk: Mel is a New York-based advertising man who goes through hell when he loses his job. The gods seem to conspire against him as he tries to cope with his unemployed status; he is particularly depressed over the fact that he must now subsist on the income of his wife (Anne Bancroft). There are laughs in The Prisoner of Second Avenue, but it's the laughter of desperation and despair; it might not be advisable to watch this film after a bad day at the office. Watch for Sylvester Stallone as the "human punch line" of an old urban legend about a pickpocket. ~ Hal Erickson, All Movie Guide

Thief is a made-for-TV drama starring Richard Crenna as a paroled burglar. Crenna wants to turn over a new leaf and lead an honest life. To do this, however, he has to pull one last major heist which will square all his accrued debts. The focal point of this film is a near-silent cat burglar sequence, which is good enough to make up for the patchy character development and by-rote dialogue. The Thief also includes an early TV appearance by veteran character actor Michael Lerner. ~ Hal Erickson, All Movie Guide

Ironside (Raymond Burr) tries to prevent Noel Seymour (Richard Basehart), a respectable middle-aged accountant who is undergoing a bad case of "male menopause", from ruining the rest of his life. The trouble begins when Seymour is arrested on a charge of public intoxication, then skips his arraignment. But things really get serious when the hapless accountant becomes entangled with 18-year-old Judy Blue (Jill Banner) and freewheeling rock musician Richy Tower (Tim Considine). ~ Hal Erickson, All Movie Guide

Self-reliant 14-year-old Coley (Kevin Burchett) inherits a valuable gold mine from his otherwise luckless father. Having spent most of his life being rejected by the adult world, Coley suddenly finds himself in the middle of a custody tug-of-war between his long-estranged mother Margaret Claybourne (Patricia Smith) and his greedy uncle Caleb Melton (Dana Elcar). The Cartwrights' efforts to help the boy choose between his mother and uncle are stymied by the fact that Coley hates both potential guardians with equal fervor. Originally telecast on April 20, 1969, "Speak No Evil" was written by B.W. Sandefur and Norman Katkov. ~ Hal Erickson, All Movie Guide

This routine western finds Gannon (Tony Franciosa) as a lone drifter on the Kansas plains. He never looks for any trouble because trouble always manages to find him. Gannon takes on a young Eastern dude named Jess (Michael Sarrazin) and teaches him the ropes of being a cowboy. The two end up in conflict with the widow Beth (Judy West) when she desires to erect a barbed wire fence to corral the cattle. The widow also wishes to corral Gannon before he is befriended by Mattie (Susan Oliver), the local hooker with a heart of gold. ~ Dan Pavlides, All Movie Guide

This hilarious oater finds Jesse Heywood (Don Knotts) as a Philadelphia dentist who leaves his home to open a new practice on the western frontier. The hapless dentist is saved by the expert gun handling of Penny (Barbara Rhoades), a reformed bandit trying to earn a pardon by intercepting gun shipments to hostile Indians. After several more situations in which Penny saves the nervous newcomer, Jesse believes he has exceptional firearms prowess and believes himself to be a hero. Comedy ensues when the jumpy Jesse faces a bevy of bad men and nervously clutches a six shooter with a very unsteady hand. Penny has to help the pseudo-hero out of even more trouble before they can ride off together into the sunset. ~ Dan Pavlides, All Movie Guide

The beauty of classical music confronts the ugliness and treachery of war in this unusual drama. Lionel Evans (Charlton Heston) is the director of a well-respected symphony orchestra touring European concert halls in 1944. In the midst of one concert, the city where they are playing is attacked by German troops, and as Evans and his musicians try to escape, they are captured by Nazi soldiers led by Col. Arndt (Anton Diffring). Evans and the orchestra are taken to a castle where they are to bide their time before being executed; but it turns out that Arndt's superior, Gen. Schiller (Maximilian Schell), is a classical music buff. Schiller commands Evans and his symphony to prepare a special concert for the Nazis, but Evans realizes that the moment the concert is over, he and his musicians will be killed. The orchestra's performances, which include works by Tchaikovsky, Beethoven, Brahms, Wagner, and Schubert, were performed by the Los Angeles Philharmonic Orchestra. ~ Mark Deming, All Movie Guide

The movie opens as two outlaws are just being rescued from being hung as thieves by an old friend. They go their separate ways, but keep running into each other across the country on their way to California as they alternately are on the good and bad side of the law. Their rescuer becomes the infamous "Black Bandit," the nemesis of the Wells Fargo line, they work for the line and have to protect it. They decide to rob the line.... ad infinitum. Good working relationship between the actors makes this a much more comfortable movie than it might have been with the hackneyed plot line. ~ Tana Hobart, All Movie Guide

The Germans capture Saunders (Vic Morrow) and place him in a makeshift prison compound along with three other newly acquired American prisoners: Sgt. Mike Martin (Claude Akins) and privates Coker (Ed Peck) and Murray (Carl Reindel). What Saunders doesn't know is that one of his three fellow POWs is a Nazi spy posing as an American. It is the spy's assignment to befriend his fellow prisoners and worm vital information out of them. Though Saunders knows enough not to reveal any secrets in front of anyone no matter what the circumstances, at least one of his "comrades" isn't quite so careful. ~ Hal Erickson, All Movie Guide