Jack Raymond Movies

The Desert Hawk deserves to be seen on the basis of its cast alone. No more believable than any of Universal's other sword-and-sand epics, this one stars Yvonne de Carlo as Princess Shaharazade (sic) and Richard Greene as Omar, aka the Desert Hawk. By day a humble blacksmith, the Desert Hawk spends his evenings battling against the oppresive regime of Prince Murad (George Macready). One of the Hawk's tactics is to trick Shaharazade into marriage, so that he can enlist the aid of the army commanded by the Princess' father. Murad retaliates by kidnapping Shararazade, leading to an exciting climactic rescue. Never mind all that: the real fun in Desert Hawk is spotting the celebrities-to-be in the supporting cast. Playing the villainous Captain Ras is none other than Rock Hudson, while the Desert Hawk's loyal companions Aladdin and Sinbad are played, respectively, by Jackie Gleason and Joe Besser--and surprise, Joe is heavier than Jackie! ~ Hal Erickson, All Movie Guide

Omoo-Omoo (The Shark God) is based on a novel by Herman Melville. Within its attenuated budget, the film does a nice job visualizing Melville's concept. A sea captain (Trevor Bardette) courts disaster when he removes a pair of black pearls from a native shrine. According to native legend, bad luck will befall the captain and everyone else who comes in contact with those pearls. By the time the film's 57 minutes have run their course, practically everyone has come to grief except top-billed Ron Randell. Cast as Trevor Bardette's luckless daughter is Devera Burton, of whom little was heard after Omoo-Omoo ended its theatrical run. ~ Hal Erickson, All Movie Guide

Nightmare Alley is the sordid tale of a conniving young man who, in the words of one of the film's supporting characters, ends up low because he aimed so high. Drifter Tyrone Power sweet-talks his way into a job as barker for a rundown carnival. He is fascinated by an illegal side-show attraction called "The Geek," a near-lunatic who bites the heads off live chickens and then is "paid off" with a cheap bottle of rotgut and a warm place to sleep it off. Otherwise, Power's attention is focussed on a beautiful if slightly stupid carnival performer (Coleen Gray) who works in an "electricity" act with an equally dense strongman (Mike Mazurki). Power also befriends an alcoholic mentalist (Ian Keith), who demonstrates how easy it is to fool an audience into thinking that his mind reading is genuine. When the mentalist dies after accidentally drinking wood alcohol, Power works his way into the confidence of the performer's widow (Joan Blondell), who teaches Power all the tricks and code words of the mind-reading racket. Power walks out on Blondell in favor of Cathy Downs, who marries him and becomes his partner in a classy nightclub mentalist act. But Power is dissatisfied with show business, and with the help of a beautiful but shifty psychiatrist (Helen Walker) he convinces several wealthy people that he can communicate with their dead loved ones...for a price. One elderly millionaire (Taylor Holmes) offers Power a fortune if he can conjure up the spirit of the millionaire's dead daughter. Power enlists his wife to impersonate the deceased girl, but at the crucial moment she has an attack of conscience and exposes the fraud. His career ruined, Power goes to the crooked psychiatrist for help, but she laughs in his face and calls the cops. He escapes the law by going on the bum, and before long is a drunken derelict. When he approaches a carnival for work, he is told that there is only one job open...as a "geek." When asked if he wants the job, the defeated Power replies "Mister, I was born for it." Based on a lurid bestseller by William Lindsay Gresham, Nightmare Alley was Tyrone Power's attempt to break away from romantic leads in favor of roles with more substance. The picture wasn't a success, but it proved that Power was more than just a pretty face. ~ Hal Erickson, All Movie Guide

In this comic murder mystery, two bail bondsmen try to help out a man who is suspected of stealing bonds from his partner. More mayhem ensues when the other partner is found dead. Now the bail bondsmen must try to prove the fellow is innocent before it is too late. ~ Sandra Brennan, All Movie Guide

In this musical comedy, a plucky young woman launches a successful campaign and becomes mayor of her tiny hometown. Now she must also rid her town of rampant corruption and get it back on track. Songs include: "If You Are There," "You're the Fondest Thing I Am Of," "I'm Not Myself Anymore" (Ned Washington, Phil Ohman), "Sleepy Lagoon" (Jack Lawrence, Eric Coates), "I'm On My Way," "I Do" (Buddy Pepper, Inez James), "Take It And Git" (James T. Marshall, Johnny Green). ~ Sandra Brennan, All Movie Guide

While in Hawaii, Velez begins the film as a risque nightclub act and due to her involvement with a group of sailors becomes a beauty queen. ~ All Movie Guide

Columbia's The Lady in Question is a remake of the French Gribouille, a Raimu vehicle from 1939. Brian Aherne plays Andre Morestan, the seeming contently paterfamilias of a bourgeois Parisian family. Summoned for jury duty, Morestan at first believes that accused murderess Natalie Rougin (Rita Hayworth) is guilty, but eventually takes pity on the homeless girl and invites her to live with his family after her acquittal. Things get pretty dicey when Morestan's impressionable young son Pierre (Glenn Ford) falls in love with the enigmatic Natalie and begins committing petty crimes to finance their elopement-leading to a situation not unlike the one that got the girl arrested in the first place! In the original Gribouille, it was abundantly clear that both father and son had a yen for their pretty guest, but this menage a trois has been toned down in the Hollywood version, with Morestan remaining more or less faithful to his long-suffering wife Michelle (Irene Rich). ~ Hal Erickson, All Movie Guide

The "Lady" of the title is horse-farm owner Penelope Hollis (Ellen Drew), but during the first half of this film, bookie Marty Black (George Raft) only has eyes for Penelope's prize two-year-old. After losing his gambling joint, Marty finds himself with half ownership of the horse as his sole asset. He tries to persuade Penelope to continue racing the horse, but she will have none of this and packs the nag back to her Kentucky farm. Through Marty's persistence, the horse is entered in an important stake race, but in the process is "ridden out" and rendered useless. The enraged Penelope refuses to have anything to do with Marty again unless he changes his reckless ways-which of course he does. The best moment in The Lady's From Kentucky comes at the end, when supporting players Hugh Herbert ("Woo woo!") and ZaSu Pitts ("Oh, dear, oh, my") imitate each other's catch-phrases, a gag repeated the following year by Mae West and W.C. Fields in My Little Chickadee. ~ Hal Erickson, All Movie Guide

Before he "reinvented" himself as Robert Paige, actor David Carlyle headed the cast of Republic's Meet the Boy Friend. Paige/Carlyle plays radio crooner Tony Page, billed as "America's Boy Friend" (hence the title). Despite all the publicity hype, Tony is a "regular fellow" who despises the phoniness of show business. When predatory actress Vilma Vlare (Gwili Andre) sets her sights on Tony, his sponsor takes out a $300,000 no-marriage insurance policy. Our hero figures incorrectly that the policy was the handiwork of the insurance agent's niece June (Carol Hughes), who has made no secret that she's crazy about the boy. Tony disdainfully challenges the policy by proposing to Vilma but changes his mind when June is kidnapped, rushing to her rescue as a prelude to wedding bells. ~ Hal Erickson, All Movie Guide

Financier J.B. Ball (Edward Arnold) -- known in the press as "the Bull of Broad Street" -- may be one of the wealthiest investment bankers in the country, but he also knows the value of a dollar. And when his wife (Mary Nash) spends 50,000 of them on a sable coat, he is driven into such a fury in the ensuing argument on the roof of their Fifth Avenue townhouse, that he throws the coat into the street -- where it promptly lands on the head of Mary Smith (Jean Arthur), a clerk-typist on her way to work, riding on the upper deck of a double-decker bus, ruining her hat in the process. She jumps off the bus to try to return the coat, but Ball insists that she keep it. What she really needs, however, is not a 50,000-dollar sable coat so much as a ride to work -- as she doesn't even have a dime for bus fare -- and perhaps a new hat. Ball obliges, taking her to one of the top clothing stores in New York, buying her an expensive fur hat to go with the coat, and then dropping her at work in his limo. Her superiors, seeing her decked out in a sable coat and a new hat, and getting out of the chauffeured car, conclude that Mary is a kept woman, and, therefore, unfit to work for the boys magazine where she is employed, and they fire her. Now out of work and virtually broke, she seems to have become a victim of random fate, but suddenly the scales start to tip the other way from the very same misunderstanding that got her fired. Having been seen in the company of J.B. Ball -- whose name she didn't even get -- she is rumored to be his mistress; the prissy clothing store proprietor (Franklin Pangborn) spreads this story, and that turns Mary into the object of attention for Mr. Louis Louis (Luis Alberni), the owner of a failed luxury hotel on which Ball's bank holds the mortgage, and is about to foreclose. For reasons that she can't begin to understand, since there is nothing going on between her and J.B. Ball (whose name she doesn't even know), or between her and anyone, Louis moves her into the most luxurious suite in his hotel for a dollar a day, asking her only to inform "that certain someone" of how she loves living there. Mary has no idea of who "that certain someone" is, or what Louis is talking about, but she needs a place to live, and Louis is insistent. She still needs to eat, and, while trying to get a meal at the automat, she crosses paths with a handsome, well-meaning, but inept waiter (Ray Milland), who gets fired for helping her. She takes him into her suite so he has a place to stay, and the two fall in love in the course of finding out about each other. She knows that he is John Ball Jr., but doesn't realize that he is the son of J.B. Ball, trying to make it on his own, nor does she yet realize who J.B. Ball is, in terms of being the man who gave her the coat and the new hat, or one of the wealthiest men in the country. But after the elder Ball spends an innocent night at the Hotel Louis, a gossip columnist named "Wallace Whistling" (William Demarest) prints that he is keeping a woman at the hotel, and suddenly the Hotel Louis, perceived as a fashionable playground for the upper-crust, is filled with guests. This multiple case of mistaken identity plunges through two or three new layers, eventually bringing about an impending stock market crash to rival 1929, before Mary discovers who her would-be benefactor and her would-be fiancé are. She bails them out of the jam that they're in, also restoring the Ball's marriage, her own reputation, and her romance with Ball's son in the process. ~ Bruce Eder, All Movie Guide

It's a black night in Hollywood when matinee idol Neil DuBeck (Rod LaRoque) is murdered at the preview of his latest film. Director E. Gordon Smith (Ian Keith), who has long harbored a deep hatred for DuBeck, is the main suspect -- until he too is killed, along with a movie-studio watchman (Spencer Charters). Closing down the studio and refusing to let anyone leave, police lieutenant McKane (Thomas Jackson) sifts through the clues, but it's up to actors Johnny Morgan (Reginald Denny) and Peggy Madison (Frances Drake) to solve the mystery, applying a few tricks they've learned at the movies. Director Robert Florey enlivens Preview Murder Mystery with scores of delightful inside jokes, ranging from an elaborate takeoff of Cabinet of Dr. Caligari to a "television camera" which looks like a reconverted movie projector. Several Paramount contractees appear briefly in guest roles, while a host of silent screen favorites (Jack Mulhall, Bryant Washburn, Chester Conklin, Wilfrid Lucas et. al.) show up in nostalgic bit parts. ~ Hal Erickson, All Movie Guide

This second of MGM's Thin Man films reteams William Powell and Myrna Loy as, respectively, bibulous private detective Nick Charles and his socialite wife Nora. The Charleses are sucked into another murder case via Nick's lovely cousin Elissa Landi, whose husband Alan Marshall has vanished. Hubby has been conducting an affair with nightclub thrush Dorothy McNulty (later known as Penny Singleton) and is also blackmailing gangsterish Joseph Calleia. When the corpses begin piling up, Nick and Nora try to piece the clues together, with the earnest assistance of Jimmy Stewart, who carries a torch for Landi. You won't believe who turns out to be the murderer in this one--then again, given the plot's strict adherence to "least likely suspect" formula, you probably will. ~ Hal Erickson, All Movie Guide

The title doesn't refer to mosquitoes but to the amount of money that could be earned in the radio business of the 1930s. Samuel S. Hinds plays a Major Bowes-type entrepreneur who sponsors a weekly radio amateur contest. Hinds' daughter Wendy Barrie has show-biz aspirations, but dad won't hear of it. She enters his contest under an assumed name, winning not only the prize but the heart of a the program's emcee (John Howard). Millions in the Air is one of the few feature films costarring Broadway comedian Willie Howard, whose Jewish characterization and "blue" humor made him difficult to cast in most Hollywood productions. ~ Hal Erickson, All Movie Guide