Richard Pearson Movies

Otherworldly villains are on the loose again, and it's up to Earth's interstellar police force to bring them to justice in this sequel to the sci-fi comedy blockbuster Men in Black. Agent Jay (Will Smith) has become a high-ranking member of the Men in Black, the secret government task force designed to deal with unruly visitors from other worlds, while his former cohort, Agent Kay (Tommy Lee Jones), had his memory wiped clean and now lives a simple but contented life as a mailman. However, an especially nasty alien threat has reared its not-so-ugly head; Serleena (Lara Flynn Boyle) is a shape-shifting Kylothian alien who is in pursuit of another escaped visitor who holds the key to powers that would allow her to destroy the world. Making Serleena all the more dangerous is the fact she's taken on the appearance of a lingerie model, making her irresistible to most men. When the rampaging Serleena takes control of the MIB offices, Jay is forced to turn to the only man who can help him save the world -- the former Agent Kay. After restoring Kay's memory, the two remaining Men in Black set out to conquer Serleena with a motley band of friendly aliens, including a handful of worm creatures and a talking dog named Frank (voice of Tim Blaney). Jay, meanwhile, has his head turned by Laura (Rosario Dawson), an attractive waitress who was an unwitting witness to an alien attack. Men in Black 2 also features Rip Torn, Tony Shalhoub, David Cross, Patrick Warburton, and Johnny Knoxville. ~ Mark Deming, All Movie Guide

Peter Davison stars as bespectacled, aristocratic private detective Albert Campion in this two-part adaptation of Margery Allingham's novel Sweet Danger. On this occasion, Campion endeavors to prove that Britain's Fitton family are the rightful heirs to a Balkan throne. Disguising himself as the king of the monarchy in question, Campion sets about to locate the monarch's missing crown, which of course will verify the Fittons' right to ascension. His search leads to a sinister scheme involving newly discovered oil deposits. In America, "weet Danger" was telecast November 15, 1990, as a single two-hour episode of the PBS anthology Mystery! ~ Hal Erickson, All Movie Guide

Tipping the scales on the Monty Python-esque side of broad comedy, this outrageous and classically British farce is a series of episodes involving the U.S., a small Caribbean nation, the British government, and the military. The American president is a former clown who dies after asking someone to punch him in the stomach to prove how strong he is. The vice-president (Loretta Swit) takes over and heads for trouble right away. A British island has been invaded by a Caribbean dictatorship and the gay British admiral sent to command naval operations takes a warm-hearted, 1940s-style leave of his "spouse." A Princess working as a nurse overdoes it when asked to shave a sailor for an operation. The British Prime Minister decides that if the unemployment situation could be easily solves if the employed would only jump off a cliff. And so it goes on and on, with some of the skits delving into more violent and sacrilegious themes. ~ Eleanor Mannikka, All Movie Guide

Meant to be a parody of the recent invasions of Grenada and the Falkland Islands, this comedy about the laid-back governor (Michael Caine) of "Cascara," a fictional British island somewhere in the Caribbean, and the international parade of characters who come through his territory is a pastiche without a clear center. Among these multinational characters are an American industrialist out to exploit the island's rich source of mineral water -- also the source of all the subsequent trouble on the island -- some inexplicable French-German visitors, a singing revolutionary with ties to Fidel Castro, and various parodies of Brit diplomats and politicians, Margaret Thatcher included. ~ Eleanor Mannikka, All Movie Guide

For many aficionados of Kenneth Grahames' The Wind in the Willows, the definitive film version was seen in Disney's omnibus animated feature Ichabod and Mr. Toad (1949). Even so, this 1983 British adaptation is every bit as accomplished and worthwhile as the Disney film. Consisting of three short stories, each lasting about 20 minutes, the film features most of Grahame's beloved anthropomorphic-animal characters, specifically Toad, Rat, Badger and Mole. The animation was accomplished with a stop-motion process, reminiscent of George Pal's Puppetoons. The Wind in the Willows was directed by Mark Hall, of Count Duckula and Danger Mouse fame. ~ Hal Erickson, All Movie Guide

Angela Lansbury takes over the legacy of Margaret Rutherford as Agatha Christie's dogged sleuth Miss Marple in The Mirror Crack'd. The story takes place on a film set in a small British town in the 1950s. Elizabeth Taylor plays a washed-up actress trying to make a comeback but is plagued by a mysterious incident from her past. Unfortunately for her mental state, a collection of murders jar the quiet village where the movie is being made. Miss Marple arrives on the scene with her nephew, Inspector Craddock (Edward Fox), to investigate. In addition to Taylor, an assortment of other movie stars grace the roster of suspects, including Rock Hudson, Kim Novak, and Tony Curtis. ~ Paul Brenner, All Movie Guide

James Herriot wrote several well-loved books about his experiences as a small-town veterinarian in the Yorkshire countryside of Britain in the 1930s. One of them gave its title to the film All Creatures Great and Small. That family movie was so successful that this movie It Shouldn't Happen to a Vet, or All Things Bright and Beautiful was made. All the stories told explore the richness of the interactions between humans and animals and the quirky wisdom which a young country veterinarian develops under the wise and eccentric tutelage of his senior in practice, Siegfried Farnon. These stories later inspired a popular BBC television series. ~ Clarke Fountain, All Movie Guide

Made for television, Love Among the Ruins was a precious one-time-only collaboration between stars Katharine Hepburn and Laurence Oliver, and director George Cukor. The scene is Victorian London, where wealthy widow Hepburn is being sued for breach of promise by her much-younger ex-fiance. Olivier is the highly respected barrister engaged to defend Hepburn in court. The usually reserved Olivier relishes the opportunity to see Hepburn, who 40 years earlier had been his lover. He is driven to hilarious distraction by Hepburn's adamant insistence that she has never seen him before in her life! Written by Emmy-winning TV veteran James Costigan, Love Among the Ruins was first telecast March 6, 1975. ~ Hal Erickson, All Movie Guide

Liv Ullman portrays a female pope -- based on a long-held rumor that the papacy was held by a woman between the reigns of Leo IV and Benedict III -- in this rambling saga directed by Michael Anderson. The British version of the film has been cut, not only removing twenty-one minutes of the film but also an entire contemporary framing story. In the full version, a modern-day woman evangelist, played by Ullman, who feels an affinity to the legendary Pope Joan, pays a visit to her psychiatrist (Keir Dullea). Searching through her past lives to see whether she is the reincarnation of Pope Joan, the film then flashbacks 1000 years to pick up Joan (Ullman in an earlier incarnation of her character) undergoing a succession of trials and tribulations. Joan then meets up with and becomes the mistress of Adrian (Maximilian Schell), a monk with an artistic bent. After the death of Charlemagne when roving bands of Saxons are raping women and ransacking the countryside, Joan flees the country by cutting her hair short and dressing like a man. Together Joan and Adrian escape to Greece. In Greece, Joan's street-corner preaching draws the attention of Pope Leo IV (Trevor Howard), who is impressed by her impassioned rendering of the Gospel. Still disguised as a man, Pope Leo, clueless as to her true sex, hires her as his secretary. From there, she rises up the ladder of the Roman Catholic Church, becoming a cardinal and then Pope Leo's successor. But then she becomes pregnant by a lover from her past (Franco Nero) and Joan must hide her delicate condition from the papal authorities and the rowdy masses. ~ Paul Brenner, All Movie Guide

This British film examines the choices individuals must make when confronted with a romantic relationship which is rewarding but does not offer them everything they want. In this sympathetic and psychologically precise drama, Alexandra Greville (Glenda Jackson), "Alex" to her friends, has a younger man as her sometime lover, the young sculptor Bob Elkin (Murray Head). Elkin is completely open about the fact that he is also the lover of her acquaintance, Dr. Daniel Hirsch (Peter Finch). These relationships continue in some kind of equilibrium until Alex and Bob agree to house-sit the children of a couple known to the three of them. In their roles, neither Head nor Finch "swished," or otherwise catered to homosexual stereotypes, and theirs was considered to be a groundbreaking, sympathetic portrayal of this kind of relationship, not condescending in any way. One highlight of the film is a scene in which Dr. Hirsch attends the Bar Mitzvah of his nephew. This critically well-received movie was unexpectedly successful at the box office. The film's director and screenwriter, as well as Jackson and Finch, were nominated for Academy Awards. ~ Clarke Fountain, All Movie Guide

Perhaps William Shakespeare meant to have Lady Macbeth perform her sleepwalking scene in the nude -- it was this X-rated scene and the film's much-publicized spurts of violence, rather than the brilliant performances of Jon Finch as Macbeth and Francesca Annis as his Lady, that lured crowds to Roman Polanski's 1972 adaptation of Macbeth. Only a few critics glommed onto the most impressive aspect of Polanski's version: as Macbeth and his wife sink deeper and deeper into the morass of their murderous ambitions, they age and wither before our eyes (Shakespeare's play does cover several years, but this is usually forgotten or ignored by many actors and directors). Macbeth was financed and released by Playboy, which naturally necessitated a fold-out spread on "the witches of Cawdor." The original Shakespearean text was adapted for the screen by Polanski and Kenneth Tynan. Despite an excellent first week, Macbeth ended up in the red, compelling Hugh Hefner to think twice about future motion-picture projects. ~ Hal Erickson, All Movie Guide

The Strange Affair is a fragmentary "'60s" interpretation of a straightforward Bernard Toms novel. Michael York plays a rookie London policeman, appalled at the corruption surrounding him. He does not find comfort in the fact that his own superior (Jeremy Kemp) is just as crooked as the crooks. Susan George is the obligatory "mod" girl with whom York conducts a brief affair. Like many British films of its period, it seems more concerned with inducing pop-art headaches than simply telling its story. ~ Hal Erickson, All Movie Guide