Stephen Pearlman Movies

Darren Aronofsky scripted and made his directorial debut with this experimental feature with mathematical plot threads hinting at science-fictional elements. In NYC's Chinatown, recluse math genius Max (Sean Gullette) believes "everything can be understood in terms of numbers," and he looks for a pattern in the system as he suffers headaches, plays Go with former teacher Sol Robeson (Mark Margolis), and fools around with an advanced computer system he's built in his apartment. Both a Wall Street company and a Hasidic sect take an interest in his work, but he's distracted by blackout attacks, hallucinations, and paranoid delusions. Filmed in 16mm black-and-white, the Kafkaesque film features music by Clint Mansell (of the UK's Pop Will Eat Itself band). Shown at the 1998 Sundance Film Festival where Aronofsky won the drama directing award. ~ Bhob Stewart, All Movie Guide

Bruce Willis returns as misfit cop John McClane in the third film in the Die Hard series. McClane has fallen on hard times; after moving to New York City and breaking up with his wife, he's developed a drinking problem and has been suspended from the NYPD. However, his past comes back to haunt him in the form of Simon (Jeremy Irons), a terrorist bomber who has been using McClane as his contact as he plants a series of bombs in public places and gives McClane inane "clues" to their whereabouts in the form of riddles and bizarre games. McClane soon discovers he's been involved in Simon's scheme as part of a personal grudge; while associated with an international terrorist group, Simon is also the brother of the man McClane threw off the side of a skyscraper several years back (in the original Die Hard). Now McClane, with the help of a Harlem shopkeeper named Zeus (Samuel L. Jackson), has to find out where Simon has planted the bombs, guess where he'll strike next, and try to find his base of operations before more bombs go off and thousands of people die. The supporting cast features Graham Greene and Colleen Camp; singer Sam Phillips made her acting debut as a member of Simon's terrorist group (Phillips never speaks, so as to not to reveal her Texas accent). ~ Mark Deming, All Movie Guide

It's 1958, and the producers of the quiz show 21 have a problem. Their current champ, Herbert Stempel (John Turturro), has a phenomenal memory and a broad range of knowledge. He's also a pudgy loudmouth with a grating personality, so Herbert is encouraged to "take a dive" and allow Charles Van Doren (Ralph Fiennes), a handsome and charming college professor, to become the show's new champion. Audiences like Van Doren, and he's certainly not averse to the money he's winning, but the ethics of the situation begin to trouble him, especially when the show's producers begin to give him the questions in advance. Director Robert Redford and writer Paul Attanasio paint a telling portrait of how the network heads and advertising men who manipulated the quiz shows were also able to manipulate the responsibility for the scandal away from themselves. While on the surface a story about the scandal itself, Quiz Show is just as importantly about a turning point in the 1950s when TV and advertising began to change American character and culture. ~ Mark Deming, All Movie Guide

Based on the play by Ivan Menchell, this drama concerns three friends, Doris (Olympia Dukakis), Lucille (Diane Ladd), and Esther (Ellen Burstyn). All three live in the same Jewish community in Pittsburgh, are in their mid-to-late 50s, and have become widows within the past few months. Once a week, they gather to visit their husbands' graves and meet at a deli afterward to talk about their lives. Doris remains fiercely devoted to her late husband and takes her responsibilities as a widow seriously. Lucille is eager to get her feet back in the waters of dating, partly as revenge against her late husband, who often cheated on her, and partly because she's very lonely by herself. Esther is also not used to being alone after 39 years of marriage, but she doesn't feel ready to start dating again, at least not until she meets Ben (Danny Aiello), a former cop turned cab driver who gradually but firmly eases his way into her life. Doris is appalled when she discovers that Esther is dating again and loudly protests that she's being disrespectful to her late husband, while Lucille is more than a bit jealous that Esther snagged a good man before she could. Jerry Orbach and Lee Richardson appear in a brief prologue sequence. ~ Mark Deming, All Movie Guide

Detectives Logan (Chris Noth) and Cerella (Paul Sorvino) swing into action when a Chinese-American honors student is killed. At first, it seems as though an Asian street gang was responsible for the killing. Then, more evidence comes to surface, leading to an intense scholarship competition and a dangerously ambitious family. ~ Hal Erickson, All Movie Guide

Most of this provocative made-for-cable television drama, takes place in the courtroom where a young white, female attorney tries to prosecute an African American ex-con for the assault of a prostitute. He is not only the prime suspect, he is also the only witness. Unfortunately, he may not get a fair trial, for the prosecutor may be using the case to settle a personal score. ~ Sandra Brennan, All Movie Guide

A young boy retreats into a world of silence in this made-for-television drama. Kiefer Sutherland stars as Kevin Richter, an adolescent boy who has suffered from years of physical abuse. In an attempt to deal emotionally with the effects of the abuse, Kevin refuses to speak and instead lives in a world of silence. When child psychologist Jennifer Hubbell (Marsha Mason) becomes aware of his situation, she refuses to write him off as a hopeless case and works tirelessly to help him emerge from his protective shell. ~ Bernadette McCallion, All Movie Guide

After twenty-five years, a trio of old high school friends are held responsible for a rape incident they have, until now, kept secret in this television miniseries based on Thomas Thompson's novel. ~ Kristie Hassen, All Movie Guide

This lively musical comedy pays tribute to the birth of rock & roll in the late 1950s and the instrumental role played by disc jockey Alan Freed who helped bring the new sound into vogue. Much of the story centers on the daring deejay's attempts to put on the very first live rock & roll stage show at the Paramount Theatre in Brooklyn. To do this he must overcome the protests of concerned and angry parents, conservatives, and local police. Several performers of the era appear in the film including Chuck Berry, and Jerry Lee Lewis. ~ Sandra Brennan, All Movie Guide

Audrey Rose is a "thinking man's" horror film, which in a way is unfortunate, since it tended to be ignored amidst the many spell-it-all-out scarefests of the late '70s. Marsha Mason and John Beck play Janice and Bill Templeton, a happily married couple, the parents of well-adjusted preteen Ivy (Susan Swift). Their family security is disrupted by the arrival of a mysterious stranger, Elliot Hoover (Anthony Hopkins). At first mistaken for a potential child molester, Hoover explains that his obsessive interest in young Ivy is actually paternal. It is Hoover's contention that their daughter is the reincarnation of his own child, who died in a horrible accident. This information is dismissed out of hand-and then strange things begin happening. Directed by Robert Wise (who had previously helmed the psychological thriller The Haunting), Audrey Rose was adapted by co-producer Frank de Felitta from his own novel. ~ Hal Erickson, All Movie Guide

Both Future Cop and Cops and Robin were feature-length pilots for TV series. Both starred Ernest Borgnine, Michael Shannon and John Amos. Both were tongue-in-cheek science-fiction efforts about a hard-nosed cop (Borgnine) who is teamed with an android (Shannon). And both died aborning before a series could get under way. For the record, Future Cop premiered May 1, 1976. ~ Hal Erickson, All Movie Guide