John Pearce Movies

The first in producer Roger Corman's quintet of "Nurse" movies, this exploitation outing, despite its meager $120,000 budget, is surprisingly good as it chronicles the romantic and professional travails of a group of nurses. ~ Sandra Brennan, All Movie Guide

Gary Grimes stars in this revisionist western as Ben Mockridge, a 16-year-old boy who has long dreamed of living the life of a cowboy. Wanting adventure, he persuades Frank Culpepper (Billy Green Bush) to take him along on a cattle drive, and Ben learns the hard way just how lonesome, exhausting, and violent the life of a cowhand can be. As one of the men on the drive puts it, "Being a cowboy is what you do when you can't do anything else." Hal Needham, who would later direct a string of successful films starring Burt Reynolds, can be spotted in a small role as Burgess, one of the cowboys. ~ Mark Deming, All Movie Guide

One of the best films by often-underrated director Robert Aldrich, this stark, brutal Western is also an effective allegory of America's involvement in the Vietnam War. Set in Arizona during the late 1880s, the film begins with experienced scout McIntosh (Burt Lancaster) and idealistic U.S. Cavalry Lieutenant DeBuin (Bruce Davison) setting out to catch a group of Apache renegades lead by their chieftain, Ulzana (Joaquin Martinez). The story focuses on the opposing views of the two men regarding Ulzana. McIntosh is cold and cynical while DeBuin is morally outraged by supposed Apache atrocities. The film, sharply written by Alan Sharp, poses a set of complex questions about the nature of heroism, racism, and American imperialism, while avoiding moralizing or oversimplification of the issues. Aldrich and Burt Lancaster, who made four films together over the course of their long careers (including this one), later collaborated on the excellent political thriller Twilight's Last Gleaming. ~ Linda Rasmussen, All Movie Guide

The setting is Atoka County, Alabama -- the time is somewhere after the peak of the civil rights movement, after cities such as Birmingham, Alabama were out of the headlines. The movement is coming to the sticks, including Atoka County, and a lot of the white residents don't like it and are prepared to commit felonious assault, rape, or murder to get their point across. In the middle of this powder keg are two men on either side of a very dangerous line -- County Sheriff "Big Track" Bascomb (Lee Marvin) and Mayor Hardy (David Huddleston). Each man is playing both ends against the middle in the impending race war -- Bascomb wants to keep the peace as best he can, blocking the local klavern of the Ku Klux Klan from their worst excesses and making sure that the Klan's business and the county's business remain separate; Hardy, who also owns the lumber company that employs most of the county and the bank on which most of the residents depend, wants a good environment for business, which includes keeping enough poor blacks around to do the most menial work for the miserable pay he's willing to fork over; this, in turn, requires that they be too scared to ask for too much, including better treatment, but not so scared that they leave the county altogether, which would wipe out his business. Between them is Breck Stancill (Richard Burton), an eighth-generation resident with lots of land but little money and even fewer friends; a wounded war veteran and loner, he still resents the lynching of his grandfather and no longer respects what the white south purports to stand for -- he's even allowed dispossessed blacks to live for free on his property, angering the poor whites around him even more. Bascomb would like Stancill to be a little less high profile, while Hardy would like him to sell out and disappear, and wouldn't mind it if the local Klan helped that process along by trying to kill him. Bascomb's balancing act fails because of two events -- Nancy Poteet (Linda Evans) is raped one night, apparently by a black man, which precipitates the murder of a black teenager and her being violently ostracized by the white community; and a civil rights rally is planned for the town, bringing in lots of "outside agitators" and getting the local klavern eager to act against them. The prime mover in all of this is Big Track's deputy, Butt Cut Bates (Cameron Mitchell), a hardcore klansman who won't be reined in by Hardy and who is not above raping a black woman prisoner (Lola Falana) that he's arrested illegally, or trying to kill Stancill; directly opposed to him is Garth (O.J. Simpson), a young black man who witnessed a Klan murder and, in response, gets a rifle and starts meting out justice on his own. Before it's over, a major part of the county is at war and the bodies are falling everywhere. ~ Bruce Eder, All Movie Guide

This film, aired on television as 24 Hours of the Rebel, delves into the hero-worship aura that surrounded James Dean following his tragic death. This stars The Waltons' Richard Thomas (getting a break from his usual "goody-goody" roles), who, as character "Jimmy J," is stunned by Dean's death and gathers his friends in a drinking foray where the stupor comes more from their turbulent emotions than from the suds. Quite respected for its real-life glimpses, this film is the debut of Dennis Quaid. ~ All Movie Guide

In Fleshburn Calvin Duggai (Sonny Landham) is a Native American who can't put his wartime experiences behind him. His main beef is against the team of psychiatrists who shipped him off to an institution. After making his escape, Duggai kidnaps the four doctors and maroons them in the middle of the desert. Now, he reasons, they can experience the hell he's been through, both as a soldier and as an American Indian. Of the four abductees, Sam MacKenzie (Steve Kanaly) stands the best chance for survival--and that chance is none too good. ~ Hal Erickson, All Movie Guide

We've been told that Poker Alice, a Boston-bred lady of means who managed a wild-west gambling hall and bordello in the 1870s, was based on a real person. She certainly seems real as portrayed by Elizabeth Taylor in this made-for-TV film (Taylor's first). After winning her house of ill repute in a five-card stud game, Taylor finds true love in the form of bounty hunter Tom Skeritt. Also in hand is George Hamilton as Taylor's slick partner "Cousin John" (the original ads for this film billed Hamilton and Taylor as "The King and Queen of Hearts"). In addition, Susan Tyrrell shows up for a down-and-dirty cat fight with the feisty Taylor. Poker Alice rode into TV land on May 22, 1987. ~ Hal Erickson, All Movie Guide