John Bentley Movies

Director Ron Howard's drama follows a beleaguered reporter during a hectic 24 hours at a New York City tabloid. Michael Keaton stars as Henry Hackett, a metro editor for the struggling New York Sun. Hackett is being wooed by the Sentinel, a more upscale paper, but he's addicted to the adrenaline-stimulating, breakneck pace of the Sun's newsroom, much to the consternation of his pregnant wife Martha (Marisa Tomei. Hackett is currently pursuing a story of two minority youths who have been arrested for the murders of two men. He learns that the police think that the killings may be a mob hit. In the court of public opinion, however, the innocent suspects are being judged as guilty, and the police may bow to the pressure. As Hackett and his staff desperately work all the story's angles to find the truth, several other dramas unfold. Top editor Bernie (Robert Duvall) learns that he has prostate cancer, and tough publisher Alicia (Glenn Close) wonders if her lack of popularity is due to her cost-cutting, her personality, or the fact that she's a woman. In their only collaboration, screenwriter David Koepp co-wrote the script with his brother Stephen Koepp, a senior editor at Time magazine. ~ Karl Williams, Rovi

Brian De Palma's Hollywood sanitization of Tom Wolfe's scabrous satire stars Tom Hanks as Sherman McCoy, the "master of the universe," a shallow Wall Street investor who makes millions while enjoying the good life and the sexual favors of Maria Ruskin (Melanie Griffith), a Southern belle golddigger. Sherman and Maria are driving back to Maria's apartment from the airport when Maria takes a wrong turn on the expressway and the two find themselves in the South Bronx. She sees a black youth approaching Sherman's car and Maria, frightened, guns the engine, running over the teenager and killing him. The two drive away and decide not to report the accident to the police. Meanwhile, indigent alcoholic journalist Peter Fallow (Bruce Willis), anxious for a story to make good with his editor, comes upon the hit-and-run tale through local black community activist, Reverend Bacon (John Hancock). Bacon plans to use the hit-and-run case as a rallying point for the black community, while Fallow recognizes the press coverage inherent in prosecuting the callow Sherman. As Sherman is brought to his knees, the New York community fragments into different factions who use the case to suit their own cynical political purposes. Finally, Sherman is left without any allies to support him except for the sympathetic Judge White (Morgan Freeman) and the remorseful Fallow. ~ Paul Brenner, Rovi

In this supernatural prison drama, a correctional facility is reopened after being closed for over twenty years. It was shut down after a terrible uprising culminated with the execution of the brutal warden in the electric chair. The new leader was the late warden's assistant and has vivid memories of it all. Like his predecessor, he is a rigid ruler with no tolerance for infractions. This causes all kinds of problems for the prison psychiatrist who seems to be a liberal on the side of the inmates. Unfortunately, things are not always as they appear; especially when the ghost of the old warden mysteriously reappears. ~ Sandra Brennan, Rovi

Jim Henson's Muppets find themselves in Manhattan yearning to get a musical on Broadway in this charming film that also chides show business and its foibles. Kermit the Frog has just put together a successful variety show at Danhurst college (probably somewhere between Amherst and Dartmouth), and although he would like to mount it on Broadway so he would have a hit and be able to marry Miss Piggy, he cannot find backers. The Muppets are then forced to take jobs to support themselves, and it is while working as a waiter that Kermit meets the friendly Jennie (Juliana Donald). Jennie is the daughter of the owner of the restaurant and a source of great jealousy for Miss Piggy, who does not like competition. With stunning musical numbers involving a hundred or so Muppets and on-scene locations in New York City, the film is impressive in its merging of technical achievements and acting. ~ Eleanor Mannikka, Rovi

In Still of the Night, a mystery thriller written and directed by Robert Benton, a psychiatrist falls in love with a woman who is suspected of the murder of one of his patients. Dr. Sam Rice (Roy Scheider) is treating a married museum curator. When the man is killed, Sam is visited by his dead patient's mistress and co-worker Brooke Reynolds (Meryl Streep) who wants him to return a watch -- that was left at her home -- to the patient's wife. Sam is immediately attracted to the cool, aloof Brooke, who has been discussed during numerous therapy sessions. When he hears about the mysterious death of Brook's father, and he himself is stalked by a woman who resembles Brook, he begins to both desire and fear her. Despite its rather leisurely pace, and some dream sequences which distract from the suspense, Still of the Night is an effective thriller despite a contrived surprise ending when the killer is revealed. Scheider is believable as the doctor in love, but Streep is rather strained in a role that demands a sexual allure and eroticism which she seems uncomfortable portraying. Benton's cinematography is moody and frightening, particularly when Scheider is followed through Central Park. Despite its flaws, Still of the Night should please fans of psychological thrillers. ~ Linda Rasmussen, Rovi

This Emmy-winning made-for-TV movie, based on a book by Oscar-winning screenwriter Barry Morrow (from his true story), stars Mickey Rooney in the title role of a mentally-challenged adult who has spent his life holed up in a bleak institution. When documentary filmmaker Morrow (Dennis Quaid) and his family invite him into their home to stay with them, Bill is given his first taste of independence in the real world. Together, Bill and the Morrows unexpectedly teach each other valuable lessons about life and themselves. The film was so popular that it spawned a sequel two years later called Bill: On His Own. ~ Matthew Tobey, Rovi

The McCarthy-era "witch hunts" in the entertainment industry set the stage for this comedy drama set in the 1950s. Howard Prince (Woody Allen) is a cashier at a corner bar who works as a small-time bookie on the side, with little success. One day, Howard's old friend Alfred Miller (Michael Murphy), a successful television writer, makes a business proposal to him; Alfred's leftist political views have resulted in him being blacklisted from the major television networks, and he can no longer get work. Alfred asks Howard to act as a "front" -- Howard puts his name on Alfred's scripts, sells them, and takes a cut of the payment for his trouble. Howard's new career as a "writer" is an instant success, and soon Howard is fronting for a handful of blacklisted scribes while earning a healthy income and becoming the toast of the television industry; another fringe benefit is a romance with beautiful network employee Florence Barrett (Andrea Marcovicci). However, comic Hecky Brown (Zero Mostel), who had a brief fling with socialism years before, now finds his past catching up with him, and he's told in order to save his job as host of a weekly television show, he has to get the goods on some suspicious figures, among them Howard Prince, whose background looks a little too clean for comfort. The Front was written by Walter Bernstein, who was himself blacklisted during the 1950s, as were co-stars Zero Mostel, Herschel Bernardi, and Lloyd Gough. ~ Mark Deming, Rovi

The Fur Collar is the principal clue in a mystery involving an espionage ring. Reporter John Bentley, assigned to the Paris beat, does his best to route out the spies. When his enemies try to assassinate him, Bentley pretends to be dead, the better to work undercover. Martin Benson co-stars as Inspector Legrain, Bentley's friendly enemy. Fur Collar was assembled by the ill-named production firm of Albatross. ~ Hal Erickson, Rovi

A strange bet provides the basis of this comedy, a British theater producer decides to make some easy money by betting a psychiatrist, whom he overheard telling a colleague that he could create the perfect child by hypnotizing a pregnant woman, that the shrink has as many holes in his theory as he did in his head. The wager is made, and the producer then talks an actress friend into masquerading as the pregnant woman to ensure his win. Unfortunately for him, the actress and the doctor fall in love. Seeing that her sweethearts theories are being derided by his peers, she decides to help him out and get pregnant for real. To do this, she gets drunk, staggers over to the producer's apartment and demands that he satisfy her right then and there. Unfortunately in the middle of it all, the doctor shows up. Then the producer's fiancee pays a visit and the whole scam falls apart in his living room. Fortunately happiness ensues when the doctor and the actress marry and decide to try the experiment for real. ~ Sandra Brennan, Rovi

In this adventure, a remake of Singapore (1947), a hero finds a bracelet containing 13 precious gems while visiting Istanbul. He soon finds himself pursued by covetous crooks who want those jewels. He is then deported by the Turkish authorities, but not before he has time to hide the bracelet in a hotel. Five years later, the man returns to seek out the stones. Again he is pursued by both authorities and criminals. He must also contend with the reappearance of his wife whom he thought had burned to death on their wedding night. She lived but suffered amnesia. She then remarried. Nat "King" Cole sings "When I Fall in Love". ~ Sandra Brennan, Rovi