Julie Payne Movies

Newly hired at a private school, teacher Laura Siddons (Wendy Hiller) suspects that one of her students, a girl named Gloria (Gigi Perreau), is having a clandestine romance. Laura and her gentleman friend, Ben (Robert H. Harris), eventually catch up with Gloria and confirm their suspicions: the girl is not only in love, but also married! Gloria begs Laura not to tell Gloria's mother for fear that the old woman will have a heart attack, whereupon Laura promises to keep the girl's secret -- but things take a sinister turn from this point forward. ~ Hal Erickson, All Movie Guide

An unusually tense and intelligent political thriller, The Manchurian Candidate was a film far ahead of its time. Its themes of thought control, political assassination, and multinational conspiracy were hardly common currency in 1962, and while its outlook is sometimes informed by Cold War paranoia, the film seemed nearly as timely when it was reissued in 1987 as it did on its original release. It opens with a group of soldiers whooping it up in a bar in Korea as their commander, Sgt. Raymond Shaw (Laurence Harvey), arrives to inform them that they're back on duty. These men obviously have no fondness for Shaw, and he feels no empathy for them. While on patrol, Shaw and his platoon are ambushed by Korean troops. Months later, Shaw is receiving a hero's welcome as he returns to the United States to accept the Congressional Medal of Honor, and several of the soldiers who served under Shaw repeatedly refer to him as "the bravest, finest, most lovable man I ever met." It soon becomes evident that after their capture by the Koreans, Shaw and his men were subjected to an intense program of brainwashing prior to their release. While several are troubled by bad dreams and inexplicable behavior, it's Capt. Bennett Marco (Frank Sinatra) who seems the most haunted by the experience. In time, Marco is able to piece together what happened; it seems Raymond Shaw was programmed by a shadowy cadre of Russian and Chinese agents into a killing machine who will assassinate anyone, even a close friend, when given the proper commands. On the other side of the coin, Shaw is also used for political gain by his harridan mother (Angela Lansbury), who guides the career of her second husband, John Iselin (James Gregory), a bone-headed congressman hoping to win the vice-presidential nomination through a campaign of anti-Communist hysteria.

The Manchurian Candidate features a host of remarkable performances, several from actors cast cleverly against type. Frank Sinatra's edgy, aggressive turn as Marco may be the finest dramatic work of his career; Laurence Harvey's chilly onscreen demeanor was rarely used to s better advantage than as Raymond Shaw; James Gregory is great as the oft-befuddled Senator Iselin; and Angela Lansbury's ultimate bad mom will be a shock to those who know her as the lovable mystery writer from Murder, She Wrote. George Axelrod's screenplay (based on Richard Condon's novel) is by turns compelling, witty, and horrifying in its implications, and John Frankenheimer's direction milks it for all the tension it can muster. While Frankenheimer's career has had its ups and downs, The Manchurian Candidate and Seconds (1966) suggest that he deserves to be recognized as one of the most brilliantly paranoid American filmmakers of the '60s. Entertaining yet unsettling, both films indicate that things in the '60s were not what they seemed, with a resonance that still echoes uncomfortably in the present. ~ Mark Deming, All Movie Guide

Based on the popular children's story by Scott O'Dell, this family movie tells of the true adventures of a young Native American girl. After her father is killed by a malevolent white trapper, Karana (Celia Kaye) joins her community as they leave their island home in the Pacific to live on the mainland. Upon her departure, Karana realizes that her brother has been left behind. She immediately swims back to be with him and the two remain on the abandoned island. Though Karana is able to domesticate a wolf, her brother is not so fortunate with the animals and is killed by a pack of wild dogs. She is left to survive against the odds for several years before she has a chance to journey to the mainland herslelf. The adept cinematography of Leo Tover (Journey to the Center of the Earth, The Day the Earth Stood Still) greatly contributed to this outdoor adventure film as did appropriate music from prolific film composer Paul Sawtell. ~ Kristie Hassen, All Movie Guide

This film is based on the James Simon Kunen book about student unrest on the Columbia University campus. Simon (Bruce Davison) joins the campus protest movement to socialize with the various hippie girls. When a violent police assault breaks up the protest, Simon's thoughts quickly turn from female infatuation to more important social causes. He becomes active in protests against the Vietnam War, police brutality, student's rights and the draft. He is branded a Communist and becomes part of the great worldwide social revolution of his times. Music from Crosby, Stills, Nash & Young, Buffy Sainte-Marie, Thunderclap Newman, Richard Strauss and John Lennon accurately reflect the turbulent times in which the film was released. Bud Cort, James Coco, and Kim Darby star in this uneven political drama. ~ Dan Pavlides, All Movie Guide

Feeling out of place and neglected, Grady (Whitman Mayo) decides to move out of his old Watts neighborhood. He is immediately installed in the fashionable Westwood home of his daughter Ellie (Carol Cole), his son-in-law Hal (Joe Morton), and his grandchildren Laurie (Rosanne Katon) and Haywood (Haywood Nelson). The result: Poor Grady feels even more like a "fifth wheel" than ever before. Originally telecast as the final episode of Sanford and Son's fourth season, "The Family Man" was actually the pilot for Whitman Mayo's short-lived spin-off series Grady. ~ Hal Erickson, All Movie Guide

In the conclusion of a two-part story (originally telecast as a single one-hour episode), Laverne (Penny Marshall) and Shirley (Cindy Williams) have come to regret their impulsive decision to quit their brewery jobs and join the WACS. Now the girls are in the hands of merciless drill sergeant Alvinia T. Plout (Vicki Lawrence). The situation reaches the crisis stage during a series of staged combat games, with L&S caught in the crossfire between the "Red Team" and the "Blue Team". ~ Hal Erickson, All Movie Guide

Albert Brooks made his feature-length debut as a writer and director with this wickedly funny satire, in which Albert Brooks plays "Albert Brooks," an arrogant and self-centered comedian who has decided to make a documentary film. Following the lead of the infamous pre-Real World PBS series An American Family (in which a "typical" family was filmed during most of their waking hours and eventually self-destructed on camera), Brooks moves in with the Yeager family of Phoenix, Arizona and chronicles their lives, with the support of a battery of psychiatrists and sociologists. He arrives at the Yeagers' doorstep with a two-man crew, wearing high-tech cameras that look like space helmets from a grade-B sci-fi movie, and it quickly becomes obvious that he is incapable of being unobtrusive. The Yeagers are driven to distraction by Brooks, who repeatedly ignores the advice of his team of experts and wishes there were some way to make the family's life more interesting (leading to perhaps the least expected homage to Gone With the Wind in film history). Of all Brooks' features, Real Life most resembles his cutting but deadpan short subjects for Saturday Night Live; Brooks never fails to cast himself in an unflattering light, and the supporting cast does admirable work in reacting to him, especially Charles Grodin and Lee McCain as Mr. and Mrs. Yeager. Harry Shearer contributed to the screenplay and plays a small role. ~ Mark Deming, All Movie Guide

The garage becomes a unofficial gambling emporium when the cabbies place bets as to whether Alex (Judd Hirsch) can bring in more fare money than Louie (Danny DeVito) during a single night, or vice versa. Elaine (Marilu Henner) is particularly anxious over the outcome of this wager, especially since she has promised to go on a date with Louie if he wins. Naturally, Louie is not above cheating and duplicity to emerge victorious--and for a while, it looks as though the "good guys" aren't going to come out on top in this venture. ~ All Movie Guide

Three of the hallmarks of education in America -- nudity, teenage sex, and big, destructive gags -- are on plentiful display in this teen comedy. Christine (Phoebe Cates), a student at an exclusive all-girls private school, is in love with Jim (Matthew Modine), who attends an academy for boys nearby. Christine's archrival Jordan (Betsy Russell) also has her eye on Jim, and she is willing to do whatever she can to steal him away. Jim's über-slob buddy Bubba (Michael Zorek) is going with Betsy (Kathleen Wilhoite), Christine's cynical friend, though he would probably be unfaithful if any other woman were willing to get near him. Bubba and his pals sneak into the girls' school dressed in drag in hopes of reaching the Promised Land (better known as the women's shower room), while Christine and Jim run away together for the weekend, though their escapade isn't as romantic as they had hoped. Among the adults observing the chaos are Ray Walston, Fran Ryan, Martin Mull, and Sylvia Kristel; one of the sexy students on display is future scream queen Brinke Stevens. ~ Mark Deming, All Movie Guide

Largely improvised by director Rob Reiner and his cast, This Is Spinal Tap looks and sounds like a "real" documentary, with Michael McKean, Harry Shearer, and Christopher Guest as David St. Hubbins, Derek Smalls, and Nigel Tufnel, the key members of a going-nowhere British heavy metal band called Spinal Tap. The "group" started as an informal skiffle band, eventually maturing into an R&B act called the Thamesmen (their hit was "Gimme Some Money"). After going through a psychedelic period with "Listen to the Flower People," the band mutated into Spinal Tap, a hard rock outfit responsible for such albums as "Intravenous DeMilo," "The Sun Never Sweats," and "Bent for the Rent." This Is Spinal Tap finds them in the midst of their first American tour in years as they support their new LP Smell the Glove, with filmmaker Marty DiBergi (Rob Reiner), who specializes in TV commercials, on hand to document the occasion. Just about anything that can go wrong does: shows get canceled, stage props go wrong, wireless guitar pickups start broadcasting air-traffic reports, no one shows up for in-store appearances, David's girlfriend tries to take over the band, they wind up billed second to a puppet show at an amusement park, and the group teeters on the verge of breakup. After the film's initial release, McKean, Guest, and Shearer did a short club tour as Spinal Tap; the "band" reunited in 1992 for a new album, Break Like the Wind, followed by a full-fledged tour and TV special, The Return of Spinal Tap. ~ Mark Deming, All Movie Guide

Penny Marshall in her feature film directing debut, four screenwriters, and a ebullient Whoopi Goldberg join forces to make Jumpin' Jack Flash, a modern espionage comedy. Goldberg plays Terry Doolittle, a computer operator in a large New York City bank who picks up a cry of help on her computer. The signal is from a man who signs off as Jumpin' Jack Flash. Based on the Rolling Stones tune of that name, she figures out his secret password and opens up a Pandora's box of international intrigue. It seems Jack Flash is a pseudonym for a British agent who is trapped in Russia and desperate for information from the British Embassy that will help him escape. When Terry agrees to help him, the CIA, the KGB, British intelligence, and sundry other law enforcement organizations are all hot on her tail as she tries to help the beleaguered British agent. ~ Paul Brenner, All Movie Guide

Join in the fun in this animated presentation of Garfield spending Christmas down on the farm. ~ All Movie Guide