David Paymer Movies

Lawrence Kasdan wrote and directed this comedy about a young psychologist named Mumford (Loren Dean), who arrives in a small town and sets up a practice. Mumford's style is short on analytic mumbo-jumbo and long on practical advice, and he soon finds that he has a long list of satisfied clients in his new home town, including many of the city's most prominent citizens. Mumford's advice also helps love bloom among the city's single residents. However, the city already had a psychologist, Ernest Delbanco (David Paymer), who is quickly losing business to Mumford. So Ernest starts asking questions: who is this Mumford, and just what are his qualifications? Mumford's supporting cast includes Ted Danson, Martin Short, Alfre Woodard, Hope Davis, Jason Lee, and Pruitt Taylor Vince. ~ Mark Deming, All Movie Guide

Oscar-winning actress Kathy Bates directed this made-for-cable feature inspired by the true story of one of America's greatest literary couples, Lillian Hellman and Dashiell Hammett. Hellman (Judy Davis) was an award-winning playwright whose successes included The Children's Hour and The Little Foxes, while Hammett (Sam Shepard) was a superlative mystery writer whose books inspired such classic films as The Thin Man and The Maltese Falcon. The couple met in the 1930s, while Hammett was working in Hollywood as a screenwriter. They remained together until Hammett's death from lung cancer in 1961 (never married despite the conventions of the day) in a relationship strained by Hammett's infidelity and their shared alcoholism. Dash and Lilly uses Hellman's 1950s testimony before the House Un-American Activities Committee as a springboard to look back at their relationship; both Hammett and Hellman were branded as Communists and called before HUAC, leading to a prison term for Hammett. The film also features Bebe Neuwirth as Dorothy Parker, Laurence Luckinbill as Joseph Rauh, and Mark Zimmerman as Walter Winchell. Hellman's relationship with Hammett formed one of the plot points of the 1977 biopic Julia, which starred Jane Fonda as Hellman and Jason Robards in an Oscar-winning performance as Hammett. ~ Mark Deming, All Movie Guide

In 1966, Rubin "Hurricane" Carter was a top-ranked middleweight boxer whom many fight fans expected to become world champion. When three people were shot to death in a bar in Paterson, New Jersey, Carter and his friend John Artis, driving home from another club in Paterson, were stopped and questioned by police. Although the police asserted that Carter and Artis "were never suspects," a man named Alfred Bello, himself a suspect in the killings, claimed that Carter and Artis were present at the time of the murders. On the basis of Bello's testimony, Carter and Artis were convicted of murder, and Carter was given three consecutive life sentences. Throughout the trial, Carter proclaimed his innocence, saying that his African-American race and work as a civil rights activist were the real reasons for his conviction. In 1974, Bello and Arthur Bradley, who also claimed that Carter was present at the scene of the crimes, recanted their testimony, but Carter and Artis were reconvicted. In the early 1980s, Brooklyn teenager Lesra Martin worked with a trio of Canadian activists to push the State of New Jersey to reinvestigate Carter's case; in 1985, a Federal District Court ruled that the prosecution in Carter's second trial committed "grave constitutional violations" and that his conviction was based on racism rather than facts. Carter was finally freed, and he summed up his story by saying, "Hate got me into this place, love got me out." The Hurricane is based on Carter's incredible true story and stars Denzel Washington as Carter, Vicellous Shannon as Lesra Martin, and John Hannah, Liev Schreiber and Deborah Unger as the Canadian activists. Veteran filmmaker Norman Jewison directed. ~ Mark Deming, All Movie Guide

Despite his excitement over his first post-announcement interview with Maureen O'Boyle, Larry (Garry Shandling) breaks down in tears on-air and pressures Artie (Rip Torn) to have it cut. Having had a sexual relationship with O'Boyle in the past, the conflicted producer struggles with his conscience. Meanwhile, Mary Lou (Mary Lynn Rajskub) fears Hank's (Jeffrey Tambor) wrath after hitting his car in the parking lot. While Mary Lou avoids the temperamental sidekick, Hank draws the conclusion that Vince Vaughn must be the man behind the damage. ~ Jason Buchanan, All Movie Guide

This 1998 version of Mighty Joe Young begins with a Gorillas in the Mist-type prologue and then jumps forward twelve years to find Bill Paxton leading a safari expedition to capture the legendary giant (two-ton) gorilla, the subject of the film's title. Paxton's intentions are admirable; he wants to remove the majestic beast from the imminent danger of poachers and set him up on a posh nature reserve in California. The x-factor comes in the form of Charlize Theron's beautiful jungle girl, Jill Young. Jill has been Joe's soul mate from birth and is the only human who can communicate with him. She is also the reason Paxton's maverick-on-the-run lingers at the reserve after his task is completed. From there, the plot is spurred on by the nefarious actions of a poacher with an Ahab complex and a battery of money hungry scientists who want to exploit Joe. Naturally, all of this puts a burr under the towering simian's skin, causing him to break free and go ape in L.A.'s concrete jungle. ~ Tom Meek, All Movie Guide

This Steven Spielberg-directed exploration into a long-ago episode in African-American history recounts the trial that followed the 1839 rebellion aboard the Spanish slave ship Amistad and captures the complex political maneuverings set in motion by the event. Filmed in New England and Puerto Rico, the 152-minute drama opens with a pre-credit sequence showing Cinque (Djimon Hounsou) and the other Africans in a violent takeover of the Amistad. Captured, they are imprisoned in New England where former slave Theodore Joadson (Morgan Freeman), viewing the rebels as "freedom fighters," approaches property lawyer Baldwin (Matthew McConaughey), who attempts to prove the Africans were "stolen goods" because they were kidnapped. Running for re-election, President Martin Van Buren (Nigel Hawthorne) overturns the lower court's decision in favor of the Africans. Former President John Quincy Adams (Anthony Hopkins) is reluctant to become involved, but when the case moves on to the Supreme Court, Adams stirs emotions with a powerful defense. The storyline occasionally cuts away to Spain where the young Queen Isabella (Anna Paquin) plays with dolls; she later debated the Amistad case with seven U.S. presidents. The character portrayed by Morgan Freeman is a fictional composite of several historical figures. For authentic speech, the Africans speak the Mende language, subtitled during some scenes but not others. ~ Bhob Stewart, All Movie Guide

While organizing a roast for Larry (Garry Shandling), Norman (David Paymer) invites Dana Carvey, Bill Maher, Jon Stewart, and Al Franken to take their best shot at the self-absorbed talk-show host. When Artie (Rip Torn) invites Carl Reiner to host instead of Hank (Jeffrey Tambor), the sensitive sidekick retaliates by practicing his heckler defense skills and inviting an unexpected guest. ~ Jason Buchanan, All Movie Guide

This sports comedy from Class Act (1992) and Houseguest (1995) director Randall Miller stars Kadeem Hardison and Marlon Wayans as basketball-playing brothers. The Tylers have been dreaming of stardom on the court since childhood. Now that they are the top players for the Washington Huskies, Antoine (Haridson) has become the more flamboyant and attention-getting of the pair. While Kenny (Wayans) is also a talented athlete, he lacks the self-confidence to become a star like his brother. When Antoine suffers a fatal heart attack during play, Kenny is grief-stricken, and the team's chances of making it through the Pac-10 to the NCAA finals become seriously diminished. Luckily, Antoine's ghost returns to give the Huskies a helping hand by blocking shots, tipping the ball through the hoop, tripping opposing team members, and even giving players a supernatural lift on their way to the basket. Only Kenny can see his brother's spirit, but a beautiful school newspaper reporter, R.C. (Michael Michele) suspects the truth. ~ Karl Williams, All Movie Guide

Franklin Lazlo (Tom Arnold) is desperate. His carnival is on the skids and he hasn't got the money to make his next payroll. He tries robbery, with little result except to have the police, some professional robbers, and a meter-maid (Rhea Perlman) chasing him. On the way, he takes uptight and harried children's carpool father Daniel Miller (David Paymer) and a van full of children hostage. Franklin and the children get up to some wild hijinks all over town, and gradually the starchy Daniel begins to loosen up. ~ Clarke Fountain, All Movie Guide

Although The Commish officially came to an end at the end of its fourth season, the series was briefly revived in late 1999 with three new episodes advertised as "movie specials." "In the Shadow of the Gallows" finds Eastbridge, NY, police commissioner Tony Scali (Michael Chiklis) plagued by a past murder. The two-part "Father Image" reunites Tony with his onetime mentor Terry Boyle (Darren McGavin). And in "Redemption," Rod Steiger guest stars as a suspected arsonist. ~ All Movie Guide

This earnest, intelligent, and well-written romantic comedy is enjoyable and optimistic in classic Hollywood style, even if its idealism doesn't seem quite so credible against the cynical political backdrop of the Nineties. President Andrew Shepherd (Michael Douglas), an unabashedly liberal Democrat, is just gearing up for re-election when he meets an attractive and sharp environmental lobbyist named Sydney Wade (Annette Bening). The two fall in love and the President must soon deal with the political repercussions (Sydney is trying to get legislation through Congress), as well as the cynical machinations of Republican opponent Senator Bob Rumson (Richard Dreyfuss), who attempts to paint Sydney as a radical and use "family values" rhetoric to smear Shepherd. With the attacks affecting his standings in the all-important polls, and his love's legislation causing him headaches in the Capitol, Shepherd must decide whether he can risk continuing his relationship. A rich supporting cast, solid characterizations by Douglas and Bening, and an articulate approach make this an appealing, if not particularly weighty, study of the tensions between public and private life. ~ Don Kaye, All Movie Guide

New York's toughest lady detectives re-team to solve the murder of a homeless transient who had been terrorizing the residents of a posh apartment building with screaming threats, insults and physical intimidation. Though the cops think the culprit is another street person, Cagney and Lacey believe the real killer is one of the tenants, many of whom have ample reason to have murdered the boorish bum. ~ Sandra Brennan, All Movie Guide

It's 1958, and the producers of the quiz show 21 have a problem. Their current champ, Herbert Stempel (John Turturro), has a phenomenal memory and a broad range of knowledge. He's also a pudgy loudmouth with a grating personality, so Herbert is encouraged to "take a dive" and allow Charles Van Doren (Ralph Fiennes), a handsome and charming college professor, to become the show's new champion. Audiences like Van Doren, and he's certainly not averse to the money he's winning, but the ethics of the situation begin to trouble him, especially when the show's producers begin to give him the questions in advance. Director Robert Redford and writer Paul Attanasio paint a telling portrait of how the network heads and advertising men who manipulated the quiz shows were also able to manipulate the responsibility for the scandal away from themselves. While on the surface a story about the scandal itself, Quiz Show is just as importantly about a turning point in the 1950s when TV and advertising began to change American character and culture. ~ Mark Deming, All Movie Guide