David Paymer Movies

Evil Dead director Sam Raimi takes the helm for this "spook-a-blast" shocker about an ambitious L.A. loan officer who incurs the wrath of a malevolent gypsy by refusing to grant her an extension on her home loan. Determined to impress her boss and get a much-needed promotion at work, Christine Brown (Alison Lohman) lays down the law when mysterious Mrs. Ganush (Lorna Raver) literally comes begging for mercy at her feet. In retaliation for being publicly shamed, Mrs. Ganush places the dreaded curse of the Lamia on her unfortunate target, transforming Christine's life into a waking nightmare. Her skeptical boyfriend, Clay (Justin Long), casually brushing off her disturbing encounters as mere coincidence, Christine attempts to escape eternal damnation by seeking out the aid of seer Rham Jas (Dileep Rao ). But Christine's time is fast running out, and unless she's able to break the curse, she'll be tormented by a demon for three days before literally being dragged to hell. ~ Jason Buchanan, Rovi

Taking charge of Lane's baby shower while Rory (Alexis Bledel) prepares for an important job interview, Lorelei (Lauren Graham) finds herself stuck in the middle of another battle of wills between Lane (Keiko Agena) and her traditionalist mother Mrs. Kim (Emily Kuroda)--yet still finds time to form a strong bond with the expectant mother. Meanwhile, Rory tries to provide emotional support for Logan (Matt Czuchry) during his legal problems, but he seems to prefer commisserating with his male buddies in Las Vegas. And Luke (Scott Patterson) makes a huge purchase as part of his campaign to bond with daughter April (Vanessa Marano). ~ Hal Erickson, Rovi

The nurses go on strike, forcing the doctors and interns (with the exception of George [T.R. Knight], who refuses to cross the picket line) to soldier on all by themselves. With Bailey on pregnancy leave, her replacement is Dr. Sydney Aaron (Kali Rocha), the polar opposite of Seattle Grace's infamous "Nazi". Meredith (Ellen Pompeo) makes a mistake while treating a patient, and the error does not go unnoticed by the patient's gossipy friends (played by veteran actresses Betty Garrett, June Lockhart and Rae Allen). And elsewhere, the beleagured doctors must cope with a sullen pregnant teenager and a mysterious skin ailment. ~ Hal Erickson, Rovi

Director and co-screenwriter (along with Chris Gerolmo, Allison Burnett, and Michael Bortman) Rod Lurie tells the uplifting tale of a sports writer who almost lost it all before stumbling into the story of a lifetime in this uplifting sports-themed drama starring Josh Hartnett and Samuel L. Jackson. Erik (Hartnett) is a Denver-based sports writer whose prose is dull and whose marriage is failing. Not only is Erik having a difficult time dealing with his stubborn editor Metz (Alan Alda) - who refuses to take the suffering scribe off of the boxing beat - but the pain of being separated from his young son has weighed heavier on Erik's conscience than he could have ever imagined. When Erik sees a local homeless man (Samuel L. Jackson) being violently assaulted by a gang of sadistic street toughs, he instinctively comes to the suffering man's rescue. As fate would have, Erik discovers that the nondescript homeless man is actually the former boxing champion Battling Bob Satterfield, whom many sports fans had assumed dead. Now driven to tell the story that may establish him as a successful sports writer, Erik gradually begins to make the transformation from ordinary man to extraordinary champion - largely by turning inward and by reexamining his relationship with his own son. ~ Jason Buchanan, Rovi

A suicidal couple (David Krumholtz and Natasha Lyonne) escape from a mental institution and go on a search for the meaning of death. ~ Ray Stackhouse, Rovi

A feisty octogenarian on the verge of his ninetieth birthday invites his three grown children to his upcoming birthday celebration with the explicit understanding that when the festivities end, so does his life, in a dark but light-hearted family comedy directed by Jeff Hare and starring Peter Falk. Morris (Falk) has lived a full life, but now the time has come to end his impressive run. When Morris goes to mortal extremes to reunite his three estranged children, his morbid declaration helps his offspring to realize that, even in old age, the importance of one individual should never be underestimated. David Paymer, Laura San Giacomo, and Judge Reinhold co-star in the one comedy that proves you're never too old to stir up a bit of mischief. ~ Jason Buchanan, Rovi

Executive produced by Steven Spielberg, the sprawling six-part, 12-hour TV miniseries Into the West covers 65 years of American history, from the first major migration westward in the mid-1820s to the massacre at Wounded Knee in the early 1890s. The story is largely seen through the eyes of two protagonists (and their families): Jacob Wheeler (Matthew Settle), a wheelwright who leaves his Virginia hometown and his family's business in 1827 to seek his destiny in the company of legendary mountain man Jedediah Smith (Josh Brolin); and Loved by the Buffalo (George Leach), a Lakota Sioux holy man who spends a lifetime seeking the answers to his profound and disturbing images about the future of his country -- and his people. Eschewing the usual "old-age makeup" route often pursued in epic tales of this nature, the main characters are played by progressively older actors in the course of the story: for example, Loved by the Buffalo is portrayed by no fewer than four different performers! In a more traditionalist How the West Was Won vein, the miniseries is festooned with major stars, some cast in very brief roles: among these are Josh Brolin, Keri Russell, Matthew Modine, Beau Bridges, Gary Busey, Tom Berenger, and Judge Reinhold. Nor is How the West Was Won the only inspiration for the multi-plotted storyline: other films echoed and emulated throughout the saga include The Iron Horse, The Big Trail, Westward the Women, The Searchers, and Dances With Wolves. As mentioned, the story is divided into six parts: "Wheel to the Stars," in which the fates of Jacob Wheeler and Loved by the Buffalo become forever intertwined; "Manifest Destiny," chronicling the first major trek to California; "Dreams & Schemes," wherein the Lakota lands are despoiled by Gold Fever and war breaks out between the North and South; "Hell on Wheels," chronicling the postwar chaos and the coming of the railroad; "Casualties of War," wherein the conflict between Native Americans and the white man results in wholesale bloodshed -- and, surprisingly, a "counter-revolution" of compassion and understanding; and "Ghost Dance," the last great stand of the Lakota, which brings the story full circle. Largely filmed in the Canadian Rockies over a six-month period, and utilizing the talents of six directors, Into the West premiered June 10, 2005, on the TNT cable network. ~ Hal Erickson, Rovi

Rob Reiner directs Luke Wilson and Kate Hudson in Alex & Emma, a romantic comedy about an author and his secretary. Gangsters will kill Alex (Wilson) in 30 days if he doesn't pay back his gambling debts. The only way he can do that is to finish his new novel. He hires sassy court stenographer Emma (Hudson) to transcribe his dictation. The film intercuts between the two of them writing the story, and the story within the story. Hudson plays three roles in the film, and Wilson plays two. Sophie Marceau and David Paymer round out the cast. The premise is (very) loosely based on a series of events that befell Russian novelist Fyodor Dostoyevsky. ~ Perry Seibert, Rovi

Herman Melville's short story Bartleby the Scrivener gets a slightly surreal update in this offbeat comedy drama. The manager (David Paymer) of the city records department in a mid-sized California community decides that his staff of three -- flirty chatterbox Vivian (Glenne Headly), sloppy Vietnam vet Ernie (Maury Chaykin), and slick-suited, Don Juan wannabe Rocky (Joe Piscopo) -- could use some help, so he places an ad looking for a new employee. The boss ends up hiring the one and only applicant who wants the position, a quiet, pale young man named Bartleby (Crispin Glover). At first, Bartleby is a model of efficiency, but before long he loses enthusiasm for his job, much to the annoyance of his co-workers, and soon he's spending his days staring at an air conditioning vent. The Boss asks Bartleby to get back to work, but Bartleby's repeated reply to such requests is, "I prefer not to," and the Boss sees little recourse but to fire him. However, Bartleby refuses to leave his desk, and it soon becomes obvious that Bartleby has not only stopped doing his work -- he's stopped going home and has moved into the office. Bartleby was the first feature film for producer/director Jonathan Parker; he also wrote the screenplay, in collaboration with Catherine Di Napoli. ~ Mark Deming, Rovi

In this action comedy, a crook trying to go straight finds himself lured back to crime by the police, without his even knowing it. When master criminals Jasper (Robert Pastorelli) and Bristol (Doug Hutchison) pull a heist that nets $40 million in gold but leaves behind several dead policemen, detective Edgar Clenteen (David Morse) pulls out all the stops to put the thief behind bars. Jasper is jailed and ends up sharing a cell with Alvin Sanders (Jamie Foxx), a habitual small-time criminal who was brought in after a bungled robbery of a seafood wholesaler. Jasper, who has a weak heart, suffers a heart attack in jail, and as he dies, he gives Alvin a message to pass along to his wife. Eager to track down Bristol, who still has the gold, Clenteen has Alvin secretly implanted with an experimental tracking device, and then lets him go free, while spreading the word on the street that Jasper told him where the gold was stashed shortly before his death. While Alvin makes an effort to start his life over and get a straight job, Clenteen and his staff are electronically following his every move, waiting for Bristol and his associates to track him down. Bait was directed by Antoine Fuqua, whose previous credit was the stylish crime thriller The Replacement Killers. ~ Mark Deming, Rovi

In this romantic comedy-drama, two people whose lives were touched by the same tragedy find love. Buddy Amaral (Ben Affleck) is a successful L.A. advertising executive who has a way with the ladies, but inside he longs for a meaningful long-term relationship. One day Buddy sells his seat on a sold-out airline flight to a stranger; he's shocked when the jet crashes and the man is killed. A year later, still haunted by the incident, Buddy looks up Abby Janello (Gwyneth Paltrow), the victim's widow, who is now selling real estate to support her children. Buddy soon finds himself attracted to Abby, and the feeling is mutual, but while he's interested in marriage, he isn't sure how (or if) he should tell her that he was indirectly responsible for her husband's death. Bounce was written and directed by Don Roos, who made a splash with his independent debut The Opposite of Sex; supporting Affleck and Paltrow are Natasha Henstridge, Jennifer Grey, David Paymer, and Joe Morton. ~ Mark Deming, Rovi

World-class trumpeter Arturo Sandoval was a shining light in Cuba's exciting jazz scene and championed by jazz legend Dizzy Gillespie as one of the greatest musicians he'd ever heard. But as Sandoval's fame grew, so did his discomfort with Fidel Castro and Cuba's Communist leadership. Though Sandoval longed to leave Cuba and emigrate to the United States, where he could enjoy political freedom and make the most of his gifts as a musician, one thing held him back -- his love for his wife and children, whom he could not bear to leave behind. For Love or Country: The Arturo Sandoval Story is a made-for-cable drama based on the true story of Sandoval's career, his eventual flight to the United States with his family, and the unexpected roadblocks that nearly prevented him from becoming a naturalized American citizen. Andy Garcia stars as Arturo Sandoval, with Mia Maestro co-starring as his wife Marianela; Gloria Estefan, Tomas Milan, and Miriam Colon highlight the supporting cast. The biographical drama was produced for the HBO premium cable network and first aired on October 18, 2000. ~ Mark Deming, Rovi