Edward Pawley Movies

In this Western drama, Steve Upton (Randolph Scott) is the sheriff of a Utah community in 1860. Upton's best friend, Cheyenne Rogers (Glenn Ford), was once an outlaw, but under Steve's guidance, he's gone straight and tries to earn an honest living. However, while Cheyenne is in town to pay Upton a visit, the local bank is robbed and Cheyenne is the prime suspect. Through Cheyenne is quickly convicted, Upton is convinced his friend is innocent, and the sheriff helps the former outlaw break out of jail; together, they hit the trail trying to find the real culprits and clean up the town. The Desperadoes had the distinction of being the first Technicolor feature released by Columbia Pictures. ~ Mark Deming, All Movie Guide

Some unexpected casting choices distinguish this so-so Universal actioner. Richard Dix stars as police chief Richard Barry, whose present respectable veneer obscures the fact that he once served a prison sentence. When Barry is threatened with exposure by silky-smooth gangster functionary Thomas (played by the usually lovable Lloyd Corrigan), he is bailed out by his affable ex-con chauffeur Benny (played by the usually villainous Lon Chaney Jr.) The perfunctory romantic angle is handled by Wendy Barrie as Barry's faithful secretary and Don Porter as the chief's rival-in-love. A remake of a 1929 crime flick of the same name, this 1942 version of Eyes of the Underworld updates the material by having the bad guys dip their crooked mitts into the bootlegged rubber-tire trade. ~ Hal Erickson, All Movie Guide

In this musical comedy set during WW II, a circus aerialist desires to be closer to her lover, a soldier. When she finds herself chased by gangsters, the woman dresses up as a man and joins the military. Mayhem ensues as she tries to undergo training and keep her sex a secret. The secret is revealed at the end, when the camp puts on a show and the gangsters suddenly appear. Luckily the police arrive at the same time and justice prevails. Songs include: "In the Army," "Need I Speak," "Jitterbug's Lullaby," "Spangles on My Tights," "Wacky for Khaki" (Frank Loesser, Harold Spina), "Swing in Line" (Loesser, Joseph J. Lilley), "Love in Bloom" (Ralph Rainger, Leo Robin), and "I Can't Give You Anything But Love" (Dorothy Fields, Jimmy McHugh). ~ Sandra Brennan, All Movie Guide

In this crime drama set on the seedy waterfront of San Francisco, a longshoreman studies in his spare time to become an aircraft mechanic. He is also in love with a barmaid who works at her father's saloon. One day at the bar, the longshoreman gets into a fight with a man who is later found dead. Naturally, the longshoreman becomes the prime suspect and is arrested. There are two men who can prove him innocent, but they are in league with the real killer, a fugitive from Alcatraz. Meanwhile, a priest, a drunk, and the girl's father try to prove that the longshoreman is innocent by finding the fugitive's wife. The barmaid and the trampy wife then get in a big fight. In the end, the priest and the fugitive wrestle it out and the thief gets his just desserts. ~ Sandra Brennan, All Movie Guide

In this remake of the classic prison story 20,000 Years in Sing-Sing, John Garfield plays Tommy Gordon, a jewel thief who has been sent up the river for a minimum of 25 years. Tommy isn't especially worried about prison, as he's convinced his well-connected friends will help him get out before long. But Tommy learns the hard way his friends aren't as helpful as he imagined, and he regrets causing so much trouble for reform-minded warden Walter Long (Pat O'Brien), who he comes to regard as a friend and ally. Tommy's girlfriend, Kay Manners (Ann Sheridan), is desperate to get him out of prison and enlists the help of shifty lawyer Ed Crowley (Jerome Cowan); however, when Crowley tries to extract a payment from Kay that has nothing to do with money, she puts up a fight and ends up seriously hurt. Long shows his sympathetic side by granting Tommy a pass to visit Kay, but when he arrives at her home, he discovers Crowley has also arrived to see her. A scuffle ensues, and Kay shoots Crowley. Rather than see her go to jail, Tommy takes the blame, but soon goes on the lam, betraying Long's trust. ~ Mark Deming, All Movie Guide

Filmed on location at Mesa, AZ, this minor Paramount western featured newcomer Ellen Drew as "Slats" Dangerfield, a young girl returning to her grandmother's ranch in Texas. Old Mrs. Dangerfield (May Robson) is experiencing a rash of cattle rustlings and, fed up with her no-good grandson Carter's (John Miljan) handling of the emergency, she contacts an old beau, Ranger Captain Ben Cadwallader (Charley Grapewin) of the Texas Rangers. Cadwallader assigns young Ranger Jim Kingston (John Howard) to infiltrate the gang, which the stalwart young man does with the expected results. Do "Slats" and Jim fall in love despite her initial dislike of the ranger? And does Mrs. Dangerfield's unsympathetic grandson Carter turn out to be in cahoots with the rustlers? Although not a direct sequel, this well-apportioned B-Western was obviously produced to capitalize on the popularity of the studio's 1936 The Texas Rangers. Robert Ryan, in his fourth film, appears in an unbilled bit part. ~ Hans J. Wollstein, All Movie Guide

There are three key characters in Anatole Litvak's filmization of Aben Kandel's novel City for Conquest, as opposed to the six or more in the book -- but the real star, to a large extent, is New York City and its entire population. For purposes of the movie, however, the dramatic arc is linked to James Cagney, as honest, unpretentious truck driver Danny Kenny, whose life is involved with two other people -- his kid brother, Ed (Arthur Kennedy), a gifted musician trying to survive in the rough-and-tumble world of New York's Lower East Side, and Peggy Nash (Ann Sheridan), the neighborhood girl from the Lower East Side whom he's loved, one way or another, since he was a kid. Danny is happy doing what he does, driving a truck, but when Ed's scholarship is cut in half, he reluctantly takes an offer of a boxing match to raise the cash he needs, going into the ring under the fighting name "Young Samson." At about the same time, Peggy -- who loves to dance -- has her head turned by Murray Burns (Anthony Quinn), an ambitious but sleazy aspiring professional dancer. Eventually Peggy goes into partnership with Murray and is ultimately driven by her own ambition to leave Danny after she accepts his marriage proposal. By now, he's getting up in the boxing world, and in his bitterness over losing Peggy he accepts a bout for the world's welterweight championship. He's not overmatched as a boxer, but the money involved in this fight is just too big for it to be honest, and Danny is left all but blinded when his opponent's handlers slip resin dust onto his gloves. Danny is left seemingly a shell of a man, though he's content with his lot in life as far as it goes. He doesn't want any special attention or favors from anyone; the only thing he would like, though he's too proud to admit it, would be for Peggy to come back. But by now her dancing career with Murray has fallen apart, and she's too tortured by guilt, over the sequence of events she helped start, to come near Danny. It falls to Ed, who has never given up composing, to express the inexpressibles that each of these characters feels through his music. His first major classical work is a symphony ostensibly about New York City, which he conducts in its premiere at Carnegie Hall; but it's also about Danny and his life, and his dreams. ~ Bruce Eder, All Movie Guide

Otis Ferguson has said of Each Dawn I Die that "the story is of the kind you would have to see to disbelieve." And to be sure, the film is nothing more than a sampler of '30s prison-film conventions. But with the brilliant acting by James Cagney and the fast-paced and hard-edged direction of William Keighley, the film clatters past like an express train. Cagney plays Frank Ross, an innocent newspaperman who is railroaded into prison by a corrupt district attorney. In prison, he meets hardened-con Stacey (George Raft). Frank, at first, doesn't want to associate with Stacey and the other prisoners, but trapped in the hellhole prison, he more and more turns into a bitter con. Finally granted a hearing from the parole board, Frank pleads his innocence, but the parole board is headed by Grayce (Victor Jury), the man responsible for his imprisonment, and his parole is denied, and Frank becomes more hardened and embittered. By this point, Stacey has befriended him and agrees to help Frank prove his innocence. ~ Paul Brenner, All Movie Guide

In this melodrama, the acting warden at a correctional facility must make a difficult choice when he comes across some ill-gotten loot after averting a prison break. At first he keeps it for himself, but then one of the recently recaptured inmates gets blamed for the crime. During the attempted escape, an inmate was killed and he is blamed for that too. They sentence him to death, and he later accuses the acting warden of stealing the loot, which the convict only wanted so he could get an education. As the inmate's final days approach, the warden's conscience erupts and inspires him to action. Unfortunately, tragedy still ensues. ~ Sandra Brennan, All Movie Guide

Even geniuses have to eat, and when Mark Twain was offered a substantial sum of money to slap together a quickie sequel to his classic novel Tom Sawyer, he responded with the pulpish but entertaining Tom Sawyer, Detective. Billy Cook is sublimely cast as Tom, while Donald O'Connor steals the film in the more colorful role of Huckleberry Finn. When local deacon Uncle Silas (Porter Hall) is accused of murder, Tom and Huck endeavor to prove his innocence by solving the mystery themselves. Complicating matters is the fact that the "dead man" (William Haade) is seen roaming around very much alive. The film's highlight is a spooky episode in a mausoleum, with our intrepid heroes working overtime to convince each other that they ain't really scared. Janet Waldo, later one of the most versatile voiceover actresses in the business, plays Tom's puppy-love interest Ruth Phelps. ~ Hal Erickson, All Movie Guide

"Ripped from today's headlines", RKO Radio's Smashing the Rackets was inspired by the career of colorful New York district attorney Thomas E. Dewey. Chester Morris plays the Dewey character, here rechristened Jim Conway. Starting out as a G-Man, Conway is appointed special prosecutor of a conveniently unnamed state, whereupon he declares war on such gangster types as Bruce Cabot and Ben Welden. But while the real Dewey ascended to the governor's chair, Jim Conway settles for a private law practice once his job is done. The talented but underused Frances Mercer provides the film's romantic interest. Smashing the Rackets was the first of several "exploitation" pictures produced by RKO's B-picture maven Lee Marcus; the next on the docket was Tarnished Angel, an "a clef" retelling of the Aimee Semple McPherson story. ~ Hal Erickson, All Movie Guide

Sons of the Legion is a showcase for Paramount's juvenile-talent pool-specifically, Donald O'Connor, Billy Lee and Billy Cook. The plotline is motivated by the formation of a Boy Scout-like organization, formed by members of the American Legion. Billy (Lee) and Davy (Cook) would like to join the group, but their father Charles (Lynne Overman) won't let them. It turns out that Charles was dishonorably discharged from the army, and hopes to keep this information a secret. Redeeming himself by capturing a dangerous criminal, Charles finally permits his boys to join the Sons of the Legion, secure in the knowledge that his past sins have been forgiven. Top-billed Donald O'Connor does a neat Mickey Rooney turn as soft-hearted tough kid Butch Baker. ~ Hal Erickson, All Movie Guide

In this romance, a girl from the bayou falls in love with an aspiring lawyer who lives on the nicer side of the tracks. It is tragedy that brings the two together, when the man her avaricious auntie betrothed her to is murdered. The suspected killer is defended by the rookie attorney -it is his first case. Naturally he wins, and so does the girl. ~ Sandra Brennan, All Movie Guide