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Eduardo Pavlovsky Movies

2002  
 
Luis Cesar D'Angiolillo's drama Potestad uses one man's loss in order to articulate recent Argentinean society. During a subway ride, Eduardo Martinez (Eduardo Pavlovsky) considers the death of his ten-year-old daughter. The people he passes begin to take on roles in his vivid daydream. The audience eventually realizes the frightening political atmosphere that led to her disappearance. Translated as "authority", Potestad is based on a play written by Pavlovsky. ~ Perry Seibert, Rovi

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Starring:
Eduardo PavlovskyLorenzs Quinteros, (more)
 
1998  
 
Fernando E. Solanas directed this Argentine-French-Italian-German drama with allegorical reflections of Argentina's past history. The film is divided into four chapters ("The Mirror," "The Waiting Men," "Oblivion," "Howls") with subchapters ("Punishments," "Rewards," "Obstinacy"). A black cloud brings 1600 days of rain to Buenos Aires, while traffic and pedestrians move backwards. Aging actor Max (Eduardo Pavlovsky) runs the Mirror Theater in a former fish market, but lack of funding means a possible demolition. Max is attracted to Brazilian dancer Fulo (Angela Correa), who worries about her daughter back home. Amid political corruption and police brutality, Max's elderly colleague Enrique leads a protest for unpaid old-age pensions. The pensioners succeed in their demands, only to learn from a government official that no money is available to pay them. Shown in competition at the 1998 Venice Film Festival. ~ Bhob Stewart, Rovi

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Starring:
Eduardo PavlovskyAngela Correa, (more)
 
1984  
 
Expatriate Argentine Rodolfo Kuhn directed this chilling drama about two fascistic thugs who torture victims sent to them by an anonymous, unseen "Señor Galindez." One of the two is a family man, settled in with his wife and daughter to a typical homey lifestyle, and the other man lives alone and is decidedly vicious by inclination. The two men are sent to the building where they torture -- in order to wait for someone they have to train (played by Antonio Banderas). The banality of evil is nowhere more apparent than in this story of inhuman behavior and empty minds. ~ Eleanor Mannikka, Rovi

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Starring:
Héctor AlterioJoaquin Hinojosa, (more)
 
1972  
 
This well-acted psychological drama was wildly popular in its native Argentina, in part because it was based on the best-selling novel Heroina by Emilio Rodrigue. With a dispassionate, measured tone, it tells the story of a well-to-do girl, Penny (Graciela Borges), who seeks psychiatric help after making a suicide attempt. She has made attempts to socialize with working-class people rather than her own peer-group but is unable to break through to them. Perhaps it is her own emotional stiffness. Things become much more lively for her once she gets to the analyst's couch. ~ Clarke Fountain, Rovi

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1970  
 
A once prominent family fight each other over the inheritance of a run down mansion. Motivated by individual greed, they turn on one another until they unite to subdue a stranger prone to violence. Outwardly the family retains respectability and their name is not sullied, but irreparable harm is done to the unit and mutual trust is shattered in the wake of the events that transpire. ~ Dan Pavlides, Rovi

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Starring:
Norma AleandroBárbara Mujica, (more)