Scott Paulin Movies

A couple's worst nightmare becomes a reality as they find themselves behind bars with their children are taken away from them in this made-for-TV drama, inspired by a true story. Brenda and Scott Kniffen (Viginia Madsen and Jeffrey Nordling) are asked by friends to testify as character witnesses at a child custody hearing. After The Kniffens take the stand, a relation of their friends, who was upset by the testimony, tells authorities that Brenda and Scott are guilty of beating their young sons, molesting them sexually, and taking pornographic photographs of them. While there is no truth to the accusations, a prosecutor determined to prove he's tough on child abuse takes on the case, and his staff badgers Brandon Kniffen (Cory Dorkin) and his brother Brian (Ryan Wilson) into giving damaging statements and testifying against their parents in court. Brenda and Scott spend the next twelve years behind bars, fighting their case as best they can as they try to prove their innocence and become reunited with their children. ~ Mark Deming, Rovi

Charles Durning, Costas Mandylor and Brenda Bakke star in this drama about an ATF agent who is set up by his superiors, and is then forced to seek protection with criminals after a price is put on his life. ~ Mark Deming, Rovi

Years after the accident that rendered her comatose, Alison Sullivan (Tiffani-Amber Thiessen) awakens with no memory of her past life or of the events leading up to the event that caused her amnesia. As she goes from person to person asking details of her life history, Alison is unaware that some of the interviewees are lying--and not without good reason. It turns out that there is a Very Powerful Person who doesn't want Alison's memory to return. . .and is willing to kill to make certain that it never does. Also in the cast is David Newsom as a kindly psychiatrist who insists upon helping Alison lift the veils from her mind--but why? Sweet Dreams originally aired September 16, 1996 on NBC. ~ Hal Erickson, Rovi

This interesting action-horror film stars Mario Van Peebles as a tough cop who becomes the latest recruit in a secret faction of the police which not only operates on the fringes of the law, but is also composed entirely of werewolves. Horror fans who choose to embrace the fundamental goofiness of this premise will find an interesting blend of hyperkinetic John Woo-style action, comic-book fantasy, and good old-fashioned monster mayhem. Inducted into the league of lycanthropic lawmen by one of its more aesthetically pleasing members (Patsy Kensit), Van Peebles partakes of a drug which, like the others on the squad, brings out his animal instincts and endows him with superhuman strength and agility (as well as some unsightly body hair). Despite some touches of black comedy, director Anthony Hickox plays the material fairly straight, with a strong emphasis on slick, tightly edited action sequences. Originally produced for HBO, this was later released on video with some of the gorier footage restored. ~ Cavett Binion, Rovi

Transformed into a superhero during a secret World War II military experiment, Captain America (Matt Salinger) awakens from suspended animation forty years later to face his old enemy, the Nazi warrior Red Skull (Scott Paulin). This low-budget adaptation of the Marvel comic book series received very little attention upon its delayed release. ~ Judd Blaise, Rovi

Actress Susan Ruttan, who played the quietly efficient legal secretary on LA Law, does an artistic about-face in the TV movie Deadly Medicine. She plays a Texas pediatrics nurse who may have committed several "mercy killings" of her charges. 43 babies die under mysterious circumstances, with Ms. Ruttan seemingly always lurking in the corridor. When confronted by doctor Veronica Hamel, Susan threatens to accuse Ms. Hamel of the murders--and she does, with astonishing success. Though constructed like a network "mystery of the week", Deadly Medicine is founded on fact. ~ Hal Erickson, Rovi

Teenage angst finds a new voice in this drama. By day, Mark Hunter (Christian Slater) is a quiet, studious student at an ordinary suburban high school in Arizona. But at night, Mark creeps down into his basement, fires up his pirate radio transmitter, and broadcasts to the community as Hard Harry, a sexually obsessed social commentator who passes along angry philosophy about the state of teenage life when not blasting punk rock or gangsta rap cuts. Hard Harry's sworn nemesis is high school principal Mrs. Cresswood (Annie Ross), who keeps SAT scores up at the expense of her students' dignity and individuality by eliminating "troublemakers" from the student body. Hard Harry's broadcasts, however, have become a rallying point for the school's misfit underclass, and Mrs. Cresswood is determined to track down the mystery student and bring him to justice (broadcasting without a license, he's not merely an annoyance, but a criminal). The war against Hard Harry intensifies when he broadcasts data from confidential school board reports; Mark's father is a school commissioner, but he has no idea what his son is doing in the basement. Meanwhile, Mark gains the attentions of Nora (Samantha Mathis), who has figured out who he becomes at night. More serious and intelligent than the average teen film, Pump Up the Volume was written and directed by Allan Moyle, who previously dealt with disaffected, music-obsessed teens in Times Square and would return to them with Empire Records. ~ Mark Deming, Rovi

Friends in Georgia are broken up when an enticing teenager comes between them as told in this true story. ~ Rovi

An entertaining hybrid of Amicus-style horror anthology and gritty low-budget western, this first-time effort from writer-director Wayne Coe succeeds where many such genre-bending attempts have failed. The quartet of uneven but well-mounted stories are spun around a desert campfire by grizzled, menacing bounty hunter Morrison (a rousingly hammy James Earl Jones) and wet-behind-the-ears city slicker Farley (Brad Dourif). Morrison starts off with the tale of an Indian tribe's ritual revenge against the drunken cracker who desecrates their sacred burial ground; When Farley seems interested but unfazed, Morrison follows up with the more visceral story of a Good Samaritan who succumbs to temptation while rendering aid to a pregnant woman, leading to a particularly disgusting (though definitely original) demise. Appalled by the storyteller's lack of taste, Farley counters with a down-to-earth morality tale involving a prairie settler's young daughter who witnesses her father's horrifying act of hate, realizing that the man she trusted with her life is a very human breed of monster. Morrison acknowledges his companion's skill but offers another violent story according to his own idiom -- that of a slick gunfighter who gets his comeuppance by his own hand after winning a deadly competition. The stories feature fine acting and direction but are ultimately overshadowed by the engaging framing story and lack much of the dramatic payoff of their earlier British counterparts. ~ Cavett Binion, Rovi

One by-product of two consecutive Oscar wins is that Tom Hanks no longer has to appear in such potboilers as Turner and Hooch. Hanks plays Turner, a meticulously groomed, excruciatingly well-organized detective working in a small California coastal town. When local "character" Amos Reed (John McIntire) is murdered by drug smugglers, the only witness is Reed's slobbery, smelly mutt, Hooch. You're way ahead of us, folks: Turner, who despises dogs in general and Hooch in particular, is compelled to put the cantankerous dog up as his house guest. Also easily predictable is the fact that Turner and Hooch will, by the next-to-last reel, become boon companions. To its credit, the film has an abundance of laughs and thrills...but, gee, that ending! Neither terrific nor terrible, Turner and Hooch is a pleasant time-filler; we do wish, however, that more time had been spent on the budding romance between Turner and veterinarian Emily Carson (Mare Winningham). ~ Hal Erickson, Rovi

The polluters on planet Earth pose a significant risk to the rest of the galaxy and for this reason two alien agents from the Intergalactic Environmental Protection Agency are dispatched to destroy the offending world. This erotic sci-fi parody chronicles their adventures that begin with the suicide of a young man who soon after ingesting a fatal glass of bleach finds his body inhabited by one of the aliens who calls himself Bailey. The newly revived fellow begins hitchhiking to Vegas where he is picked up by Wilma, her fiance Hiram, and the luscious Eve who has come to witness their upcoming nuptials. En route, after telling them that he is a sex maniac from outer space, Bailey kills the happy couple and kidnaps Eve to a warehouse where he tries to seduce her, but not before he tells her of his mission. Later Bailey's partner Brick Bardo shows up and corroborates his outlandish story. He too tries to sleep with Eve. Things really get crazy when a re-animated Wilma shows up and reveals herself to be a cosmic cop who has come to arrest the phony alien agents who have stolen a destructive weapon. ~ Sandra Brennan, Rovi