Will Patton Movies

Executive produced by Steven Spielberg, the sprawling six-part, 12-hour TV miniseries Into the West covers 65 years of American history, from the first major migration westward in the mid-1820s to the massacre at Wounded Knee in the early 1890s. The story is largely seen through the eyes of two protagonists (and their families): Jacob Wheeler (Matthew Settle), a wheelwright who leaves his Virginia hometown and his family's business in 1827 to seek his destiny in the company of legendary mountain man Jedediah Smith (Josh Brolin); and Loved by the Buffalo (George Leach), a Lakota Sioux holy man who spends a lifetime seeking the answers to his profound and disturbing images about the future of his country -- and his people. Eschewing the usual "old-age makeup" route often pursued in epic tales of this nature, the main characters are played by progressively older actors in the course of the story: for example, Loved by the Buffalo is portrayed by no fewer than four different performers! In a more traditionalist How the West Was Won vein, the miniseries is festooned with major stars, some cast in very brief roles: among these are Josh Brolin, Keri Russell, Matthew Modine, Beau Bridges, Gary Busey, Tom Berenger, and Judge Reinhold. Nor is How the West Was Won the only inspiration for the multi-plotted storyline: other films echoed and emulated throughout the saga include The Iron Horse, The Big Trail, Westward the Women, The Searchers, and Dances With Wolves. As mentioned, the story is divided into six parts: "Wheel to the Stars," in which the fates of Jacob Wheeler and Loved by the Buffalo become forever intertwined; "Manifest Destiny," chronicling the first major trek to California; "Dreams & Schemes," wherein the Lakota lands are despoiled by Gold Fever and war breaks out between the North and South; "Hell on Wheels," chronicling the postwar chaos and the coming of the railroad; "Casualties of War," wherein the conflict between Native Americans and the white man results in wholesale bloodshed -- and, surprisingly, a "counter-revolution" of compassion and understanding; and "Ghost Dance," the last great stand of the Lakota, which brings the story full circle. Largely filmed in the Canadian Rockies over a six-month period, and utilizing the talents of six directors, Into the West premiered June 10, 2005, on the TNT cable network. ~ Hal Erickson, All Movie Guide

Inasmuch as the made-for-cable The Last Ride was assembled by the same folks responsible for such action films as The Fast and the Furious and XXX, one shouldn't be surprised that the picture is virtually one long thrill-packed car chase. Released from prison after three decades, modern-day outlaw Ronnie Purnell (Dennis Hopper) is determined to get even with Darryl Kurtz (Fred Ward), the cop who in 1974 put Ronnie away after a violent skirmish in which Ronnie's wife was killed. To this end, Purnell enlists the aid of his hero-worshipping grandson, Matthew (Chris Carmack), who brings along his sexy girlfriend (and ace auto mechanic) JJ Cruz (Nadine Velazquez). Wasting no time, Purnell revs up his beloved 1969 Pontiac GTO, in which he has the key to a safety deposit box containing damning evidence against Kurtz, and embarks on a spectacular crime-and-speed spree. Hoping to stop Purnell dead in his tracks is his own police officer son (and Matthew's father), Aaron Purnell (Will Patton), who had been raised by Kurtz after the arrest of his dad and the death of his mom. Described by one critic as "an 87-minute car commercial," The Last Ride originally aired June 2, 2004, on the USA cable network. ~ Hal Erickson, All Movie Guide

Aris Iliopulos directed this campy comedy utilizing schlock filmmaker Ed Wood's last unproduced screenplay. Stock footage and old hygiene films are intercut with this near-silent story following a cross-dresser (Billy Zane), who escapes from the Casa de la Loco Sanitarium, manages to acquire some money, and then loses it at a funeral attended by eccentric mourners. He then seeks them out, killing them one by one. Some script instructions appear as titles. Bud Cort makes an uncredited appearance, and Wood aficionados can spot Kathy Wood (the filmmaker's daughter) in a walk-on, while Maila Nurmi re-creates her famed Vampira characterization. Larry Groupe's punk score alternates with standards by Nat "King" Cole and others. Shown at the Toronto Film Festival. ~ Bhob Stewart, All Movie Guide

In this political thriller set in Bangkok, a young woman finds herself drawn into a scheme designed to assassinate Henry Kissinger, the former Secretary of State. The film offers wonderful views of the Thai city. The film opens with the death of American Rachel McCarthy, who is murdered in her limo as she travels to the airport to meet her daughter Jessie whom she has not seen in over a decade. Jessie, a bit of an innocent, goes to her mother's estate and discovers that her mother had been part of an international plot. Vietnamese refugees were involved. The point of the conspiracy is to sabotage a treaty between the U.S. and Vietnam. Along the way she encounters many fascinating characters. The most important are U.S state Dept official, Fran Jakes, agent Michael Murphy with the CIA, and Major Somchai, Thai detective. ~ Sandra Brennan, All Movie Guide

Following up the goofy big-screen comedies Dragnet and Delirious, director Tom Mankiewicz delivered this made-for-cable thriller starring Tony Goldwyn and Lynn Whitfield. After witnessing a murder, Goldwyn finds himself pursued by a group of thugs led by mafia boss Alan Arkin. Whitfield stars as the detective assigned to ensure that Goldwyn not only doesn't flee out of fear for his life, but stays alive long enough to testify at the murder trial. Along the way, as the two spend more time together, a romance ensues. Peter Boyle, George Segal and Will Patton round out the cast, and the film was scripted by Dan Gordon who would later gain noteriety as a scribe on 1999's The Hurricane. ~ Matthew Tobey, All Movie Guide

Based on a true story, the made-for-TV Child Lost Forever was advertised as a "docudrama." A unwed teenage mother is forced to give up her baby for adoption. 16 years later, the girl (played as an adult by Beverly D'Angelo), now married and the mother of two, decides to look for the son she lost. She finds that the boy died at age three under mysterious circumstances. The more she investigates, the more she realizes that she's stumbled upon a long-hushed-up case of child abuse. Child Lost Forever debuted November 16, 1992. ~ Hal Erickson, All Movie Guide

Dillinger is a messily directed, haphazardly edited TV movie, which takes a revisionist squint at the criminal career of the 1930s' Public Enemy Number One. Mark Harmon captures some of the charisma but little of the ruthlessness of John Dillinger, while Sherilyn Fenn gives an anachronistic interpretation of the gun moll who eventually betrays Johnny D. to the Feds. Vince Edwards is supposed to be FBI founder J. Edgar Hoover, but comports himself more like a grouchy crossing guard. The film is rife with poorly staged gun battles (including the Biograph Theatre finale), shot in a shivery "MTV" fashion which suggests that the camera operator has St. Vitas' Dance. Most of Dillinger was lensed in Milwaukee, Wisconsin; the 1930s-style exteriors were well chosen, though the interior scenes at FBI headquarters look like they were filmed inside the Milwaukee Public Library--which indeed they were. ~ Hal Erickson, All Movie Guide

Gathering of Old Men was based on the novel by Ernest J. Gaines, who'd previously written The Autobiography of Miss Jane Pittman. Like Pittman, Gathering builds its narrative upon a tapestry of deep-bred racial intolerance in the South. When a bigoted white Louisiana tenant farmer is killed, black sharecropper Louis Gossett Jr. is the most likely suspect. Plantation manager Holly Hunter, fearing a lynching, rallies Gossett's friends to form a united front to ward off any vigilantes. Sheriff Richard Widmark arrives to arrest Gossett, whereupon his old friends, in Spartacus fashion, all confess to the killing. Even threats of violent retaliation cannot dissuade these elderly black men from displaying their pride to the white powers-that-be. Adapted for television by Charles (A Soldier's Story) Fuller, it was first broadcast on May 10, 1987. ~ Hal Erickson, All Movie Guide

Per its title, Chinese Boxes plays the riddle-wrapped-in-a-mystery-wrapped-in-an-enigma angle to the hilt. Will Patton plays an innocent American who finds himself in the middle of international intrigue. With West Berlin as backdrop, the story takes so many twists and turns that one may well need a book of directions by fadeout time. Robbie Coltraine and Gottfried John are among the supporting actors who are not what they seem and never say what they mean. Chinese Boxes was a fairly smooth German/British collaboration, with little indication of any on-set communication breakdowns (surely somebody understood what was going on). ~ Hal Erickson, All Movie Guide

Christine (Sandy McLeod) is a ticket-taker at a Manhattan porn cinema. Her ability to separate reel life from real life is seriously impaired in this slow, often silent, and ultimately enigmatic study of a lonely young woman who first despises the porn and then becomes fascinated with it and the clients who attend the shows. Her inclinations become more active than passive after she decides to follow an elegantly turned-out "businessman" from the theater into an adult video shop, where they begin talking and he invites her to a Yankee game (that dates this movie!). Once at the game, the man leaves for a moment, and Christine follows him again, this time to some sort of strange rendezvous. At this point, it is difficult for both Christine and the viewers to distinguish reality from fantasy, leaving everyone in limbo. ~ Eleanor Mannikka, All Movie Guide