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George Patterson Movies

1992  
R  
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Actor Robert De Niro started a production company to make films just like this one: stories which were unpopular with the establishment and which are unlikely to make a big splash at the box-office. Even so, this is a first-class production, and the filmmakers were the first to receive permission to film on the Pine Ridge (Sioux) Reservation in South Dakota, likely due to director Michael Apted's having previously made an accurate and sensitive documentary about Indian political prisoner Leonard Peltier's case, Incident at Oglala. The film did exactly as well as expected at the box-office but has since assumed greater importance as one of the tiny number of "mainstream" movies which faithfully and respectfully illuminate Native American issues. In the story, loosely based on the earlier documentary, Ray Levoi (Val Kilmer) is an ambitious up-and-coming FBI agent in the 1970s with great career prospects. The one thing he will not tolerate is any reference to his half-Indian heritage. As far as he is concerned, his loyalties and culture identify him with the government and his white mother. He is extremely touchy about anything to do with his father, who was an alcoholic full-blooded Sioux. However, the FBI wants to take advantage of his half-Indian blood to mend fences in a politically sensitive murder investigation, and it sends him exactly where he doesn't want to go. Further, he is widely advertised as being Indian, though he knows virtually nothing about his heritage and has renounced it to the best of his ability. Once on the reservation, he becomes deeply involved in a truly messy state of affairs and is drawn into situations where he is forced to confront his background, native spirituality, and the duplicity of the government and its allies within the tribe. Despite his consistent prickliness about his heritage, his heart is in the right place, and the reservation's sheriff (Graham Greene) and a wise spiritual elder (Chief Ted Thin Elk) patiently lead their unwilling FBI pupil on a soul-wrenching wild goose chase which paradoxically takes him straight to the heart of the matter. ~ Clarke Fountain, Rovi

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Starring:
Val KilmerGraham Greene, (more)
 
1976  
R  
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Released theatrically as God Told Me To, this inventive film from "B"-movie auteur Larry Cohen was later re-named Demon after television distributors refused to air it under the original title. The convoluted, tabloid-flavored storyline (predating the kind of stories frequently featured on The X-Files) involves a series of motiveless murders committed by various New York residents: a sniper picks off targets from a water tower; a mild-mannered father murders his entire family; and a cop (Andy Kaufman, of all people) opens fire during a St. Patrick's Day parade. The only consistent pattern to the crimes involves the perpetrators' calm admissions of guilt, explaining, "God told me to." While investigating the murders, devoutly-Catholic police detective Peter Nicholas (Tony Lo Bianco) is increasingly troubled by evidence of a Christ-like figure named Bernard Phillips (Richard Lynch) who appeared to each of the killers and can't seem to shake the feeling that his own fate is inexplicably linked to this mysterious being. As he comes closer to the truth, his worst fears are confirmed -- particularly after a telling conversation with Bernard's tormented mother (Sylvia Sidney), who reveals the horrifying secret of her son's unnatural birth. Cohen has often used the "B"-movie format to address rather lofty concepts, and this is certainly no exception -- tackling no less than the existence of God and the nature of human beliefs -- but clumsy editing and an outrageous FX-heavy finale tend to obscure this film's unique vision. ~ Cavett Binion, Rovi

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1971  
R  
The top half of a legendary drive-in double bill, paired by distributor Jerry Gross with the re-titled 1964 clunker I Eat Your Skin (formerly Voodoo Blood Bath), this outrageously gory film involves the escapades of a group of devil-worshipping hippies looking for kicks in a small rural town. To this end, they manage to slip a few tabs of LSD to an elderly man -- triggering a fatal freak-out -- and the man's teenage grandson exacts a vicious revenge by selling the hippies meat pies injected with the blood of a rabid dog. Before long, the infected kids are leaping at each other's throats in a cannibal feeding frenzy, spreading the disease like wildfire through the small community. Blood and body parts fly in all directions until nearly the entire cast has been devoured -- with the exception of one young woman who carries the contagion to the rest of the world, beginning with a pair of unsuspecting construction workers. Aside from the aforementioned double-billing, this intense, well-made exploitation item is also notorious for being one of the first to receive an "X" from the MPAA solely for its graphic violence. ~ Cavett Binion, Rovi

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1965  
 
Every 1960s TV sitcom had at least one obligatory "Beatles" spoof, and Gilligan's Island is no exception. In this case, a mop-topped musical aggregation called the Mosquitoes--Bingo, Bango, Bongo and Irving--arrive on the island to escape their fans. When it becomes obvious that the Mosquitoes aren't about to leave in a hurry, much less take the Castaways back with them, the islanders form two singing groups of their own in hopes of making the Mosquitoes worried enough about competition to return to the Mainland. This is the episode in which Ginger (Tina Louise, Mary Ann (Dawn Wells) and Mrs. Howell (Natalie Schafer--aka "The Honeybees"--perform that deathless r-and-r ballad "You Need Us." (Incidentally, three of the four Mosquitoes are portrayed by the The Wellingtons, the group that performs the series' theme song at the beginning and end of each episode). ~ Hal Erickson, Rovi

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Starring:
Les Brown, Jr.George Patterson, (more)
 
1960  
 
In this romantic comedy, three bunglers find jobs at a matchmaking service. None are pleased with their jobs until a beautiful con-artist, posing as an heiress appears to spice up their lives. ~ Sandra Brennan, Rovi

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1952  
 
In this murder mystery, an aspiring novelist and amateur detective begins looking into the case of a famous unsolved murder and eventually ends up in a mansion filled with serpents. He then enlists the aid of his wife, solves the murder, and gets kudos for his newest book. ~ Sandra Brennan, Rovi

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1948  
 
Based on the play by Peter Blackmore, Miranda was the first of two British comedies starring Glynis Johns as a mischievous mermaid. Rescued from a watery grave by the finny-tailed Miranda (Johns), handsome doctor Paul Marten (Griffith Jones) agrees under durress to take his lovely rescuer to London. Hiding her scaly lower extremities with a blanket, Miranda pretends to be a patient in Paul's clinic, much to the discomfort of his jealous spouse Clare (Googie Withers). Along the way, two eligible bachelors (David Tomlinson and John McCallum) fall in love with Miranda-and are they in for a surprise! The irreplaceable Margaret Rutherford is a riot as Miranda's befuddled nurse. Incidentally, David Tomlinson and Glynis Johns were reteamed in 1964 as Mr. and Mrs. Banks in Mary Poppins. ~ Hal Erickson, Rovi

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Starring:
Glynis JohnsGoogie Withers, (more)
 
1947  
 
Set in Yorkshire in the 19th century, this period drama centers upon a family of mill owners. The story shifts from the well-to-do surroundings of the Crowther family to the less desirable conditions in the mill. While there are the usual crises, disasters, and labor clashes, the film manages to include a few humorous moments, mostly providing by top-billed comic actor Tom Walls. The production couldn't really hope for a profitable American run, but it did well in the provincial British cinemas. Master of Bankdam was based on the novel The Crowthers of Bankdam by Thomas Armstrong. ~ Hal Erickson, Rovi

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Starring:
Edgar K. BruceAnne Crawford, (more)