Dorothy Patrick Movies

James Mitchell stars as a gunslinger-turned-parson in The Peacemaker. Arriving in a hostile western town, Rev. Terrall Butler (Mitchell) intends to win over the townsfolk with faith rather than force. His religiosity is immediately put to the test when Butler tries to mediate a feud between the local ranchers and farmers. He then must face down the vicious gunmen hired by railroad mogul Gray Arnett (Herbert Patterson), who intends to lay his tracks through the territory despite the protests of the farmers. The Peacemaker was the first and last effort from Hal B. Makelim Productions. ~ Hal Erickson, Rovi

Three bank robbers (J. Carroll Naish, Lee Marvin, Stephen McNally) case a small Arizona mining town prior to pulling a holdup. The audience get to know the various townsfolk as they're scrutinized by the crooks. Victor Mature plays a man who is a disappointment to his son because he didn't serve in the war. Tommy Noonan is a meek bank manager with a habit of spying on a pretty customer as she undresses in her second-story bedroom. Sylvia Sidney is a petty thief who has deposited her stolen funds in the bank. Margaret Hayes is the cheating wife of a local leading citizen, who is killed in the holdup. And Ernest Borgnine is a pacifistic Amish farmer, forced to take violent action when his children are threatened by the criminals (Borgnine's pitchfork-wielding scene was reproduced for the print ads of this film, leading some critics to assume that he was the villain!) The hero of the day turns out to be the "unheroic" Mature, who after being kidnapped by the crooks frees himself and prevents their escape. Violent Saturday is based on a novel by William I. Heath. ~ Hal Erickson, Rovi

Leave it to MGM to turn the Korean War into a splashy, big-budget, all-star extravaganza. Men of the Fighting Lady is set on the US aircraft career of the same name. Van Johnson stars as Lt. Howard Thayer, while other MGM stalwarts in the cast include Walter Pidgeon, Kennan Wynn and Louis Calhern. The film's highlight is the famous fact-based scene wherein Lt. Thayer "talks in" blinded pilot Kenneth Schechter (Dewey Martin), assuring a safe landing for the incapacitated flyer. As a novelty, no concessions are made to the "love stuff" addicts in the audience: there is no contrived romantic subplot in the film, nor are there any women in the cast. Men of the Fighting Lady was based on two literary works: "The Case of the Blinded Pilot" by Cmdr. Harry A. Burns, and "The Forgotten Heroes of Korea" by James A. Michener (who is impersonated in the film by Louis Calhern). ~ Hal Erickson, Rovi

Red Skelton does his best with the situation-comedy trappings of Half a Hero. A sort of poor man's Mr. Blandings Builds His Dream House, the story concerns one Ben Dobson (Skelton), whose wife Martha (Jean Hagen) talks him into leaving the big city and moving into a suburban housing development. Unfortunately, Ben doesn't make enough money to support his new life style, but Martha refuses to consider moving back downtown. When Ben's boss tells him to write a magazine article about the disadvantages of suburbia, Ben seizes upon the opportunity, hoping to teach his wife a lesson, and then, suddenly and improbably, our hero has a change of heart. Domestic comedy was not Red Skelton's forte, but he manages to extract a few laughs with the material at hand. Much funnier within the film's context is Kathleen Freeman as a "welcome wagon" lady and Willard Waterman as an unctuous real estate broker. ~ Hal Erickson, Rovi

The fate in the Free World is threatened when three atomic scientists decide to sell their secrets to the Reds. American secret agent Steve (George Brent) heads to Tangier, where he poses as a black marketer in hopes of intercepting the rogue scientists. But Steve finds he has a formidable foe in the shapely shape of Soviet spy Millicent (Mari Aldon), who is posing as an American heiress to throw the Good Guy off the track. Dan Seymour, veteran of such espionage mellers of the 1940s as Casablanca and To Have and Have Not, has a juicy role as the head of the Tangier police. Tangier Incident wasn't quite an "A" picture, but it was too slick and expensive-looking to qualify for a "B." ~ Hal Erickson, Rovi

Joan Crawford's first Technicolor feature has come to be known as a textbook example of "high camp." Crawford stars as musical comedy luminary Jenny Stewart, who has been hardened by the worst life has to offer. Romance enters her life in the form of her new piano accompanist, blinded war-veteran Tye Graham (Michael Wilding). The fact that Graham refuses to kowtow to the temperamental Jenny's demands, coupled with the adversarial behavior of Graham's seeing-eye dog, makes the pianist all the more attractive to the lonely songstress. Torch Song is a favorite of bad-movie buffs and female impersonators the world over: Highlights include Crawford's blackface musical number, and the now-classic scene in which she simulates blindness to better understand the taciturn Graham. Director Charles Walters, a former choreographer, appears as Crawford's two-left-feet dancing partner in the opening scenes. ~ Hal Erickson, Rovi

Director Leslie Selander pulls out all the stops in this the last of RKO's Tim Holt Westerns. A wounded parolee, Carver (Walter Reed), hires stagecoach operators Tim and Chito (Richard Martin) to drive him to Mexico. En route, they encounter Emily (Joan Dixon), the local schoolmarm, who recognizes Carver as the man who embezzled 100,000 dollars from her father, a banker who chose suicide rather than face disgrace. But there are plenty others aware of Carver's secret, including his unscrupulous lawyer, Bronson (John Dehner); his greedy girlfriend, Roxie (Dorothy Patrick); and Roxie's newest beau, Dave Warwick (Clayton Moore). Soon everyone is holed up in a deserted roadhouse -- whose owner, Burley (Michael Mark), has mysteriously disappeared. ~ Hans J. Wollstein, Rovi

This delightful adaptation of Rafael Sabatini's swashbuckling novel stars Stewart Granger as Andre Moreau, an 18th-century French nobleman who is publicly humiliated by the Marquis de Maynes (Mel Ferrer). Challenged to a sword duel by the Marquis, Andre, who knows nothing about fencing, runs away, taking refuge with a theatrical troupe. He hides behind the personality of Scaramouche, a zany clown, and in his spare time romances his sexy leading lady Lenore (Eleanor Parker). Seeking revenge against de Maynes, Andre takes fencing lessons from swordmaster Doutreval (John Dehner). It isn't long before Andre has developed a reputation as the finest swordsman in France--which, as intended, arouses the ire of de Maynes. The two opponents face off in a deserted theater; the ensuing sword duel, running nearly seven minutes, is one of the best ever committed to film. Before he can plunge his blade into de Maynes, Andre discovers that he and the Marquis are half-brothers. The two men instantly forget their differences, and Andre's honor is fully restored. He ends up not in the arms of the sensuous Lenore but with a woman of his own class, Aline de Gavrillac (Janet Leigh)--while a gag ending reveals that Lenore has found herself a new and highly influential boyfriend. Lewis Stone, star of the 1923 silent version of Scaramouche, appears in the remake in the supporting role of Georges de Valmorin. ~ Hal Erickson, Rovi

Wayne Morris and Preston S. Foster go through their patented he-man paces in Columbia's The Big Gusher. Cast as oil-field workers Kenny Blake and Hank Mason, our heroes try their luck as wildcatters. Against their better judgment, they rely upon grizzled Cappy Groves (Paul E. Burns) to locate hidden oil with a divining rod. On the brink of success, the boys fall for the trickery of Betsy Abbott (Dorothy Patrick), who is in cahoots with crooked oil-supply dealer Jim Tolman (Emmett Vogan). It takes a while before the titular gusher solves everyone's problems. ~ Hal Erickson, Rovi

Dorothy Patrick, the sweetheart of Republic Pictures' "B" unit, stars in Lonely Hearts Bandits. Patrick plays Louise Curtis, a petty crook who teams with mobster Tony Morelli (John Eldredge) to fleece the lonely. Victim number one is a lovelorn farmer, who is summarily robbed and murdered by Morelli. The second victim is a small-town widow Nancy Crane (Ann Doran). Passing themselves off as brother and sister, Louise and Tony intend to fleece Nancy for every penny she's got and to bump her off if she gets in the way. This time, however, Nancy's erstwhile fiancé Aaron Hart (Richard Travis) suspects that something is amiss. Hopefully, Hart's realization hasn't come too late. ~ Hal Erickson, Rovi

Fritz Lang was the guiding hand of this laudable Republic Studios melodrama. Louis Hayward stars as a wealthy wastrel who tries to seduce the family maid. She resists, and he kills her. Long jealous of his brother Lee Bowman, Hayward does his best to pin the blame for the murder on his sibling. Also affected by Hayward's arrogant dementia is his long-suffering wife Jane Wyatt. Originally, director Lang had proposed that the unfortunate maid be a black woman, and that the killing take place accidentally during some harmless flirtation on Hayward's part. He was vetoed by the timorous Republic staff (even the slightest hint of miscegenation was taboo in 1950), but House by the River turned out pretty well all the same. ~ Hal Erickson, Rovi

After several supporting and guest appearances, Latino singer-actress Estelita Rodriguez was given her own Republic starring vehicle, Belle of Old Mexico. The plot wasn't new in 1950--for that matter it wasn't new in 1920. Wealthy Kip Artmitage III (Robert Rockwell) honors his late wartime friend's request to look after the friend's "little sister." Surprise! Sis turns out to be all-grown-up Rosita (Estelita), causing no end of difficulty for Armitage, who's engaged to marry the avaricious Deborah (Dorothy Patrick). Most of the film's best moments are delivered by Florence Bates as Deborah's eternally inebriated mother. The 70-minute running time affords Estelita Rodriguez plenty of room to perform four peppery musical numbers. ~ Hal Erickson, Rovi

Under Mexicali Stars spotlights Republic's newest singing cowboy, Rex Allen. Our hero plays a U.S. treasury agent, hot on the trail of gold smugglers. It's a plot as old as the movies itself, but Allen was a fresh new personality in 1950, thus the film takes on some of his freshness. Besides, the methods utilized by the smugglers are intriguing, especially to the coin collectors in the audiences. Republic's all-purpose leading lady Dorothy Patrick co-stars. Under Mexicali Stars manages to evenly balance its action highlights and musical numbers, to everyone's satisfaction. ~ Hal Erickson, Rovi