Vincent Pastore Movies

The first season of The Sopranos finds lifelong "organization man" Tony Soprano (James Gandolfini) taking over from Jackie Aprile Sr., terminally ill boss of the northern New Jersey branch of the DiMeo crime family. Tony's promotion is met with mixed reactions from his wife Carmela (Edie Falco), daughter Meadow (Jamie-Lyn DiScala) and son AJ (Robert Iler), but his loyal lieutenants Paulie Walnuts (Tony Sirico), Sil (Steve Van Zandt) and Big Pussy (Vincent Pastore) are effusive in their congratulations. Also pleased by Tony's ascent is his protégé and surrogate nephew Christopher Moltisanti (Michael Imperioli), who will soon come to enjoy the perks and publicity attending Mob "royalty" (if his growing dependence on crystal meth doesn't kill him first). But uneasy lies the head that wears the crown, and soon Tony is suffering more than usual from anxiety attacks and weird nightmares. Thus he seeks out the counsel of analyst Dr. Jennifer Melfi (Lorraine DiBracco), who despite her fears that she'll be "whacked" once her usefulness comes to an end is fascinated by Tony and won't let him go. One of Tony's biggest headaches is his Uncle Junior (Dominic Chianese),who is p.o.'d that he was denied Jackie Aprile's job in favor of his nephew. Junior spends most of the season conspiring against Tony--and ironically, his chief co-conspirator is Tony's own mother Livia (Nancy Marchand). Also vexing Tony is the revelation that there's an FBI "mole" in his midst--and when that mole is revealed in Season Two, it's a real heartbreaker for the troubled Mr. Soprano. ~ Hal Erickson, All Movie Guide

Vincent (Danny Aiello), aging, war-weary hit man for the Mob, becomes the target of Tommy (William Forsythe), the hot-headed son of the new family boss. While Vincent considers his options (retirement, of course, is not one of them) and reflects on his violent life, Tommy tries to find the wherewithal to slay the man he considers a lifelong father figure. Still, a contract's a contract. Can religion, loyalty, or money save Vincent from his apparent fate?
~ Buzz McClain, All Movie Guide

This crime drama, based on the best-selling novel by Mario Puzo, follows 20 years in the long reign of powerful Mafia kingpin Don Domenico Clericuzio (Danny Aiello). For years, the Clericuzios have been warring with a rival crime family, the Santadios, which is not helped when Domenico's daughter Rose Marie (Kirstie Alley) decides to marry the son of the head of the Santadio clan. On the night of Rose Marie's wedding, Domenico orders the execution of the entire Santadio family, including his new son-in-law. Rose Marie is pregnant as a result of her brief honeymoon, and her son Dante (Rory Cochrane) grows up to become a hired killer with a bitter hatred of his grandfather. Meanwhile, Pippi De Lena (Joe Mantegna), Domenico's key enforcer who carried out the slaughter of the Santadinos, has been grooming his son Croccifixio (Jason Gedrick) to take over as the Clericuzio's new trigger man. However, after he muffs a crucial execution, Croccifixio is sent to work with the family's operations in Las Vegas, where he becomes involved with starlet Athena Aquitane (Daryl Hannah). Soon Dante makes a risky bid to seize control of the Santadio family's crime empire. Originally produced as a television miniseries, the home video release of The Last Don is 262-min. long and it includes material not used for television broadcast. The video version features adult language and nudity and received an R rating. The Last Don co-stars Robert Wuhl, Penelope Ann Miller, Seymour Cassel, Burt Young, and k.d. lang. ~ Mark Deming, All Movie Guide

A Manhattan woman struggles with loneliness in the face of her best friend's imminent marriage in this well-received independent comedy from first-time writer-director Nicole Holofcener. Amelia (Catherine Keener) feels isolated because her friend Laura (Anne Heche) has been devoting all her time to preparing for her upcoming wedding. Desperate, she resorts to the unthinkable: dating the nerdy, Fangoria-obsessed clerk at her local video store (Kevin Corrigan). This discouraging encounter, along with some awkward conversations with her former boyfriend, leave her even more depressed and jealous of Laura's good fortune. However, Laura soon reveals that she is having her own doubts about her future. ~ Judd Blaise, All Movie Guide

An ex-cop finds himself on the outs with both sides of the law in this drama. Tom Coletti (Frank Vincent) is a former police officer whose addiction to alcohol cost him his career and his marriage. Hoping to regain his self-respect and the love of his daughter Diane (Gloria Darpino), Tom gets a new job overseeing the destruction of corporate bonds issued on a New Jersey bank. Tom can use some money, and Diane is desperate to get away from her abusive husband, so Tom comes up with the idea of pocketing a small number of the bonds before they're burned and having a friend from the neighborhood sell them to an interested buyer. However, when members of the local syndicate get wind of this, they're angry that they haven't been given a share of the action, and Tom's middleman winds up dead. Tom is now targeted both by the customer who wanted the bonds and the angry mobsters and must turn to his former partner Jimmy (Gian DiDonna) for protection. Also known as Paperblood, West New York marked the feature debut for director Phil Gallo; he also wrote the screenplay, edited the film, and composed the original score. ~ Mark Deming, All Movie Guide

A pair of New York City cops collaborate on a plan to rob a cash-packed subway train in this action-comedy. Charlie (Woody Harrelson) and John (Wesley Snipes) are not just co-workers and close friends but also foster brothers. Because of this family connection, the reluctant John becomes involved in the more capricious Charlie's far-fetched scheme to rob the "money train" that collects the subway's daily grosses. Charlie needs the money for gambling debts, and robbing the train would have the added benefit of angering Charlie's and John's harsh, corrupt boss Captain Patterson (Robert Blake). Romantic interest is provided by a fellow police officer (Jennifer Lopez) who sparks rivalry between the brothers, but the film's main interest is in the violent events that surround the attempted heist, which naturally proves more complicated than planned. The film attempts to capitalize on the chemistry between Snipes and Harrelson, who had previously had a hit comedy with White Men Can't Jump (1992), but Joseph Ruben's unexceptional direction and a bland screenplay by Doug Richardson and David Loughery make the film less distinctive than its predecessor. ~ Judd Blaise, All Movie Guide

Ron Leibman and Jessica Walter, husband and wife in real life, play a married couple in this episode. A man who served as a juror in a mob trial is found murdered. When the chief suspect is brought to trial, Assistant D.A. Sam McCoy finds himself locked in a volatile courtroom battle with a longtime friend, defense attorney Mark Paul Kopell (Leibman). ~ Hal Erickson, All Movie Guide

Loosely based on a true story, this uneven romantic comedy depicts the unexpected way in which a winning lottery ticket unites a pair of strangers. Waitress Yvonne (Bridget Fonda) first meets police officer Charlie (Nicolas Cage) when he eats in her restaurant. Realizing that he doesn't have enough money to give her a tip, Charlie promises Yvonne to split any winnings from the lottery ticket he just bought. The skeptical Yvonne dismisses Charlie as just another cheapskate until he wins four million dollars and, much to Yvonne's surprise, decides to honor the agreement. His action becomes front page news and wins public acclaim, but it doesn't go over nearly so well with Charlie's wife Muriel (Rosie Perez), who has her own plans for the money. Muriel's shallow, greedy behavior disgusts Charlie, who finds himself spending more and more time with Yvonne, developing a friendship that threatens to blossom into something more. Jane Anderson's screenplay stresses the relationship between Charlie and Yvonne's characters over the situation's comic potential; this earnest tone will please romance fans but may disappoint viewers expecting the farcical comedy of writer/director Andrew Bergman's and Cage's previous effort, Honeymoon in Vegas. ~ Judd Blaise, All Movie Guide

Two estranged brothers discover that family secrets can have a high value on the wrong side of the law in this crime drama. Jack McCallister (Seymour Cassel) is an aging career criminal whose luck is about to give out; Jack and his henchmen are ambushed by police in the midst of a major robbery, which leaves Jack severely injured and his accomplices dead. Jack manages to hide the $500,000 from the robbery before he makes his way to his death bed, where he speaks with his two sons, George (Treat Williams) and Michael (Paul Schulze). George has followed Jack's example as a thief, though his violent recklessness suggests that his career will not be as long as his father's, while Michael makes ends meet as a con man, selling burial plots that don't exist to the elderly and gullible. George and Michael have never gotten along and don't trust each other, but before Jack dies, he gives each of his sons an important clue as to where his final windfall is hidden. If they are to find the money, George and Michael will have to put aside their differences and help each other, but of course they're not the only ones in town looking for the missing half-million. Handgun was the first theatrical feature for television director Whitney Ransick and also features Michael Rappaport, Frank Vincent, and Michael Imperioli. ~ Mark Deming, All Movie Guide

Carlito's Way is a tale of a former hood trying to escape his former life. Al Pacino is Carlito Brigante, a high-level Puerto Rican drug dealer sprung from a three-decade jail sentence after only five years, thanks to a technicality and his sleazy, cocaine-addled lawyer, Dave Kleinfeld (Sean Penn). Carlito renounces his previous ways and takes a job as the manager of a club that Kleinfeld has invested in, planning to save enough money so that he can eventually move to the Caribbean. But no sooner is Carlito back on the streets of New York than his old life claws at him in the form of both old partners (Luis Guzman) and vicious up-and-comers (John Leguizamo). Nevertheless, Carlito stays clean and even restarts his relationship with a dancer named Gail (Penelope Ann Miller), until he is finally led astray by Kleinfeld, who manipulates Carlito into participating in the murder of a Mafia don from whom Kleinfeld has stolen a million dollars. At that point, the race is on to see whether Carlito and Gail can escape his world for good. The film is based on two novels about Carlito written by New York State judge Edwin Torres. ~ Don Kaye, All Movie Guide

Jimmy Corona (James Lorinz) is related to a bunch of mafia types, sure, but he has always earned his living writing potboiler exposés on the killing of John F. Kennedy. Now his publisher insists that he write something gritty about society's underside instead. This makes the youngish man suicidal, but none of his amateurish attempts to end his own life succeeds. Eventually he decides to seek out his mobster uncle (Tony Darrow), who takes him under his wing. He is just getting into the swing of this new life when he is snared by the cops to get the goods on his uncle's second in command. However, Jimmy's competence and luck in this, as in everything else, soon turns sour, when his body mike starts playing that day's ball game. ~ Clarke Fountain, All Movie Guide

Not to be confused with the oft-filmed Fannie Hurst yarn Back Street, Backstreet Dreams is a contemporary drama of Humanity vs. the Streets. Jason O'Malley plays a New York hoodlum who doesn't trust his wife Sherilyn Fenn as far as he can throw her (and for good reason). The only person O'Malley truly cares for is his autistic son Shane, played by twin children Joseph and John Viezzi. Brooke Shields (who's better than you might think) enters the scene as a PhD candidate who hopes to get through to Shane. Now it is the unfaithful Fenn's turn to seethe with jealousy as Shields applies her "force holding" theory to Shane, she and O'Malley draw closer together. O'Malley is so taken by Shields' compassion that he severs his mob ties--but Big Boss Burt Young won't let him off so easy, and uses Shane as a "bargaining chip." Backstreet Dreams appears at times to be three films jumbled together; every time a story element starts rolling, it is exiled to the back burner in favor of another gratuitous subplot. ~ Hal Erickson, All Movie Guide