George Pastell Movies

In Guy Green's adaptation of John Fowles's acclaimed second novel, Michael Caine plays Nicholas Urfe, an English schoolteacher evading serious romantic commitment with stewardess Anne (Godard muse Anna Karina). As a last resort, Urfe escapes the clutches of his paramour by accepting a professorship on the Greek island of Phraxos, and, upon arrival, promptly discovers that his predecessor committed suicide. Via a clue left behind in the room of the deceased, Urfe soon encounters Conchis (Anthony Quinn), an impresario/psychic/black magician/filmmaker who may have been responsible for the former professor's death, and who twists Urfe's mind and perceptions, while subtly leading the young man down the path to higher consciousness. Urfe also discovers the radiant Lily (Candice Bergen), a Diana-like figure (and possibly a literal goddess incarnation), with whom he becomes instantly smitten - and who just happens to be Conchis's lover.

~ Nathan Southern, Rovi

In the second episode of the four-part story "The Tomb of the Cybermen," the Doctor (Patrick Troughton) and his friends have joined an archeological expedition on the planet Telos. Upon finding the ice tombs of the dreaded Cybermen, the Doctor also uncovers a horrible secret. Without giving the game away, it can be noted that there are at least three other members of the expedition who have their own agenda. Originally telecast September 9, 1967, Doctor Who: The Tomb of the Cybermen, Episode 2 was written by Kit Pedler and Gerry Davis. ~ Hal Erickson, Rovi

In this 1967 drama, resourceful British agent Bulldog Drummond, who appeared onscreen in a series of spy stories between 1929 and 1951, returned to duty in the wake of James Bond. Here, Drummond (Richard Johnson) is on the trail of Carl Petersen (Nigel Green), a corrupt industrialist who has a bad habit of stealing the ideas of others and then killing them so he can reap their profits. The nefarious Petersen has a team of female assistants willing to kill on command, led by Irma (Elke Sommer) and Penelope (Sylva Koscina). One more Bulldog Drummond vehicle, Some Girls Do, followed in 1969 before the series was retired again. ~ Mark Deming, Rovi

In the conclusion of the four-part story "The Tomb of the Cybermen," the titular villains unleash their Cybermat army on the members of an expedition on the planet Telos. Among those threatened is the Doctor (Patrick Troughton), who fortunately has the wherewithal to destroy the Cybermen. Unfortunately, he is also armed with the knowledge that if the Cybermen are indeed wiped out, the consequences could be devastating. Originally telecast September 23, 1967, Doctor Who: The Tomb of the Cybermen, Episode 4 was written by Kit Pedler and Gerry Davis. ~ Hal Erickson, Rovi

After declaring a holy war to rid the Sudan of Anglo-Egyptian rule in the 1880s, the fanatical Sudanese leader Muhammad Ahmad (Laurence Olivier) massacres a British-led force of 8,000 and marches on the strategic city of Khartoum at the confluence of the Blue Nile and the White Nile. The British government of Prime Minister William Ewart Gladstone (Ralph Richardson) then sends one of its greatest generals, Charles George Gordon (Charlton Heston), to Khartoum to make peace and save the city. Gordon had previously served with distinction in the Crimea, China, India and South Africa. Most important, he had also served as governor of the Sudan in the late 1870s at the request of the khedive of Egypt, instituting administrative reforms, reducing the slave trade and bolstering the economy. However, before Gordon reaches Khartoum with his aide, many of his former Sudanese friends defect to the Mahdi. Nevertheless, Gordon receives a rousing reception when he arrives in the city in February 1884. Heartened, he meets in the desert with the Mahdi to try to forge a peace agreement, but the Arab leader tells Gordon he is bent on taking Khartoum. What's more, he means to conquer other cities -- Cairo, Mecca, Baghdad and Constantinople -- to establish a vast empire under his leadership. Convinced that more war is inevitable, Gordon and the loyal Egyptian troops under his command prepare for battle. Meanwhile, in London, the Gladstone government is reluctant to dispatch troops to support the outnumbered Khartoum forces because colonial meddling has become bad politics. To forestall disaster, Gordon diverts the Nile to create a moat around Khartoum and leads a foray in which he steals cattle from the Mahdi's herd to supply the besieged city with food. But when the Nile recedes, the stage is set for the final battle that will decide the fate of Khartoum. ~ Mike Cummings, Rovi

The usally elegant and classy Francesca Annis is the fickle heroine of the British Run With the Wind. The girlfriend of boxer Sean Caffrey, Annis summarily dumps her beau in favor of the usual charming guy with guitar (Shawn Phillips). By the time Annis learns she's made a mistake, Caffrey has vowed never to take her back...and he doesn't. This slight piece was evidently designed as a vehicle for balladeer Shawn Phillips. Surprisingly, the character he plays is none too appealing-but then, neither is the film. ~ Hal Erickson, Rovi

The attempted assassination of a Middle Eastern potentate is tied in with a company specializing in making fantasies come true. In order to verify this link, Steed becomes a boon companion to the potentate, while Emma joins the ruler's harem. The sight of Diana Rigg in a flimsy harem costume performing "the dance of the six veils" was too much for American censors, which is why "Honey for the Prince" was yanked from ABC's Avengers package. English viewers were privileged to see this Brian Clemens-scripted installment on March 23, 1966. ~ Hal Erickson, Rovi

A British movie originally entitled Licensed to Kill, this is a satire on the James Bond brand of spy which has a bumbling agent attempting to foil the Russian acquisition of a Swedish anti-gravity formula. ~ Tana Hobart, Rovi

Disney produced this distilled Hitchcockian suspense yarn, diluted for the consumption of children. Hayley Mills stars as Nikky Ferris who is spending time in Crete at a small inn called The Moon-Spinners with her Aunt Frances (Joan Greenwood). One day Nikky discovers a handsome young man, Mark Camford (Peter McEnery), wounded in an empty church nearby. It turns out that Mark was once a London bank messenger, but he lost his job after a major jewel robbery. Tagged as a suspect, Mark has made his way to the inn to gather evidence against the inn's owner, Stratos (Eli Wallach), who Mark thinks is the real jewel thief. Nikky and Mark fall in love and decide to capture Stratos together. Silent screen vamp Pola Negri makes a luminous appearance as a jewelry aficionado. ~ Paul Brenner, Rovi

From Russia With Love, the second in the series of James Bond films, is the film that solidifies all the Bond film elements into a formula -- the action sequences are intensified and lend greater tension to the proceedings; John Barry's inimitable score makes its first appearance; and Sean Connery as Bond has nailed down his role as 007 -- accentuating Bond's stylishness and sophistication, while toning down his cold-bloodedness. In From Russia With Love, the bad guys don't want to take over the world. They want something more mundane -- a Russian decoding device. Assigned to the mission of stealing the decoding device are No. 3, former KGB agent Rosa Klebb (Lotte Lenya), and No. 5, Kronsteen (Vladek Sheybal), an expert chess player who has plotted every move of the mission. Kronsteen's plan requires using Bond's weakness for women as an element in acquiring the decoding device. Once Bond obtains the decoding device from Russian cipher clerk Tatiana Romanova (Daniela Bianchi), SPECTRE muscleman Red Grant (Robert Shaw) is to forcibly take it from Bond and kill him. But Bond suspects a trap. Being Bond, however, he can't resist the lure of a beautiful woman. So, flaunting danger, Bond travels to Istanbul to meet Tatiana. The centerpiece of this 007 feature is the thrilling fight to the death between Bond and enemy agent Red Grant aboard the Orient Express. ~ Paul Brenner, Rovi

One's enjoyment of On the Beat rests solely upon one's tolerance of British comedian Norman Wisdom, who can be described as a Jerry Lewis without the discipline. Wisdom plays a Scotland Yard parking attendant who seemingly can't draw breath without breaking something or knocking someone down. He wants to become a detective, but the Yard isn't quite ready for such a catastrophe. He proves his worth--and wreaks more havoc--by going undercover and trapping a gang of jewel thieves. The slapstick is serviceable in On the Beat; as for the "serious" moments, Wisdom's notion of pathos is to scream at the top of his lungs. You may want to join him. ~ Hal Erickson, Rovi

A British botanist goes bananas after he discovers a serum that turns his cuddly chimpanzee subject into a ferocious gorilla-sized ape. To further his hideous experiment, the scientist mesmerizes the chimp and sends into London to kill all of his former enemies. One of those he has killed is the lover of the girl the doctor wants for himself. This doesn't set well with the botanist's assistant and current gal who gets even by giving Konga the giant chimp an enormous amount of the strange serum and turns him into a Godzilla-sized monster. Just before going on a deadly rampage, the super-sized ape grabs the bad doctor in one of his enormous hands. Fortunately, the British army and all of its weaponry are able to stop the chimp before he destroys the town. ~ Sandra Brennan, Rovi