Lucille Benson Movies

Well, it's been a while since Alice (Linda Lavin) has quit her job in a huff, so this episode makes up for lost time. Unfazed by Alice's departure, Mel replaces her with a robot waitress named Blanche (whose body is portrayed by Mitchel Young Evans, while her voice is provided June Whitley Taylor). The mechanical miss proves to be so efficient and so popular with the customers that Mel may never hire Alice back--but remember, never in TV sitcom history has a machine been built that can't be tampered with! ~ Hal Erickson, All Movie Guide

Phoenix may not be Roswell, but try telling that to Alice (Linda Lavin) when she sees a UFO. At first, the gang at the diner laughs at Alice's supposed sighting--but when "true believers" begin showing up at the diner, Mel figures out a way to profit from his top waitress' Close Encounter. With this episode, Alice moved to a Monday-night timeslot (it was originally seen just before the now famous M*A*S*H series finale). ~ Hal Erickson, All Movie Guide

While John Carpenter's 1978 horror classic Halloween irrevocably changed the style of horror cinema with its simple but relentlessly tense story, it triggered more than a decade's worth of uninspired, exploitative knock-offs, and one could easily list Halloween II among these failures. As with its predecessor, this film was written and produced by Carpenter and Debra Hill, but the terse style and unbearable suspense of the first film are missing, replaced by a more simplistic stalk-and-slash scenario. Directorial duties were handed over to Rick Rosenthal, whose lack of expertise is quite evident (though he managed to hit his stride two years later with the prison actioner Bad Boys). The plot picks up exactly where the original left off: Laurie Strode (Jamie Lee Curtis), shaken and injured from her battle with unkillable psycho Michael Myers, is taken to the Haddonfield Hospital for observation, while Dr. Sam Loomis (Donald Pleasence) continues his desperate search for his monstrous patient. An interesting plot twist has Loomis' investigations revealing Michael's true identity (some of these sequences incorporate footage of young Michael originally shot for the television version of Halloween, which contained scenes hinting at the link between Michael and Laurie). After slashing his way through the town, Myers manages to track Laurie to the hospital, where the remainder of the action takes place. Numerous night-shift employees are slaughtered in a variety of gruesome ways before Loomis catches up with his quarry, leading to an explosive -- and seemingly conclusive -- confrontation. Pleasence is compelling as usual, but Curtis, who made an auspicious debut in the original, is sadly wasted here, her character reduced to shuffling half-drugged through darkened hospital corridors and screaming helplessly. Carpenter's active involvement in the Halloween franchise continued to dwindle steadily from one sequel to the next, getting scarcely a mention by the time producers Hill, Moustapha Akkad and Irwin Yablans revived the series in 1988 for three more sequels. ~ Cavett Binion, All Movie Guide

Newly certified as a schoolteacher, 16-year-old Laura (Melissa Gilbert) accepts a temporary teaching job in a nearby town. Almanzo (Dean Butler) offers to drive Laura to her new assignment -- a gesture made strictly out of friendship for the girl. But in the course of the journey, Almanzo suddenly realizes that he truly loves Laura. ~ Hal Erickson, All Movie Guide

Two Montana saddletramps head for bustling Music City and open up a detective agency in this comical adventure that was originally the pilot of a television series. Not only do the two have to accustom themselves to strange big-city ways, they have to learn to become less inept at the gumshoe game as they try to expose extortionists and return a missing singer. Singers Barbara Mandrell and Roy Acuff make cameo appearances. On video the film is titled Ramblin' Man. ~ Sandra Brennan, All Movie Guide

It's December of 1941, and the people of California are in varying states of unease, ranging from a sincere desire to defend the country to virtual blind panic in the wake of the Japanese attack on Pearl Harbor. Thus begin several story threads that comprise the "plot" of this strange period comedy, a sort of satirical disaster movie, from Steven Spielberg. The stories and story threads involve lusty young men, officers (Tim Matheson) and civilians (Bobby Di Cicco) alike, eager to bed the young ladies of their dreams; Wild Bill Kelso, a nutty fighter pilot (John Belushi) following what he thinks is a squadron of Japanese fighters along the California coast; a well-meaning but clumsy tank crew (including John Candy) led by straight-arrow, by-the-book Sgt. Tree (Dan Aykroyd), who doesn't recognize the thug (Treat Williams) in his command; and homeowner Ward Douglas (Ned Beatty), who is eager to do his part for the nation's defense and, despite the misgivings of his wife (Lorraine Gary), doesn't mind his front yard overlooking the ocean being chosen to house a 40 mm anti-aircraft gun. There is also a pair of grotesquely inept airplane spotters (Murray Hamilton, Eddie Deezen) who are doing their job from atop a ferris wheel at a beachfront amusement park; a paranoid army colonel (Warren Oates) positive that the Japanese are infiltrating from the hills; a big dance being held on behalf of servicemen, being attended by a lusty young woman of size (Wendie Jo Sperber) eager to land a man in uniform; and General Joseph "Vinegar Joe" Stillwell (Robert Stack), in charge of the defense of the West Coast, who can't seem to get anyone to listen to him when he says to keep calm. And, oh yes, there's also a real Japanese submarine that has gotten all the way to the California coast under the command of its captain (Toshiro Mifune) and a German officer observer (Christopher Lee), only to find itself without a working compass or usable maps. Its captain won't leave until the sub has attacked a militarily significant, honorable target, and the only one that anyone aboard ship knows of in California is Hollywood. By New Year's Eve, all of these characters are going to cross paths, directly or once-removed, in a comedy of errors and destruction strongly reminiscent of the finale to National Lampoon's Animal House (as well as several disaster movies from the same studio), but on a much larger and more impressive scale. ~ Bruce Eder, All Movie Guide

Elizabeth Christman's novel A Nice Italian Girl was the source for the TV-movie Black Market Baby. Desi Arnaz Jr. plays a slick lothario who is paid by an illicit adoption agency to impregnate impressionable college student Linda Purl. The racketeers stand to make $50,000 by selling the baby to an anxious middle-aged couple. When Arnaz falls in love with Purl and tries to help her keep her baby, the crooks take swift and violent action. Originally titled A Dangerous Love, Black Market Baby was released theatrically overseas as Don't Steal My Baby--a title more appropriate to the overall tawdriness of the film. ~ Hal Erickson, All Movie Guide

While taking a train trip from L.A. to Chicago, mild-mannered George Caldwell (Gene Wilder) makes the acquaintance of Hilly Burns (Jill Clayburgh). As they indulge in a brief bit of spooning, Hilly tells George that her boss is on the verge of exposing a group of vicious art forgers. Later that evening, George sees the body of Hilly's boss being thrown off of the train. Detective Sweet (Ned Beatty) agrees to investigate, but he too is bumped off. The instigator of these outrages is master forger Roger Devereau (Patrick McGoohan), who, with his crony Mr. Whiney (Ray Walston) is planning a particularly diabolical crime. Worse still, they take Hilly prisoner so she can't tip off the cops. When George is also targeted for elimination, he manages in slapstick fashion to elude the killers. Falling off the train, he ends up being arrested on some trumped-up charge or other by a local sheriff. He makes his escape in the company of petty thief Grover Muldoon (Richard Pryor) -- and that's only the beginning. A box-office smash, Silver Streak paved the way for the equally successful 1980 Wilder-Pryor vehicle Stir Crazy. ~ Hal Erickson, All Movie Guide

Collision Course was adapted from Merle Miller's Plain Speaking, a biography of former President Harry Truman. E.G. Marshall plays Truman, while Henry Fonda costars as General Douglas MacArthur This made-for-TV movie recounts the events leading up to the 1951 firing of General MacArthur during the Korean conflict. In the pivotal scene, an apoplectic Truman verbally lambastes the arrogant MacArthur for failing to show proper respect to his commander in chief. Heavily slanted in favor of Truman's point of view, Collision Course was pilloried by conservative critics, who felt that MacArthur was depicted as a vainglorious zealot rather than a misguided patriot. ~ Hal Erickson, All Movie Guide

In her first non-Gunsmoke appearance in two decades, Amanda Blake plays Helen Mercer, a lonely, middle-aged widow. Helen hires the deceptively sweet Adele Murphy (Tisha Sterling) as her companion. What she doesn't know (but we do, thanks to a rather violent prologue) is that "Adele" is really an extortionist named Gretchen, in league with her homicidal con-artist boyfriend Jay (Sam Groom). Singing star Dick Haymes makes his TV movie debut in the third-billed role of Harold Porter. Based on a novel by suspense specialist Doris Miles Disney, the made-for-TV Betrayal premiered December 3, 1974. ~ Hal Erickson, All Movie Guide

Lucille Ball stars in this film version of the hit Jerry Herman Broadway musical, which featured an electrifying performance by Angela Lansbury. As Patrick Dennis' plucky and resilient Auntie Mame, Ball's low-pitched, growling moan of a voice (a spine-chilling reminder of the sound of Linda Blair's demon-possession in The Exorcist) and her gaudy and lumbering fashion-horse gait turns Mame into an elderly cross-dresser. In this guise, Mame rehashes the plot from Dennis's novel and the previous non-musical Rosalind Russell film. During the Depression era 1930s, she enrolls her nephew into a liberal private school, tries a turn in show business (with the help of her friend Vera [Beatrice Arthur]), and marries a well-to-do Southern planter (Robert Preston). After her husband's death, Mame concerns herself with her now grown-up nephew, his girlfriend, and the girlfriend's intolerant parents. ~ Paul Brenner, All Movie Guide

Jackie Cooper and Cleavon Little star as aerial photographers who spot a few threatening cracks in the San Andreas fault. Will anyone listen? No. Do they suffer in the subsequent quake? Yes, but not as expensively as the all-star cast in Earthquake. Still, The Day the Earth Moved doesn't aspire to be anything more than a modest made-for-TV disaster flick, and within its own limits it succeeds. ~ Hal Erickson, All Movie Guide

Joseph Wambaugh, the ex-cop turned novelist whose Police Story began its TV run in 1973, was responsible for the like-vintage TV miniseries The Blue Knight. William Holden stars as Bumper Morgan, a 50 year old cop on the verge of mandatory retirement. Morgan's last four days with the LAPD are packed with incident, notably the trackdown of the brutal murderer of a prostitute. Lee Remick plays Morgan's faithful lady friend, who is anxious for her man to retire but who will tolerate no criticism from anyone of the job the police are doing. Emmies went to William Holden, director Robert Butler and editors Marjorie and Gene Fowler Jr., while Lee Remick received an Emmy nomination. The film itself is derivative at times (one chunk of dialogue is lifted bodily from the Jane Fonda vehicle Klute), but otherwise is as realistic a portrayal of police work as TV censors would allow in 1973. Originally telecast in four one-hour installments, Blue Knight was cut to 103 minutes for syndication; a second Blue Knight TV movie, filmed in 1975 and starring George Kennedy as Bumper Morgan, served as the pilot for a short-lived TV series. ~ Hal Erickson, All Movie Guide