Laura Benson Movies

An adaptation of Agatha Christie's 1929 short story "The House of Lurking Death," this French-language whodunit represents director Pascal Thomas's third Christie adaptation, following the 2005 By the Pricking of My Thumbs and the 2007 Towards Zero; like Thumbs, it hones in on Prudence (Catherine Frot) and Belisaire Beresford (Andre Dussollier), a married pair of amateur sleuths. This particular outing is set at Christmastime, and finds the Rhone Alps-dwelling Beresfords visited by a beloved aunt, Auntie Babette (Annie Cordy), who promptly informs them that she spotted a murder through a rainy window while seated on a train. Eager for a new crime to solve, Prudence jumps into the case when Belisaire leaves town on a weekend jaunt, and makes her way to a creepy chateau in the middle of the forest, populated by the most unpleasant of families. Inhabitants include an eccentric patriarch widower named Roderick Charpentier (Claude Rich), his morose daughter Emma (Chiara Mastroianni), his conniving and paranoid sons (Christian Vadim, Alexandre Lafaurie and Melvil Poupaud), and a local country doctor (Hippolyte Girardot). Prudence takes a position as a cook at the residence, and when the body crops up, it soon falls on her shoulders to ferret out the murderer. Soon, her husband joins her at the house, tipped off by a local detective regarding his wife's whereabouts. ~ Nathan Southern, Rovi

Amelia (Laura del Sol) lives with her sister in a lovely house in Valparaiso with a view of the harbor. She is comfortably well off, but for some reason during an evening outing, a doctor named Fernando (Franco Nero) takes her to be a prostitute. Already smitten with him, she allows him to take her where he will and pay her for her attentions, never letting him know that he is her only "customer." This goes on for some time. Later, however, the sisters' finances take a turn for the worse, and Amelia puts her amateur hooking skills to good use, that is until tragedy strikes. ~ Clarke Fountain, Rovi

American humorist Jules Feiffer and French director Alain Resnais are oddly paired for this satirical comedy about an American cartoonist in Paris. Adolph Green is a stunner as Joey Wellman, a cantankerous American cartoonist traveling abroad for the first time. In tow is Lena Apthrop (Linda Lavin), and the two are ostensibly journeying to Paris to attend a comic-strip exhibition in which Wellman's work is included. But it turns out the exhibition is just an excuse for Wellman to track down his errant daughter Elsie (Laura Benson), who has left Cleveland to take up literature at the Sorbonne. Her professor, Christian Gauthier (Gerard Depardieu) happens to be a big fan of Wellman, and he corrals the cartoonist and Lena to go to the fashionable country estate of his mother Isabelle (Micheline Presle), who tries to put up with her son's American friends. ~ Paul Brenner, Rovi

Adapted for stage and screen several times over the past century, French author Francois Choderlos de Laclos' 1782 novel Les Liasons Dangeureuses was the basis for this Academy Award-winning Stephen Frears film. The plot is motivated by a cruel wager between the beautiful but debauched Marquise de Merteuil (Glenn Close) and her misogynistic former lover, the Vicomte de Valmont (John Malkovitch). The Marquise challenges Valmont to seduce the virginal Cecile de Volanges (Uma Thurman) before the girl can be wed. Valmont offers a more difficult counter-challenge: He bets the Marquise that he will be able to bed the very moral and very married Madame de Tourvel (Michelle Pfeiffer). In the course of carrying out his plan, Valmont is stricken with a sudden case of honor and remorse, while the Marquise becomes all the more vicious. ~ Hal Erickson, Rovi