Holly Aird Movies

In Neil LaBute's film adaptation of A.S. Byatt's Booker Prize-winning 1990 novel, Aaron Eckhart (who has starred in all of LaBute's films) plays Roland Michell, an American academic researcher, working in London, who discovers some important letters written by a famous Victorian poet, Randolph Henry Ash (Jeremy Northam [Gosford Park]). Ash was presumed to have been totally devoted to his wife, but Roland finds letters written to another unnamed woman, and soon determines that the intended recipient was another, less well-known poet, Christabel LaMotte (Jennifer Ehle of Sunshine). Roland contacts Maud Bailey (Gwyneth Paltrow), an expert on LaMotte's life and work, who tells him that LaMotte couldn't have had an affair with Ash because she lived most of her life with a female companion, Blanche Glover (Lena Headey), in what was apparently a romantic relationship. Despite Maud's skepticism, the two begin to investigate, and uncover a wealth of information about the affair between the two poets. Period scenes of the illicit relationship between Ash and LaMotte are intercut with the contemporary investigation of the two academics. Roland and Maud initially fight their attraction to each other, but as the pair find more evidence of the historical and tragic romance, they find themselves overcoming their own resistance to romantic entanglement. Possession was kicked around as a film project for a long time before LaBute became interested. Director Sydney Pollack originally was slated to film a screenplay by David Henry Hwang (M. Butterfly), who receives a credit on the finished film. When LaBute took over the project years later, he reworked the screenplay with Laura Jones (The Portrait of a Lady). ~ Josh Ralske, All Movie Guide

In this two-part miniseries pilot for the British cop show of the same name, Trevor Eve starred as Detective Chief Inspector Peter Boyd of the "Cold Case" squad. On this occasion, Boyd dogged the trail of a serial killer who preyed on schoolgirls. Reopening an unsolved murder case, Boyd hoped to use the evidence at hand to catch the elusive murderer, who seemed to be repeating his familiar pattern after five years of inactivity. This particular investigation ended up taking a great personal toll, not only on the relatives of the victims but also on Boyd and his family. Waking the Dead originally aired on September 4 and 5, 2000. ~ Hal Erickson, All Movie Guide

This drama takes place in Somerset, England in 1958. Eva is a twenty-year-old woman who fantasizes about travel, painting, classic books, and the attention of Joseph Lees, her second cousin, with whom she fell in love as a girl. Joseph, whom she has not seen for four years, is the only member of the family who has managed to get away from the stale domestic cycle. He has recently been injured in a truck accident and Eva imagines herself curing his wounds. She conceals her obsession from everyone except her sister, the precocious Janie, who is twelve years old. Reality is far away from Eva's dreams. Her artistic endeavors are confined to a local drawing class; she works for a meager salary at a dirty sawmill and the only male around to appreciate her female charm is the local pig farmer, Harry Flyte. Harry's sister Maria is anxious to marry off her brother so that she can be free to do as she pleases. Eva moves in with Harry, but when she meets Joseph at a family gathering, the old flame is rekindled. However, Harry is not so easy to get rid of. Dreaming of Joseph Lees is a family drama and the first feature of Eric Styles. ~ Gönül Dönmez-Colin, All Movie Guide

In 1954, all of England was rocked by a shocking crime that took place in a quiet coastal town and involved a socially upstanding landlady, her smart, newly blossomed teenage daughter, and a handsome but troubled Australian in search of family he had never known. In retelling this true story, first-time filmmaker Philip Goodhew offers a blackly comic and ironic look behind the proper lace curtains of a seemingly normal British household and reveals a seething pit of repressed lust, jealousy and deadly obsession. The tale begins as Harold Guppy (Rupert Graves) leaves a ship and ambles toward the home of his long-lost brother Maurice Guppy (Les Dennis). The reunion is tepid, for Maurice's wife Iris (Elizabeth McKechnie) is suspicious of Harold and unwilling to welcome him into her home. It doesn't help that the callow Harold reveals a troubled, though somewhat cloaked past. Unable to stay with his brother, Harold finds lodging in the home of friendly, late-middle-aged Mrs. Beasley (Julie Walters). With her rhinestoned glasses, boxy dresses, short bouffant, and prim take-charge manner, Mrs. Beasley seems the epitome of 1950s motherhood and good housekeeping. Harold soon meets the rest of the family, the fresh-faced, bright, but rather macabre Joyce (Laura Sadler in her feature-film debut), and Mr. Beasley, a quiet, hen-pecked (the Mrs. hasn't had relations with him in years and forces him to sleep in his own room) WW I survivor who despite his missing leg, still supports his family. Things seem normal enough until a fateful game of spin-the-bottle during Joyce's 14th birthday party reveals an entirely different side to Mrs. Beasley. That night she creeps to Harold's bedroom and pleads with him until he weakens and accepts her advances and they begin to make wild love. The row awakens Joyce who pops into Harold's room and refuses to leave until the would-be lovers allow her into the bed. Thinking her asleep and unaware, Mrs. Beasley and Harold quietly resume their cavorting. Joyce is very much awake and spends the night scheming to get Harold to come to her. Thus begins an inescapable downward spiral for the weak-willed Harold that culminates in a desperate and horrific act of violence. Though it is not difficult to guess that none of the three protagonists will come to a good end, the graphic nature of the story's climax is jarring and out of place in the otherwise low-key and rather dry comedy. That the trio's characters are so broadly drawn, even bordering on cariactures, lessens the impact and the actual horror of the case. Still, Intimate Relations is a well-made film that aptly captures the flavor of post WW II England and contains many memorable lines.That the three try so hard to keep up the appearances of a normal household (Mrs. Beasley insists that Harold call her "Mum," a word he later has tattooed upon his arm) only adds to the bitter humor. ~ Sandra Brennan, All Movie Guide

Based on a scandalous South African murder trial of the 1940s, this drama tells the story of a prominent British lord who is accused of murder. When a witness comes forward, she reveals the sordid truth, involving incest, child abuse, adultery and drug abuse. ~ Sandra Brennan, All Movie Guide

This television miniseries charts the unusual friendship formed between a bitter hermit and a lonely orphan. Their relationship is forged by the discovery of a baby seal. ~ Sandra Brennan, All Movie Guide