Lucien Pascal Movies

Edmond Rostand's classic drama of inner and outer beauty is given a lavish treatment in this acclaimed French production. Gérard Depardieu portrays the title character, a brilliant, charismatic swordsman with a generous spirit and a genius for poetry. It would seem that such a man would have no trouble attracting women, but Cyrano considers himself doomed to loneliness by an unattractive face featuring an oversized nose. His feelings of inadequacy are emphasized when Roxane, the beautiful woman he adores, attracts the attention of Christian, a young cadet in Cyrano's service. Christian lacks the poetic gift, however, and he ironically turns to Cyrano for help in winning Roxane's love. What follows is a tale of deception, with Roxane falling in love with the ineloquent Christian thanks to Cyrano's words of love. The underlying narrative has become quite familiar to modern audiences through retellings and variations from the 1950 adaptation starring José Ferrer to Steve Martin's Roxanne. Director Jean-Paul Rappeneau's interpretation stresses the tragic majesty of the original, setting a vigorous performance by Depardieu against a beautifully designed reproduction of the period and an emphasis on the sound and poetry of Rostand's original language; the subtitles for the film's English release were penned by renowned British author Anthony Burgess. This attention to detail creates a particularly faithful cinematic rendering of the original work that met with positive critical responses. ~ Judd Blaise, All Movie Guide

Robert (Andre Dussolier) is a stylish and neurotic 50-year-old with an insatiable appetite for women. One day, he reluctantly accompanies his sister to the hospital where her friend Claire (Emmanuelle Devos) has just given birth. Claire is an old flame of Robert's, and the combined impact of seeing her again and the fact that she has used his name for one of her babies makes Robert realize he is still in love with her. As Claire already has a new partner, the father of her child, Robert is particularly shocked and horrified by this discovery. At a bistro later that same day, he gets a second shock in the form of Marie-Pierre (Helene Fillieres, the sister of the film's director, Sophie Fillieres), a young waitress he's chatting up. In the course of their flirtation, Marie-Pierre makes Robert an offer: she will fall in love with him and conduct a full-blown love affair. This makes Robert feel pretty good, so he accepts, but soon enough he discovers that Marie-Pierre, who is nicknamed Aie (French for "ouch") is a bit of a twisted sister. Prone to vomiting up everything she eats and brushing her teeth compulsively with airline toothbrushes given to her by her pilot father, Marie-Pierre gives Robert's brain pause for thought even as his hormones are stampeding blindly ahead. But before he can break off his involvement with her, Robert decides to pay a visit to Claire's apartment, where he finds Marie-Pierre, and the two end up hiding in a closet together and resuming their affair. On a subsequent visit to her parents' house, Marie-Pierre shares some even more bizarre details about her already off-kilter personal history. ~ Rebecca Flint Marx, All Movie Guide