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Michaël Pas Movies

2002  
 
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Not to be confused with the popular Jennifer Garner television series of the same name, director Jan Verheyen's dark thriller tells the tale of a suicide caught on camera. When Eva (Hilde de Baerdemaeker) and Patti (Veerle Dobbelaere) unwittingly videotape a young girl as she leaps to her death from the window of a nearby building, their shock turns to utter horror when a thief attempts to make off with their camcorder. Though a handsome and mysterious stranger named Dieter (Geert Hunaerts) manages to chase off the would-be thief, Eva and Patti grow increasingly disturbed upon realizing that there may be a connection between the suicide and the seeming chance encounter with Dieter. ~ Jason Buchanan, Rovi

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Starring:
Hilde de BaerdemaekerGeert Hunaerts, (more)
 
1999  
NR  
Based on the true story of a priest who risked his life in order to help people no one else would touch (a wager he would eventually lose), Father Damien stars David Wenham as the titular Belgian saint. In 1872, Damien, a young Catholic priest serving as a missionary near Hawaii, volunteers to spend three months working in a colony for victims of leprosy on the island of Molokai. When he arrives, he discovers the lepers have been herded to a barely inhabitable part of the island where they're treated like animals. Damien is shocked, and makes it his crusade to improve the lives of the lepers, planting trees to help buffer the island's strong winds and building huts to house the sicker members of the tribe. Damien also concerns himself with their spiritual needs, restoring a sense of dignity and self-respect among the diseased and urging them away from drinking, sex, and other sinful behavior. At first, Damien's pleas to the mainland for medicine, supplies, and medical help fall on deaf ears, but soon the press picks up on Damien's story -- which only angers the Hawaiian government, who would prefer the plight of the lepers be forgotten. Damien is destined to spend the last years of his life on Molokai when he contacts the disease himself, working to ease the pain of his fellow victims to his last breath. Father Damien boasts a star-studded supporting cast, including Sam Neill, Peter O'Toole, Leo McKern, Kris Kristofferson, and Derek Jacobi. ~ Mark Deming, Rovi

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Starring:
David WenhamKate Ceberano, (more)
 
1998  
 
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Belgian director Alain Berliner, who made the popular Ma Vie en Rose (1997), followed with this French comedy-drama (another in the Collection 2000 series of movies about the Millennium). In the year 2000, a wall is erected at Belgian's "linguistic border," separating Flemish and French-speaking sides. It lands right in the middle of a French take-out-food shop run by Albert (Daniel Hanssens), who speaks both languages. Shakespearean touches include the ghost of Albert's father (Mil Seghers) and a Romeo and Juliet theme as evidenced by the Flemish girlfriend, Wendy (Pascale Bal), of Albert's son. Shown at the 1998 Cannes Film Festival. ~ Bhob Stewart, Rovi

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Starring:
Daniel HanssensMil Seghers, (more)
 
1996  
R  
Brylcream Boulevard is the second in Belgian filmmaker Robbe De Hert's uncompleted "Belgian Graffiti" trilogy. The first installment, Blueberry Hill was set in the mid '50s and chronicled the lives and adventures of a group of high school students. This episode begins five years later in the early '60s and looks at how adulthood has changed them. Robin De Hert, the former rebel returns home after a stint in the Navy and discovers his old nemesis Mr. Verbiest, the crooked teacher he oust, has become a corrupt politician. This particularly galls Robin, who still blames Verbiest for the death of his best friend in high school. Enlisting the aid of his ex-girl friend and high school buddies, Robin devises an ingenious scheme for revenge. Unfortunately, his elaborate sexual entrapment plan (the results of which he will broadcast on television) seems dicey to the others, so he prepares a plan B. ~ Sandra Brennan, Rovi

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1995  
R  
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A strong-willed Dutch woman recalls her life in this uplifting picture that won the 1996 Academy Award for Best Foreign Language Film. Antonia (Willeke van Ammelrooy) is an elderly woman who wakes up one morning and realizes that this is the last day of her life. She begins to tell her story in flashback, beginning with her arrival home to the family farm after World War II with her daughter, Danielle (Els Dottermans). For the next fifty years, a variety of colorful characters come and go on the farm. Danielle becomes a painter, and decides she wants a child but no husband, so Antonia arranges the proper donation. Danielle giving birth to Therese (Veerle van Overloop), who laters has her own child, Sarah (Thyrza Ravesteijn), also without virtue of a husband. Antonia and her descendants come to symbolize the freedom of independent females, with little need for men in their lives. ~ Don Kaye, Rovi

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Starring:
Willeke van AmmelrooyJan Decleir, (more)
 
1993  
 
In the fourteenth century, few options were open to women, and anyone showing the slightest degree of independence was likely to be denounced as a witch and summarily burned. In this story, young Christine (Natalie Morse) has a strong devotion to the Virgin Mary, and has asked to be walled up in the church as an anchorite for the rest of her life. This suits her ambitious parish priest (Christopher Eccleston) perfectly, and she is forthwith walled up. Her mother (Toyah Wilcox), an herbalist, midwife and wise-woman, is not of the same mind, but she is not only ignored, but soon runs afoul of the local authorities. Meanwhile, Christine is adapting to her new life in strange ways, and finds ways to transcend her imprisonment through making good use of the completely unusual privacy it affords. In one erotic scene, she even manages to find a physical expression for her mystical marriage. ~ Clarke Fountain, Rovi

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Starring:
Natalie MorseGene Bervoets, (more)
 
1992  
NR  
This Academy Award-nominated Belgian drama follows a late 19th-century priest's courageous battle to end the exploitation of child workers in Aalst, Belgium. Father Daens' crusade begins shortly after he is transferred to the impoverished Belgian region. Aghast at the working conditions he sees in area mills, Daens publishes an inflammatory letter in his brother's newspaper. Among his many accusations and condemnations are those that not only children such as the little girl Nini are being overworked in unhealthy conditions, they are also being sexually abused by supervisors. The workers launch a widespread public outcry that is immediately quelled by the upper-class mill owners who fire all rebels and hire more children and women (at even lower wages) in their place. Thus begins a long, tragic battle between Daens and the poor and Belgium's ruling class. Aided by the Church itself, the monarches and the rich prevail, leaving Daens disillusioned and just as impoverished as those for whom he has sacrificed everything. ~ Sandra Brennan, Rovi

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Starring:
Jan DecleirGerard Desarthe, (more)
 
1991  
R  
 
1989  
 
This semi-autobiographical Belgian movie visits the teen years of the director, Robbe de Hert (played by Michael Pas). While attending Catholic school, Robbe (called Robin in the film) has developed a serious crush on the unattainable, sophisticated Cathy (Babette van Veen). Despite the clear evidence that Jeanine (Hilde Heijnen), a sweet, chaste girl, is deeply attracted to him, Robin spurns her and seeks a relationship with his dream-girl. Meanwhile, the harsh headmaster of their school has driven one of their schoolmates to suicide, and has sparked a school-wide rebellion. ~ Clarke Fountain, Rovi

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Starring:
Michaël PasHilde Heijnen, (more)
 
1987  
 
If you like the title of this Belgian production, you'll love its source, a story by Charles Bukowski titled The Copulating Mermaid of Venice, Calif. Actually the film draws material from three different Bukowski stories to outline three crucial stages in a man's life. The hero begins as a 12-year old naif, "develops" into a miserable pimply adolescent who yearns for the girls who laugh in his face, and "matures" into an alcoholic, drug-addicted bum with a predilection for necrophilia. Amazingly, the material is handled with subtlety and sensitivity--the trick is to get through the film's first painful moments. The episodic nature of Love is a Dog From Hell is due to the fact that the film began as a 30-minute short subject, then was expanded into a feature when a distributor evinced interest. For its grindhouse playoffs, Love is a Dog From Hell was retitled Crazy Love. ~ Hal Erickson, Rovi

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Starring:
Josse de PauwMichaël Pas, (more)