Billy Jones Movies

Based on an article in the New Yorker, Nicholas Ray's Bigger Than Life stars James Mason (who also produced the film) as elementary school teacher Ed Avery, a thoughtful, gentle man, with a loving wife, Lou (Barbara Rush), and a young son, Richie (Christopher Olsen), who loves him. Avery is successful and well liked in his community, but he is over-extended in his pursuit of the American dream -- he secretly works a second job to earn extra money, and doesn't dare break stride, despite the increasingly painful physical spasms that he suffers. He collapses one day, and the doctors inform him that he suffers from an arterial disease that will probably give him less than a year to live. But they also offer him one hope, with treatment using cortisone, which was then a new, not-fully-tested drug. Avery makes a seemingly full recovery and returns to work, but it soon becomes clear that he's not the same -- he has a new, cavalier attitude toward money, and then Lou becomes alarmed over his expressions of rage over seemingly insignificant annoyances. He starts expressing himself in grand, exalted terms, first to Lou and then to his colleagues at school, including his closest friend, Wally Gibbs (Walter Matthau). And matters only get worse when Wally determines that it is the cortisone -- which Ed has been taking in far greater doses than prescribed -- that is making him act this way. And his obsession w ith forcing Richie to live up to his full potential soon turns into a much darker fixation. Director Ray later offered regret over having used cortisone by name, as it was still not standard treatment and its benefits and drawbacks weren't known. But this did lend the movie a verisimilitude that was essential for what appeal it did hold for audiences. (Seven years later, screenwriter William Read Woodfield would incorporate Bigger Than Life's cortisone plot device into his script for the Voyage To The Bottom of the Sea episode \"Mutiny\". Bigger Than Life's more immediate problem at the time lay in its broader plot -- with a story that brought drug addiction and fact-based psychological unhingement into a suburban American setting, it was a daring subject for its time, for which audiences were unprepared in 1956. It was also one of a group of offbeat pictures that Mason produced as well as starred in. ~ Bruce Eder, All Movie Guide

MGM knew it had a valuable property in Red Skelton, but the studio never really knew how to handle his unique talents -- until he was loaned out to Columbia for the hilarious, money-spinning slapstick comedy The Fuller Brush Man. The star plays Red Jones, a born screw-up who can't seem to hold down a job. With the help of his ever-loving girlfriend Ann Elliot (Janet Blair), Red gets a job as a Fuller Brush salesman, intending to take the business world by storm with his can't-fail sales techniques. Unfortunately, when Red isn't messing up on his own, he's being sabotaged by his supervisor Keenan Wallick (Don McGuire) -- who also happens to be sweet on Ann. While trying to make a sale at the home of Commissioner Trist (Nicholas Joy), poor Red finds himself the Number One Suspect when Trist is murdered. With Ann's help, Red eventually stumbles onto the identity of the actual killer, and the chase is on. And what a chase! Pursued by a battalion of thugs (played by several of Hollywood's top stunt men), Red and Ann hotfoot it through a well-stocked war surplus warehouse, wherein all the props -- rubber rafts, prefabricated houses, camouflage tents, flare guns -- are utilized to their utmost comic potential. A riot from beginning to end, The Fuller Brush Man may well be Skelton's funniest film. It was successful enough in 1948 to spawn a series of imitations -- The Good Humor Man, The Fuller Brush Girl, The Yellow Cab Man, Kill the Umpire - -all of which, like Fuller Brush Man, were co-scripted by the inexhaustibly inventive Frank Tashlin. ~ Hal Erickson, All Movie Guide

Eschewing action in favor of humor, this Hopalong Cassidy series entry has the usually black-clad hero (William Boyd) changing into dude apparel in order to investigate what ails the town of Del Oro, NM. Aligning himself with the ramshackle medicine show of Doc Rufus Bates (Earl Hodgins), proprietor, Hoppy quickly learns that everyone's favorite old lady, Ma Burton (Marjorie Rambeau), is in reality the ruthless leader of a gang of mine robbers. Convincing Ma that he is a former convict, Hoppy enlists the gang in a scheme to rob the Gardner silver mine but the plan goes awry when Ma overhears Hoppy's rookie sidekick, Lucky Jenkins (Russell Hayden), spill the beans to Paula (Bernadene Hayes), Doc's daughter. After escaping a fire at the mine, Hoppy and Lucky manage to bring both Ma and her henchmen to justice. ~ Hans J. Wollstein, All Movie Guide