Ken Parry Movies

Director Tobe Hooper adapts Colin Wilson's edgy novel The Space Vampires in this in this horror/sci-fi epic with a cult following. The story concerns a joint British-American space probe of Hailey's Comet. Inside the comet, the astronauts, headed by Carlsen (Steve Railsback), find a spaceship that contains the dead bodies of several aliens, along with the naked bodies of three human-like creatures in suspended animation. They bring the aliens aboard the ship for examination, but the specimens are sloppily guarded and soon the trio spread contagion among the population of the ship. Returning to earth, the beautiful space vampire (Mathilda May) escapes into London and begins to feed of the bodies of the unwary Britons, turning the city into a zombie-populated wasteland. It is now left for Carlsen to stop the vampire invaders. ~ Paul Brenner, All Movie Guide

This audacious, vulgar, freewheeling fantasia on the life of pianist Franz Liszt ranks among director Ken Russell's most outrageous efforts. Roger Daltrey, lead singer for The Who, is awkward yet likeable as the flamboyant piano performer with a bevy of fetching mistresses and groupies, while Paul Nicholas is completely outlandish as the scheming opera composer Richard Wagner. There's no nod to reality here: Liszt and Wagner were in fact friends, and Liszt, who became Wagner's father-in-law, actually assisted in the production of Wagner's opulent productions. Russell, on the other hand, presents Wagner as Liszt's jealous rival ready to wreak havoc on the world by unleashing a cryogenic Viking (Yes keyboardist Rick Wakeman) and a horde of machine-gun wielding robot Nazis. In a finale out of Flash Gordon serials, Liszt saves the day after surviving a guillotine designed for phallic dismemberment. The film is fast and loud and wildly undisciplined, much like one of Liszt's Hungarian Rhapsodies. Look fast and you'll see Ringo Starr as the pope. ~ Les Stone, All Movie Guide

Roger Corman's New World Pictures took a stab at the tale of the nefarious real-life graverobbers -- and filled it with the studio's usual quota of nudity, softcore sex and tacky humor. The result is pretty much as one would expect -- nothing to rival the excellent Flesh and the Fiends, or even Tod Slaughter's campy The Greed of William Hart. Harry Andrews plays the unscrupulous Dr. Knox, who enlists the aid of grave-plundering dirtbags Derren Nesbitt and Glynn Edwards in obtaining fresh cadavers for the medical academy. When the demand increases and local cemeteries begin to run dry, the industrious pair turn to the living to keep the doctor supplied. This time out, Burke and Hare are particularly randy fellows, who spend more time carousing in Edinburgh whorehouses than stalking their prey. Despite the macabre subject matter, the producers opted for sexploitation over gruesome horror, but the end result is decidedly dull. ~ Cavett Binion, All Movie Guide

A Lancashire lass refuses to eat the meal her mother has prepared for her. Her thick-eared father (James Mason) insists that she ingest every bite. This seemingly minor incident snowballs into big trouble for everyone concerned. Hard to believe, but this was based on a very popular stage play by Bill Naughton. The comic edge is blunted by the film's use of real Bolton locations, which tend to make the exaggerated passions and gesticulations of Mason and his family seem more pathetic than humorous. ~ Hal Erickson, All Movie Guide

Franco Zeffirelli's adaptation of William Shakespeare's The Taming of the Shrew is a zesty version of the classic comedy, highlighted by performances by Richard Burton and Elizabeth Taylor and Nino Rota's score. Instead of simply filming a play, Zeffirelli turned Shakespeare's text into a lively, cinematic movie, with sweeping sets and cinematography. Set in Padua, Italy in the late 1500s, the story concerns the shy Bianca (Natasha Pyne) and the mean-spirited Katarina (Elizabeth Taylor), the two daughters of a rich merchant named Baptista (Michael Hordern). Though Bianca is being courted by a number of young men, Baptista announces that she may not marry until Katarina is wed. None of the men in town are willing to marry Katarina, so Bianca remains unwed, even as more suitors--such as Lucentio (Michael York), a student who begins working as a tutor in the Hordern household just so he can be near Bianca--line up to wed the maiden. No man approaches Katarina until Petruchio (Richard Burton--a wanderer who arrived in Padua just to find a rich wife--falls in love with her. After an intense, occasionally furious, courtship, Katarina eventually agrees to marry him, and they move to Petruchio's shoddy house, which is located outside of the city. Following the wedding, Lucentio reveals that he is not a student, but instead the son of one of the most respected men in town. Lucentio gets permission to marry Bianca and a mild-mannered Katarina shows up at the wedding, giving advice to her sister on how to be a good wife. The Taming of the Shrew received Academy Award nominations for Best Art Direction and Best Costume Design, and opened the British Royal Film Festival. ~ Stephen Thomas Erlewine, All Movie Guide

British teens struggle to win the right to vote in this swinging musical from England. When the established political parties pay no mind to the young campaigners and so the youths decide to start their own party and use some of England's most popular singers to help them campaign. Among the artists lending their support are Freddy Cannon, Bobby Vee, Brian Poole and the Tremeloes, the Spotniks and Joe Brown and the Breakaways. ~ Sandra Brennan, All Movie Guide

In this comedy, a British bus conductor is elated to learn that he has won the lottery's grand prize. Then he finds out that the prize is a visit from two Russian social workers. The conductor's wife cleverly turns the visitation into a drinking party and the Russians are very happy. They have so much fun that they tell all their Russian friends to stop in to the conductor's house for a rousing good time. ~ Sandra Brennan, All Movie Guide